Tiandao Doesn't Work Today

The first few chapters were okay, but when Jiang Shouyi left, the plot became disgusting. Let's talk about the protagonist first. The protagonist ran the immortality cultivation method for the first time, and it ran very smoothly and was very smart, right? But he has lived for so long, why hasn't he learned to be flexible and does things like a dementia? Silly. You can say that he has never read a book and does not understand any big principles. But after living with Jiang Shouyi for so long, have you not learned any life skills? You want to show that he is innocent at heart, and I understand that, but it is not shown at all. I can only feel that he is a fool. The character is very one-sided and only a few emotions are shown. There is also the appearance of the first demon, Shen Leling, who eats people as soon as he appears. It stands to reason that he is a very evil monster! In order to improve yourself, you can design to harm other living beings. If you encounter a creature like the protagonist, you will probably want to eat it. But it didn't happen, and instead I had to train him (maybe I'll eat it in the future, but I couldn't bear to complain when I saw this 😒) And when the monster talks, he laughs and giggles. It's so weird. This kind of deliberately added contradiction is very disgusting. I have read your previous novels and they were all very good. Why is this one so disgusting? Alas, I know that these pitfalls will always be overcome in other ways, and the protagonist will also learn to be flexible in the future. It seems that I am really frustrated

Waste of my money, won't watch anymore. The more I look at it, the more I pull it. Numerical values ​​are useless if they are piled up. If you only look at the characteristics, the author's logic is not very good. I have always said that the female protagonist is the external brain of the male protagonist, but in the end, I really can't see how smart she is... The male protagonist has always relied on his characteristics to survive passively, and rush forward stupidly. After so many chapters, he still looks like a piece of wood. If the villain was smarter, he would have been treated as a resource long ago. It's okay for casual viewing, but not worth my money.

(Continued from the above) Because I am too verbose, I am forced to open a second post... Please manually search for the previous post, the post with the same name... ----------------9.14 Update---------- Now comes the complaint stage, about the character conflict issue that has already been plotted (mainly two, suicide and crying under the city). To put it bluntly, I will not touch on the main plot line, but only analyze why I think the on-the-spot reactions of the characters in these two scenes are unreasonable and even risk OOC. First of all, I will explain my understanding of a concept and my attitude towards female characters as a woman. This concept is often mentioned as a tool man. It is found that many people will evaluate "tool people" in terms of strength, control and controlled status, which is similar to people who are used as tools in the physical sense in the process of the protagonist realizing his great ideal. (Che Yun:......) But this is not actually the problem. Tool people are relative to the writing itself. Some characters (usually because they are not handled well) do not have their own flesh and blood lives. They exist to promote the plot or serve as the author's microphone. These are the real tool people, the author's tools, not people. In literary images, there are many people who can't help themselves (such as most of the women in Red Mansions), and there are also many who can't get rid of others' exploitation. There are also many who even give up the struggle and become walking zombies, and there are even more who live a false life (such as many in Lu Xun's works), but who can say that they are tool people? In some mindless novels, even the protagonist is a tool. It is a tool for the author and the readers to vent the depression accumulated due to excessive desires in real life. They gain nothing except a short-term sense of pleasure. This is called a tool person. Wei Xiaobao's seven wives does not hinder the status of "The Deer and the Cauldron" in my heart; Da Liu's female characters are indescribable, and no one dares to say that his works are not great; some romantic works that are too pretentious may not reflect some of today's emotional needs; even the harem stallion novels that are most annoying to female readers, in my opinion, if the character is straightforward and frank, it is not impossible to read it. So in fact, there is no need to worry too much about the heroine's early strength, including her inner strength. It is not particularly important, as long as she makes people feel that there are buds of beautiful characters such as unyielding, self-improvement, and philanthropy in her character. Even if these characters themselves are still fragile and easily shaken, she is still a lovable image. What I am afraid of is that the early character design itself is not stable and has become a plot promoter or tour guide, and the subsequent growth will lack realism. (Abandonment without fighting is hypocritical, and detachment without suffering is frivolous. Don't worry about abuse, how can you grow without abuse.) (So if the conflict is not struggled properly, the character growth will be blunt and unconvincing.) The above can basically express why I think the two plots of suicide and crying in the city are inconsistent. I said in the comment that the heroine currently has some conflicts between sensibility and rationality. Cang Yue replied and discussed a few words with me, but at the time I felt that I was far from clear about my thoughts, and I could see some anxiety and hesitation in his replies and daily words. So now I am writing this post to try to fully explain it. It is still nonsense. Please forgive me for any inappropriateness. The so-called conflict between sensibility and rationality does not mean that people cannot have strong reason and full emotions at the same time. The coexistence of the two is a complete personality. The biggest conflict is that people's psychological and emotional changes do not suddenly change overnight. If there is, then it usually gets worse rather than better. A person may have a mental breakdown due to a sudden blow, but it does not happen that the knots accumulated for many years will suddenly disappear because of some magical opportunity. A pessimist will suddenly be optimistic, and a naive person will suddenly mature. It does not exist. Every bit of psychological progress requires constant influence and accumulation. People may be suddenly enlightened by certain opportunities, but that momentary feeling is often a little hope in the form of seeds. It will never completely throw away the part that has been struggling to shape the personality for many years. In rational understanding, there are often flashes of inspiration. Problems that have persisted for many years are suddenly understood. Wisdom rises to a higher level. However, there is no such epiphany improvement in emotional and psychological changes. There will definitely be struggles, difficult letting go, and many hesitations and waverings before it can slowly accumulate to a high level. Just as Cang Yue should be anxious no matter how much we wave the flag, I am afraid we can only gain positive feedback through constant recognition and, more importantly, feeling comfortable writing, and take our time. (If the contained object interfered, I didn't say it...) If Qian Jian can accept the above points, then I will start to analyze the two violating circumstances. First of all, he committed suicide in a carriage. It was not unacceptable that the child had worked hard for his own ambitions for many years since childhood, but was not understood by his closest family members, and was often suppressed and hurt. In the end, he was completely desperate, fell into a situation where sorrow was greater than death, and decided to commit suicide. But when placed in context, this plot has the most obvious conflict. That is, whether she talks about her hard work and struggles in the previous article, or her competitiveness and smugness after meeting Yan Nu below, they all reflect her strong spirit and vitality. How could someone commit suicide in such a state? This is what I call an unreasonable psychological mutation. I can even accept the previous part where she was unable to resist and decided to commit suicide in anger, but her behavior after being rescued was the strangest: She actually paid attention almost immediately to whether she was "stunning" in the eyes of Yan Nu! Hey sister, you are a person who has narrowly escaped death, is it okay to start concreting your character when you get up? If you look at this part alone, is it reasonable for the male and female protagonists to focus on appearance when they first meet? Of course it's reasonable! But putting the whole plot together, the setting of dying and being revived immediately loves life and is full of energy... I don't really believe it... It is true that surviving a near-death situation may have a positive impact on people. It is said that what can't kill me makes me stronger, but this transformation cannot be without traces at all. What an accident it is that the hero comes to save you. If he comes a little later, you will be dead. Your cherished family, your ambition that you have endured for many years and still stick to it, your yearning for freedom that you can only place in books because of your background, are all gone! I really think there is a risk of OOC here. According to my imagination, when Yan Nu came, he should have happened to meet the girl studying prison escape, or preparing to find another way. If she had to die, it should be a controllable strategy. How could it be like this? This is the first place. (Actually, there is a small detail in the front, and there will be a little bit of local awkwardness, but it is just a sentence, and it is okay to skip it) The second part is where I couldn't help but post a comment to protest. Chapter ninety-nine, when the heroine sees real death, she accepts the impact of the inexorable choice of life for the first time. Let's briefly review her cognitive changes: Initial state: In her ambition and sense of responsibility to help the world, there is some unconscious self-righteousness; because she has lived away from the bottom for a long time, she has a condescending view of civilians; she has lacked recognition for many years, and has a slightly stronger desire for expression and a little eager for quick success; but she has keen thoughts and sensitive emotions, and is willing and good at accepting new information. End state: Recognize your own limitations, engage in self-reflection, rethink your own outlook on life and your strategies for doing things, and begin to let go of your arrogance and accept reality with a more cautious attitude. If we compare the two states before and after, we will know what her mood should be at this time. First of all, a powerful impact, unexpected, and loss of reaction (corresponding to the description of numbness in the original text, this is quite correct, and can be regarded as a protective mechanism when the self is impacted) Then, as a human being with an identity, when faced with similar tragedies, there is a kind of grief, anger, shock, and shocking that goes straight to the sky. What follows should be this series of emotions: Self-doubt, self-struggle (note that the most appropriate word here is not a sudden reversal of perception, but a huge conflict and struggle, constantly comparing and judging imagination and reality) Cold sweating fear (the falsehood is exposed, and the most intuitive feeling of hell on earth) Blushing shame (yes, She must have a strong sense of guilt, because she has a strong self-esteem, and she will be ashamed when she suddenly realizes that she is shallow, and this is also the only way from arrogance to peace) Anxiety on pins and needles (as if she has strayed into a world that does not belong to her, and the situation at hand is urgent) Forcibly suppressing herself and forcing herself to calm down (referring to Jiu Shushu's reminder, she needs to adjust herself quickly) New instructions are given in the state, the quality of a leader) ... Compare the reaction to the original text: "She covered her mouth and nose instantly..." (Why did she cover her mouth and nose? Is it an expression of shock? Reasonable. But in fact, the more shocking thing is that she even forgot to cover her mouth and nose, all kinds of smells rushed in, and her mind forgot to distinguish what it was, The body also forgot to react, and did not receive the delayed information until after walking past, and then because of this awareness, it set off a greater mental impact) "The whole person leaned against Yan Nu, and her mind went blank" (If her current position is just a little smart girl, it would not be a big problem, but there is one thing. She is currently the backbone of Yan Nu and the think tank of the small team. , A strategic leader, even if she is fragile, she has to hold on) "Taste... Touch... Visual impact... It is difficult to describe, only to experience it personally" (Theoretically correct, and it is not suitable to describe at all, otherwise it will be suspected of being frivolous in the face of suffering or even consuming suffering, but it should be conveyed indirectly through the reactions and feelings of the characters present. Actual The scene should be left blank) "Kneel to the ground" (The action of kneeling to the ground conveys a sense of weakness, and it must also be carefully considered. It is not that she cannot be weak. As a little girl, of course she can, but she must handle the conflict with her daily life of strategizing and ambitious, otherwise the latter will become frivolous) (By the way, has Cang Yue not thought about her strength? The problem? I want to write something stronger that readers will like, but at the same time I feel that she cannot be strong at this stage, or that girls are inherently weak? The performance of a strong person in a weak period is very different from that of a weak person. Even if she is naive and shallow, her own vitality and strong desire to move forward can be seen. Our brother Mo Qiong also has a weak period.) " Crying so hard" (Crying is a very smooth and strong expression of emotion. She did not get over this hurdle so easily. She should still be in the midst of complexity and chaos, and it is difficult to have such a hearty and cathartic reaction like crying. This should be a reaction after reflection) Okay, maybe I am too serious. There is some overall conflict here, but it is not as outrageous as the previous suicide. All in all, her performance here is like a program with a bug fixed. Compared with the concept of life and the distance between books and reality that the author wants to convey below, such a serious and important issue for this article, the fullness of the character is a bit unsatisfactory, so I am worried that she will become a preaching tool. The meaning is indeed in place, and the reader's brain does understand it, but the impact felt will be weakened a lot. And if she thinks about it imperfectly, she may have this reaction: The first second she realizes that her idea is wrong, she quickly adjusts her strategy, and her brain works desperately, trying to give Yan Slave new instructions to save more people, but at the same time, her body language will reveal the hesitation, panic, and shame in her heart, such as trembling fingers, tight lips, and pale face , or even sporadic unconscious language confusion, etc., After being pointed out by Yan Nu in surprise, he suddenly froze and started to cry (but instead of kneeling down and crying, but holding on to his death and bursting into tears), he continued to restrain himself, gritting his teeth and forcing himself to look directly at all the tragic scenes in front of him (you have no time to blame yourself), fearful and even nauseated to the point of gastrointestinal cramps, but still trying to sort out the situation and make adjustments. In short, it is a principle. She cannot only passively accept it, but must actively restrain and adjust, and even bear it in a masochistic style. Whether she can bear it in the end is up to her. But she must have control and resistance in it, so that it is in line with her early character design. The more direct and clear the rational analysis is, the better, but the emotional establishment should not be too explicit. It should be suppressed, suppressed, reserved, and restrained until finally you can no longer bear it and explode again. The effect is much better than going straight to crying and laughing for a while. The above does not actually require too much ink or details, just a few appropriate strokes and it will not affect the main narrative structure.

Drive away: to return things to their original appearance, such as reflecting spells back (Chapter 27) Sending staff: to transfer damage to personal belongings (Chapter 66) Seven Arrows: Knowing the birth date can kill the enemy through the air (Chapter 145) Upright and shadowless: making people invisible and untouchable (Chapter 148) Covering the sun: Cover up the fluctuations of the breath (Chapter 167) Tongyou: Open the door to the divine world (Chapter 167) Exorcise the gods: forcefully drive the gods (Chapter 167) Blow the flames : Breathing flames, burning evil spirits (Chapter 63) Through stone: into gold stone without hindrance (Chapter 77) Pointing the ground into steel: transforming all substances (Chapter 77) Longing golden light: flying at the speed of light (Chapter 144) Spraying: blowing air to make objects forcibly change (Chapter 78) Finger transformation (making objects change with fingers), Generating light: emitting divine light, immune to spell effects (Chapter 96) Qi forbidden: prohibiting the effects of things (Chapter 139) Transportation: forced movement (Chapter 96) Barrier clothing: making oneself The body rejects all energy substances (Chapter 119), continuation: rebirth with blood (Chapter 148) Five Elements Escape: With the help of the power of the Five Elements, you can escape freely, and the highest level can escape all things (Chapter 24) Swordsmanship: absolute slashing and penetration (Chapter 138) Relief: elimination Except for my own abnormal state (I remember there is one, but I can't find where 😭) I am too lazy to record the small magical powers such as electrolysis and voodoo. The Tiangang and Earthly Evil magical powers that have appeared in medicine, clones, etc., But do not explain the effects of the magical powers and do not record them. Please correct me if there are any omissions. Update: Returning Wind and Fire: Same function as expulsion, but seems to have better effect (Chapter 187) Dali: Powerful enough to distort the light (Chapter 188) Carrying mountains and seas: ignoring the load Rokko Qimen : Command ghosts and gods to forcibly control all formations (Chapter 191) Hutian: Create space within any object Drink water: Can drink an unlimited amount of water and spit it out in one mouthful Master the five thunders: Master all thunder and lightning in the system of heavenly cultivation.

Didn't the author realize that he couldn't write female characters? I have read a lot of books, and the inhuman Qingfeng became the main character without any foreshadowing. It is like going to eat Western food and eating steak, and you tell me that the vegetables below are more meaningful: if you really want to feel important, you can give some words in front of it. Really, the female character you wrote in this movie is not as good as the foreign lawyer in it (it seems to be the chapter of the Nine-tailed Fox, she speaks more straightforwardly, hahaha). The early role of this super passerby and interesting sister is very similar to the kidnapped princess in The Brave and the Dragon: You have to know, this kind of feeling is not only difficult to write, but also makes the whole story collapse. The setting of the bell in the imagination is very interesting, but I think it can be added with some complimenting or funny elements: the first three books are probably too serious throughout, maybe adding some funny spices would be better (the omniscient information does this very well), I hope it can be improved. The story about the contained objects of the Blue and White Society is very interesting. I have always portrayed David, Mr. Dog and many members of the society very well, but the heroine... Admittedly I did not feel the slightest sweetness or other eye-catching qualities: now that I think about it carefully, the sadness of Qin Ya, a passerby in the book who cannot be loved, impressed me deeply. Damn, you have to know that writing a heroine really adds points to the book. If you don't know how to write it, you can add the funny/praising points I mentioned above to the heroine. A typical example is Amber from Sword of the Dawn next door (how is this thing more popular than Gawain)? The omniscient person here praises it by name. There is no female protagonist. The extra words and ink create more interesting characters, which is really good. The Earth chapter of this book is quite good, especially the copy of the game of death. The Virgin's sentiments about the protagonist who wants to be rescued together (no derogatory meaning, not a disgusting Virgin bitch nor an extremist who will be heartbroken if they don't rescue together) are very interesting. The only flaw in the whole book is the large and empty space chapter at the end, which is neither as majestic as science fiction (because the "points" are always described in ink to advance the protagonist's trajectory, but the protagonist progresses too fast) nor does it have the unique sense of immediate vision in the earth chapter (the future earth that follows is not included). Then there is the book that I want to focus on criticizing. The protagonist's inhumanity and innocent heart are very charming (somewhat similar to Tanjiro's personality charm). It also combines the compassion of the previous book with the Monkey King's resistance to injustice. It is impressive and amazing. I give full marks to the concept of this book. The writing style of Xianxia is very good, and it is a direction worth trying (the author has his own point of view in writing Jin, and many supporting characters have their own highlights). It can be said that I am unprecedentedly satisfied with this book in these aspects - but the poisonous points of this book are also unprecedentedly great. Female characters, or the question of female characters. I was really surprised by what Ah Shui wrote. I was surprised that the author would write such a cute female character. I was also surprised about the heroine. I was surprised that when there was a heroine candidate that readers were very satisfied with, an unattractive heroine would be written to replace Ah Shui, who was well written. This feeling is even more disgusting than writing an unattractive heroine in the previous books. Well, yes, to me, what you write like this is tantamount to having a mistress between the Cowherd and the Weaver Girl, raping the husband in front of the wife (haha, it sounds a bit strange). Originally from the Blue and White Society for a while, Omniscient tried to make a comedic style for the first time, but this time he gave it up completely. Please 🙏 We are not looking at serious literature, nor is it pure black and dark. The troubled times are already very depressing, and even if some people like to keep writing like this, it is unwise: most people just read a book for a fun word, even if it is a post-apocalyptic style, it is no exception.

(This is a post that is expected to take several times to be completed. It mainly talks about the current understanding of the image creation of the heroine, including some issues discussed with Cang Yue and book friends in the chapter. I am going to do a perceptual character substitution first to help myself understand this character more accurately, and then analyze the image. Questions, including some slightly inconsistent points. Please write and post, and update from time to time) ----------The hostess is substituted---------- My name is Zhu Yanxue, and I was born on a snowy day. I have been a child who was incompatible with my family since I was a child, although this is a bit strange to say. I was born into a privileged family, and the sorrows of the world rarely crossed the walls of my boudoir; my parents were loving, they played harmoniously, and they regarded me as the apple of their eyes; I was gifted with a good face, and I dominated the limelight among all my sisters, even though I was just a concubine. My brother said that I don't know the blessings when I am in the midst of blessings. Maybe that's true. My understanding of "blessings" has been different from that of my family since I was a child. My wife believes that dignity is a blessing, my mother believes that living a stable life is a blessing, Aunt Xiang considers our happiness as a blessing, my brother has always followed my father's vision, and my father raised his head and said to me and my mother, "One is longevity, the other is wealth, the third is health..." My father likes reading, romance, poetry and wine, and I also like history, biography, strategies, and military strategies. They laughed at me for not looking like a girl, but I laughed at them because my horizons and knowledge were not as good as mine. Of course, I will only laugh in my heart and not cause trouble for myself and my mother. I'm good at pretending. Both mother and Aunt Xiang are good at disguise. I realized very early on that they had a big secret that they were hiding from everyone in the family, and I could only detect a few clues from clues. They seemed to be afraid of something, so that although they stayed at home almost all day, I felt that they did not regard the Zhu family as their own home, but just a temporary place of refuge, and they might leave at any time. They didn't care about the hostility of their wife and brother, as if a master, a servant, a husband and a daughter were the complete world. Every time I got into trouble, my mother wasn't very angry. She would just say to me gently, "Be calm." It's just a matter of course, of course I understand. I could tell, just by looking at them, or thinking about them, what each of them wanted me to look like. For the sake of my mother's safety, I can endure it. I have a collection of thousands of books at home. As long as I am immersed in books, I can get inner peace. The book is really a good thing. It records the principles of all the sages from ancient times to the present, allowing people to know everything about the world without leaving home. Whenever I believe something in my heart, but everyone around me refutes it, I can always find the answer in the book, which makes me firmly believe that I am right and will not be shaken. Books can also make me temporarily forget the regret that I am a girl, and all my life is limited to a small space. It will not distinguish between high and low people, but will always selflessly give me the freedom of thought. My most precious treasure is the book in my head, which is better than all the jewelry and clothes. I also admire my father very much. He has read many books, but he does not teach me to be gentle and virtuous. Instead, he likes to tell me about the talent of singing cotton and the style of the forest. He also taught me the principles of a gentleman just like he did to his elder brother, sitting on the bamboo mat and chatting with me. He would also throw love poems into my mother's arms through the window, and ask her to compose a new song for him and make a burner of incense. That was the best day in my memory. Gradually, the world began to become chaotic, and my father also changed. Actually, to be honest, I don't have any obvious feelings about the chaos in the world. At most, the number of banquets at home is decreasing, the servants are getting more and more frightened, and my father is at home less often, and he often needs to stay in the Yamen all day long. Later, my grandmother passed away, and my wife tried her best to maintain the dignity of the family. She even called me to help prepare the menu for the three meals and write the gift list of thanks. She said, sooner or later you will get married. If a high-class girl doesn't know how to manage her family, it will be a disgrace to the Zhu family and your father. After all, you are your father's only daughter. Even my mother agreed with this and was even a little flattered. She was not from a high family background and did not understand the knowledge of the noble family in running a household. She was very worried about causing trouble for me, and she was even more afraid that my future would be affected by my growing up due to my father's pampering. After all, the world is harsher on daughters than men. In this way, I came into contact with the complicated household affairs in the inner courtyard, and thus indirectly learned a lot about the situation outside. The more I know, the less I dare to have optimistic expectations about the so-called future. It is a very clear truth that there are no eggs left after the nest is overturned. Although the current situation is not yet like this, it is the teaching of the sage to prevent subtle changes from happening before they happen. What's more, the current situation is not just "micro" or "gradual". I looked through history books, meditated hard for more than ten days, and drafted several strategies to resolve the war. I went to my father's study and made an impassioned speech. I eagerly hoped to be recognized by my father so that I could use my talents to help the family work together to tide over the difficulties. I am very confident in myself, but my father does not praise me like he used to. He rubbed his face and said to me tiredly, you are a girl and you don't need to have those superfluous thoughts. You should read less and learn more about playing the piano and burning incense from your mother, so that you can marry a good man in the future. So I became even more confused. I had no choice but to continue reading, hoping that the book would tell me the answer as it did in the past. However, the more books I read, the more incomprehensible I became about the real situation. I tried to communicate with my father, but the more we talked, the harder it became to come together. I was unwilling to compromise, and my father gradually became disappointed and even began to hate my rebelliousness. In this way, I became farther and farther away from my father and brother, and no longer tried to make them understand my thoughts. But I can't give up. Some beliefs have become stronger in the conflict with my father and brother. I began to hate that I had a clear mind but no strength to execute. I had to preserve my family and the land that gave birth to me, but I didn't even have a supportive voice. I can only wait. While waiting, I will do everything possible to collect information. This is the only sense of security I have now. (Unfinished in 9.9) ps: Because it is just to express your understanding of the character, please ignore some words and allusions that are inconsistent with the times in the article, just understand it. ----------------9.11 Update---------- I originally planned to continue to do the first-person character substitution, until I reached the current appearance position, I found that there were too many repetitions of Cang Yue's original text, and it would inevitably conflict with the existing plot, so I gave up and started direct analysis. First of all, let's summarize the character elements of the heroine from her appearance to the present. Let me divide it into three parts: nature, family of origin, acquired growth and social situation. The first is nature. ① Very strong and a little bit serious. This can be seen from the debate surrounding "intelligence" when we first met Yan Nu. There is another possibility here, because Yan Nu has just denied the appearance that she is proud of, and she wants to make up for it in another aspect. But this subconscious "looking for compensation" reaction can well reflect the girl's competitiveness. Note that the competitiveness here does not mean self-righteousness. The source of her self-confidence lies more in her own mind, rather than a solidified state of the world. This can be seen from the fact that she easily accepts external information to correct her cognition. ② I can tolerate it, but it is a kind of adaptability that is close to disguise, and my heart is still strong. This can be seen from the heroine's reaction to her brother's scolding when they watch the battle of "Pomegranate Master" from a distance. She is not a youthful and rebellious person with a flamboyant personality. On the contrary, she knows how to understand current affairs and can control her emotions very well. I suspect part of this quality comes from her adoptive mother Leqin. As a demon who has lived in human society for a long time, disguise is an undoubted instinct for her. Children have been exposed to it since childhood, and it is inevitable that it will be affected unconsciously. ③ Be ambitious and ambitious. This is actually obvious from the first scene where she appears after growing up, "Guanpan Shenfei, the essence of literary talent, forgetting the vulgarity after seeing it", this is an adaptation of the description of Tanchun in "A Dream of Red Mansions". Tanchun's character is "talented, shrewd and ambitious, born in the last days of the world with declining luck", and she looks like the heroine. Combined with her "Great Ming Emperor" setting, there should be no doubt that she has an innate vision of the world that drives her to think beyond her background. It must be noted here that this trait is absolutely different from the kind of excess of self-awareness. Her concern for the current situation and her instinctive care for the common people certainly meet the needs of young people for a sense of self-worth, but she does not use this to flaunt or prove her "outstanding talents" or to show her nobility and independence from the world, but an existence similar to internal drive and a sense of mission, which is the background of the character. Therefore, this trait itself should have strong vitality and cannot be easily destroyed. (Yes, I was complaining about the sudden choice of suicide. Is it so easy to give up life? I thought it was a little girl who would make everything happen when life was not going well. Even Lin Daiyu has never given up on the original cherishment of life, let alone a character who is exploring the spring. Maybe for For mortals like us, having our pride destroyed, being separated from our family, and having our aspirations destroyed is enough to cause a huge collapse that requires death to express our ambitions, but for our heroine, this is not the case. More about this conflict will be discussed below) Then let's talk about the issue of the original family. ① She is not a child who lacks love. Her parents have a good relationship, her father has an obvious romantic temperament, and the two female elders live simple lives and will not lack attention to her. These factors will have a lot of positive influence on the child in the early stages, making her confident, self-esteem and willing to share love with those around her. ② But she cannot gain understanding from her parents, so she will be born with loneliness. There is no need to explain this point. The adoptive mother is not a human being at all. She is inevitably less human than ordinary people. Needless to say, the father's situation is not to mention, the word "rebellion" is enough. (This is combined with the characteristics of the previous part ③, which makes her extremely obsessed with reading. Books are the sustenance of almost all her spiritual growth needs.) ③As a concubine of a noble family, she has the influence of her brother-gender sensitivity and self-esteem brought about by hidden inferiority. This situation also coincided with Tanchun, so as soon as she broke away from the family prison, she immediately dressed as a man and showed off her gender identity as a woman with strong regrets. (But this shortcoming should be staged. A person with a strong heart will never escape his gender because of this. Accepting the complete self is the basis for accepting the world. The biggest impact of this shortcoming at this stage seems to be the envy and worship of power. Of course, teenagers are also prone to this.) ④View of life: I do agree that before she actually comes into contact with the living life and death, she will regard human life as an abstract thing that exists in the concept, and it is difficult to have any real sense. In fact, she is very likely to be affected by many people who have no regard for human life. Don't forget that on the day she was adopted, her Aunt Xiang casually killed the servant who might have threatened them, and that for nobles, it should be a basic understanding that the lives of ordinary people are not their lives. This is not a criticism, it is just objective. Even if she has a sense of responsibility to fight for peace for the people in her nature, she would inevitably be infected with this subconscious mind in the early days. The last is the current temperament characteristics that are a combination of acquired growth and social environment. ① Long-term humiliation and restraint. There is no need to say a word of the reason, just the impact of this repression on her character. I think there are two possibilities: becoming more resolute and becoming more tolerant. And these two opposing influences should exist and blend together at the same time, making her personality more independent. Because without a sufficiently independent personality, she simply cannot maintain herself from being assimilated. (This is also the second reason why I think her suicide behavior is unreasonable. The differences between her and her family lasted a long time. While she persists in resisting, she will gradually adapt and evolve a psychological strategy to ensure her own survival. She does have a strong background, but it should be a kind of tenacity that does not give in to the environment and a persistence in her own heart. If she is defeated by a powerful and invincible enemy, she is likely to choose to die to express her will, but she has a deep understanding of existence. I really don't think she would use this form to express resistance. Needless to say, every ordinary reader has faced conflicts with his parents since childhood and has been in a situation where his ideals are not accepted. Being completely disappointed with the family, the more likely choice seems to be... Leaving it, cutting it off, do you need to die once before you can have this kind of consciousness? ) ② There is a general lack of security caused by the turbulence of the family. This is well demonstrated in her sense of worry, and her ability to maintain a clear understanding of the situation despite being at ease, so there is no need to explain it further. ③Identity issue. This is a point that is only showing signs at this stage, but I feel it will be very important in the future. It seems that Cang Yue has not confirmed directly whether her fundamental attribute is a contained object, a derivative or what? (Maybe I missed something?) There are many different development systems in this article, and each has a corresponding identity setting, so it should also have different group characteristics. The heroine has repeatedly emphasized that she is a human being, and it is interesting to actively speculate that she is just a derivative. ④The common background of metaphysical talks among the gentry in the Wei and Jin Dynasties. This part directly becomes the overall background of this article's cultivation of immortality, and is internalized into each character's design. The male protagonist is out of place in this kind of background, but in terms of his influence on the female protagonist, it seems that at this stage he only has a tendency to be strong-willed? I look forward to Cang Yue's continued interpretation. (I'm tired of writing, so I'll stop here. The next part will discuss the overall character design and the parts of the existing plot that I think are in conflict.) -----------9.14 Update----------- (The updated part has too many words to fit in one post, so I posted another one in the book review area. Please search for it yourself or go in from my homepage. It talks about why the character design collapsed in the two plots of carriage suicide and crying in the city)

I feel that some of the plots in Cang Yue's book are quite embarrassing. The Dzi beads in Inhumans, the various mysteries of Mr. Blue in the two pictures at the end of the imagination, the death of one hundred thousand geniuses in the message, Lin Li's reaction when the Yellow Chicken was deleted, the phrase "My Taiyi" in the Golden Destiny Yellow Chicken, Yan Nuer's psychological activities when he received the "death news" of Old Man Jiang It felt too deliberate

Let me briefly talk about my views on the opening It can be seen that the protagonist is very smart, and he can master it with a little practice. It's just that they lack knowledge, education, and culture, which makes them appear unreasonable. This is also normal, and this can show the true nature of Emperor Yan. If you were the son of a powerful man at the beginning, you would just pretend to be invincible all the way. How can it be called "great"? Alongside the previous protagonists? No matter how clever or shady he is, he cannot surpass Huang Ji. He does not need to be the second Xiao Huang Ji, but the first Yan Emperor. Care for the world, protect the common people, love the most, and have a pure heart. Such a person can only be created by such a start.

The hook is too wide, and it becomes rounder as it goes to the back. Therefore, the protagonist must be forcibly enlightened. It's very twisted and depressing for readers. There is a feeling of being a Shi Potian-type protagonist from decades ago, which is really not suitable for the current environment. The writing is pretty good, but the further you go, the more you can't control it.

Let's discuss the conditions and results I guessed for absolute adaptation. The first condition is any kind of environmental negative impact or subjective negative impact on the body. Examples include environmental negative impacts, such as extreme cold, hunger, internal and external injuries, infuriating damage, internal and external differences in infusing concentration, etc., And then examples of subjective negative impacts. For example, facing a corpse with infinite energy, the Insect King subjectively believes that it needs information deletion properties to absorb it. At the same time, he subjectively believes that it needs to have infinite energy to prevent it from exploding. The second condition is that there is a basic template at the moment of absolute adaptation. Absolute adaptation has a premise threshold that the natural state of the template can overcome at most, and it will only overcome the distortion of the template and is not reversible. For example, if the body is to be burned by fire, absolute adaptation will not acquire the property of not being burned before being burned. Instead, after being burned, the body will acquire the properties of preventing being burned and subsequently derived body recovery properties. At the same time, the property of preventing being burned is irreversible. The third condition, absolute adaptation is similar to absolute hit, and priority will be given to seeking the simplest natural solution, and then the characteristic solution. But there is a problem here. One is whether there is a temporary characteristic solution, that is, it will disappear automatically after being applied, unless it becomes permanent unless the same damage is suffered multiple times. The second is what is the boundary between natural solutions and characteristic solutions. In a world where true energy and Taoism exist, theoretically, there are infinite natural solutions. Characteristic solutions will not be born unless characteristics are encountered. After talking about the conditions, let's talk about the results. Based on the current article, the first result of absolute adaptation is to adapt to specific negative effects and only overcome the negative effects. For example, an increase in body temperature is not an increase in temperature. It only affects the human body and does not affect the environment. Temperature is only transmitted between human bodies. The skin will only harden at the point of contact with the steel when struck by a warrior's strength, but will not be immune to puncture wounds when pierced by steel thorns. The second is to ensure that the adaptation result is enough to ensure that the basic template is not affected by specific negative effects. For example, the body temperature will not be so high that it will fly up, and eating grass will satisfy hunger but will not starve to death. Third, the adaptation result is a continuous process related to the degree of negative impact and time. For example, the retraction of the intestines will not be completed instantly, and the hardening of the skin will gradually change from soft (with pits) to hard. Fourth is affected by the depth of absolute adaptation. If the depth is not enough and there is no solution, we can only approach it forever. Of course, true absolute adaptation means that there is no situation that cannot overcome the negative impact. There will definitely be a solution, even if the solution is a dark logical characteristic solution, a true absolute characteristic solution. Fifth, absolute adaptation to nature will also adapt to the distortion of the mind. Emperor Yan has had a strong pain tolerance since he was a child. As for being so stubborn, I don't know if it's the result of characteristics or education. Sixth, the principle of converting grass or oily cloth into zhenqi may be that Yannu needs nutrients for body growth, but the nutrients are insufficient. Therefore, in order to grow his body, he needs nutrients through adaptation. Zhenqi can replace nutrients, and eating grass actually supplements nutrients and substances, but they are all converted into zhenqi. The above is for discussion only.

I have survived all the previous ones, but I still fell out of the cage in Chapter 7 Innocent heart ≠ Fool Single-mindedness ≠ Ignorance of human feelings These can all be explained, considered as foreshadowing, or set up, but they have been suppressed for a long time and have no effect. Logic (yes, in my opinion, there is no logic, purely for writing skills) suddenly felt good, I laughed, and stopped there ps: There are always people in the comment area complaining that those who can't stand it are just novices, and there will be no comment on such people, " Just be happy, hahahaha ps: The author's writing has indeed made great progress (I'm sorry to say it, but I started reading it when I wrote the first one, even though it was a pirated version), but the plot description and character setting have basically not improved since the third book. The routine of suppressing desire first and forcibly torturing the protagonist is outdated ps: Finally, I would like to add that the relationship between readers and authors is a two-way choice. Readers are screening novels, and authors are screening readers. It is understandable, but. . . ps: I thought about it and read more than a dozen chapters, so let's do it Anti-collision guide: The above are all personal opinions and evaluations. If you don't like it, don't criticize it, and don't take the initiative to criticize it. If you really want to criticize something, don't waste your time. Everything you said is right.

From the time when the Gene Complex entered the trap to the end of Tiandao Not Working, I am about to graduate from high school to university, and I am considered an old reader~. There is a saying that the style of the book of Demonic Cang Yue is very suitable for me. It has endless imagination and rational thinking. Based on the fantasy that history extends to the future, and the writing style is getting better and better. If there is a physical book, you will probably not be able to put it down. It is a very happy and amazing fate to encounter Cang Yue's book when I was in the second grade of middle school. Cang Yue's favorite book at the moment is Mo Qiong's Blue and White Society. The character portraits are the best among these books, Gou Ye yyds; and then Huang Ji, the omniscient informationist. The infinite fraternity and wisdom of the omniscient person described are admirable, and the perfect golden destiny he created makes people infinitely long for him. Huang Ji is also a true saint; The genetic integration of other books is the most pitiful to me. Although I actually don't know many of the transformed characters in it, it still makes me feel very interesting. It's so interesting to not dare to run around in the toilet begging for food after transformation. The explosion of imagination is a little bit worse, but the story of the Cthulhu Mythos is very good, and Bai Ge's ending of the world line is very interesting. Anyway, I'm looking forward to Cang Yue's next book. I wish Cang Yue's next book will be successful in the Year of the Dragon and her income will skyrocket.

Yan Nu probably looks like this?

Most creatures or civilizations do not have such a long-term vision, that is, the present, or only tens, hundreds, or thousands of years. But eternal peace breaks these. For example, an ordinary person on earth is still worried about food, clothing, housing and transportation. The next moment he can eat whatever he wants, go where he wants, and go to heaven and earth. In the past, he couldn't afford a little gold, but now he wants as much gold as he wants. In the past, he just thought of buying a second-hand car. In Taiping, the previous cars are not even as good as toys. For example, a civilization on a certain planet is researching light-speed spaceships. When Eternal Peace comes, they are still researching nothing. The light-speed spaceships instantly become inferior to 💩. How could I have dared to think about this before? For example, in a certain sect of a cultivation civilization, a disciple wants to practice hard and become the leader in the future, and be happy with the beautiful elders. When eternal peace comes, what is the point of losing the leader? All the disciples are the same, and some of them are still willing to stay here. So most of them have become: "I have the knowledge of all the worlds" "The trouble of immortality" "Get the Taiping Wheel at the beginning" "The strongest golden finger" "I have trillions of worlds" "I woke up and destroyed another universe" "After I came out of hell" "Those things about peace" "Legends of romance in all worlds" "My wife is all over the endless dimensions" "I have a round that is invincible in the world" "The person who knows half the information" "The daily life of becoming a female demon Cang Yue" and so on. . . Peace can satisfy all desires to their peak, slowly forgetting the original self, wealth, sex, power, food, freedom, knowledge, etc. Desires will eventually diminish. Who am I? Where do I come from? Where to go? The peace of Emperor Yan is all like a dream. For all living beings, they even dared not dream of doing this before, but it really came true. The Yan Emperor's peace is to want everyone to be like the little Yan Emperor and live in peace forever. But the golden destiny of the Yellow Emperor, which can be anyone's, is the most perfect "eternal peace".

How should I put it, I know the demonic Cang Yue or his "Information Omniscient". At that time, this book gave me a big surprise, for a bookworm of more than ten years. In fact, my pursuit of novels has not followed the mainstream. For example, the Cthulhu-themed "Lord of the Mysteries" by Cuttlefish, which became popular in the past two years, has a high score, but I have not read it. Everyone has their own preferences. I can only say that. Although I like Squid's Arcane Throne a lot, and yes I love the Witcher novels. The first wizarding novel "The Wizarding World" was my first surprise. It was also my first contact with wizarding novels, and it slowly got out of hand. The order of the wizarding novels I have read in my mind: 1. Go away "Wizard World" 2. A line of egrets ascending to the blue sky "Wizard's Journey" 3. The diving squid "Arcane Throne" 4. Salted fish Jie Nan "Wizard Immortality" 5. The beer lover "Adam the Wizard" 6. The literary copyist "Wizard" The back image is not deep. I forget that at that time, I couldn't finish the really good novels, but I finally finished the novel. I was running out of books, so I was looking for a book with a lot of content, and then I came across "The Information Omniscient". In fact, I don't read urban or modern literature because I am prone to WOC~WOC. For me, the purpose of reading novels is to stay away from the hustle and bustle and immerse myself in another world. Therefore, I will not read novels that are similar to reality. For example, in a classical immortal novel, a basketball court in reality is about 600-700 square meters. There is a sentence in the novel: "The sect to which fellow Taoist belongs is really majestic. It is almost as big as hundreds of basketball courts." What do you think? ? It's like the feeling when someone jumps on the table and suddenly pulls a mess while eating... So The Information Omniscient is the first novel with a modern world view that I have come across. It was only after an attempt in the book shortage that I discovered my misunderstanding of modern urban novels, enm... Goba is really good. Although it is a bit unfinished at the end, it is undeniable that I like to read it. I heard that it is the last one in the trilogy? Okay, I didn't watch it. Maybe I personally feel that the next book should be better than the last one in terms of writing skills. People today must have grown up a lot compared to people in the past. There is also a book that may be afraid of ruining the love, so for any book in a multi-part series, I always start with the first book I have read. For example, if I read the second book, but the second book is the first one I have just read, then I will think that this is the first book. The real first book is the prequel. Let's get back to the topic. The One Who Knows All Information is a good read. But this book is not working... The subject matter may be exhausted and make the novel cliche, but the decline in writing power is something I never expected, just like an adult suddenly transforming into a minor. I always feel that something is wrong with this book of Heavenly Dao, and it feels a bit like a novice. Some people may say, "Whether you want to read it or not", "I give you the pen to write it", "Do you have any works that you can use to speak about?" Yes, they are all correct! But if I don't say it, I'm afraid there won't be any books I like in Cangda in the future. I finally found an author who can write novels that suit my taste. I really hope he writes better and better.

The general review is at the bottom, let's analyze it first. I feel that Cang Yue's writing is still the same old style. It can be seen that he wants to make some breakthroughs this time, such as not writing about the city but writing fantasy. It can also be seen that Cang Yue's fantasy writing is not bad. It does have a fantasy flavor. However, at the end of the writing, he still returns to his original heart. The writing is still the same old style. It is back to his comfort zone. Although the breakthrough failed, it is not the case that the writing was not good. Compared with the initial super gene complex and the brain explosion, it is definitely much better, but compared with the Blue and White Society and the Information Omniscient, it feels about the same. In my opinion It seems that the level of these three books is almost the same, but you will get tired of reading the same thing too much. Therefore, in my subjective opinion, Blue and White Society and the first half of this book are the best written, or my favorite, followed by The All-Knowing Information, and finally the second half of this book. The main problem is that the second half of this book is too déjà vu. It feels like the covering and stitching of my previous books. Compared with the novelty of the first half, I feel disappointed. Different from other works, the theme that this novel wants to express is no longer about containment objects, nor the idea of ​​containment. In this book, containment-related content appears rarely, and the roles are not important. They are basically supporting roles and guest appearances. The protagonist does not need to be as cautious as the protagonists in other works, and can just rely on his own characteristics to get by. The actual theme of this book is the struggle between fate and freedom. This is a very grand and very common theme, but in fact most authors cannot write this theme well, and the same is true for Cang Yue - in the end, isn't it still a competition between features and depth? Isn't this just the miracle of great strength? Nothing was discussed at all. However, we can't be too harsh. Many authors can't write on any topic other than monsters and upgrades. Cang Yue can still touch on the idea of ​​containment. Cang Yue said that the next book will return to the city. Is it because she was hit by the failure to break through her comfort zone? Are you still writing the same old story about containment? I think the breakthrough itself is right. I am tired of writing the same thing all the time. I will provide a new idea here: First of all, abandon the idea of ​​containment and simply have fun. Use the containment objects as you want without too many restrictions. But what if the world is ruined? This is almost inevitable, and the solution is not to solve it at all! It doesn't matter if it's written as an infinite flow, or an original world is fine. The content is that many reincarnations are fighting against each other in different worlds over the properties of contained objects. It's fun to watch, but the requirements for the author are very high. The protagonist can be a participant in the Contained Object War, or a restorer sent by the Lord God to repair the ruined world. In short, everyone is here to watch the Contained Object War, to see how each character restrains and reacts to each other, and to see the author's imagination. I don't know if Cang Yue's imagination can satisfy us (laughs). Finally, let's talk about other issues: First of all, there is the Cher limiter that many people talk about. I think it is indeed unnecessary. Apart from providing the protagonist with a character-building period of more than ten years without characteristics in the early stage, and working for the protagonist, Cher has almost no use, and these are actually replaceable. For example, it is written that the protagonist suddenly acquires characteristics in his teens, similar to Mo Qiong. I think this is really unnecessary. Then there is the character of the protagonist, which I don't mind, especially after watching the infinite resistance of nuclear-powered battleships, I have a high resistance to this type of protagonist. However, this kind of protagonist is indeed a niche, and it is difficult for readers to relate to it. His behavior is difficult for many people to understand, and even if they understand it, they will not go back to do it. Although I can accept it, I still don't understand it. Why create the protagonist this way? I don't think it's necessary. Changing the protagonist to a normal one won't affect the overall plot. The final overall evaluation is that it can be seen that it is at a medium level among all Cang Yue's works. Compared with the peak, it has made some breakthroughs. Unfortunately, it is a negative breakthrough, but the foundation is very good. Even if the level drops, it is still a work worth watching. ---------- I wrote it when I saw the later stage. Now it is finished and I will add some content. First of all, I didn't expect that I would no longer continue to write about the theme of the struggle between freedom and destiny that I had been writing about in the later period. Instead, I would write about the various states of all living beings after eternity. The change was so complete that the last few chapters no longer mentioned words like fate. If you are following through, you may not be able to discover this. Even I only discovered this after reading my previous long reviews. But if you read it from beginning to end in a few days, you may feel that it is inconsistent. Then there is Xue'er. Unexpectedly, there is a foreshadowing of Xue'er's birth in the end. I don't know if this was Cang Yue's arrangement from the beginning or a patch made at the end. However, this foreshadowing was quite shocking to me when it was revealed, but I still feel that this character affects the early reading experience. To put it bluntly, readers don't like the author's behavior of imposing restrictions on the protagonist. It is best not to be too strong when arranging abilities at the beginning, and then upgrade step by step, instead of giving you a super nb ability at the beginning, then limiting it, and then unlocking it step by step, which makes readers feel aggrieved. In the end, you didn't expect that my suggestions (predictions) about the next book would actually come true? Or is it that Cang Yue read this long review I posted on Youshu before? But after reading this review, Cang Yue seems to be planning to only let the protagonist have characteristics, similar to the yellow chicken? I think everyone has to have characteristics/contained objects to make it look good. Otherwise, if only the protagonist has characteristics, what is the difference between this and the kind of popular online novels where the protagonist has a golden finger?

Is this it?

You can think of the first chapter as a preface, preface, etc. Explain why the world is not peaceful in the following chapters, Use the unevenness to promote the development of the storyline, shape the characters and personalities, and make the article (novel) more logical This It also explains why the dynasties in this world began to change, and also reveals the conditions for cultivating immortality in this world and the necessary conditions for cultivating immortality This is my first time doing reading comprehension in a novel version, please bear with me😆; you can point out what is wrong, but don't criticize it 😂

Cang Yue's start this time is indeed a bit exaggerated. Although Cang Yue's writing skills have improved a lot now, it seems that she doesn't want to quit. However, this kind of novel in which the protagonist does not have a sentence in the first three chapters really makes people worry that it will not attract new people.

I have read the first few dozen chapters of Nonhuman and Brain, I have finished reading Blue and White Society, and I have read more than half of The Information Omniscient. The author's imagination is still there, and the writing is getting better and better. Compared to Nonhuman and Brain, Blue and White Society and The Omniscient are undoubtedly more comprehensive in terms of conception and logic, and the Way of Heaven is the last of the five books of Blue, White, Yellow, Black, and Red. Although the beginning seems a bit depressing, it also reflects the progress of the author's writing skills. The latest plot is expected to usher in a big turning point, and the subsequent plots are believed to be more exciting. I feel like this should have been Cang Yue's masterpiece.

Maybe this book is not suitable for me. When I saw Chapter 162, I planned to replenish my subscription and give up. I haven't read many of Cang Yue's books. I first came into contact with "Blue and White Society" because of someone Amway in the comment section of other books. At that time, my favorite book was Shuangwen. At first, because Mo Qiong would be like the most common Shuangwen himself, he managed to achieve a certain level of strength and then established his influence, gradually becoming the strongest in the world. I never expected that he would join the Blue and White Society after encountering an abnormal incident. I can still remember the confusion I felt when I was watching "Blue and White Society": "The protagonist's abilities are so incredible, why does he feel like he has a narrow escape every time he encounters a contained object?" Every time I see the protagonist in danger, I complain about the fact that the novel does not follow the routine, but I also feel it is very novel, especially the plot where the protagonist is trained to be equipped with the standard abilities of the club members, those strange abilities and the magical alien blood. After watching "Big Bang", I felt a little uncomfortable when I saw the protagonist teasing the alien queen. I also felt uncomfortable when I saw that the protagonist initially became stronger in order to make himself and his sister eternal, but was hated by his sister because of his paranoia. In the end, only the bell accompanied him to the end. When watching "The All-Knowing One", I still remember the struggle of the protagonist group to kill the gray man Dis. Although there were plots in the above three books that made me feel sad or irritable, I could still persist in reading them. But I don't know if this is because the protagonist's enemies are endless, which makes me feel nervous and tired for a long time. (It feels like the protagonist has killed so many people, but not only is there no progress in the main plot, but there are more and more enemies). In short, after reading almost two hundred chapters, I still haven't adapted to the rhythm of this book, and I finally decided that this book is indeed not suitable for me. I hope I can read the next book. I wish the author will write better and better in the next book and achieve great success.

No more finesse.

I used deepseek to simulate cultivating immortals using this book as the world view. Although there was a misunderstanding of the world view that caused the absence of heaven, it was quite interesting.

It's so difficult, so sad, it's all a tragedy

The protagonist starts off too lowly, and there are a lot of great masters in the world. I started to like the invincible flow of Blue and White Club

😭Come back, Demonic Cang Yue😭 🌟My favorite author🌟 ⚡️The second update is fresh in my mind⚡️ 😭The cultivation level is inexplicably declining😭 💥Vaguely remember the Penglai Society💥 👍And the daily ps: Sorry👍 ⚡️Hurry up and smash the way of heaven⚡️ ✨Three updates a day and you're not tired✨

I don't know about novels, so I don't understand your obsession with virtual characters. I feel that we should distinguish between reality and fiction. It looks good, but it is not real after all. We should live in reality, think about some practical things every day, and enrich our lives, instead of staring at novels every day. You have to pursue your own happiness, and you must not be blinded by virtual things. My life is very fulfilling. Next Wednesday is my wedding to the magical Cang Yue. Please remember to come and support me.

It's unscientific, Cang Yue is not a great god yet

Hello everyone, I am a transcendent person in the universe. I am now offering 6666 time-travel opportunities, free of charge! Just reply 6 to get a free time-travel opportunity and system. The quantity is limited, first come, first served! Beauty, immortality, rights, dreams, three thousand worlds, reach the pinnacle of life, just this time! What are you waiting for! 🤓

I really don't understand why the character of Water Girl was designed? This directly puts Yan Nu's character in a dilemma. The water girl speeds up her training by eating people. Note that I said speeding up her training, not because she can't survive. This behavior is no different from that of a wealthy family. If Emperor Yan wants peace in the world, revolution is necessary, and the extraordinary system of immortals passed down through the family must be destroyed. And destroying this system also means destroying all monsters? Therefore, Emperor Yan is naturally antagonistic to demons, but it is not impossible to add demons to the protagonist group. As long as it is a demon Yan slave who practices good deeds, he has reason to protect this demon through absolute adaptation after destroying the way of heaven. But if you want to protect a demon that eats people, destroying the family is a waste. It's a joke, because there is no difference between man-eating monsters and cannibal aristocratic families. They both speed up cultivation by persecuting mortals. It will only make people think that those destroyed aristocratic families are on the wrong team. Yan Nu does not want to destroy the aristocratic family system, but just wants to destroy the aristocratic families that hinder him. It stands to reason that man-eating monsters are naturally hostile to Yan Nu's idea of ​​world peace, but now there is a man-eating monster who has obtained Yan Nu's savior buff. With this buff, the innocent Yan Nu cannot kill her, but he will not kill her. Yan Nu's destruction of the family and the idea of ​​world peace also appear to be very double standards.