I Raised a Traveling Frog in Mortal

Han Laomo is like a middle-aged man who climbs up to high risk step by step in a state-owned enterprise. Most people can't describe that feeling.

Has the frog broken through the shackles and come to the mortal world? , When will you break through to the perfection of swallowing and covering the sky 😂

Goldfinger is all written wrong. Mortals don't need all the miscellaneous things from the world. It would be more interesting to read an ordinary Goldfinger. Fast food articles are not suitable for ordinary people.

When you see that the chapter names are gone, you know that this novel is already gg

I have read a book called Next Door, which takes the mother of Han Laomo and becomes an in-law. Did the author have this intention?

Why don't you name your frog son? Frog son, how hard you work!

In fact, if you want to recruit Taoist companions, the original works of Nangong Ziling, Yuanyao Yanli, etc. Are all excellent choices. Why? Because they really ascended to the spirit world. They can soar under such poor conditions in the original work. If you invest in them now, the rate of return in the future will be huge. In the same way, Taoist couples are also natural allies, and judging from the original work, their characters are not bad.

I hope that the protagonist in the later stage will have his own path, his own opportunities, and his own skills. He will not follow Han Li in everything. He is not interested at all. Han Li already has an image because of the legend of Mortal Cultivation of Immortality. What about the protagonist? What does the protagonist look like? Also, the relationship between Chen Qiaoqian and Chen Qiaoqian was very stiff and a bit awkward. I hope it can be improved. The Traveling Frog is the golden finger of the protagonist. He doesn't need to get something of great value and usefulness every time, but he can't be a waste, downplaying its existence, and writing it is of no use at all. People who can stand at the top are all hexagon warriors (it can be bad, but there must be ways to make up for it), and there will be no obvious weaknesses. If you can't figure this out, the protagonist will be useless. Without opportunities, no one can reach the top of the mountain. Who can reach the top of the mountain without some luck, talent and background? What does the protagonist compare to others? You are just a country bumpkin from a small place. You are the true successor of the sect selected by the sect who transformed into a god and ascended to inherit the inheritance. Do you think the chance of talent cultivation will be worse? You must make use of everything you can. The Traveling Frog should help the protagonist improve. It is not just a matter of chance. It must be helpful to the protagonist when he needs help. Otherwise, with your fire and wood spiritual roots, why should you compare with the elites born from the spiritual roots of fire and wood, special physique, top talent of the Six Arts of Immortal Cultivation, inheritance of transformation, and life and death? The protagonist can't be someone who can't ascend, right? You can be weak and powerless for a while, but you can't be useless forever. You are no one's vassal, you are yourself, you have your own wonderful life, ups and downs, and temptations.

In fact, I feel that when writing about mortals, the most ideal Taoist companion in the early stage is Dong Xuan'er, after all, soft rice is quite delicious. The mother-in-law is in the Golden Core stage, and the demonic invasion is the father-in-law in the Nascent Soul stage. This smells so good, but not many people write ╮(‵▽′)╭

Can the protagonist be like a protagonist? There is no need for Long Aotian, but don't be a shit beetle either. Now that mortals are famous, the author should write more of his own ideas, stories and settings based on mortals' worldview and logic. I came to see the protagonist Lin Luo, not Han Li😓.

After watching The Mortal's Cultivation of Immortality, I'm reading what you wrote, and I'm not interested at all. I can't take off my clothes, and everything is based on the plot of Han Li and the story of a mortal. I write characters written by mortals. Do you have any original characters? Can the original plot serve the protagonist? It cannot attract the remaining readers of this book. It cannot stand firmly. It cannot advance the story based on the original mortal plot, solve some regrets of the mortal plot, form a deeper bond with mortals, strengthen cooperation with Han Li, achieve mutual benefit and win-win, and cannot attract mortal readers. You don't have both the old and new reader groups, so how can you get results? Look😡, what is the protagonist like?

I want to know how the author views the protagonist, a loser? Does the protagonist have his own personality, behavior, and strengths? When writing about the mortal world, you are not the original author. The best thing is that you neither belittle Han Li nor elevate Han Li. Lin Luo is the protagonist of this book. What you write is Lin Luo's story in the mortal world, not the story of Han Li and Lin Luo. If a book cannot even establish the image of its protagonist, what prospect does it have? Who wants to see that the protagonist's talent is neither the best nor the worst, and there is also a traveling frog, so why should he be ranked below Han Li? Whether the story is exciting or not is the criterion for whether the book is good or not, not everything about Han Li. Han Li is not the father of the protagonist, so how can he put his heart and soul into it? Just cooperate when it's time to cooperate. Others are completely unnecessary. If you write too much, everyone will be upset.

Are you planning to give up?

It just looks so boring. 😔

One can become an immortal after a hundred refinements, and the spirit-tempering elixir can allow ordinary people to have spiritual roots. It's hard to calm down when the ink phoenix dances around the world. It's better not to travel through time without changing.

You have your story, Lin Luo has Lin Luo's life, don't write any more clumsy words, cooperation will benefit both sides, Han Li is also a realistic person, not a puppet, nor is he the son of Fang Han's world. It's not interesting to write like this. I don't like to read things without myself. When a person lives, he must first be himself

You can look at Xian Hu, how Toad writes about Jiao Fei. He is not the most talented, nor the strongest, but he has his own way. Zhong Shenxiu can be said to be the top of Xian Hu stories, a legendary figure. When I watched it, I wanted to be Zhong Shenxiu. But Jiao Fei was not bad in his later period. His image was established. Everyone has his own wonderful life, so why envy others. I am who I am

I hope the author can write a story in which the protagonist becomes powerful all the way, and write out the protagonist's character, characteristics, and image.

Does the author need me to send you a dictionary? Can't you check it before updating? So many typos→_→

The annoying indifference is profound and the meaning is long. If you can't write it, you can use the world view to write your own plot and write your own story rhythm. Why can't you get rid of self-imposed limitations? I only read your plain narrative and get upset. It's because mortals have lost the unknown inner construction. You don't have a style yourself. What should I watch?

Have you suddenly become a double cultivator recently?

Chapter 22, I'm skipping to read it, I feel like even with plug-ins, I'm not invincible. I've read too many Tomato Invincible articles, and I can't stand the mediocre ones anymore.

Author, do you want a eunuch? I ordered all of the first order on the day it was released, and I planned to keep reading for the rest of it, but today it has been updated once a day. I feel like you are going to be a eunuch. 😅

Same as Mortal Travel Panda

Lin Luo must have his own characteristics, personality, and behavior.

I don't like passive protagonists. The protagonist should have his own skills and abilities. Every wonderful person will not be a weakling. Is Qingyuan Sword Art the most powerful technique? Which technique is best for the protagonist? If you had the most powerful technique in the mortal world, would you still be so afraid of this and that, struggling over and over again? The trouble comes from insufficient strength. Your frog cannot bring you the resources of a strong person. As I said before, what can you do to compete with others? Where do the weak get the right to speak?

Go to QQ to read and subscribe, starting point is less used

If there are too many women and the realm cannot keep up, it is better to go to another world and find someone who practices dual cultivation like the Emperor's Internal Canon. Wait