I'll Play the Role of Sentient Beings!

This thing is neither a god nor a ghost. It cannot be killed or destroyed. If you think about it, you will live. If you think about it, you will die. If it is an evil thing and turns into a human being, it can easily confuse people's hearts and make the world do its bidding. If its incarnation is not removed as soon as possible, I am afraid that everyone will be in trouble...

First of all, it is certain that the author is still good, but there are many problems with this article. This is not like an online article for readers, but more like what the author wants to write. The first point is to throw away the settings in large sections. Let me give you an example. The protagonist is in the first world, which is a martial arts world with matryoshka dolls. The author has been explaining the protagonist's abilities for a long time. Although it can be seen that he has worked hard to make it logical and self-consistent, the readers are not here to read the setting collection. The author seems to be eager to tell the readers the protagonist's abilities in the free chapter with large sections of analysis and research, which leads to a very poor impression. In fact, readers don't care about these settings at all. They come to see whether the plot is reasonable and whether the plot is enjoyable. For example, in the section about the old Taoist priest, the author spent several chapters writing about getting along with the old Taoist priest, and then hinted that this is a world of matryoshka dolls, but until the end, the protagonist never said something similar: It turns out that this is a world of matryoshka dolls. You must play the role of a non-existent junior brother to meet those martial arts masters and reach another world. The decisive words are all left to the readers to guess based on their feelings. The second point is that it is not exciting enough. The overall background of the first volume is the war-torn years of the Song Dynasty. Natural disasters continued and the people were in dire straits. The protagonist saw the suffering in the world and made up his mind to change something. However, the design here is very poor. The author focused on how the protagonist resisted the correction of fate. , The reason why the protagonist did these things was due to the influence of the whole world. Originally, the protagonist turned into a hero and led the heroes to fight against the Mongolian army. As soon as he got excited, the correction power was wiped out. Then, I think a climax of the plot was that the protagonist stood alone against the Mongolian army. In Protecting the Lights of Ten Thousand Houses, the author's focus is still on fighting against historical corrections, which leads to such a plot that can make readers feel happy, but it ends in an anticlimactic manner. It is not even as good as the drama "Zero: Familiar" where the male protagonist Saito Hiraga stands alone with 5,000 enemy troops for Louise and it makes people watch. He was moved. He stood alone against the army of 5,000 people for love. He was exhausted, and even his enemies recognized him. In the end, the magician gathered in a circle and played a grand magic to bid farewell to the male protagonist. But when he came to the male protagonist, there were just a few soldiers to set off the fear of the male protagonist. How does it feel like being protected by the people? Is the enemy admired and feared? The male protagonist's heroic gesture to protect the lights of thousands of families without retreating? There isn't one, and it looks very dry. Then here, the retrieval and data loss were huge. The author directly used the memory of the protagonist to improve the knowledge level of those people in the Song Dynasty, turning them into small avatars in a sense, and started to engage in the industrial revolution. In just a few chapters, this copy was ended. There is no trace of the subsequent influence of the protagonist, what kind of new trend it has established, or what kind of god the people later worshiped the protagonist. There is an Easter egg chapter, telling the story of the little girl who was saved by the protagonist and living a good life, hastily ending the world. (I didn't book JOJO World because I haven't watched JOJO), but I really like watching InuYasha, and then jumped directly to watch InuYasha. There are also a lot of problems here. Originally, after the protagonist entered InuYasha's world, he had the power to break demons, and was mistaken for a miko by little monsters and villagers. The protagonist could really play a miko, and then start the story line from there, but the protagonist didn't, and I started to do scientific research on the settings. After meeting the protagonist group, I borrowed Kagome's spiritual power to give Naraku a shot. Then I started to fall into my old habits again and started to study the source of the protagonist group's abilities. Then I studied and researched the settings for several chapters. In the end, I easily rescued Kagura's heart and coral brother, and Naraku can also be slapped to death with a backhand. So what's the point of coming to this world? What about the story? What about adventure? The protagonist's response to the original plot of this world is to solve it violently? Then I realized that this was not a book for readers, but a book that the author wanted to write. The author was completely immersed in his own world. Each world must be analyzed by so-called science, and then he started to talk about why this power is like this and how to reproduce it. There were long and long theories. Regarding the original plot, he just said that he did not pay attention to it at all, which does not mean that he did not engage in it at all.

After reading it all night, I really can't accept it. The author keeps using the writing skills as a shield. That's not the writing style at all. He wrote 78 chapters in a row and set up a large section without any plot advancement. We are here to read the novel, not the collection of settings. There is a problem with controlling the rhythm of the plot. The setting should be interspersed in the plot rather than thrown out in a long paragraph.

The subject matter is greater than the writing style. I basically have no desire to read your second and third books. I hope that the fourth book will not be just a role play, but will make good use of this story line to pursue the main line step by step, use scientific methods to research and detect, and finally find the root of the reincarnation of consciousness, similar to this throughout the line.

Dear author, I have an immature impression after following the update: your setting and story are very smooth, but I always feel that you are still far from "subverting cognition". This is a bit like the difference between "Stars", "Warhammer 40k" and "Three Body". The former is like an upgraded and reskinned version of human society, but it is packaged in science fiction. Psionics are a variant of magic, and interstellar battle groups are upgrades of medieval knights. The gun is still the same gun, but it has changed from shooting bullets to shooting lasers. The ship is still the same kind of ship, but it has moved the fleet bombardment from the sea to the sky. As for the Three-Body Problem, it gives people a completely different feeling. It is a kind of cognitive shock. Your work is currently closer to the former. The various power systems are more like clever reorganization and reskinning of existing concepts, providing a very excellent "story stage". But as a reader, I am more looking forward to seeing stories like "Journey to the Dimension" and "Battle at the Wellhead", which start from a fundamental new setting and deduce a set of mind-numbing rules of a strange world. That's the real 'cognitive shock'. I have read a novel before. It starts from subverting the idea of ​​"I am me, I have always been me" and creates a setting where all human souls are exchanged every day. It changes everything in the story like an avalanche. In addition to this, I have also seen a setting before, which ensures that everyone has the ability to predict danger (can predict the source and extent, and provide sufficient reaction time) and danger avoidance (similar to bullet time, but disappears when the danger is over). The background is in a demonic plane. What happens when all violence against others can be predicted and avoided. If you switch to the world of martial arts, then the martial arts skills, whether they are light kung fu, body skills, external kung fu, or techniques, whether they are fast but unbreakable or powerful enough to produce miracles, will be meaningless because they can't hit anyone. However, grievances in the world, such as the massacre of a family, will not happen at all, and the purpose of practicing martial arts will also undergo fundamental changes, such as revenge, to prevent oneself from being killed at will, to protect oneself, etc., All will be invalidated due to the emergence of this rule. If you think about it deeply, in many martial arts novels, even the core driving force that drives the development of the story in Koburi will disappear. In addition to martial arts, there are plots in various other stories, such as catching ghosts and fighting zombies in the folk world, skinning, extracting souls, harvesting and cutting animals in the world of cultivating immortals, mutants from the motherland in the world with super powers, etc. The logic of various stories will not be able to continue. In the real world, TV news shows that police shootings in the United States, murderers killing people, how many people died in earthquakes, fires, and car accidents, the Russia-Ukraine war with missiles and drones, murders and rapes, underworld intimidation and threats, and American school bullying all won't happen anymore. As long as I can think of it, whether it's what I saw on Bizhan and Douyin, what I saw on TV and movies, or what was mentioned in stories and novels, if these things are incorporated into this setting, it will all change because of the loss of the core element of violence. What this kind of setting brings is not the "tragic and grandeur of the epic", but the "chill of logic". Starting from a seemingly simple "if", it deduces the complete collapse and reconstruction of the rules of our entire world. I mentioned "Journey to the Dimension" and "Battle at the Wellhead" precisely because they gave me similar shocks stemming from "subversion of basic settings". It can be seen from your continuous exploration of "systems" and "rules" that you have the potential to master this "rule reconstruction flow". Perhaps in future creations, you can try not just to build an "excellent story stage", but to design a "cognitive singularity" that can fundamentally subvert the physical laws of the stage itself? This is just an immature expectation of a reader, but I believe that if you dig in this direction, you will definitely be able to bring more amazing insights. I will always support you and look forward to your next breakthrough!

The Jojo chapter is over, and I would like to express my thoughts. It's not satisfying enough. Yes, it's not satisfying at all. The author said that you plan to build up Kaz's strength first, and then be defeated by Zhouzhuang to feel really good. But in fact, it's not fun at all. It can even be said that it means something. When the ultimate creatures occupied the world, ate up half of the ecosystem, laid out souls, and analyzed substitutes. The performance of the protagonist is particularly poor, especially taking Caesar and Joseph around to fight fortresses, which makes him even more mentally retarded. Zhouzhuang's method of endlessly copying himself from the previous copy, or cutting out the personality of the person in the magnetic field world, was not used, and he just drifted with the flow throughout the process. When it came to the final decisive battle, I was really not prepared at all, so I just waited for the leader of hell to come out and kill Kaz with a knife. Do you know how disappointed I was after reading it? This is not so much a Jojo chapter as it is a Katz chapter. Zhouzhuang's description in this article is not as good as Katz's. You have to learn the emphasis in the work. The readers come to see the protagonist, to see him change the world and the plot. Rather than watching the original characters undergo a large number of magical transformations without contact, and finally become invincible. Then the protagonist is like a bastard, waiting for the magic stone to cheat and the deus ex machina.

Old fans are still looking forward to the plot or imagination, while new fans have already begun to guess in which chapter the magic circle will appear, and to what extent QB will be strengthened ()

It's all setting, all explanation, every chapter is overwhelming.

I read it on QReading. The author said that recommendations and subscriptions have dropped recently. I think there are several reasons. First, the enemies were inexplicably strengthened. When the protagonist arrived in the Jo world, they had no impact. Zhunan was greatly strengthened and started to engage in technology and electricity. Second, it was not fun. The protagonist seemed to have lost his memory. He had many memories of anime and could cosplay with so many people. However, in the Jo world, he felt like he had no memory at all. He had been drifting with the crowd and following the protagonist. The progress of researching Pillar Man and Ripple is also very slow, and there is no intention of creating a substitute at the moment. Third, you asked for leave. There are already few updates. You also asked for leave, which is equivalent to two or three days of interruption. I read it every day. I want to keep it and wait for you. Fast forward to the cool point and come out.

This is the fourth book. I hope the author can describe better this time. There are many plots that can be better. Unfortunately, the author himself said that he is not good at description. I hope it can be better this time.

I have read Chapter 33 so far, and I can't help but complain. The setting is very novel and attractive, but does the author not understand Qidian's audience? Can you write two chapters about a tragedy? Isn't this just disgusting? And these are not troubled times. How can any militia take the initiative to enter a house to rob and kill people? If they don't want the political achievements of being an official? Do you think his political opponents in official circles are just for work? The description of the plot is outrageous. You might as well have the protagonist simply travel to the Five Dynasties and Ten Kingdoms. The outrageous scenes you describe will only appear in this era, not the Northern Song Dynasty. You can still find some excuse for saying that the Southern Song Dynasty

Ningba, there is no plot, it is not like writing a novel, it is like the author's own analysis and understanding of various settings

When I saw Chapter 83, I made a complaint. The initial setting of this book was that the protagonist was resurrected from human skin and could gain strength through acting. The subsequent route should be about being alone or taking a mysterious route, using this setting to become stronger and otherworldly. But suddenly, the plot of the mission to find a martial arts master was added. At this time, I felt that the protagonist's extraordinary characteristics and The uniqueness was weakened, and then added, the role played by the protagonist, which the protagonist cannot control, forced self-destruction and restart, later added the setting of dividing the world into two boundaries according to the existence of internal force, later added the setting of the world timeline closing, the setting of the protagonist being able to deduce each timeline to make his own choices, later Another addition is the setting that history cannot be changed. In order not to be changed, history forcibly summons martial arts masters out of thin air to resist the protagonist... I read Chapter 83 and finished the first volume immediately, but I didn't see what story the author wanted to write. I couldn't find the reasons and goals for the protagonist to do these things. The author's writing style is okay, but it is messy and has no main line. >For example, if you want to change history in the end, you must first write why the protagonist is in history, when did he discover it, what is the significance of changing history, what benefits can it bring to the protagonist, etc. These 83 chapters are basically the protagonist constantly experimenting, but the results of the experiments are constantly being overturned. The correlation between each experimental result is still very low. It will be very tiring to look at the chaos.

The idea is good, but the writing is very messy. It's like this when the writing power can't control the subject matter. The threads keep winding around one core, and you don't know what you are doing when you go to the back.

Jojo Chef can just skip the author's Jojo chapter. In the author's writing, "destiny" is limited to a few things, or his Jojo "destiny" can be rewritten at will. You might as well not write it. There is no established "destiny" in Jojo, so you write Mao Jojo. This reminds me of a copy of Infinite Sea Tiger, where the number of horses can be broken through by taking the Great Return Pill. The protagonist can break through 10 horses by eating 5 Big Return Pills in a row out of 10,000 horses. The author understands that Pishu is just like other immortality novels, you can take medicine to break through. The destiny setting of your author Jojo is comparable to this.

The ideas are very creative, especially Schrödinger's junior brother in the first world, which is particularly great. But the author feels very awkward for me. The first 50 chapters are designed to be able to write 20 chapters, which gives people a sense of seeing the pseudo-science introduction. It is originally a fantasy content. Che Zhulun's words are written in a roundabout way and cannot be understood. People who read it are heartbroken. The author often comments that he is too good at writing, but man, it is very painful for the author to read. What a great subject to write like this... Ugh

The combat power increased too quickly, from the martial arts style of Dragon Snake to Jojo Gods and Ghosts in an instant. I feel that the author's current ability simply cannot grasp this situation. Originally, the Southern Song Dynasty's self-contained and weird martial arts style felt too disconnected from the next chapter. The over-inflated combat power cannot create a sense of substance at all. Whether it's Zhu Nan driving a vampire mecha, or a massive brawl with thousands of ripples. It gives people an extremely inconsistent feeling. It gave me the illusion that I was reading a second-rate article about cultivating immortality. The Dragon King comes down the mountain? Or is a miracle doctor coming into the world? It just feels a bit messy, a wonderful splicing that I don't know how to describe. 🤔🤔🤔🤔🤔🤔

I thought it was a story about alien monsters poorly disguised as humans, but what did I see? A true, kind and beautiful soul? Ugh, you really used your introduction to trick people into killing them. Not to mention eating buns, at least it has non-human values. The setting is only superficial. It is set for the sake of setting and has no impact on the character creation.

The setting is not set well, I don't understand why they have become non-human. We still have to digest the power of the sacred stone to save the people of Song Dynasty. Don't you understand that the first desire of living things is to survive. It's not that I don't like watching Madonna-type protagonists, but I can only see the tearing feeling in the protagonist you created. There is no motive for the protagonist's actions. You just told the protagonist what to do, so the protagonist acted like this,

It seems that the author only wants to write the setting, not the story.

Whose author makes a lot of settings but not the plot? No wonder you are crazy about it.

The second time I read this novel, I still couldn't stand it. The protagonist was too inhuman and not a human being at all, so I couldn't stand it. The setting was also too complicated. This is a novel. First of all, you must have a sense of immersion. How does this book allow readers to become the protagonist? The protagonist can be inhuman, but he can't be completely inhuman

I ordered a chapter to complain about, the setting is too confusing. I read it in the middle of the night. I had a headache. I don't know what the author wanted to write. To write a protagonist like Brother A? It can be said that the protagonist has no motive for anything he does. From saving people and killing people at the beginning to studying the sacred stone, the memory is not perfect. Dozens of chapters are just describing psychological activities. How can a "person" with incomplete memory be so sad and hateful? I don't know how to write it later. But before it was put on the shelf, the writing was very messy. After reading it, I felt like, did I write something? What did I read? What am I doing? If you want to write a non-human series, then honestly follow the non-human path. To write about non-humans, you have to be human at the same time, behaving and standing at the same time. There are a lot of settings to write, which can be described in a few sentences. It doesn't take more than a few chapters

I am particularly interested in the setting of the book, but after reading the comments in the book circle, I feel that there is nothing to read. I am really bored today, so I simply clicked on it The author is too boring, and the plot never advances. The martial arts written at the beginning of the introduction, without you The plot on the shelves does not reflect much at all. Instead, it pulls out a bunch of other things and makes a very complicated, thesis-like thing here. It is particularly dry. The little bit of plot is all to explain your setting and thinking, so this is it. It can't be good, but someone in the comment area said that your book has a setting at the beginning and the plot follows up later. I said that I would jump to take a look, but as I skipped it, I found that some very unfamiliar terms popped up, and it was still setting up and digging. Digging, you are not writing a paper, you are writing a novel. How about we not do this? Intersperse your setting and thinking during the progression of the plot, instead of letting your protagonist dig and think throughout the whole process, but there is almost no interaction with the people around him.

After reading dozens of chapters, I can't help but complain. There are too many settings and psychological descriptions of the protagonist. They are too complicated and confusing. There is no need to be so detailed and complicated. It seriously affects the viewing experience. You can take a look at how the experiments in Fantasy World Time Travel are summarized.

I have also read the author's last book and some of this book. The author's books really have clear advantages and disadvantages First of all, it is its advantage. The author's imaginative setting of the novel is really amazing. What high-dimensional, role-playing and various settings are really well written But its shortcomings are also very obvious, that is, it emphasizes the setting and neglects the plot. This book has The first chapter is that the protagonist kills a bad guy, and then sees the bad guy's wife and child, and then the narration says that the author of this book is not like the other protagonists, who just kills and doesn't care about anything else. However, the protagonist of this book thought that the mother and son would be killed in revenge, and did nothing. He just thought about it, and then left. So what is the difference between you and the other protagonists mentioned by the narration? You can stand up and say, that's it. Whoever is killing people or something, I will kill whoever to shock others I think the author's book can be popular only because of the characterization. His setting is very good, but he pays too much attention to the setting. The story is important. For example, the Lord of Mystery, his setting of 22 sequences is amazing, but he is also popular because of his plot and writing. Yes, the setting is just an icing on the cake I think the author should read "Monsters Die When Killed". I read the author's last book and this book, and I know that he wants to create a kind protagonist, not just a plot of simply upgrading to fight monsters, but the author doesn't know how to balance kindness and upgrading to fight monsters In short, it is really a pity, the author has the writing power of a great god

This book is not about combat power. World views are essentially closed islands of information. They can only interact when they have the same elements. The world view itself is a complete set of world systems. Without travellers, the natives will never be able to break free from the constraints of the story. After all, no matter how strong the characters are, they cannot compete with the story itself.

Why are the later anime mixed together? After raising it for a while, why did it become like this? Look frowning

For example, the author is not very good at writing books, but the story is good and I recommend reading it. For example, from chapters 45 to 56 of the novel, you can basically skip it. The author worked very hard to write the setting. It is not bad, but it is really ugly and boring. However, at the end of chapter 56, it suddenly starts to unfold, which makes people feel that it is worth continuing to read. This is my evaluation. Like the book, there are many problems, but the story is good.

No, I thought it was the kind of ghost and fantasy novel or the portrait of a group of vests. Why does it look like a cool novel?