What If I Could Enter the Game World

Travel to the wasteland era and gain the ability to enter the game world. After completing the task, you can take out various items. Play "Bridge Building Simulator" to "Taimo Simulator" and transfer all project funds to Momo. In "Thief Simulator", there is no grass growing wherever you go, even the grass on the ground. Crushing rockets with hands in "Doomsday Prepper". "Zombie Destruction Project"? No "Zombie Labor Reform Project"! Obtain items and technologies in various games to build the strongest city in reality! Tang Ming: "Dona Dona" is this a game I can play?

The novel is actually about playing a game in the wasteland. The real plot is too lazy. It has hundreds of thousands of words and is still being filled with soy sauce. The mini-boss are not pushed to death. The plot is all about twists and turns. Good guy, not a single plot has passed yet. So what is the use of the props in the game? They don't farm or fight for hegemony. I don't understand!

The magic conch knows everything!

Personally, I feel that the focus of this novel has shifted. There is one kind of game world and one kind of real world. Now it is all in the game world, and reality has not been advanced at all. The whole book is scattered, not a single complete thread connects it together.

It's a pity that the real-life plot was not written well. I wanted to be the Riddler, but it didn't advance the plot. The game plot was too boring, especially the apocalyptic game, so I didn't even bother to watch the ant game that followed. .

I was so embarrassed when I saw it. What kind of organization would be named Green Snake or Blood Lion? I really can't stand it. Elementary school students will laugh at you even if you bear this name.

What a great subject matter, but it's a pity that the author couldn't grasp it well.

It feels like the plot of Samsara Team Infinite Lord God is really bloody, just like the Dragon Team Dragon Teeth in the city, which is as unappetizing. Especially when it comes to the main world, the settings are basically as strong as the protagonist is, and the set energy level is as strong as the N+1 level. The settings are endlessly repeated between new creation and restart. I was really afraid that I had a convulsion that day and wrote about what this world is like. Hundreds of millions of years later, the spiritual energy of the prehistoric world was lacking. The spiritual energy gradually recovered. Cthulhu, the god and god of the old rulers, was resurrected to increase their sense of existence. It was really festive. This is just an example. Most novels that write multi-world dungeon plots follow this approach. Let's talk about the game features. The protagonist is basically invincible and can identify other games without being limited to the data of one game. This is basically 6. Then when I saw that the identification items were ineffective, I knew that the abilities of the main world were about to start to rise. There really isn't much to say about a worldview that is struggling to survive on a ruined land Let me tell you my opinion. It is better to end the main world as soon as possible, develop and restore civilization with peace of mind, not to talk about the stuck bugs in your own original games, gather humans to find games left over from the last century, and manage the game world well. I really have a lot to write about, and it is much better than the infinite expansion of the main world's energy level. Each game world feels like it just ends in a sloppy way. In fact, the story can be written a lot, which is an alternative kind of story. Neil is quite criticized here (personally). I used to like reading variety comics. The settings of Seven Seven Eight Eight are all stories where the protagonist obtains the core of the main god and travels through the animation world. Of course, the theme is also inseparable from the collection of beautiful girls. At first I thought these were novel, but after reading a few books I felt tired of them. Most of the stories at the beginning focused on the first heroine, but as the world went back and forth, the heroine's collection work became a routine, which was uncomfortable. After that, I refused to read novels about teddy dog ​​collectors, but the one that impressed me the most was a variety comic in which the protagonist captured 100,000 magical girls and made me vomit. In addition, when the author lets these game characters know that he is a character in a game, is he really not afraid that the world view of these characters will collapse? Moreover, the protagonist of this game is just an identity thief. When people recall it, they will find that at a certain point in time, the personality of the familiar "relatives" has changed drastically, as if they were a different person. After contact, the self-perception will collapse here. Can others still treat the "protagonist" as a stranger as the "person" in their memory? I may not express it clearly, but these are unavoidable problems.

In fact, the plots of this type of single-husband protagonist are generally boring. After all, except for the fact that he is a chaotic and funny person, the basic plot is narrated like a report. It is very simple and has no interaction. For example, if you are playing a game, will you care about the plot if you are playing a level-breaking game? Only by playing and developing can you care about the plot, the interaction of characters, and the story. To be alone is to enjoy yourself by living in the world of your own imagination.

Farewell eunuch, I hope to finish reading all the books. I have already surrendered 32 books.