The Experiential Superstar

This is a new book and a different genre. As a newcomer, you should learn from the lessons of the previous book, change the points that made you complain a lot, and continue the style and type of the previous book. At least it is stable and has a certain fan base. If you just open a book, it will be completely irrelevant. New books will only have new poisonous points, and then readers will complain and undermine your confidence. In the end, you may make the same mistakes again. I don't know what you think, but anyway, I hope this book can be written well. I will add a bookshelf to wait and see.

You haven't updated for too long, and you haven't brought back the popularity of your old book. Come on.

Damn it, just three of them, aren't you bullying honest people? Let the person next door who has been a prostitute for ten years see it and think I look down on it. Ten more pictures, ten for each person.

It's so disgusting! You just cut it when you got excited? Speechless😓

. . . I can recommend this eunuch

To be honest, I have never understood why people watch this kind of love variety show. Not to mention whether there is any script or the like, just the artificiality in it is unbearable. It is really stomach-churning, and there are also plots that make me feel embarrassed just watching it. It's really hard to understand ╮ (╯_╰)╭ Just like I never understand why people watch bloody idol dramas?

I finally understand why it's so hard to live in the city. There's nothing wrong with the writing and the protagonist. The problem is that we have seen this routine so often that it feels ordinary unconsciously. It's really difficult for the author😅

Come on, author! As long as you have strength and belief, you will always get through it.

I basically don't post comments, especially not about writing, but I still want to say that many people who write about the world and humanity always follow the main line, saying that it is to keep the situation under control, but it feels that the author's writing power is not enough (it is indeed not enough) or the author does not want to change too much and is too lazy Think about the outline), you are different from the author. The story is written by a reckless man, and the plot is completely messed up. It has its own flavor. I personally think that the deepest and most natural flavor is the part between A Chinese Ghost Story and Li Xiaoyao. Ning Caichen and Li Xiaoyao are vivid, and Bajie has few appearances but his characteristics are also very distinctive. The shortcoming is that it is simply reckless for the sake of being reckless (but this is not the original core of the book and cannot be violated). Sometimes it feels like it is killing innocent people indiscriminately. As a fan of novels for many years (or maybe called a bookworm?), I personally prefer to be rash when it's necessary, but there are subtleties in it. Not just rash for the sake of being rash, but also some resourcefulness to take advantage of the situation, rather than just fighting on my own. At the same time, a tough man has tenderness (so I meet the girl in the secret place) I had a good sense during the period of Wa), she also has the world in mind, fights against bad guys without mercy, but when the situation is easy, she can also hold back appropriately when she can lead people to do good. She is not a wise man, but she is not a simple reckless man, she is not a virgin, but she is not a strongman who does not distinguish between good and evil and just kills people according to his own preferences. I have written so much that I don't even know what to write. Finally, let me talk about my personal thoughts. If the author writes about the universe in the future, I hope to write a different book that is not reckless for the sake of being reckless, does not forcefully pretend to be smart for the sake of wisdom, and does not forcefully subdue intelligence for the sake of plot. Rather, they can analyze the unreasonable points in the plot, such as pig teammates in horror movies, stewards seeking death in disaster movies, plots that forcibly subdue intelligence, and the protagonist is the one who breaks these, correcting the pig teammates hard, slaps in the face by the steward seeking death (does not have to be strong, being strong often makes people too pretentious), etc. Don't force conspiracy theories to solve plot bugs. If you can't think of a reasonable reason to solve them, it's better to leave them alone. It's better to let the protagonist use his strength to reverse the tragedy or the annoying ending. It's also good to leave the plot suspense and wait until he comes up with a better idea to return to the world. If you can't think of it, it's okay to leave it alone. Readers just want to enjoy watching it. Writing this reminds me of a movie, I forgot its name. The plot is that a group of people were lured to a place, and then were guided to choose zombies. The zombies came out and killed a few teammates. The teammates tried to escape but were locked up. The last few people fought into the villain's lair and found that they were sacrificed. There were various ghosts in the lair, all of which were released by the protagonist. At the end of the movie, a big hand appeared to smash the place where the incident occurred. According to the plot, the demon with the big hand will destroy the world if the sacrifice fails. This movie is very interesting. The logic of the plot is perfect, and perfection lies in the force majeure factor at the end. There are no other messy things, no tragic villains, no demons who want to destroy the world, and no demon king who wants to unify the world. There is only an unreasonable demon who will destroy the world without doing what I want, or a world-destroying machine without emotions. With this force majeure, it doesn't matter if there are some unreasonable plots and some crazy people. Okay, even as I write this, I don't know if I have fully expressed what I want to express, so I won't write anymore 😥

This is too short. I can't even read it for ten minutes.