Mystery Revival: I Grow Stronger Through Breathing

The writing in other aspects is quite good, not as good as the original work. The protagonist behaves more and more like a virgin, and more and more bitch. First, the protagonist is not short of money. But what kind of thing you do, what kind of reward you want, this is what you should do! This is an affirmation of the value of one's work. No one thinks that civil servants do not need to pay wages, right? Secondly, at first, only relatives and friends could be saved, but later on, anyone could be saved. When someone sprays you, you have to back up to save him. In the end, it's up to the author to come up with the original plot. Thirdly, the Holy Mother has already started, and favor cards are being handed out everywhere. It is obvious that others owe the protagonist, but it turns out that the protagonist owes others. It's hard to say whether IQ requires payment. Fourthly, I obviously didn't want to join any forces or ZF units, but in the end I went there awkwardly. Just trying to mess with people? You know it so well, what is your plan? I just don't have my own plan. The result is that every plot of the original work has to be tacked on. Idealistic Zhongqing is rebellious, too young and too naive. One word to describe it is jian.

This sister, sister, brother and that Sissi can be written to death. It's really uncomfortable to watch. Just have a supernatural incident. The audience doesn't like the protagonist having a family. If the killing is more decisive, the performance of this book will take off.

It's a bit poisonous, I might as well write it as an orphan.

Write less family plots. The protagonist's family has skins and safety guarantees. Just develop more protagonist plots. It's not about writing group portraits. You, the protagonist's sister, is more like the protagonist than the protagonist. Now you are starting to pretend to be a pushover.

The protagonist is very powerful, but I would not accept the scene where his sister presses her butt against his face and farts.

To be honest, it doesn't matter if you're too hung up or not. The main issue is with the character setting. Brother, bringing up a family is a taboo for novice writers, let alone a mysterious recovery in a world where ordinary people can't survive. If you want to bring up a family, just forget about it and don't give so much attention to it, okay? Just explain it briefly and then set it up immediately. You don't want them to come into contact with ghosts. That's enough. The protagonist's family group will be cut off from him immediately. Just leave the means of protection silently. There are so many things.

Brothers, I read Chapter 4. It's so toxic that I can't stand it anymore. If it's too troublesome later, please give me a reply and tell me where to start. The previous chapter is really toxic.

The best way to resuscitate is to have a gold finger that can destroy the magic or collect the magic. After all, the ghosts in the recovery are immortal and immortal, and some are still unsolved. To be honest, the survival of the resurrected human beings depends entirely on the author's need to promote the plot. Smaller dead towns, larger dead cities, and larger ones like Goodfellas wander around the world and die wherever they go. When I saw the protagonist's two ghosts, they died in several cities, and the ones in the background were not counted. Here, even if they are born in a nest like the queen ant, it is not enough to die quickly. The key is whether the ghosts will die.

A bit like a virgin, I don't want to have a female protagonist

It's well written, but it's just that an Easterner fell into Western mythology and can't get out.