My Lady, Hear Me Out!

Dear readers, it is very important to read the new book issue, please beg me! ! !

I've ordered it all. The writing is very good, and I like the plot. But after the male protagonist loses his memory, the plot becomes weird, and there are a lot of poisonous points. I can't stand it anymore. I'll keep this book for now, and I'll check it out later.

Amnesia is so ugly. . .

The writing is really addictive, and I will switch sides after just one nap. If I can't sleep, just sleep a few more times, and then I will have a daughter with 8 mothers.

This dream path looks really disgusting. It feels like I write whatever I want. The protagonist gets better and worse again. The same is true for the main character Dream Spirit. It looks disgusting. I have written so many chapters and I still don't know what you want to write.

Just a personal opinion. To be honest, this is the first time I have seen an article with such rapid progress. In the past, I always urged the author to speed up the progress. You are here. . . . Many emotional lines are all kinds of hidden lines, and they are detailed. Admittedly, as a harem reader, I really don't think there are many female protagonists. It is understandable whether they have different personalities or they tend to be homogeneous after being collected. However, such various buried threads and explanations later are a bit bad. It is better to unfold the story slowly and write more about the development of the thread. To be honest, I really want to write about the female protagonist as the main one, and monsters and monsters as upgrades. If the story is about fighting monsters and upgrading, with the female protagonist as a auxiliary, then there should be fewer female protagonists. There are too many female protagonists. It's really confusing when you read it, and you feel like you can't grasp it. If the author hadn't been giving various explanations to make up for the logical flaws, I really couldn't read it. In these two chapters, the imperial concubine has a biological daughter, Ying Zipei, and she is a baby. Doesn't this really make sense logically? Directly forcefully indicate that it is a test-tube baby? In fact, there is no need to write that this is not Hina, I feel like I have to accept it. To be honest, most female protagonists have stereotypes about their characteristics and what is the use of her. She also said that she nursed the protagonist when she was a child (some book friends also said that the nurse nursed breast milk, so I explain) and the author has always said that the protagonist has a higher level and world, so what is the use of a noble concubine here? Not to mention that mother and daughter are not easy to deal with. If you accept a noble concubine and stay in the palace, what reason is there to go out? The emperor got interested and took a look. Doesn't this disgust the readers? If you don't accept it, wouldn't it be superfluous and cause logic problems? There are already a lot of female protagonists, and if there are more, I won't be able to control them anymore. Either write about upgrading and fighting monsters, or write about how these female protagonists can be upgraded to match up with male protagonists. Choose the direction that you are good at and have selling points. The pace can be slowed down. I'm a little tired after reading it. I hope the author will write better and better.

Congratulations on the new book! In addition, I feel that after more than 160 chapters of the last book, the relationship between the male protagonist and the female protagonist has become a lot more confusing. Sometimes people feel that the male protagonist is a bit of a scumbag... I personally hope that the male protagonist in this book can be more stable in getting along with the female protagonist.

I read all the latest chapters in one night. Overall, I still think this book is quite interesting. I will share some personal reading experiences and hope to give the author some reference and help. I feel that the male protagonist's amnesia period has been a bit too long, as if he was looking at another person, and the sense of substitution suddenly disappeared. For readers, the sense of substitution is a very important point. When reading novels, everyone often regards the protagonist in the novel as themselves, fantasizing about fighting monsters and upgrading, fighting for power, and expecting the protagonist to defeat various enemies in that environment and see through various conspiracies. After amnesia, it is like changing a personality and telling someone else's story, just like Snow Silkworm. Gu doesn't want to kill himself, so the sense of substitution disappears, just like his own story suddenly disappears. Sweet and bitter plots have corresponding resonances, and they can be substituted in to enjoy the emotions of sadness and happiness. What is the resonance of amnesia... Moreover, the main reason is that the amnesia time is really too long. Although amnesia can be a novel plot point, as long as it never returns to normal, the sense of substitution will never come back. Too long amnesia will still affect the reading experience. There are too many emotional dramas. Is this book mainly about emotions? If it is about emotions, the harem is too open and not detailed enough. If it is not about emotions, this part of the book takes up too much space... If I just want the harem to be the core of the fun, it may just be a matter of my own preference. Personally, I prefer plots such as power struggles or secret revelations. If I just keep opening the harem to write about feelings, it feels like reading a rough romance novel like a running account. It is too trivial. The expressive power of daily trivial matters is limited and cannot promote the plot. It will make readers feel that they have seen too much daily life and cannot see the story. The background and settings are very interesting, the writing is quite good, and some details are handled very delicately. But precisely because of the interesting background and setting, what attracted me was the development of the plot, the protagonist becoming more powerful, and the freshness of constantly uncovering hidden stories. It was the unfolding of the story rather than daily life. I hope the author can write more plots related to events instead of daily trivial matters, and tell the story better. Of course, how to write it is naturally the author's business. Everyone has their own preferences. My personal preferences do not represent all readers, let alone the author. I just briefly share some insights and suggestions. It would be great if it can be of some help.

How can I put it? It's been too long since I lost my memory. Also, the progress of the plot is too slow. It could be sped up a little. I was really afraid that you would cut it before the senior sister I was looking forward to appeared. It was just as enjoyable to watch as the original one. But you ended up cutting it.

I always feel that if the protagonist's heart is not recovered or the memory is fully restored, it will feel a bit awkward, as if a different person has been replaced, but that person has the same body as the protagonist, but the soul is different. The main heart is the corpse heart. . . It's really hard to accept