Wizard: Synthesizing All Things

This introduction is not in line with the content. It's a bit of a trick. I'm reading Chapter 24 now. The two horses come together at the beginning, which is a bit creative. The synthesis of all things in the next section is the same as strengthening items. It would be nice to have more interesting synthesis products.

The author's writing style is quite good, but he commits the common trap of most novice writers. He wants to give the protagonist all the good things, but the protagonist doesn't have much to use. The author only arranges for the protagonist to use some of the resources, and the other things basically become waste. Just like the author's book, giving the protagonist The corner arranged so much magic knowledge, but the author only arranged the wood spells for the protagonist, and the rest became waste. It is obvious that these spells and knowledge can be used to fill a lot of words, and these poisonous points can be filled in. However, the writing is not up to the bottom. I want to write everything, but the result is a mess.

If you don't write about the heroine, there's no need to spend so much ink. Once you've taken advantage of her kindness, there will be nothing to follow. Why bother?

The development of the plot is a bit too outrageous. Just after leaving the novice village, a nine-ring wizard comes, and we always encounter situations where the big boss just can't solve the problem and needs a little shrimp! It was very inconsistent and the plot was very uncomfortable!

To be honest, since Warlock and Wizards Immortal, there have been very few good Witcher novels. Of course, Wizard World does not count. I didn't read it because the person who recommended me to watch Warlock at the time said that after watching Wizard World, you should not read Warlock, so go for it (≧∇≦)/

Seeing now, all the events are a routine of pushing back and pushing back. In the end, the one who deserves it is not obtained, and the combat power is forced to force the protagonist who has a business tendency to have to improvise every time. He is obviously cautious in nature but he is extremely reckless when signing the contract. It can be understood as a disguise, but he swears by his origin casually. His character is already on the verge of collapse. This is all in the past, so I will only mention it. The main problem is that the protagonist does not fight for his own interests. If you follow a routine for a long time, you will not learn from it and gain wisdom.

Author, could you please revise the first few chapters? Don't use Liu Bei in the enlightenment language at the beginning. It's so embarrassing for me to read it normally. The car can be driven, but it's not driven like this.

I wrote about how powerful human power is before, but now it feels like anyone can step on it. 눈_눈

The more I look at it, the more boring it becomes. It was obviously about the alchemy system, but now it's all about witchcraft.

It's good to subscribe to one chapter. I just keep doing Shilipo Sword God and occasionally write about human relationships. The main focus is also Goldfinger's whole life and Shilipo. Then Chapter 40+ starts the whole life. First there is the unexplained emotional drama, and then there is the inexplicable fusion of one's own soul to save oneself in danger (don't say it didn't affect the later resolution, guess) Guess how many people just gave up after seeing this without even looking at it? ) To be honest, I already wanted to give up because of the inexplicable emotional drama. If I hadn't thought about whether it would be different in the future if I still had a free chapter, I didn't see anything, so I started to work on it again. Looking at the comment area, it seems that the post-production synthesis elements have also been weakened? Anyway, if you can accept these things, just read it. The writing is still online, but it's just not suitable for me...