I Burned All the Heavens in Kyoto

This book is very well written, and the dungeons are related to each other. However, there is a shortcoming. The time spent in the dungeon is too short, and each dungeon has a knife, which leads to a sense of fragmentation. You are knifed before you enter it. It has a very funny feeling. It would be great if the time spent in the dungeon could be increased.

I have watched it, and overall it is okay, but it tends to be dark and pessimistic, and the background of the main world is set in Japan, which has a strong sense of mourning. I like the Japanese background and it feels pretty good. It has a sad sense of things like Nihon Monogatari, but if you don't like the Japanese background, forget it.

There's no big problem, it's just that the plot is too rushed, forced sacrifices, and no foreshadowing, resulting in emotional outbursts that look like paper.

Let's complain about how poor Japan was in ancient times Everything cannot be generalized, and the Taiga drama cannot be regarded as official history. The Japanese ruling class is divided into three types: the royal family, the public family, the samurai family, and the temple community. The book review also includes Oda Nobunaga and the Tokugawa Old Turtle whom the author used as references. They all became people in the world, including monkeys, by crossing over from the upper class to the upper class. . . Their habit is to riot and seize territory. Compared to the Imagawa family and the Ashikaga family, they are nouveau riche. Things like food, clothing, housing and transportation are extremely expensive to play with, but cheap are not available in the fields. Take Hideyoshi as an example. In the first episode, a monkey steals a radish and eats it. . . Later, when I became a handyman, I could eat brown rice, and when I became a samurai, I could eat brown rice mixed with rice, and drink a little wine at the same time. After becoming a city lord, the conditions are better, but I can only eat rice. If pickles are better, I will pair them with two small grilled fish. . . This kind of reference is actually a symbol of being poor for a long time and then getting rich, and being thrifty and thrifty. It's not that he can't afford good things. However, society does not allow the consumption of meat from birds and animals, so we can only do some hawk hunting and eat it quietly without being discovered. Moreover, Japan's productivity is low or its cooking level is not good enough. But the superior's food cannot be said to be bad. . . Monks can go abroad to study in Tiantai Mountain, and their vegetarian diet will not be bad if they learn from Chinese monks. And Japan's Iwami Ginzan and Kai Gold Mine will be familiar to anyone who has played Japanese historical simulation games. The protagonist of this book is the adopted son of the Fujiwara family or the priest of the temple. I just saw that the author's setting is similar to the late Heian period and the early Kamakura period. You all know Kamakura, but haven't you seen Taira Kiyomori? The Renping family engaged in trade with the Song Dynasty. They used porcelain imported from the Song Dynasty, wore silk brocades, and had a specially invited cook to eat! The nobles in Kyoto could hold tea parties and banquets every day for 365 days a year. That is to say, during the Warring States Period, the shogunate and the imperial court were completely at odds with each other before they were reduced to the situation where the emperor sold his officials and ministers sold calligraphy and painting. And this is only an isolated case. The ancestral manor in the family has been occupied by people from various places. There are so many flaws that I digress. . . In short, to put it simply, give the protagonist's identity a good reputation and don't deliberately suppress it. Japan has always been isolated overseas and has not had much communication with the outside world. Except for the Tang, Song and Ming dynasties, we haven't had much communication with each other. Japanese people have shallow eyes and don't know how to play high-end games. The entire history is nearly a thousand years behind China, but it also has its own unique features. Blindly belittling and looking down on the little devils, the only ones who will suffer in the future are themselves. If they really pull their hips, they will not be able to carry out 918 or the war of aggression against China. Although it may be a bit impatient, Japan is really not weak. The only reason is that it is in the monster room of East Asia. By the way, I learned about Japanese history while playing Japanese games. It can only be said that they are really divided into two levels. The almost caste system means that the upper class can drink all night long and get drunk, while the bottom class is wrapped in straw mats and has no clothes to wear.

In fact, the stories in each dungeon are quite good, and there are no major problems. However, they always end in tragedy. When I see a Yamata-no-Orochi dungeon, the protagonist must be given a dilemma at the end, whether to save his friends or save most people. You write that little girl so tragically and tragically, and then arrange for her to be resurrected so that most people will die. If she is not resurrected, will we readers feel comfortable? That's it for now. I don't like watching tragedies. This author likes some kind of Japanese mourning. If you like it, just read it. If you don't like tragedies, forget it.

It is recommended that the protagonist be renamed Li Mei

Let's learn about Japan's ancient background here. Many brothers may not know much about Japanese history, which may cause obstacles. I will briefly introduce it here. The following is the general history of Japan on earth: 1. The Izumo Kingdom Period (In the mythical era, it is said that Susanoo founded the Izumo Kingdom. The specific time is unknown. It is speculated that it is the period from the time when Xu Fu fled to the Three Kingdoms) 2. The Yamatai Kingdom Period (This is the era of Queen Himiko as we know it, which is roughly the Three Kingdoms period in our country) 3. The Tumulus Period (the information is incomplete, not much is known) 4. The Asuka Period (the time corresponds to the Sui Dynasty of our country, when the Fujiwara family only covered the days, and the entire Japanese institutional culture learned from the Sui Dynasty) 5. Nara Period (the time corresponds to the Tang Dynasty) 6. The Heian-kyo Period (the monster we are familiar with, Abe Seimei, is this era, and the time corresponds to the middle and late Tang Dynasty) 7. The Taira Era (the Taira family became the shogun, representing the decline of the entire Japanese public family, the rise of the samurai family, and the samurai class officially entered the stage of history) 8. The Kamakura Era (the Genji shogunate and the Hojo shogunate, the main world where the protagonist lives) The prototype of the world is this era. The time corresponds to the Southern Song Dynasty) 9. Muromachi Period 10. Warring States Period 11. Tokugawa Shogunate (the swordsmanship, schools and various swordsmen we are familiar with are basically the Tokugawa Period and Ming Dynasty) People who lived during the Qing Dynasty, the time corresponds to the late Ming Dynasty to the Qing Dynasty) 12. Meiji Restoration As for the fictional alternate world in my book, many eras have been deleted and modified, as follows: 1. The Izumo Kingdom Era (the second subtitle) The era when the protagonist killed Yamata no Orochi, I put all the ancient tombs, Asuka, and Nara into this era) 2. The post-Heiankyo era (the fall of Izumo country and the establishment of Sakura country) 3. The Taira shogunate (the Fujiwara family declined, in my setting The Taira family moved their capital to the capital of God) 4. The Genji Shogunate (the era where the protagonist's main world is located, the overall system of this era inherits the system of the Asuka period, with the addition of the feudal lord system) The timeline will be very clear in this way. The second copy is written about the Izumo Kingdom era. The Japanese swordsmanship school did not flourish until after the Warring States Period and was fully formed. Most people's stereotypes of ancient Japan are from the Warring States Period and even the Tokugawa Period. The Izumo Kingdom era (it is doubtful whether it exists or not) is more than a thousand years away from the Tokugawa era. Even the Genji shogunate where the main world of the protagonist is located was 500 years before the prosperity of the Japanese swordsman school. Japan in this era as a whole imitated the Sui and Tang Dynasties, which was completely different from the stereotyped ancient Japan. Japanese culture in this era was more like a beggar monkey version of the Sui Dynasty, and local changes were made on this basis.

It feels okay when I write it, Liangcao, but why is it that every copy is always a bit pessimistic, and someone related to it always has to die?

After seeing the latest fifty chapters, the main plot of this book is more Crusoe-style, mixed with most books about extraordinary demons. Traces of the copies can be found in anime or novels, but they are so tampered with that they are no different from the originals. Because most of it is original, some plots are a bit depressing. The protagonist's abilities are somewhat contradictory, and the combination of extraordinary abilities (substitutes) and regular abilities (weirdness) is not very good. The character of the protagonist is okay, and there are currently no Madonna or wisdom plots. But this book sets up various pitfalls, mainly because some of the copies are from the past timeline, plus weirdness and demons. The whole thing will be a bit chaotic and the pace will be very slow. Summary: This book has a lot of pitfalls, slow pace, confusing plot, and a little depressing. There are flaws in the ability integration (which may become more and more serious later on). The protagonist has a decent personality, no intelligence loss, and not weak abilities. The overall feeling is that you can take a look at it, or keep watching it. Worrying about the later stage. It is not considered a fairy grass at present, but it is also edible.

After reading the first dungeon, I feel pretty good. Isn't that girl an NPC? If you die, you will die

Yidong

Forehead. . I feel like the writing is average? Is it that good?

Yiji

The title of the book sounds like a good read, but the comments section says it's a sad read.

The writing is actually pretty good, but don't you think it's against the grain for an author who was born in Tokyo and always uses a Chinese name to the outside world?

The content of the plot is completely inconsistent with the label. The label said it was relaxing. However, except for the beginning, the main character fights all the way from Yamata no Orochi. The opponents are all much stronger than me. The plot is also very depressing, which is not to my liking.

If the third bomb is a nuclear bomb, it is really close to an artificial star. It does not matter if it changes the landscape. The tens of millions of degrees of high temperature of the atomic bomb can truly destroy all known matter and produce a powerful explosive force. Of course, if it is a hydrogen bomb, the inner temperature is 150 million degrees, which is higher than the surface temperature of the sun. It can be regarded as a small sun. Most lower-level worlds basically do not have life forms on the sun (the surface layer does not fall into the core) and can still survive.

In fact, I feel that each copy is well written. As for the tragedy? Those who are used to reading white text will naturally not be able to understand it, nor do they understand what tragedy is? Tragedy has always been an important part of human literature. Besides, if you look at those ancient Japanese novels, you will find that many of them are tragedies. Some people like to watch tragedies, just like some people like to play with dog heads. Speaking of tragedy, Yu Hua's life is even more embarrassing to watch.

Literary youth is a disease, and feeling self-conscious will only give you goosebumps Fortunately, each copy is easily distinguished by its name, so you can skip it directly.

I feel that the author is a little over the top and too immersed in his own plot. It is a compact plot from the beginning. There is too little description of the protagonist and his surrounding environment (what is his status, what is his goal, and how to achieve it). Too little explanation and too much progress make it easy to get confused when reading. Also, no matter how sad the tragedy is, it is difficult for others to resonate with a tragedy that has no core. Because words are not telepathic, it is difficult for readers to think what you are thinking and feel the same way. In the absence of empathy or a sense of empathy, long paragraphs of sad text will be a bit cumbersome. Even if your writing style is as good as flowers, it will be useless because you will not understand your expression. Of course, the writing is really good, but I don't know which veteran is trying out a new direction.

The main world of this book has collapsed. The outside of the city is occupied by monsters, and the monsters that can easily prey on humans can only run into the city. It can only be said that all the humans outside the city are dead, and the roads are impassable. There are no daily necessities outside the city to be transported into the city, and the city will be over sooner or later.

Run accordingly

People who like this book should still find it good, but for me, it is not to my liking. The feeling of literary youth, everything is a touch of sadness, there are always some weak, but with shining points of humanity, small supporting characters beside the protagonist, and then die, it seems to arouse your emotions, but I just feel numb, watching Japanese comics and two-dimensional You should be able to understand the author's writing style, which is obviously two-dimensional. The dialogue has the feeling of a hot-blooded Japanese comic. Some of the pretense makes you want to complain. The villain will tell you some truths at every turn. It seems that the villain is quite bold... Reading this novel, I think of the domestic youth pain movies again. Oh, it hurts.

How to say it? The writing is very good, and it is a high-quality novel. This is rarely a novel that I don't like, but I also write reviews. The author's writing style and the overall plot of the story are very well grasped, and the best part is that the helplessness and desolation are just like the feeling of being alive in Inuyasha. The description is quite accurate, especially the shortage of supplies in Japan. This is particularly realistic. For the ancient Japanese ruling class, when entertaining other ruling classes, having a plate of barbecue and a few meat dishes is already a luxury, and it can also enter the historical event. The overall feeling of this novel is depressing. If you like this type of novel, you will love it so much that you can't help yourself. Unfortunately, for me, novels are used to relax and kill time. So this novel is very well written, but it's not to my liking.

Ask out of curiosity. As for how to write about science and technology, it is difficult for authors to achieve success, and it has always remained the same. To be honest, as a modern person, I am still a Chinese. The skill of farming should be taken to the core. Set a small goal first, so that everyone will have no shortage of food, clothing and water, so as to meet their survival and material needs. I would be very happy if technology could develop to the point of World War I.

There's nothing toxic about this book, but it's just that I can't bear to read it after reading too much, or the protagonist's skills are not attractive.

The book is a good book. It's a masterpiece for me. I just have a stomachache. The world in the book is really miserable.

Unattractive, not poisonous, but I can't calm down and watch it

Foreign God: Are you the strongest foreign god? Xiaobie Mountain!

After reading the first few chapters and complaining, the changes to the ghoul are too outrageous, except for the characters, almost everything has been changed. By the way, I would like to recommend "Ghoul". It's really good to watch. It mainly tells the story of the struggle between human beings and the ghoul transformed into humans. It feels quite real. But in the final analysis, it's a matter of stance.