I Transmigrated into the Lord of Calamities

I discovered that I don't hate my sister, it's that the sisters from Qidian all have the same style. I am the sister who hates this style.

. . . The protagonist's sister is a bit annoying ()

The protagonist is already a god, but it can only be said that he is not qualified. There is a Sanity setting, but the protagonist can actually chat with the believers? And that Senna is written like a teenager but she is an ordinary person. Why does she look down on God? Please! The protagonist you wrote is a god, not a human noble!

Do you still remember that the protagonist is an evil god? He does more righteous things than a righteous god. It is better to write a righteous god. He revives and summons players because of certain things. You also have to take care of the evil god's sacrifice. This can be played as a large-scale dungeon. Why don't you care about the old lady who can't cross the road (I mean, I don't really let you control)

Author, the pig's feet have not become stronger, and it feels boring. Personal opinion.

The book is good, but what does Pig's Knuckle rely on to become stronger? It relies on faith, but even with the development of aboriginal believers, there is no such thing as faith. It relies on disasters, but players have killed a lot for so long and have not become stronger. I don't know what makes pig's feet stronger.

The author mainly describes the protagonist's impact on the new world, right? But don't describe too much about the player's specific construction process, otherwise it will become a running account. You have to describe the interaction between the player's execution process and the world, or describe characters other than the player to broaden the world view. The key point of isekai literature is to have a weird world that will make players excited. It's useless to build things seriously.

The author is actually a woman. She writes really well. It's been a long time since I've seen a player write well.

See how it works?

It's quite boring, and I don't know what the sister is. There are absolutely no conditions for growth. The player's personality is not shown, and the title of the book is not worthy. The protagonist himself doesn't even have a way to grow, just the Outer God. Even in desolation, the personality of the outer gods will not change, and their existence is a source of pollution. There is no room for growth for players, and the performance is extremely vague. In short, players are not like players, but like puppets. The plot advancement and settings are also deliberately embarrassing. A younger sister inexplicably pushed the plot of Red Moon at the performance venue. I have to say that this setting of my younger sister is rubbish. This book can still be read if the title and introduction are changed.