Exploiting Bugs in Authority: I, Yang Jian, Won't Die During the Revival

I initially clicked on this book because I was looking forward to the protagonist using unparalleled demon abilities from the Mystic World to swagger around and show off in various worlds. I thought any demon ability from the Mystic World would be enough to easily kill demons in Demon Slayer.

I bet five cents that this synopsis and opening of Demon Slayer will drive away more than half of the readers who clicked on the book.

Great, I'm already looking forward to the Pangu playing basketball storyline, the classic Taoist Ancestor going to a martial arts world to learn kung fu, and Doomsday going to Ip Man to learn Wing Chun. Don't let Demon Slayer's extremely low popularity fool you; it's incredibly popular, and with high popularity comes a need for a storyline. The author's portrayal of Yang Jian and Muzan fighting for 3000 rounds before Yang Jian's tragic victory, while drawing criticism, certainly generated buzz.

The villains keep getting stronger and stronger, suppressing the protagonist. They're constantly using cheat codes while simultaneously torturing the protagonist. It's really frustrating. He created a semi-original story, enhanced the "Crazy Ghost" element, and even Qin Laoshang was captivated by it.

Your best friend and the mysterious guy brought along a Demon Slayer character? What kind of social class do they belong to, sitting at the same table as these two?

Horror novels → Western fantasy novels → Xuanhuan novels Horror writing style → Artsy writing style → Romance writing style → Male-oriented writing style → Romance writing style

The protagonist has a cheat code, but his path is even more miserable and pathetic than the original protagonist. And most importantly, whenever there is an unexpected situation, it's always "this ghost is more powerful than the original one, it has become stronger." Whenever the protagonist has a hard time, the ghost that appeared in the original work will definitely be strengthened and cause trouble.

The protagonist is portrayed as both god and demon, then manipulated by the desires of others, being manipulated every time he hunts a ghost infant. If you want to suppress the protagonist's combat power, just honestly write that the protagonist is weak in the early stages; don't try to have it all.

The plot is infuriating. It's as if the author can't write a story without the protagonist suffering setbacks. They claim it's for plot coherence, but in reality, they deliberately add secondary settings to quickly skip the protagonist's growth stages and fast-forward to their defeats, like they have pica.

The author suffers from severe "artsy youth syndrome"—is this something written for himself?