I Loaded the Kaitan Game

I have read three hundred chapters. Although overall I like it and enjoy reading but the male protagonist is a relatively boring existence in this novel. Probably not many people will think so, because once you get involved, you will no longer think of him as a novel character. The male protagonist is a person with no personality and no ego. It seems like an exaggerated evaluation, but many system articles are like this, so it is actually a normal situation. Why do you say that? Let's put aside things like systems and abilities. What kind of person is the male protagonist? An ordinary person has no characteristics, including small complaints from time to time and kindness that is not the Holy Mother. They are all in a range that has no personality and cannot be called characteristics. Especially without the abilities given by the system, I don't think he has any qualities that can serve as a protagonist. I have always believed that the reason why the protagonist is the protagonist is because they are special, rather than just picking up a random passerby and giving him a cheat to become the protagonist. One thing that is obviously undisputable is that his fundamental ideal and driving force as a person was given to him by the system: to become the co-owner of ghosts and gods. There is no reason to become a co-master. Hatred, or love for the supernatural, or simply wanting to open a harem and make money, none of them The system says to become a co-master of ghosts and gods. He went for it with all his might. Like I said, Palu, go mine, it goes. To be honest, the male protagonist's ordinaryness is not the ordinaryness of ordinary people in reality. In reality, everyone is different. There are so many personality models. Everyone has some differences from others on a normal basis. This is normal. The male protagonist is more like cutting off all his personality traits, leaving only a basic blank slate. Even if you say that he is a weirdo and externally controlled person, or extremely greedy for money, or a ghost, as sinister as a fox or as honest as a young man, I still think he looks like a human being. However, this is not surprising in system literature now. The protagonists who cut off the system and become useless are everywhere. Not to mention ability, ideals, three views, behavior, and personality are all more or less systematic, and life becomes a shell of a system. Because there is no protagonist with any personality traits, his emotional line is quite dispensable. It's not that there's nothing at all, but the writing is completely uneventful. As time goes by, feelings will develop, things will come naturally, and the story will be told in a straightforward manner. That's probably what it means, is there any, if so. Anyway, I have no desire to twist into a maggot on the bed. 300 chapters, 300 chapters. The emotional line between Mary and Prajna is completely frozen. What was the same during the contract is still the same now. The daily interactions are limited to one cooking and one leaving some smell on the bed which is not described at all. The very thin yandere and tsundere character is still as thin as a piece of paper after 300 chapters. Writing daily life, I still admire the love game loaded. A delicate and vivid personality and gradually rising emotions can be written through daily dialogue alone. Although I didn't say I wanted to reach that point, I really didn't write at all. Because there is no emotional line that has any sense of existence, the main body of the novel is simply writing a report, and I have been pushing forward the main line. And it's really a Dark Souls-style push. The protagonist harvested mobs in map a, b defeated the boss, c obtained props, d unlocked abilities, e upgraded shikigami, f, opened the next map g... You can fill in all kinds of things you want in abcd, etc. It's really unexpected that you can also fill in the characters from crayfish to the invincible cosmic king crayfish like a certain meme.

This book started to go downhill after Hanako was solved, or the trend of going downhill has already begun. After all, I don't understand what the author thought. Mary was hidden when the character was the most popular. Although Mary appeared to save the scene again later on, because it had happened once, it gave people a much worse feeling than the first time, and I think it was Satoru-chan who stood out more in this appearance. Then the author hid the character again. Perhaps the author consciously tried to balance the protagonist's back-office group, which is the so-called stock trading, although in my opinion this is very unnecessary. After all, they are all shikigami and not human beings, so what if they all take them all. Also, Hannya's emotional line is very strange. I understand that the author wants to write about a tsundere, but the problem is that Hannya is forced to be subdued, and the initial favorability towards the protagonist will definitely not be a positive number, even if it is not a negative number. Therefore, Prajna's initial performance will never be tsundere. After all, the premise of tsundere is that the protagonist can make her coquettish. How can she be coquettish towards someone she doesn't like? Is it possible that the protagonist's ability to conquer the shikigami also increases his favorability? If so, please explain. I can understand the idea of ​​a girl posting something negative, since it is a male-oriented novel after all, but the problem is, an "enemy" shouldn't post something negative without any reason. Then the plot is too compact, with events following events, dungeons following dungeons, and the protagonist is either on the way to open a map or on the way to fight a boss. I don't know the reason why the protagonist works so hard. The reason of wanting to become the co-master of ghosts and gods doesn't convince me. In this book, being the co-owner of ghosts and gods means that there is almost no explanation. Why on earth does the protagonist have to work hard for an identity that only has a relatively impressive name? Are you so worried about being the co-owner of some ghosts and gods? I can still feel happy in the game. Can the protagonist feel happy if he is so lazy? As mentioned earlier, Prajna's emotional transformation is too rigid, and the emotional line of the heroine (questionable) in this book, the little miko, is similar. I just finished watching the dating part and I was confused. Why do you suddenly want to develop a relationship? Okay, I can understand if you give it for free, but it's okay to mention a little reason when you go on a date. Even if the reason is far-fetched, it's okay, as long as there is a reason. Your emotional drama is so bad. If you don't write down the reasons why the heroine falls in love with the hero in detail, how could I possibly know? A book that is tasteless to eat and a pity to throw away. It depends on how Miss Mary comes to the rescue.

When I first started watching it, I saw that the hearing aid was damaged, and I didn't understand what was going on. Why did a bunch of netizens think that the protagonist should pay compensation. First of all, the protagonist is here to save people, not to cause damage. Secondly, let alone God's perspective, I don't know from the woman's perspective. We all know that it is Hanako and she was controlled so much that she almost jumped off the building. Do you know that you are saving her? Secondly, even though I have pointed out these things, I still think that the protagonist must compensate. If you can't break your clothes and get out (or you can't escape), then someone else comes to rescue you and rescues you at the cost of your damaged clothes. At this time, it's outrageous for you to ask the person who rescued you to pay for your clothes. Shouldn't they save you and let you be suppressed all the time? And then you can't make a difference, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, right, you are the cost of the price of the price of your clothes.

The subject matter of this book is relatively good, and there are very few people who have written about it. The writing is okay, but there are some problems with the positioning. The real attraction of the ghost story theme is its reality. It must be that ghosts exist in reality and cause abnormal phenomena, and the protagonist investigates and then cures the ghost story. But this book gives an outside world and an inner world. Most of the protagonists play single-player games in the inner world, which is very boring. We should be more in touch with reality, accept the commission of reality, and work more jointly with the little witches and the Metropolitan Police Department to solve the ghost problems that arise in reality, just like the part about Rouge Monster. But after reading 2,300 chapters, most of them are about the protagonist taking his own shikigami to the other world to play single-player. . What's the point? This is not the little witch Mona, which makes the horror atmosphere of the ghost story almost nonexistent, making this novel tasteless and a pity to discard.

If you like Riqing, this book is good. It is a harem but not vulgar. The whole book is mainly about daily life and supplemented by fighting. Although I don't know much about it, I can feel that a lot of Japanese culture has been researched. The combat power is probably a mixture of Onmyoji and Taoism. It's pretty good except for a little less. Good luck, author.

How should I put it, I felt that the plot was a bit boring starting from the amusement park picture. When we got to the hospital, we no longer wanted to see it at all.

It was the first time I watched a Shura field where one person and two monsters talk. It was really interesting. It was completely different from a harem full of people. Moreover, the three people each have their own characteristics and are not stereotyped. Miss Mary is sickly, Hannya is arrogant, and Ying is lively and cute... The other shikigami also have their own characteristics. Except for the three above, Zashiki is my favorite! So cute! In addition to the daily life and the main plot, the author will also suddenly touch my heart in certain segments, which can be regarded as a sudden seriousness after a complete life, profound and connotative 😊

Just read Chapter 315. I found that the thing that admires and attracts me the most is the rhythm, an unhurried rhythm that makes me feel comfortable. Although the complexity, completeness, tension, and power system of the fights in this book are not actually great, this rhythm made me feel at ease. The author only updates four thousand words every day, which is not much, but I personally strongly encourage this rhythm for serialized books, because I think that for most authors, only this word count is sustainable. When I read books, I usually only finish the first one. On the one hand, it's because I'm impatient to catch up on updates, and on the other hand, because many books nowadays are said to be finished, but they are either unfinished, or they start high and go low, and they can't hold back at all. This kind of rhythm makes me believe that although the book is not finished yet, in my opinion, this book should not be unfinished or start high and then go low. In addition, the character of the protagonist is also quite likable, both capable and gentle. And at least from the current point of view, his outlook on things does not have the beauty of pre-modern times, but is still relatively modern. Although the description of the female characters cannot be amazing, it still completed the task well and established the characters. As mentioned before, what I hope now is that the combat power system in the later part of the book can be planned more clearly (in my opinion, although the current setting has boundaries, it is still quite idealistic on the whole), and that the fighting can add some tension.

It's just that I don't quite understand why I chose the electrostatic thunder method at the beginning. Isn't it written that it has no lethality? There are shoes that increase movement speed and running are more useful than this thing. Is it really just relying on the protagonist's halo to do it?

Dear readers, do you have any 18x book of Inugami to share? It is really too astringent and cute😍

A very good Japanese ghost-style Nikki

The novel is good and the author's writing style is quite good. Although it may be toxic in some places, it still doesn't affect the viewing experience. I just hope it won't be serialized for more than one or two hundred chapters like some ghost story novels. Also, I found that many of the protagonists in ghost stories or supernatural stories begin with the surname of God. Anyway, it is worth recommending. If this novel is on the shelves, I will keep reading it. It can be said that it is the first novel that made me pay for it at the beginning. Even if I have a house of horrors, I didn't pay for it for free.

I hope there will be more character interaction and daily activities (I love watching the interaction, the characters feel like they have lived through it) Japanese mythology stories, I hope a little bit can be omitted. No need to go into too much detail, the messy relationship will burn your head🤔. The mythical stories of childhood are as chaotic as India. The writing is great, I will continue to read it Come on

I just discovered a great book, please update it

Has the author never exercised? A very rubbish ordinary person under normal circumstances. After running continuously for a month, I can basically run 5 kilometers continuously, which means running 12 and a half laps of a 400-meter playground. This should be a level that a normal person can do, or even a person below normal. Don't ask why I used to be an ordinary person who could take a breath after running two steps.

The introduction reminds me of "Toilet Hanako VS Qu Qiang Exorcist"

It doesn't matter if you don't have a harem, but when I see you write a supporting character talking about love, I feel a little bit...

Strongly requesting Kamiya to accept Mr. Hachiku, not for anything else but for the little horse and the big cart.

Is Chapter 369 serious? The author doesn't want the male and female protagonists to be together. Let's just say it straight away. Taking this kind of plot as an ex-reader, I originally thought it was a harem story, but it turned out to be a stock trading story. There was no emotional line at all. I just like to have ambiguities with various women.

The book itself is quite to my liking, so I'm ordering more. I would like to give some personal opinions. I do not mean to teach the author how to write a book. It is just a suggestion and reading feedback. 1. Do not add entities if necessary. I hope the author can make good choices. There should be choices for content that is of little significance. Continuously stuffing the protagonist with things will lead to the protagonist team becoming bloated and rigid in all aspects. To give a simple example, the factors that limit the number of shikigami for the protagonist include spirit control and shikigami statues. Are both necessary? Is it possible to only keep Poke Balls/Shikigami statues like Pokemon? It is set that the shikigami statue can unconditionally conquer kaidans that are 2 levels lower than the kaidans. The kaidans that are 1 level lower need to be in an abnormal state such as serious injury/restraint. The kaidans of the same level can only be conquered if the opponent is willing. Is this equivalent to integrating the restrictions of the spirit control technique? Of course this is just an example. If the spirit control technique has other important functions, that would be a different matter. 2. I hope the author can make differentiated settings. In this regard, the author has actually done a good job so far. The main character settings and abilities of the protagonist team are highly differentiated, which deserves praise. However, the problem of differentiation will become more and more serious as the plot progresses. One of the reasons why most online articles are reduced to a big game in the later stage is the lack of differentiation. This is also a manifestation of the importance of the first suggestion. The more things are crammed in, the harder it is to reflect the difference. The key to differentiation is to plan ahead. Before new things are added, they must have a clear positioning and fit their background. For example, if Mary is transformed from an abandoned doll, she can be designed into a dual form of Forgotten Doll/Bloodthirsty Doll. The doll form has the ability to make others forget herself, similar to invisibility; the doll form has strong attack power, and the first surprise attack out of the forgotten state is a fatal blow, similar to the effect of Wind Walk in Warcraft Sword Master. This not only fits the background, but also conforms to Mary's positioning and division of labor as an assassin. 3. Some plot segments are not handled smoothly and sophisticatedly enough. The patience of online readers can be said to be very short. An uncomfortable plot may cause readers to abandon the book. The author's handling of some plots is somewhat imperfect. For example, the operation of the protagonist in the first reality trust mission is a bit confusing: if you plan to act cautiously, you should not expose yourself, and it is not difficult to use the lie ability to directly deliver the letter; if you plan to take advantage of the opportunity, you should let go and gain more benefits. But in fact, the protagonist's choice exposes himself to risks and does not gain much benefit. This kind of behavior pattern of being the first and the second is undesirable to both sides, and its appearance in the early stage of the story is enough to persuade him to quit. 4. I hope the author can treat some readers' feedback rationally. It seems that many people are urging the author to speed up the progress. In terms of personal reading experience, it is not very slow. On the contrary, the third dungeon world is a bit too hasty. I hurriedly collected all my NPCs and started the boss. The rhythm and excitement of the plot have declined compared with the first two dungeon worlds. I suggest that the author should write according to his original arrangement as a long-term solution. The current situation of online writing today is that no matter how tight the plot is, some people will complain about it, and no matter how fast the plot develops, some people will criticize it for being draggy. Finally, I wish the author will get better and better as he writes, and this book will become more exciting!

. . .

It's almost 400 chapters, and the male director is a virgin. Let's wait and see.

You lazy idiot, people imitating you have become popular.

Miss Mary

Zashiki Warashi

Valley of the Gods

I always like to give CP to the supporting characters. I did it once or twice, but I always do it. Now the supporting characters' emotional scenes account for much more than the protagonist's emotional scenes, and they are much sweeter. There are also many apprentice plots 😒😒😒. Now I just want to watch the emotional scenes between Qi Wu Lei and the protagonist, but in the end I always write about the emotional scenes of the supporting characters and the plot of the apprentice...

How is this book? Does it contain Shen Nong?

Please write a few sentences to give feedback. The book is fully ordered, and the writing is Riqing's own. But I still hope the author can consider it in some places. 1. The protagonist's combat power system currently has a feeling of fighting a boss in an mmorpg. To be honest, the group battle is not well written. The author gave me an epic boss battle that he wanted to write about Soul, but the result was still a bit messy. First, let's sort out the combat power of the protagonist:                                                                                                                                      Buff Machine Prajna. There's very little or even no mention of Prajna in battle. The few descriptions of the protagonist's "crisis moment" are not eye-catching. Although he also has attack skills, it's as if he doesn't have them now. （，？）                  ，，It goes without saying that it is difficult to write a battle scene with a pure kitchen knife character like Hui Yao. In addition, it is very difficult to show the combat charm of a kitchen knife character in this "pedicure" style boss battle. For the latest scene of fighting the demon god of the village, I can only imagine that I gave the Giant King a pedicure.          debuff，， Why do I always feel that the corruption aspect is not reflected in the battle (did I miss it), the positioning of the fire breath is also unclear, and the performance in the boss battle is still a chopper. Why is Gouzi so impressive in the soul system? It's because he has toughness. All humanoid monsters have toughness. Even big bosses like this one can't fight hard. It's hard for you to write a sentence like "Gouzi bit him more than ten times in a row and staggered him to death in a corner." The most obvious thing is that the description of the battle between the anglers gives people the same impression whether there are dogs or not.                                                                                                                                                                                                                                                                                                       <br          ，，，B？ I don't know if the author should write it or not.                                                                                                                 but the one that impressed me the most was the 8-foot girl. I can only say that it is a complete masterpiece in a small volume and also contains elements of tentacle monsters. But apart from these, what exactly is the combat ability of the eight-foot girl? An assistant who can debuff the opponent? This isn't like Dark Priest either.                                                                                            The combat performance is equal to another Mary, the youth version of Isshin, trying to re-enact Nero with an extra hand, do you want to use another dimension to re-enact Brother V?          ，， (To put it bluntly, group battles are difficult to write in the first place, and with the addition of seven characters of different styles, you think you have a lot of brains to conceive of a battle of this scale) 2. Emotional stock trading. I can understand Riqing's stock speculation, but this is a domestic Internet article after all. I have always supported writing emotional dramas, not only because it is an eternal theme, but also because it can present the definition of love from different people's perspectives. However, the author opened up four or five emotional lines, and the most intense one was the story of the little witch, which is quite like a Korean drama, which I didn't expect. I don't mind having a single heroine, a harem, etc., But after four hundred chapters, the only real emotional line is the little miko. What does this mean? 3. Balance the daily plot. I think this area is really in short supply right now. The daily plot should be able to broaden the world view a little and balance the story. I even think that Hanako's copy is the most powerful because of the youth love drama between Xiao Pintou and Sayuri. But after what happened at Kisaragi Station, what happened to the forgotten little flathead and his mother who was supposed to depend on each other? Now the protagonist is aloof again, and is no longer an Asashi central air conditioner. It's just the reunion between Xiao Pingtou and Sayuri, and the mediocre exchanges in the countermeasures room are far from being considered a follow-up. The story of this most outstanding supporting character is what I personally think is the development I want to see most after the Kisaragi Station incident. Finally, I hope the author will write better and better.

Use the APP to draw Xiao Wu's appearance as a child and when he grows up.