
Traveling with Yulong Villa
带着御龙山庄穿越
- Status
- Ongoing
- Length
- 134k Words
- Genre
- Eastern Fantasy
- Audience
- Male
- Subgenre
- Otherworld Continent
- Updated
- 3y ago
- Source
- Qidian
Stats
0Monthly votes
797Recommends
16Fans
64Chapters
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Synopsis
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I read Chapter 36 in one go and had a little question. The protagonist's power growth depends on "luck", and therein lies the problem. The rule of the game world is "luck", so the protagonist takes the villa to another world, and it is supposed to be playing "luck" in another rule system, to achieve the core point of the novel that I have it when no one has it, and I am the best when everyone has it. In layman's terms, it means that others play other things, and only the protagonist plays "luck", and Through the need to obtain the power of "luck", improve strength and unify the world (this is equivalent to an invisible buff. It is difficult for others to understand why the protagonist's strength increases so quickly and is unstoppable like a snowball, but readers with a God's perspective know that this is a tried and tested method in novels). But the rules of the new world in the article are still "luck", and all forces are fighting for this. So what is the meaning of traveling to the new world? 😂 For example, the protagonist obtains the inheritance of the underworld and travels to a world without an underworld to create an underworld. This is the highlight; the protagonist obtains the Death Zanpakutō and travels to another world. Others practice fighting power and soul rings, while the protagonist plays the role of the Death God. This contrast and confrontation is the highlight; it is more obvious in urban novels. Well, that's a cheat. The protagonist's skills in suturing a few wounds have increased rapidly. Other people's suture skills can't improve much in a year. Can you imagine that the passers-by's skills in sewing several wounds have increased rapidly like the protagonist? Can this be seen😂... Having said so much, I hope the author doesn't mind. The story is quite creative.
Everything about this novel is good, but it doesn't feel like a powerful boss. It's not interesting to read. You have to do everything yourself.
A manager of a force goes out to fight with minions in the name of upgrading, just like a chairman of a large company who has to personally take action when cooperating with a street shop. What else can it be other than showing that your force has no talents? Either don't write about power. Your own power is just to pretend to be 13, not to make yourself stronger. The power that Qi Luck says is so powerful is not that powerful, and it can't even increase your own strength.
As a boss, you go out to fight by yourself every day without two masters by your side. What kind of boss are you? It doesn't feel like anything at all. If you write like this, you won't be popular at all.
The protagonist is a clown, and he has to take care of all the cats and dogs on his own, and he obviously has a group of masters at his disposal. I have to fight some minions myself.
After reading the third chapter, you, the owner of the village, took the lead to go out to understand the situation. What would happen if someone super awesome killed the protagonist in one go? Can't stand it anymore
As a boss, you shouldn't run around every day. You have to do all the big things by yourself. And I feel that if you have a boss around you, you should be accompanied by at least two experts. If you encounter anything, you have to do it yourself. You are a bad boss. You don't even feel it when you look at it.
A dungeon contains only bosses but no mobs?
Is there no mobs in this copy? It's all big monsters and bosses
There are so many experts who still go out by themselves? The layout is too small
Bone King? Looking at the introduction, I thought it was a martial arts version.
Looking at the introduction, I feel like the King of Bones. I just don't know if I can write the feeling of Bone King
Come on, author! Lots of updates! It's best to update 180 chapters in one day 😂