
My Magical Industry
我的魔法工业
- Status
- Ongoing
- Length
- 694k Words
- Genre
- Western Fantasy
- Subgenre
- Sword & Sorcery
- Updated
- 3y ago
- Source
- Qidian
Stats
284Chapters
0Votes
2.8kRecs
22.7kFans
Tags
Synopsis
In booklists 2
Striving in a World of Realistic Illusions
Even with a golden finger, success still comes from hard work that makes sense. That includes the knowledge and wisdom accumulated in a previous life, of course. ...Could the protagonist really fail to survive in a new world or unfamiliar environment by relying on their brains alone? I read these for the protagonist's intelligence and courage. At the very least, historical fiction shouldn't have a System. That's that...
20Books54Follows3yUpdated
Fantasy and History
Fantasy and historical works that interest me, along with a few others.
34Books19Follows3yUpdated
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Reader comments 18
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Dear friends, isn't the symbol of the first industrial revolution the Jenny loom? !
Overall, it still has great potential. The writing and plot are good, but the details may not be good enough to withstand scrutiny. The biggest problem at the moment is that your grades are too poor. You can't do this label well. No one searches for industry. There are a lot of books about mages that can't search for you. You need to add lord farming and farming articles. Magic will be better.
Brothers, my application for signing the contract failed yesterday. I was already preparing to code on a stand-alone machine, but the big boss took advantage of me and I will sign the contract soon! Book friends who haven't invested yet, hurry up and invest!
Alas, does the author want the protagonist to use magic to copy the current industrial system in a different world? Isn't this taking off your pants and farting? Don't always talk about science. I found that many authors don't know what science means. They all regard science as a type of technology. Science is a way of summarizing, summarizing and certifying the known world through comprehensible data calculations, text explanations, language descriptions, and visual presentations. It does not represent a certain kind of tired technology, okay! In a different world with magic, magic is also science, and even cultivating immortals is science, because it is also a way of understanding the world. Maybe they are a bit empiricist and not detailed enough, but it cannot be denied. It is just different from us. There is no distinction between superior and inferior. I would say that the protagonist really does not need to copy the current industrial revolution step by step in another world. He only needs to study magic and the underlying laws of the world, and then summarize, summarize and apply it. If you have no motivation, you can only use water power? Then step by step for steam engines and internal combustion engines? If there is magic, why not use it? Just solve the energy storage problem directly, and then can't the flame runes and electricity runes create a power source? Now that we are in the magical world, can you think about using the power of magic more? Problems that can obviously be solved by magic alone have to go a long way. In the magical world, magical power is the primary productive force, okay? Last point, the author makes the protagonist too simple, and the human heart too simple. Everything goes smoothly. The protagonist doesn't even have his own basic base. The most important thing is that he wants people but no one, he wants power but no power, and he wants strength but no strength. However, he keeps spreading technology. This is simply asking for death! It really makes the princess and those people look like good gentlemen!
The biggest problem with this book is boring. Author, do you understand that what readers want to see is not a large piece of boring settings and explanatory texts based on fantasy, not how the protagonist works in the laboratory to create a "magic engine", but that the "magic engine" created by the protagonist sets off a magnificent storm in the other world like a butterfly flapping its wings, and then many forces, good or bad, involve the protagonist in the whirlpool, causing more interesting changes. Unfortunately, the author's writing style is obviously the former. This led me to skip through the first four or five chapters. What I liked the most and found interesting was the small part that had nothing to do with "industry" and was serialized in a newspaper about the Holy Grail War and the Princess's inspection. To be honest, I feel that writing about cultural invasion has more potential than magic industry. There have been no outstanding works of this type recently. It's a pity that this book has been accumulated for a long time, so I can only wish the author good luck in the future and try to improve it as much as possible.
Some minor questions after reading the free chapter. 1. The cost issue is basically a common problem in all farming novels. They spend money lavishly. Although the benefits brought by the new industry are revolutionary, such high costs will soon make ends meet. Moreover, the protagonist is obviously taking a technology diffusion route. He does not know how to reduce costs in the early stage. When allies master the technology, profits will radiate outward from the core area and shrink. What should we do with high-investment industries in the later stage? 2. Currency issues. The amount of precious metal currency has always been a big problem, especially in the setting of the late Middle Ages. The poor class began to circulate gold and silver coins in large quantities. If it develops according to normal logic, the protagonist's salary to the poor class will immediately cause inflation in the imperial capital. In the period when urbanization and capitalism have not been effectively established, a large amount of precious metal currency will enter the poor people who make up the vast majority of the population, which will have a devastating impact on the economy. The mage sergeant has worked hard for ten years to be worth 15 gold coins. The protagonist can give dozens of silver coins to a few gold coins with a wave of his hand. It is too abstract. 3. Regarding education, compulsory education is indeed good, but I personally feel that it can be supplemented with crash courses such as night schools for workers. The cycle of the former is too long, and the author's writing is too detailed. I worry about whether I will see the first batch of slum children graduate from high school in my lifetime (laughing) 4. To be added ... All in all, it's pretty good-looking (。・ω・。)ノ♡ In the technical aspect, I think the details of the construction of magic can be briefly summarized. After all, it is not really about calculating coordinates and functions. The aftermath of the humanistic influence can be appropriately tilted. Since there is such a thing as magic, and there is a group of idle and high-quality people like mages, it is really worrying that the protagonist has been going around in circles for so long and still thinking about cultivating talents from scratch. With Master Fa as a pioneer and enterprising pioneer, what kind of Renaissance can we directly enter the Enlightenment Movement? Nationals! You have reason as a fulcrum and magic as a lever, why haven't you leveraged the entire empire yet! ? Citizens and fellow mages, take courage and move forward!
I have become extremely annoyed with those nobles and that royal woman. Their butts are not the same as the protagonist at all. Instead, they are all kinds of obstacles. It is recommended to cultivate a new bourgeoisie as soon as possible, and then deprive the aristocratic rights and royal powers into a seal. This is the best royal family and nobility
It's too natural, and it's too smooth.
If you get yourself a lord. It would probably look nice written like this. It's a pity that I wrote a three-page article to help a princess ascend to the throne.
A little idea
Although the author didn't write it, given that the king recruits magic students for free, but the number of students is still so small, I speculate that learning magic requires innate qualifications. Next, imagine a small idea: the protagonist invented a magic machine and a series of magic machines. However, due to the expensive magic crystal and the shortage of magic workers who can burn magic circles, the magic machines are expensive. A certain (or a group of) mortal workers in the protagonist's factory received a school education and were inspired by the protagonist to invent a technological steam engine. The protagonist supports and lends them funds to build the factory and put it into production. However, the status changes between the mortal class (due to the advantages of magic, it can be judged that most of the upper class are descendants of magicians) and the upper class have caused many conflicts. For example, because steam engines are cheap but noisy and cause smoke pollution, the magic engine group imposes heavy taxes on steam engines (the name is carbon neutrality) For example, the magic car floats in the sky and the steam car walks below, so the emission standards are stipulated. The steam car must be equipped with a magic rune plate to eliminate smoke and dust, and the steam car cannot go on the road at night, etc. The protagonist mediates and promotes the emergence of internal combustion engines and electric motors. As a result, mortals gain stronger power, and at the same time, due to the development of chemistry, they have stronger force, and mortal schools and mortal research institutes appear. At the same time, because magicians have a natural cognitive advantage in understanding the nature of the world, science develops faster. At this time, the protagonist's advantage of time travel has disappeared, and then he enters the science fiction era. Whether the two factions reconcile (such as genetic technology to improve qualifications) or conflict breaks out is entirely up to the author.