Musicians of Old

The movement that personally impressed me the most with this book is the first movement of Mendelssohn's Violin Concerto in E minor, "This is the reunion we have been waiting for." As a story, this ending is completely satisfying. Although I personally once believed that the highest existence must be noble, great, and pure, later this illusion derived from fear was diluted - the glory needs to be sought from the freedom of the world. Tell me your impressions. The first volume, "Giant," has some immaturity in its writing, but that later seems innocuous, rather an inevitable cliché at the beginning of the story. As a beginning, this volume raises an essential question: "The world is full of shortcomings, but some people will eventually see the glory." Everyone knows that this problem will be solved in the end. The most relaxed and lively part of this book should be the second and third volumes, which can be said to be the youthful time of this book. What is in front of you is the sunshine, sky, thorns and wind of youth. Is it another kind of "giant"? At that time, all problems seemed to be solvable, at least there was a beginning to a solution. Then comes the fourth volume, which is an interesting long-term identity shift and preachy writing, and the second half of it unveils the background of the entire world in danger. It is from here that the eerie and dangerous atmosphere is completely revealed, and even the most satisfying passages are always shrouded in haze. Volume 5, first of all, is a return and reunion. It's like we meet a close friend again after a separation where we don't know whether we will see him again in this life. This is how I was moved by the beginning of this volume. And later, there is the "great victory", summing up past achievements and achieving the highest glory in the world. However, there are issues that have not yet been resolved. We were confused in the later time, because even in every victory over fate, the ultimate question, the question about the end, the essence, and the highest point, was still unresolved. Volume six, destruction; volume seven, pregnancy; volume eight, rebirth. This is a victory over inevitable fate again and again, and in this struggle we see that all problems seem to be solved and all abnormalities seem to be eliminated. But we know that there is another problem at the top waiting for you to look directly at it. Then comes Volume Nine. At this point all other issues have been resolved, and we have plenty of time to confirm this and then face our final fate. At this time, the end of fate came. An uncontestable force is the "gathering point" and "upper realm" in the book; outside the book, it is "death", "tragedy" and "fate". It tells us a fact. The fact is that the world is full of shortcomings. It has been true from the beginning that the essential, philosophical questions cannot be answered - and then, by accepting this fact, we can postpone the answer indefinitely and hope that we will eventually be able to answer the question. We call that answer "reunion". It was the ideal, a reunion with all the good things in life. That is, "seeing the glow. Even if everything cannot be as flawless and dazzling as the glow we first imagined, we still retain the right to wait. We can wait, one day for the rest of our lives, or after the end of our lives, everyone will get what they want. So tragedies are all for comedy, so shortcomings are all for reunion. The ending is the reunion we have been waiting for. Finally, this is the story to me, to the music and the fragrance of the warmest summer.

Shennong Tasted Herbs In fact, I started reading this book while complaining. Why do I say this? Because the author's first volume contains some relatively low-level pretentiousness and slaps in the face, which made it difficult for me to feel nervous. However, the author's professionalism in music and writing style are not at all trivial, especially Kant's admiration for the power of judgment and criticism. People who don't understand philosophy seldom know about the sublimity of advanced mathematics and mathematics. This leads to a weird sense of stitching. On one side, the writing style is well-proportioned and full of professionalism. On the other side, it is low-level white writing that is pretentious and slap-in-the-face. It makes people feel that the author is not very skilled in writing and has to use low-level contradictions to promote the plot Indeed, in the writing After the author's last pretense and slap in the face (maybe more than 80 chapters?), There is no such low-level plot advancement method in the future. The level visible to the naked eye continues to rise. The control of cool points, rhythm control and detailed description are completely unlike those of a newcomer In terms of content, the main body of the novel is the interweaving of music and music. In terms of music, the author is extremely professional, and the composition Ziwen copying + self-creation, while trying to transfer the systematic music theory and ideological trend of the past in a reasonable way. I have to boast here that the humanities category is different from the science and engineering categories. If you look closely at many things, you will know that you cannot directly copy them. These things involve many influences such as the background of the times, culture, trends of thought, schools, previous theories, etc. Direct copying will have bugs. It doesn't matter if you don't understand the music at all. It's very enjoyable to read the music side of the story, so you don't need to worry. In terms of gratification, the author is progressing step by step. From the beginning, which is inexplicable, to slowly writing his own things, it has to be admirable The author of the emotional line actually writes very well, but I don't know if it is because he is afraid or something, and he does not write in depth. It all depends on the author's own judgment. The current trend is either Sheeran and Roy (it's hard to throw away one of these two), or there will be no heroine at the end Of course, there are still some small problems, such as the music and the script of the plot of the transition between the plots, but they should not be too harsh. This book has been optimized to the current level and is already very strong. I look forward to the author's continued progress. Generally speaking, it is a good source of food. It is commendable that it can be found in many books without falling into vulgarity However, the most famous person for the philosophy of art and apocalyptic philosophy should be Schelling. Schelling's absolute identity is also a bit like the dome. For mysticism, you can refer to Plotinus and Eckhart. I feel that there is a lot of material 🤓

Theoretically speaking, it was a complete accident that I came across this book. For me, classical music is just BGM that is played randomly in the morning. Which song is played depends entirely on the order in the playlist. I am just a layman However, good books are not afraid of lateness, not to mention that there are two limited editions of books I have seen, and reviews from all parties have also praised it. So on a dark and windy night, I joined the book club group To be honest, this book is really suitable for my taste, and I am a professional in music. It's weird, at least I really like this feeling of being unaware and letting knowledge flow through my brain without leaving any trace. If the author's purpose was to frighten the laymen, then he succeeded What surprised me even more was that not only the music author seemed to have a relative understanding of art, but the protagonist Fan Ning himself is the director of an art museum. In the first puzzle, the paintings of famous artists are the key to solving the problem. It can be seen that the author himself enjoys art, and maybe also loves life? The name of the character also seems to be related to the artist in real life. Of course, I am just a layman and don't know much about it, but I listen to musicals, so when I saw the protagonist teacher, I almost thought he was called Anthony Salieri. Although this is a mistake, people who understand will definitely feel a knowing smile when they see the name of the character The second is the author's control over the novel, mastery The control is so strong that I personally think it has surpassed 90% of the authors. It seems that losing control is a fantasy for the author. Every character under his hand knows his past, present, future, every word, every sentence written. The author has absolute control However, advantages and disadvantages coexist. The advantage is that there will be no cliff-like drop in level in the whole text, he will be very stable, and people who like him will be very If you like it, you will have a multi-million-word head massage when you meet the brain waves Control is basically equivalent to developing into a hexagonal warrior, which means that everything in the novel is decided by the author, but if it is not done well, it is very likely that the worldview will collapse without personal characteristics, but Orange is awesome, at least he has become a small hexagonal warrior But the disadvantage is that those who like to read cool articles may lose it. Look, the control is too strong, which means that there are no surprises, and the sparks between the characters are all suppressed by the author's inspiration. It can be said that inspiration overrides the will of all characters. This is a kind of personal characteristic Then there is the setting. When I saw the power system of the novel, I understood that this is a unique high-quality novel from Qidian, rigorous, continuous, and self-contained I I have never played Tantric Cult, or I have played it before, but was dissuaded by the gameplay, but this did not cause any obstacles to my reading. The setting is rigorous, the world view is huge, and it is a proper Western fantasy version of the little devil Cang Yue. The setting party is ecstatic, but it is really laborious and the reading threshold is still a bit high Finally, I want to talk about the writing. The author's writing style is not picky. People who like it will like it very much. Maybe at the beginning It's still a little unstable, but the smoothness of the translation later seems to come straight It's just that I have some personal problems: the name in the setting, what I personally feel is hidden knowledge, and the glory. At first glance, I don't know what position he occupies in the power system, but in the book, these are originally part of the secret, and there are some meanings that ordinary people cannot understand. Being a black man The task of words And the words in the text are a bit dense, and some aspects are a bit too dense. In some adjectives and modifiers, there is actually the meaning of the characters' actions. There are no meaningless words in the whole text. It is very smooth, but the amount of information can be slightly reduced. Appropriate water is helpful for brain health I can feel the author's love throughout the book, whether it is for music or for love. Novels, in my opinion, music is a kind of refraction of the times, just like Newton once put a prism in the sun and refracted colorful colors. Musicians refracted the sounds of the times into different music, and the music refracted by Fan Ning overlapped with the colors hundreds of years ago. The resulting color reaction may mean the difference between times. Perhaps we can explore from it: Can people create works that transcend the times? I'm very curious In short, this may be a novel that is not very steamy, but he is one of the cornerstones of Qidian. He may not be popular, but Qidian must have him. With him, other authors can have the idea of ​​fighting on the street and also fighting in Jerusalem. This is the novel that Qidian can write the word "preaching" into the regulations Finally, tell me about me, who has read more than 200 chapters. Thoughts: This inspection office is really a bit outrageous. The protagonist's father used to be his employee. At first, the protagonist's communication with the inspection office seemed quite friendly. I really thought he was decent... Maybe we can describe the things the inspection office did from the side when the piano teacher was chatting. The villain should be more obvious And somehow I feel that the author was a bit unable to let go when writing this novel? It may be an illusion... But I look forward to the follow-up

This book is a work of art, and the author wrote it as beautifully as a piece of music. Of course, art requires a certain threshold to appreciate, and it is not something that a few guys who have not read a few chapters can judge. You Shennong can't even pay to see it? If you don't have the right taste, don't open your eyes and tell lies here. I've said a few points but none of them are right ———————————————————— The extraordinary system is semi-hidden. As a mysterious genre, it has a very atmospheric atmosphere. The high inspiration of the art itself is well combined with the mysterious inspiration of the esoteric religion. The plot rhythm is elegant and the plot matching is just right. In terms of music, it behaves like a black technology. The only disadvantage or another advantage is that the writing about music is professional and popular. He also patiently tries to explain it to people who don't understand. At least I know nothing about music, but after reading the book, I can understand the artistic conception described by the author, and it is still refreshing. Yes, skipping professional knowledge will not affect the plot or inertia, but it is not recommended because it is also a refreshing point —————————————————————— The drug testing guide written by the author himself is very objective. If you can read it, you will know after the author writes it.

Record your personal opinions. In fact, judging from my personal reading experience, I can only say that it is quite satisfactory. In fact, after reading the first volume, music knowledge is no longer a difficult point for me who don't understand it at all. I can feel the author's satisfaction more or less. But to be honest, the overall reading experience is not very good, and it is difficult to read. I can understand the author's plot about the conductor of the Second Symphony, and I like it very much. However, based on the author's self-narration at the end of the second volume, I almost did not understand the author's complete story line or the entire story line. I couldn't understand it after the author explained it. It's not that I don't understand the idea, but I can't see that it is a coherent and complete line. Only for the first two volumes, burying clues in the early stage and filling in holes in the later stage are very stream-of-consciousness. At least I couldn't detect some of the later clues from the early story. Even after reading the author's summary of ideas at the end of the volume, I couldn't understand it. The overall plot is good, but the pacing is sparse. There may be other readers who can understand the overall plot, but I really can't. And it is not a cool article. Generally speaking, it is definitely not a sadistic article, but its strengths are limited. There are almost no cool points in traditional online articles. Judging from the author's self-report at the end of the second volume, at least the author and I have almost no similarities in our views on online enjoyable articles. I will continue to read it. After all, overall I think it is pretty good, but I really can only watch it with my mind free. Once I want to clarify the logic of the plot, I basically can't understand the author's writing logic. In other words, I don't understand what the author did in writing this plot. Well, after looking at it, it is not clear which plot should echo the previous plot. What is very outrageous is that I think the so-called "word-count" professional content and supporting roles of some book friends are actually very interesting, but the main plot of the protagonist is somewhat unsatisfactory.

First, the general point: I prefer the art side of the story. For this fantasy novel related to music, I have read The Silent Crown before. But I feel that the writing about music does not give me a strong sense of empathy as this book does. The protagonist writes about his own creative process for several symphonies. The key point is that the writing is quite good, not a very rigid copy, so the pretentious plots of regular online articles later look very natural. In the first four sections, I like Scheler's creative themes and stories the most, and Lavoisier's characters and descriptions the most. The protagonist Fan Ning is not as good as his two vests to me, hahaha. Looking forward to the trinity plot in the future, and even said how to write the plot of losing the waistcoat. Come on, the author.

Let me save some trouble first: firstly, I recommend it to readers who like classical music-related themes, and secondly, I recommend it to readers who want to read more serious/plot-oriented novels (related to esoteric cult simulators). For the rest, it is not highly recommended for readers who are looking for dog food, the invincibility of the protagonist, and scenes of large-scale pretense. In addition, the author is not very productive at the moment, and it is not recommended to readers who like to follow updates. The following contains spoilers. The classical music content in this book is relatively solid at least among online articles. I personally think it can be ranked at least in the first echelon. A large amount of music theory knowledge and music introductions are interspersed between the lines. Readers who are rushing to read the article will easily be distracted by the combination of "main plot + 'hardcore' music content". In contrast, readers who like classical music should enjoy it more. Although it is a copy of the article, one of the more interesting aspects of this article is that Mahler has been deleted from both the original world and the different world, or the protagonist is Mahler. The core piece of the protagonist's song in the article became an "original" piece after getting inspiration. The advantage of this is that the protagonist at least does not look like a copyist, but gets inspiration from various experiences to "create" his own music. The plot of this article is not very satisfying. On the one hand, in the confrontation with the Special Patrol Office, every time there is a sense of "killing one thousand enemies and damaging oneself eight hundred". After the first three volumes, although the protagonist foiled the Special Patrol Office's plan twice in a row, the former was left in a foreign land, polluted by knowledge, and the female supporting character was still waiting for the protagonist to rescue him. At present, there are no obvious loopholes in the plot, and the foreshadowing is gradually being recovered as the plot progresses. On the other hand, after the third volume, the atmosphere in the book is obviously much more tense than in the first volume. In the main part of the first and second volumes, the protagonist is engaged in various mysterious side adventures with his female counterparts while copying documents and creating music. But when it comes to the third volume, the conflict between the protagonist and the Special Patrol Agency, the largest mysterious organization in the other world, comes to a head, which makes the pace of the book quickly become tense: the relationship between the protagonist and the Special Patrol Agency is like a mouse and a cat, and the former will be killed or injured as long as the latter catches it. In the third volume, the protagonist is tired of exploring secrets and composing music scores in order to be promoted. In this context, the pretentious scenes can only let the readers take a breath, and then immediately follow the protagonist to continue to fight wits and courage with various enemies stronger than themselves, which is quite tiring to watch. In general, the seriousness and rigor of the plot are good. But once you get invested in it, you'll feel a bit frustrated. Personally, I think it's too hasty to make the protagonist completely hostile to the most powerful mysterious force in the second volume. After that, the protagonist will probably have to develop for a long time before he can fight against the enemy. Until the third volume, it will be a cat-and-mouse game. Moreover, the protagonist's enemies are not only the Special Patrol Department, but the followers of the Mad God also have many conflicts with the protagonist. Let's talk about the emotional part. This article can be almost nothing. The attitude of the male protagonist is very clear and reasonable: I am a Buddha who crosses the river, and falling in love with the female partners may make them widowed, so I will not develop it in depth now. This leads to a tacit understanding between the male protagonist and the female protagonist about what they think and do, and there is also a little ambiguity, but I think it will take a long time to make the relationship clear. There's nothing wrong with this, and I personally like it better. The female characters in this book actually serve the plot, rather than being like vases beside the male protagonist. The only thing that makes me more unhappy is the two sisters in the third volume. According to the tone of this article, they can definitely be saved, but now that it is offline, it still feels a bit deflated in terms of appearance. The protagonist has become a lonely and hiding mouse, and is still no match for the Special Inspection Agency. The latter's human and material resources are simply too powerful. Finally, if you read this, then whether you want to read this book or not, I strongly recommend the song list of this book (written before the first chapter). Especially if you like classical music, don't miss it.

The full score is 10 points, I try not to spoil anything Characters: 7 points Male protagonist creation: 7 points The prototype of the protagonist is Mahler, which is an advantage. It makes the interaction between the protagonist and other musicians less blunt, and the author no longer has to explain where the protagonist's musical level comes from. But in the first few volumes, the protagonist has too many parts as Mahler, and too few parts as the protagonist himself. I have been adding some blunt plots in order to "reproduce Mahler's composition process". It would actually be better to keep a rough correspondence, rather than a word-for-note correspondence, and have the protagonist be Mahler but not just Mahler. Heroine creation: 6 points The peak performance of the heroine is probably Joan in Volume 4 and Roy in Volume 6. If it remains at this level, it can definitely be given 8 points. But the introduction and daily performance in volumes one and two are a bit too stiff. It highlights the awkward feeling that the author has set a goal to make the heroine fall in love with the hero, but doesn't know how to accomplish it. Other character creation: 8 points The plot of Kaplan's part is very good. In addition, the characters in the Special Patrol Office are actually very well written, and they are very detailed and annoying. Story: 7 points Overall plot: 8 points From the emergence of the concept of grid, to the multiple rounds of wrestling with the Special Patrol Hall, and to the subsequent two ceremonies, the esoteric elements, music and pre-modern background are wonderfully integrated. But if you don't know the concept of grid and Mr. F in advance, the plots and settings of the first few volumes will be unreasonable. The concepts of these two should actually be explained clearly in the first 30 chapters, instead of being used later to shake off the burden. The overall impression is an 8, but if you only read the first few volumes, it might only be a 5. Detail processing: 4 points. Obviously fill in the content according to the outline, first preset the results and then find the path to achieve them. So there are the 1:1 reproduction of Mahler's composition plot in Volume 1, Roy's inexplicable affection in Volume 2, too much writing about charity work, and the church's unprepared reaction in Volume 4. There are traces everywhere of dragging the plot towards the preset outcome in the outline. Description: 7 points Combat: 4 points. It is said that it is a supernatural being. In fact, there are no serious battles at all starting from the third volume. Even after reading the whole book, I don't know what the protagonist's extraordinary ability is. It can be said that it is very esoteric, but it is also very inconsistent with expectations for online articles. If I don't write about battles, I think I should stop writing them all the time and don't pop up from time to time. Professional knowledge: 8 points. This is the only novel about classical music that I have read, and it was indeed very well written. Of course, for people who have never learned musical instruments or menstruation, some basic concepts have not been popularized, making it difficult to understand. But I haven't seen anything better written than this one. Final score: 7 points In summary, the author is indeed not good at writing novels, that is, his writing skills are not very good, but his passion for music and esoteric elements make up for this. For those who are interested in the previous part and want to read a good novel, this book is a bit unqualified. But for those who are interested in the latter part, this book is the fairy grass, which is irreplaceable to a certain extent.

After reading the second volume, I felt tired, so I tried to analyze the reasons. The first is the issue of details. For example, in the first few chapters, dealing with the police and seniors is a necessary but unimportant part of the plot, and it reads like crap. The second is the issue of income. Every story written should allow the protagonist to gain something, which is the so-called "fun point". However, most of the plot protagonists in this article basically only "attacked enemies with unknown purposes and unknown harm", and then "gained an unknown amount of inspiration and were passed over". This makes defeating opponents or upgrading difficult to become a "gain" in the readers' perception, as if the plot development is just for the plot development itself. The third is the jumping problem. Most of the baggage in the article requires more than 30 chapters to get the answer. If you don't read it all at once, you will almost forget the plot when the baggage comes out. Only important enough baggage can make readers have the patience to remember. Small questions that will take dozens of chapters to answer can be written dozens of chapters later. The plot arrangement is also full of jumps. For example, one thing is to drive out to find a small town and come back. In the middle, there are a lot of things such as the workhouse, writing music, ghost trains, and art museum thefts, so that every branch line has to show its face. But what the reader is thinking at this time is "I just want to know what is going on in the town." If they read all irrelevant information, they will not want to read on. The fourth is music content. I feel like it's not too much music but too little. There is no music during the battle, there is no music during the investigation, and in the end there is only music in the plot related to the composition and performance. As for the music content, such as the part about composing by the lake, it suddenly no longer has extraordinary content, and it becomes completely like an earthling composing the music. After the transcendence and music are separated, the content of both becomes insufficient.

In order to save the precious leisure time of new entrants, we have summarized the existing reviews and listed the situations that may become poisonous points for some readers. I understand this. I finally have some free time, and it's quite uncomfortable to read something I don't like, so everyone makes their own judgment accordingly. 1. About the subject matter The title of this book is "Old Musicians", which is not a headline. As the name suggests, the book is a professional article on music in the genre. There are nine volumes in total, with an outline. The tone and ending of each volume have been set. It is a self-written article, hoping to catch up with the brain waves. The author is an unusual man in science and engineering, with a personality like his ID, a glass heart + a handicapped person + code words other than 996, and he will finish it. 2. About the content The ratio of mystery plot + music to plot, the length of each volume is about 55 pages, that is to say, half of it is music-related professional content, and all of it is classical music. For those who say "music content takes over the spotlight", the author heard that blood pressure will rise. If you don't understand, try going to an e-sports article to comment on "e-sports content takes over the center." The mysterious side is more agnostic, the power system is deliberately confusing, and the style of Hidden Knowledge is more like The Riddler, but the top-level design is complete, and it is not just written down as I think. v1.1 Update: I emphasize again that the style of the mysterious side of this book is The Riddler, because the world view is based on the Esoteric Buddhism, and I can't always reinvent the wheel. Only by constantly maintaining my Esoteric teaching style can I retain my own readers. So if you don't like it, don't criticize it. When reading the mysterious side, I suggest that obscurity is a poisonous point. Please don't hurt each other. The music content is both hard-core and professional. The author does not accept any fallacies. If you see any imprecision, please point it out. Kneel down to revise and thank you. 3 (v1.1 Update), about several situations where brain waves can be matched The first and second types must be music lovers or esoteric simulator players. I won't explain this much. The third option is for those who like Western fantasy, Victorian background, Cthulhu, mysterious flow or Steampunk background. The fourth one, if none of the above is the case, if you are interested in religion or mysticism, and like anti-system, anti-game, anti-deliberate power settings, you can try it if you have a sense of plausibility. The fifth type is one that is worthy of "Xueba Wen" or "Professional Wen" and has a better brainwave. Even though you may not fully understand music knowledge or mysticism, you like the plot or lines that show "the protagonist's knowledge educates other characters to be stunned for a while"... (It's naturally more satisfying if you fully understand it, but it's also a bit unclear if you don't understand it.) It's quite suitable to get this kind of excitement. If it is another type of brain wave, that is, "I am reading a novel and I still want to learn xx?", Then I may be dissuaded. 4. About Lechao The first edition of this book was conceived as an urban entertainment theme, so it has both music and original plots. Later, because it was too obsessed with the golden age of classical music in the modern European style, it became a steampunk fantasy background. (See the comments on the launch for details) The nature of the setting of "Classical music can be upgraded" is related to the foreshadowing of the main line, but this is true in the early stage. This may not be popular in the fantasy zone, but for responsible purposes, it must be pointed out. I apologize to those who have been poisoned. You just thought it was entertainment and strayed into the fantasy zone. 5. About Time Travel The names of the protagonists are directly modified based on Van Gogh's template, without describing too many changes in mentality or homesickness. The main reason is laziness, too lazy to name it, and too lazy to spend a thousand words to foreshadow "from now on, I will be XXX", so that readers will understand by default. 6. About the emotional line The main reason for not being in the harem is because I am not good at it, so I try to write as few emotional scenes as possible, none or only. Look at the later reviews. If there are many people complaining about it, then there will be no. v1.1 Update: I personally feel that the reviews since the second volume have generally been pretty good, so there are a little more descriptions of opposite-sex interactions. I would also recommend it if you are just looking for readers with "no heroine" or "single heroine". After all, it is a niche, and I hope more people will read it. However, if you like "no heroine" or "single heroine" because of misogyny, I do not recommend entering the trap. I don't want you to be poisoned. 7.About the character and acting style The protagonist may seem thoughtful and his acting style may seem mature and sophisticated, but under the surface of calmness and rationality is the sensitivity, conceitedness and melancholy of an artist, and he has a clear self-awareness. Therefore, the decisions he makes will not be completely rational, which will affect the direction of important plots. (In fact, the knowledge in this world is polluted. Don't expect anyone in the book to always make purely rational decisions.) Readers who like absolutely calm articles and purely profit-based decisions, but who are disgusted by this character and setting, should be careful. 8.About pretending to be slapped in the face The tone of the first volume is Mahler's "Symphony No. 1 In D major "Giant"". Due to the author's strange brain circuit, in order to match Mahler's immature view of heroes in his youth, in commemoration of " "Morning Light, Vitality, Nature and Youth", there will be some musical pretense and slap-in-the-face plots, and the emotional intelligence of the person involved is generally at the average level of college students. When you feel naive, you can think about your college career and how you or the people around you will deal with these things. Only in the first volume, the outline has been determined and will not be revised, so it is difficult to accept caution (see the summary at the end of the first volume for details). 9. About Stitching According to the current feedback, the stitching content in this book includes but is not limited to Lord of Mysteries, Arcane Throne, Crown of Silence, Alchemy Notes, Soul Painter, Old God Can Dream, John Christopher... If you feel the same way, you can go to the corresponding post or chapter comment. (It can also be considered that this function is to recommend books) Updated regularly, please leave a message for discussion if it is not covered. Welcome to join the group from the introduction and chat about classical music.

I'm back after a long wait. . . The progress this time is much greater than last time, and it is a bit difficult to organize. . The number of Lords of Witness is currently known to be 21 (kick me if I'm wrong?), So the information and list are updated at any time, sorted by the time of the first appearance of the chapter (try your best, it's too difficult to sort). Let's see if there are any problems. I, the Unfallen Fire: The World Source God, appears in Chapter 4. The aspect he controls is "candle", which should be related to enlightenment, flame, and light. It refers to the sun that is the image of the world. The Holy Sun Church, one of the three major orthodox churches, originated from the Holy Kingdom of Janus in the Western Continent. The symbol has a sunken circle in the middle and a flaming radial shape around the perimeter. Related secret biography 1 (Volume 1, Chapter 108): Be a witness, you must bear witness, Prove that what I asked your Father to do is inscribed in the Glowing Garden, and is inscribed on the Trembling Throne. At that time, you told me about holiness and glory, saying that He is the Lord of the world, the Lord of enlightenment, the God of passionate flames, the God of the bright sun, saying who does not praise the King, who does not indulge in the King, and who does not worship the King. ... Because the place where I sing is radiant, glorious, gilded, silvered; I look up to the high house, the flaming mountains, the burning hills; There is the measure of the Lord, the trembling measure, the holy measure, the fiery measure; This is the measure of the garment of the Lord of Enlightenment. The words 'Lord, Lord' are engraved on both the inside and outside of His clothes. No living thing can look directly at Him, no flesh and blood can look directly at Him, and no servants can look directly at Him. I live in obedience to that will, pursuing His unfading flame and majestic support, and my life is a victorious life. I desire the inexhaustible riches of His infinite substance, I pray for the things I desire, and look forward to the perfect realization of that eternal glory. As it is said, Holy, holy, holy is the Lord of Witnesses. Related secret biography 2 (Volume 2, Chapter 81): The person will hesitate, tremble, be frightened, shrink back, and eventually faint. But the Holy Sebastian will support him, he and the sixty-three Archbishops will support him... All of them who are light-dwellers will support him and sing his praises... ... So there should be no doubt, no fear, for he is the favored, the baptized, the secret is within him... Let him enter to see the King in the glory of his splendor... He is not destroyed, nor burned. II, Raven: The God of Origin appears in Chapter 17. The phase he controls is "Desolate", which may be related to aspects such as control and balance. It is related to the Lingyin Discipline Society, one of the three major righteous churches. It originated from the Kingdom of Lydia in the Western Continent. It is suspected that after Bologna's ascension? III, Fanghui Poet: The God of Origin appears in Chapter 17. The aspect he controls is "pool", which may be related to senses, fragrance, temptation, illusion, and Dionysian art. It is related to the origin of Fanghui Temple, one of the three orthodox churches. In the United Kingdom of Feton in the southern continent, I am reading the third volume. If I squat down for more information, it should be expanded in detail IV, Tower Builder: Jie Yuan God, appears in Chapter 20. The phase he controls is "key", and the symbol is a tower with cracks. (Volume 2, Chapter 106) Sometimes people can see purple-gold jewel lamps in lightning or cracks similar to lightning, or fractal petals connected with knots, or sparks that overflow like silver shavings and mercury paste. Those with higher inspiration can imagine a tower-shaped pattern with cracks. These are all images that the "Tower Builder", the Lord of Witnesses, can understand. The "Tower Builder" originated from Jieyuan, the god of form and transformation, the god of molding and dismantling. Often He can represent lightning, which means His elusive instantaneity, i. E. "He promises never to look at me, never to teach me, never to seek me out." Lightning also means energy, or the beauty mixed with fear, and the initial or final process of the creation of general matter. The "Tower Builder" also exists at any boundary and surface, guarding or defining the universal limitations of invisible things. It can also be expressed as the secret of "what shapes me, what I shape, what divides me, what I divide, what moves away from me, what I move away from." The ritual vessel "Consecrated Curtain" related to the Tower Builder: The moving secret realm related to the Tower Builder is the "Spark Field", "Fuel Pit" or "Fire Making Room": V, Endless Fugue:The God of the Source of Matter? Suspected to appear in Chapter 28, the Lord of Witness inherited by the protagonist. He controls the aspect of "Candle", so he is the Lord of Inspiration and the God of Polyphony. He also controls the aspect of "Key", so he is also the Lord of Reason and the God of Command. A certain high-level secret ceremony exists in history, reproducing His words and triggering His intervention. The ritual vessel used to increase the sense of the ceremony is called "Old Day" Related secrets: "Candle" is hope and enlightenment, It is the truest silhouette of the glow, and the most sacred flame in the world. "Endless Fugue" guides the climb to the top of art, He dwells in the Holy Presence of the HOS Garden, above where your spirit is born, He splits his body, the wounds opened are as bright as stars, He spreads fuel, and the gushing blood is as brilliant as a blazing fire. The throne of inspiration and insight is thus lifted up, lifted up, lifted up! He separates your name from his ministers, The spirit that celebrates one of you is a burning candle, a gathering candle, a coal that gathers the wind, a burning coal, a coal that pours forth light, all are the feared, the beloved, the favored, the contemplative, the supremely chosen, the recipient of the secret message, br>Speak in ecstasy, sing, raise your eyes, shout loudly, Homage to the heavens that dwell under the Most High, and be heard by Him. Inspiration rushes through each day, With joy, day and night, As these words say: Holy, holy, holy is the Lord of Witnesses. VI, Winter Wind: The God of the World, appears in Chapter 40. The aspect he controls is "Desolation", and he is the God of memory and the past. Related secrets: We worship the 'Winter Wind', the god of loss at midnight, the god of sadness and decay. Lord of Frost, Lord of Deliberation, Lord of Mists. He will never speak, and all the past that the world will remember will fade to pure white and tasteless, leaving only the revelation of silence hanging in our hearts. Those who gaze upon Him will capsize like a shipwreck into the sea; those who remember Him will bury His decrees until the severe winter comes; those who worship Him today should not serve Him the next day; those who worship Him tomorrow will never worship Him. The secret history is countless and unknown. I just pray to get a glimpse of where I am pointing. Regarding Nora Carr's flashing past, it is based on restraint and concealment, and it does not feel heavy even when inspiration is exhausted. Holy, Holy, Holy is the Lord of Witnesses. VII, may be the "Pupil Mother" mentioned later: unclear classification, appears in Chapter 65, the secret ritual used by Qiong to trap the experience officer. Relevant Prayers: …I hear you and praise you, God of doors, Mother of wounds, Hail to your great seal and your terrible crown, Words pour out from the fearful, Those emblems spread Open as lips and tongue, saying day and night, Holy, Holy, Holy ... May the closed things be afraid of your touch, and may you witness the birth of the wound... The related secret realm of migration is the "disintegration field", and Joan's future generations are promoted to places where knowledgeable people mistakenly enter. VIII, Red Pond: One of the seven masters of source witness, appears in Chapter 66. The aspect he controls is "pool", and possibly "cocoon", which is related to pleasure, fertility, and blood. Related to the secret organization Pleasure Listening Club, the ritual vessel is "The Room of Pain", and the leader is the half-executive "Miss Crimson", the daughter of Bologna (Raven), the soul twin sister of Joan, whose phases were reversed to avoid the evil of nature. IX, Viewing Death: Yiyuan God. Appears in Chapter 79. The aspect he controls is "Desolation", and is related to the secret organization Transcendental Club X, Heart Flow: Yiyuan God appears in Chapter 79, and he controls The aspect is "cocoon", which is related to the secret organization Transcendental Club "In an ancient and nihilistic crime scene, 'contemplation of death' and 'flow' were born from the two contradictions of the same process. The end of eternal death is stronger than the end of 'barren' but living, and the end of eternal existence is stronger than 'cocoon' but For death... The ritual of twins is a pilgrimage throughout the world. Even if the disqualification is no longer there, true knowledge still flows. In all subsequent children, those who practice it will gather themselves into the shape of their return..." XI, The Split Chrysalis: The God of Origin, appeared in Chapter 100, mentioned by Fabian, the Lord of Witnesses that led to the Lorraine Distortion Incident. The phase he was in charge of was "Cocoon", and his identity was Okokang, the president of the Last Alchemist Association. This promotion led to the emergence of the Immortality Secret Cult and the Harmony School. At that time, some alchemists claimed that 'the holy spring is dead' and that the 'split chrysalis' is his new self. They used living people as ritual vessels and ate 'the flesh and blood of chrysalis and eggs' in collective rituals to express their respect, believing that in this way they could obtain 'amorphous immortality'. According to the speculation of command authority, if it is the Lord of Witness, the aspect of control is "Key". The pollution is suspected to encourage the protagonist to become a scribe and tamper with all the keys on the climbing path to scribe progress (so what will happen? Lose yourself? The protagonist is using his own symphony to contend with its pollution XIII, the fountain in the painting: one of the witnesses of the seven sources of artifacts, appears in Chapter 107, it is said that there is a sacred object in the legend of the alchemist, this mythical item It is believed to come from the heights of Huita, the origin and essence of all elements in nature, the key to the ultimate transformation of life, and the limit and purpose of all things. According to the description of the elixir master Cindia, if it is the Lord of Witness, the possible phases are "Key", "Cocoon" and "Yan". The pollution of the Spring in the Painting starts from the eyes. People who are polluted will desperately describe, describe, appreciate and worship the image of the "Fountain in the Painting". They begin to seek those colors that are normal to them, and will collect so-called "beautiful pigments" or "artistically accomplished" paintings. Those who know will also strive to find and open the "Gate of Seven Lights" that is closely connected with Him Follow the guidance of pollution, participate in or create an unknown and ancient sacrifice, undergo violent changes and dissolution in pain and joy, and finally transform into colorful pigments (from Volume 2, 3 8-48 Information from the Secret Door Adventure) Image: The garden-style vegetation background is as rigid as a picture frame, with a handful of weird-colored springs floating in the middle. The containers that make up it are stacked like arteries, and The shape of the atrium and ventricle is formed at the top. As the finger zooms in on the photo, the magnificent colors and mechanisms are endlessly fractal, bringing a strong sense of visual dizziness (Volume 3, Picture 4) Containment Method. It turns into a photo on the protagonist's mobile phone. One of the suspected behind-the-scenes bosses (I don't know if it counts as the Lord of Witnesses? I feel like Pogorelic may also be the villain). Ever since the protagonist saw his symbol, everything seemed to be under his gaze and control, (a bit annoying). XV, Hidden Lamp, one of the seven masters of source witness, with the aspect of "Desolation", its pollution is characterized by the chaotic and secret folding of time and space, the ghost train incident, and the emergence of the small town of Vatznai. Related, it is currently in Qiong's hands XVI, Blade, one of the seven masters of source witness, from the beginning of Chapter 76 of Volume 2, with the control phase of "Jin", Special Inspector Pograi. The authority of the source god that Rich contains seems to be cutting, both physical and conceptual. Image, (Volume 2, 119) A long and narrow scimitar, with a golden handle, a black sheath, and a cyan ribbon as a thread. The blade has the same cyan storm pattern. There is an extremely dangerous and unstable atmosphere in this scimitar, but it seems to be wrapped in something like oil or electric current. "The skills of destruction, oppression and strife... The ancestors polished the prisms, the knights wielded their swords, and the soldiers fired bullets, all contain several links that pay tribute to "Jhin", and all the skills will be used in the "chaos" of the secret realm. "Heaven Rank" gathers into some kind of observable image." Related to Shifting Secret Realm Chaos Heaven Rank: XVIII, Wolf Words, from the beginning of Chapter 76 of Volume 2, The God of Anonymous Origin, whose ruling aspect is "Jin", is suspected to be seen in the strange hall of the underground building "The Word of Infinite Fury " There is another one, born in Anonymous Origin, who was seen in the hall full of question marks, that is, the "Word of Infinite Fury" , His angry fire once burned the skin of the world to peeling off and blistering. Although it has been disqualified, people can still see it from certain processes, such as conquering and being conquered, bullying and being bullied, rebelling and being rebelled, destroying and being destroyed..." "The Lord of Witnesses, "Wolf Words", people will always recite words about Him throughout their lives. Reciting them will not bring blessings." XIX, disaster, one of the seven masters of witness, in charge of The phase is "Yan" Image, Volume 2, Chapter 117: In the dazzling light from the branches above, a huge thing with a strange shape, like a crown, gradually descends. Its concrete form presents a strange beauty. The texture is like a mirror-like cloud, like a cloud-like mirror. The smoke that makes up the cloud is not solidified, but floats away in the surrounding space. Every mirror and every different angle reflects the events and causes and effects. The revelations, some lasting, some gradually distorted, all mirrors not observed by the current self are a premature fate. Containment method: "The name of the god 'Calamity' may not be originally like this. He symbolizes probability, cause and effect, and connection, but after going crazy, all the supplicants can observe are scenes of bad luck, bad omens, and disasters... The use of 'blade' can cut off their conceptual connections and temporarily separate their own destiny." The contamination was then dispersed and wrapped with the 'veil of night' and placed on the altar, thus temporarily dragging it into the secret realm of migration, the 'Chaotic Sky Level', and handing it over to me for processing..." The associated ritual weapon is Roy's Mirror of Transfiguration. XX, Incinerator, is one of the seven witnesses of the source of instruments. The "Candle" controlled by the "Incinerator" is reflected in the flames and smoke everywhere. Every light and shadow contains the enlightenment of mysticism. Some of them are too vague or narrow, some are full of dangerous errors and paradoxes, and some are excellent angles to observe Huita. XXI, Qingkou Tree, the God of the World, controls the aspect. For "Yan", the symbol may be the curve of the female body and the extending branches. Related secrets: "He is wrapped in candied fruit, He is sweet and fat, and He is eternally alive... Our worshipers dissolve the withered and accommodate." New life, writing puzzles on berries and grains, laying and maintaining spells of fertilizers and acorns, and the pace and echo of the earth is one of the solutions. The following is the secret teaching of metaphorical fertility..." In Chapter 184 of Volume 2, when the Special Patrol Office tried to contain the spring in the painting, it used its associated ritual tool "Leaves of the Qingkou Tree" Can you believe that the number of words has reached the upper limit? How many Lords of Witnesses are there 😰

Scheming female characters have always been disliked. For example, Roy, Roy, and Roy are marginal female supporting characters. It's okay, but if she is promoted to the heroine in the future. . . . It's unimaginable

I am really grateful to the author for this book. In my previous life, I had never understood classical music, and I had never personally experienced the power of music to move people's hearts. In fact, for a long time, even if a piece of classical music was played in front of me, I couldn't understand what it was conveying, let alone how it touched my soul. But through the description of the performances of those symphonies and concertos in this novel, the analysis of the content of each movement, and the introduction of the composer's creative process and composition theory, I feel that I can appreciate the beauty of classical music a little bit. At the same time, I can't help but wonder how my past life went without music. In my previous life, music was just a stranger to me. It didn't know me, and I didn't know it either. Others say I have fungus, but I don't think it's a big deal, but now I really feel a bit regretful. But fortunately, a person like me who is not favored by music can gradually appreciate the beauty of music by reading this book. I was lucky enough to come across this book, and it saved me. This alone is enough to make me extremely grateful. I would like to say one more thing, probably when I saw the part where the children of civilians formed a youth orchestra, and the author said through the characters' mouths that "music is human instinct, and everyone has the right to appreciate music," I was really excited and confused. I am excited because even for a person like me, God may have given me the right to appreciate music; I am confused because am I really qualified to appreciate music? It's such a contradictory and complicated mood. Finally, I would like to say some words of encouragement to the author. Although there are many people who have given the author great support in various ways, I am the only one who deserves it haha. What I want to say is that maybe the author feels that his book's performance is average, but it has redeemed people like me and given people like me musical enlightenment. From this perspective, it can be said to be of immeasurable merit.

Let me tell you a problem The book is generally written well, but the protagonist lacks empathy for the people at the bottom. You want players to see an artist who can understand it, but an artist, let alone an artist with personal power, has no reaction in the face of naked cannibalism in a capitalist factory, and runs away the next day as if he has not seen anything. How can people like such a character?

I rarely write book reviews, but this book is really great. The brand-new world view, the wonderful combat system, the rigorous knowledge of music theory, and the author's delicate writing style are all attractive features of this book. The world view of this book was born out of the Esoteric Cult simulator, integrating the evolution history of Western music, and condensing a unique charm. Different from ordinary cool novels, this book has a clear main line, all the characters have online IQs, and different characters have their own unique charm. It is one of the rare works that I like very much. Many people read this book expecting to see the protagonist slap someone in the face and play popular music. Then they will undoubtedly be disappointed because they do not understand the core of the book. Naturally, this book also has a lot of "enjoyable" elements, but it is not the dry, superficial, and mind-setting kind of ordinary works, but the battle of wits between the characters, fully displaying the charm of classical music, and the ultimate climax that comes naturally and shocks the characters and readers. Of course, there will be some dissuading points in the early stages of this book, mainly in the explanation of the world view and the boring explanation of music theory. This will naturally dissuade readers who read for the purpose of relaxation and pleasure. Therefore, I think this book is one of the rare online works that is suitable for slow reading. And when you truly understand this worldview and regard it as an opportunity to understand classical music, you will discover the unique charm of this book. In addition, this book has a unique feature, that is, it will have a different charm when used together with music. Reading the text alone and the author's description will give readers a noble feeling about it, but I feel that this person's feeling is still not in place. Only by eating it with music can you truly understand the author's intention, resonate with the characters in the book, and appreciate the true charm of classical music. The playlist author has already compiled it, and you can watch and listen to it by launching NetEase Cloud in the background. In the end, I think this book, as the first work of a new writer, is so wonderful that it is rare in the whole starting point. As a reader who joined in the middle, I also saw the author's self-deprecating "fuck in the street" at the end of the volume. I am glad that the author can persevere, and I hope that the author can continue to persevere. This is a very good work, and I hope more readers can see it.

I have read the sixth volume over and over again for the fourth time. I will write down briefly what I understand so far. I also welcome the corrections from all the experts. 1. About the world view and time travel: This world originated from the "great achievement" designed by the 0th history: Mithraism "entered, possessed and even surpassed the aura", that is, the plan of establishing a road with the triangle as the pillar to connect the aura and the waking world. The disenchantment ritual was completed once in the 0th history. In addition to the seven mass source gods (original birth, with the intention of destroying the gathering point), the reset world also gave birth to the seven lost source gods (the product of the original disintegration and the splitting of the gathering point). The transformation and disputes between the two constitute the secret history, which also caused the two timelines to be completely staggered, and countless multiple histories appeared at the same time. After the gathering point collapsed, it still emitted power through the glow. Abnormal areas and worms appeared in this timeline, "creating a bunch of more chaotic and collapsed things." About time travel: After the world is restarted, all mortal creatures will be reset. In order to avoid this erasure, some people in History 0 have traveled to the current timeline through two channels: keys (Guido D'Alezzo, Bach, Fan Ning) and shell species (Scriabin, Fan Chenxun). 2. Positions of all parties and chess-playing behavior in the first five volumes: There are approximately the following forces: (1) Originalism: Bach and the Holy Sun Church came with the help of Key No. 0 "Theme of God" Intent: The Immortal Fire (Holy Father) - The Endless Fugue (Holy Son) - Returning to the old days of HOS [with its pendant Fan Ning] (Holy Spirit) Trinity, reset the whole world and return to the 0th history Main Action: Inducing Fan Ning to reproduce music and exert his old power (turn into a pendant) (2) The Disenchantment Sect:Guido Dallezzo arrived with the help of Key No. 1 "Hammer of the Masterless" Intent: "Reunite the time sequence" and recreate the disenchantment ritual. Guido D'Alezzo escapes the curse (that he can only exist briefly in mummy form?) Main Action: Share the Disenchantment Ceremony with the Special Patrol Office (3) Snake Sect:① Scriabin intended to use the No. 1 Key "Apocalypse Secret Realm" to appear, but was intercepted by Fan Chenxun and could only use the worm to descend. ②Julian Coselli, a saint of the Lingyin Order in the original history, the Russian Duke who sponsored Scriabin in the 0th history. Intent: "Sunset and moonrise". The noon moon replaces the fire that does not fall, and is placed in the home together with the mantra and the old sun. Main actions: Sit back and watch Fan Ning recreate music and exert the power of the past; guide Fan Ning to get acquainted with Sheeran and Qiong, and piece together the key that was divided by KI. (4) Fanning and Aboriginal Pogorelic: Intent: To maintain the original emphasis on history and relative order. Main Action: Pogorelic regards his summit as a solution, using elitist control to solve the problem of a great collapse of order. KI divided the "Secret Realm of Apocalypse". Father Fan, who came through the shell species, intercepted the No. 1 Key with the help of Endless Fugue and guided Fan Ning to be born. (People born through shell species seem to be able to switch between multiple histories) 3. Four parallel histories in this volume: In the multiple histories, there is still a confrontation between the Special Inspection Office and Fan Ning on the surface. Therefore, in each history, the behavior of the Special Inspection Office will be explained first, and then the secret history and games revealed will be discussed. Fanning is a consistent interloper, acting according to his own moral and artistic ideals, only to be exploited and abandoned by all parties in the game again and again, and finally smash the chessboard. Modern: Andante Movement[Chapter 13-21; 33-36; 48-51; 61-63; 67-70] The Special Inspection Office covered up crimes and implemented industry controls. Fan Ning goes against his control in order to see the stars (a pursuit of his own will). In 1965, the helminthologist KI tried to terminate the Soviet Union's research on "The Secret Realm of the Apocalypse". After being rejected, he divided the score into two parts: the text "The Flute of the East" and the music "The Magic Horn of the Boy". In 2015, the Snake Sect attempted to perform the "Secret Realm of the Apocalypse" on R Peak to complete its great achievements, but was killed and the entire army was annihilated. Joan inherited KI's will to destroy the score of "Secret Realm of Apocalypse", but Fan Ning and Roy merged to form "Secret Realm of Apocalypse"; the two fulfilled their commission and burned it, which also satisfied Mr. F's requirement to completely sacrifice all works of art in the new era. (Should F be considered both a person in the new calendar and a person in the 0th history?) Roy threw himself into the abyss. Middle Ages: First Movement[22-27; 37-41; 52-55; 64-66; 70-71] Pogorelic instituted cultural control, killing artists and burning works. Out of artistic conscience, Fanning intends to overturn the evaluation system and save art. Fanning followed Guido D'Alezo's instructions, and with the help of Vincent, changed the torch in the ceremony to the ownerless hammer, and arranged for Joan to take over Guida D'Alezo's power and add weight. But Guido D'Alezo had reservations. Fanning's modified ritual went out of control and caused a fire. The monastery turned into a lake, and Fanning and Sheeran died in the water together. Corresponding to the historical version of Guido Dallezo's attempt to recreate the ritual of disenchantment, the artwork was a sacrifice. Guido D'Alezo is about to escape, but Bogo changes the core from the old days to the blade at the suggestion of Mr. Wax, and the Disenchantment Faction plan completely fails. Enlightenment Period: Scherzo Movement[28-31; 42-45; 56-60; 73-74; 81-82] Pogorelic embezzled the Sheeran family's collection, and in the name of charity, carried out illegal acquisitions, smuggling, and money laundering through auction houses. He also led the judgment of art works and passed them off as genuine. Scriabin distorted ideas of beauty. Out of conscience, Fanning helped reporter Roy expose Pogorelic's criminal record. The flute (Flute of the East) given to Fanning by Boles, an orphan in the workhouse, is combined with the "Youth's Magic Horn" passed down by Sheeran's family (i. E. Scriabin's "Secrets of the Apocalypse"), guiding the three to eliminate Pogorelich by destroying seven "phantoms". The hammer-wielder Sheeran and the restorer Fan Ning exchanged through the "abandoned door", Fan Ning smashed the illusion, and Pogorelic and the venue gradually disappeared from the original history; Sheeran issued a declaration, and Roy who provided evidence was killed successively. Pogorelic mocked Fanning for destroying the old order rather than maintaining this toxic order. The justice he expected did not come. The first half of the background corresponds to the story of the special inspection department's strict monitoring of the operation of Turner Art Hall and chain theaters in this chapter's history, and the promotion of artists from the special inspection department such as Lasus. Does the latter mean that the destruction of other source gods is what Bogorelic is happy to see, and a strong enough opponent can help him rise higher, but the "old days" are not? Fourth Movement: Night Falls [32; 46-47; 61.5; 63.5; 67.5; 71.5-73.5; 75-87] Fanning's first hammer attempt against Pogorelic destroyed the "Blade". But it happened to meet the conditions of the resistance ceremony, and Pogorelic was promoted higher; Mr. F replaced Mr. Wax, turned the resistance ceremony into a disenchantment ceremony, and used the avant-garde "Crescent Moon" as a sacrifice to attract the "Noon Moon" to replace the Unfallen Fire. The second hammer hit three keys, trying to destroy the ritual by destroying the remains of the God of Origin in the ritual (progress 6/7, only the "old days" remain); But Mr. F pointed out that the source gods other than "Old Days" are just the imagination of the third history. They are similar in nature to the phantoms, and destroying the remains will have no impact on the ceremony. The ceremonial hammer breaks. The third hammer blow destroyed the "old days". The Gate of Zhaoyue and above in the Hui Tower were severely damaged, and the plans of the Original Purpose Faction and the Snake Faction were ruined. Multiple time and space all collapsed, and the world fell into chaos but was not reset. 4. The part I didn't understand (including some details specifically mentioned in Orange's speech): What does the ritual performed in History 0 look like, and what is the curse on Guido D'Alezo? How did Mr. Wax KI become Mr. F? What does the "abandoned door" in Chapter 59 refer to? And how Sheeran's Sol ruby ​​became poison in the hands of Roy in the modern world; what does the appearance of each swing in Vincent's paintings symbolize.

The story is very good, but the girl named Qiong is a bit distracting. In a world where all those who understand the extraordinary need to be extremely careful to survive, a pure natural girl can act recklessly and jump to the present. It is simply not the same style as the main atmosphere of this world. It is like a two-dimensional cute girl wandering into the depressive and distorted three-dimensional world. It is full of a sense of violation. This kind of character who is incompatible with the surrounding atmosphere and wants the protagonist to take the blame when something goes wrong reminds me of the businessman Roman in The Amber Sword. This is also a very controversial character. Even the relatively naive Miss Justice in Lord of Mysteries does not have this style of dealing with things. Resources that are misplaced are garbage. Innocent and lively characters are not a problem, but when placed in the environment of this book, they are somewhat like rat shit... I do not mean to teach the author how to write a book. I am just giving feedback from the perspective of personal reading experience. I hope the author can consider it. Finally, I wish the author better and better as he writes more. The setting and plot of this book are very interesting, and the follow-up development is worth looking forward to.

The pictures I saw earlier seem to match well

The story is very ingenious, and the conception, writing, and music-related professional knowledge all show the skill and ingenuity At present, it seems to be of a very high standard, and the elements are combined very cleverly. It is not a rough stitching, but has the author's own ingenuity in it. The narrative advances layer by layer with ups and downs but not dragging, the characters are full-bodied, and there are almost no major shortcomings, all are advantages There are very few books that write about classical music, and even fewer that write well I opened this book at 11:30 last night and followed it until five in the morning. Yes, it's true that I couldn't sleep all night. I listened to the music mentioned in the book again while reading. Forgive me for staying up late and being dizzy. I can only comment in short sentences. My monthly vote has been given. Come on, I can vote for at least two more before the end of the month. But I hope to maintain the standard and not to write poorly for the sake of word count. Exquisite booking Summary: Highly recommended by friends who like Cthulhu elements and music. I can't say how amazing or refreshing it is, but at least it is a standard work. It is a thoughtful work that does not waste time Highly recommended

Although I didn't change my name because I was too lazy, why did there suddenly appear so many criticisms of digital nicknames in the book review section To be honest, I think this book is a rare good book. Although the daily 4K updates make it a bit uncomfortable to read, doesn't it just mean that it is wonderfully written? This is the first time I have seen a Western fantasy with music as the theme (I don't read much (Don't spray), and the world view setting does not completely copy the previous Western fantasy novels or Western fantasy games. It can be seen that the author has made the setting very carefully, and this kind of writing style is not something ordinary authors can have Although people like radish and cabbage have their own preferences, you don't have to read it if you don't like it. Comments should be slightly objective. Firstly, don't criticize the author, and secondly, don't discourage new readers.

Amazing! I have read the latest chapter. To be honest, this book has a sense of surprise that failed my expectations. I recall that when I clicked on this book a long time ago, it was because I was too tired to read other books. I wanted to find a light-hearted urban entertainment novel to read. I wanted to see the protagonist, the civil servant, show off to the public and pretend to be a slap in the face. At the same time, I found some good songs through the author, and while enjoying them, I used the text to assist my appreciation. So I opened "Old Musicians" casually. At first, I felt that everything was very familiar, the time traveler protagonist, academic style, fatherless mother and younger sister, but the historical background and humanistic features that were different from other novels fascinated me (in fact, starting from John Christopher and A Tale of Two Cities, I have been particularly interested in fantasy novels of the steam age, including A's "Embers"). In addition, I am also a piano student, my girlfriend plays the cello, and I also like to listen to classical music occasionally, so this time all the author's selections perfectly hit my strike zone. Then I started to read, starting with Chopin, the first piece, and I noticed the difference from countless urban entertainment books before - no, this author really understands classical music (laughing), I started listening and reading with headphones, and then came the First Symphony. Deep, deep, in the pretense of picking up girls and listening to songs, there are more flashes of humanistic philosophy, about life, friendship, dreams, death, music and art itself, and the extremely sublime and pyrotechnic joy of the New Year's concert in such a deep and dark tone. No matter when, no matter how many times I watch it, whenever I get to this part, I always have a happy smile on the corner of my mouth, as if I feel the beat of Radetzky's March. The New Year's Concert was a turning point in the overall atmosphere, a peak of joy. From then on, the tone began to decline. Although there were occasional upswings in the Southern and Western Continent chapters, it could not be surpassed in the end. As said in The Three-Body Problem, the author only set the characters and background, and everything developed on its own according to logic. In such an era, society is already full of contradictions, and coupled with occult factors, it is almost irreversible. Now that I have read "Night Walk", a heavy sadness slowly surrounds me on the beach like a rising tide - is there still room for everything? Anyway, what I mean is that originally I wanted to eat instant noodles from a youth love musical comedy, but the author gave me a piece of charred steak 😰, which was bitter, but could not hide its deliciousness and mellow taste, so could it be a comedy in the end? Not the kind of "comedy" that plays on words, but a happy ending that makes readers smile with relief and joy, and feel the sun is beautiful and the flowers are warm for the rest of the day? Finally, I am a Roy Party🤓🤓

At first, I just watched it because I was curious about music + fantasy. I have to admit that, as a novice in online writing, the author's handling of the opening chapter is not surprising, and some even caused some shortcomings in my reading experience. But the author's growth is also truly reflected later on. In just the second volume (especially "Resurrection" at the end), we can see the author's gradual maturity in narrative. And it was the end of the second volume that gave me the idea to order it all. If the first two volumes are a period of growth, the third and fourth volumes have already reached their peak. Compared with other works, it is also about the use of the concept of "dream". The Southern Chapter of this book is not inferior to "Suhuan" in any way, and is even better for me. The religious atmosphere in the fourth volume is also wonderful, and the author's imitation of the Western gospel style is very good. It's just that the impact of the fifth volume when the Trinity is unified is not as good as my expectations. Maybe it is due to the atmosphere created by the previous Special Patrol Hall? I am a little regretful. In short, I am still looking forward to the author's subsequent performance! As a writer As a reader who neither understands classical music nor esoteric Buddhism, I have no dyslexia. On the contrary, my "understanding" strengthens the "mystery" of the book. Finally, in addition to the online writing aspect, this book brought me into the pit of classical music ("Resurrection" feels great!). There is also the interesting daily life in the book club. (Although I have been immersed in it for two years) I wish the author good luck in writing, and I don't have to listen to anyone else, just complete the book according to my own expectations.

On the last day of 2025, "Old Musicians" also ushered in its final chapter. I had a lot of emotions and insights, but quite a few parts were not strongly related to this book, but I finally decided to write them here I started reading it when the third volume (that is, the Southern Volume) was about to end. Looking back from the present moment, the midsummer in the South is still unsurpassed and the most touching. But it was the last three volumes that made me realize the most. The first thing I thought about was "love is never-ending" and the "secret of never-ending". The final conclusion I came to is that "life is an endless secret". Life is a process, a dynamic, and a shortcoming. To put it simply, "life lies in movement" (#Laughs). It should be what Sartre said, human beings are a kind of existence for themselves. Therefore, the essence of life is not "what is already", but "doing" - which includes both material practice and spiritual thinking. So why "do it"? What is the first cause of life that drives the processes and dynamics of life? Because of shortcomings, because of desires - because of the separation and gap between ideal and reality, because the "is" of reality does not conform to the "should" expected by life; so life does it, transforming "is" into "should". Therefore, life is never satisfied with the status quo, and eternity exists in this shortcoming, in the desire to "do" - life is never ending, life is never satisfied. The above, although there is a big gap between the "Endless Secret" in this book and the "Endless Secret" in "The Secret Cult Simulator", I think the term "Endless Secret" is extremely appropriate, and it is also a tribute to this book as the starting point and trigger for my thinking. If I have to make a distinction, then I use the metaphor of "life's phototaxis" and "living like a moth" - life is full of shortcomings, so we yearn for the light. After that, what also made me think was the praise of "eternal women" in the "Thousand People" volume and the words Chen Chengchengzi said about "the unity of fatherhood and motherhood" and "whether Fan Ning is a virgin" in the summary at the end of the volume. It can be said that it was almost at the same time that another online article I read was the trigger that made me really start to think about the issues of "men and women, sex and love" for the first time. I must praise Chengchengzi's handling of the relationship between the male and female protagonists - it is very pure and beautiful. One-to-one loyalty and perseverance are what love requires, and Fan Ning's relationship with the heroines obviously transcends love and is a resonance of spirit and soul, so it is naturally not subject to criticism and moral condemnation such as "Aquaman" and "Scumbag". Some people may still say that this is just an advanced form of having a harem, but I think it is closer to the category of "loving all living beings and loving all beautiful things". However, in the summary at the end of the "Thousand People" volume, Cheng Chengzi bluntly stated that Fan Ning had already had a relationship. My first feeling when I first read it was extreme dissatisfaction. I even wished I didn't have to read this paragraph. Although I personally have no aversion to sex, and my sexual views are relatively open, it appears in the wrong place, and it destroys the sanctity of the relationship between men and women shaped by Orange Orange. After spending about ten minutes calming down and calming down, I began to reflect and finally realized that no matter how noble and pure the relationship between men and women is praised, or love, there is still a question about sex and sensuality that must be answered. We must admit that when we talk about same-sex relationships and opposite-sex relationships (both refer to peers, and exclude blood relatives), it does not mean that the following situations do not exist for those who are not discussed or excluded, but it means that these are not discussed or the excluded do not have the following conditions as those I am talking about. When describing the necessity of the situation), both the words and emotions are quite different - we cannot talk about the relationship between men and women in the same way as the relationship between men and women (excluding homosexuality, and even if we talk about homosexuality, we cannot talk about it like heterosexuality). As long as this difference cannot be eliminated, there must be certain elements in heterosexual relationships that are not present in same-sex relationships (homosexuality is also excluded) - sexual and carnal tendencies (note that it is a subtle tendency, not an explicit and actual element). In a sense, this seems to mean the justification of sex and carnal desire, which means that these two do not constitute damage or blasphemy to the sacred, pure, beautiful, transcendent, and noble relationship between men and women. But the above is not my answer, but a thought and an attempt to answer. At this point, my dissatisfaction has been resolved by myself. The above thoughts triggered my further reflection. I have had many fantasies about love - or more generally, I have fantasized about many two-dimensional wives. There are many objects of fantasy, but the common point without exception is that I occupy a higher-level role in my fantasies-nobles, hidden masters, etc. I realized very early on that this was wrong, and that it was far from my ideal noble love - love should be a narrative that belongs to "us", and both men and women should be in equal subject positions, rather than a narrative that belongs to "me and you", where one party is the subject in a high position, and the other party is the object. About a week before I wrote this article, my math teacher accidentally talked to our class about the issue of teacher-student love before class. She had a negative attitude towards teacher-student love, because the teacher has an advantage in knowledge and ability and is in a higher subject position. The teacher and student are in an unequal position in this love. Therefore, I personally use "teacher-student love in a broad sense" to symbolize the above-mentioned love narrative about the unequal status of subject and object between "me and you". There happens to be a true teacher-student love that almost formed in this book, but at least Scheler rejected Ann and it did not develop into a teacher-student love. I personally don't think this broad sense of teacher-student love is an ideal or beautiful love, so I began to look for a way out for my own concept of love. The conclusion I finally came to, and the solution I finally found for myself, was that love is not suitable for me. For women, what I should have is "the love of all beautiful things." Then comes the last volume. I am slightly dissatisfied with the handling of Mr. F and the director - I would rather have a compromise between Mr. F, the director and Fan Ning, rather than Fan Ning's denial of both. Especially when Mr. F was wiped out in the end, it seemed that Mr. F, who was very powerful in the early stage, was like a clown; or in other words, this is the fate that most high-level villains will most likely end up with. Their great deeds are proven wrong by the protagonist and they become clowns. I had high expectations for this book and thought it would be different, but in the end it was still a pity. The metaphor about the double-disc fluke is very interesting. Whether life is like a moth or a tragic snail parasitized by the double-disc fluke is worth pondering. But no matter what, moths swooping into the glow, and snails reaching high places and being pecked mean death - as mentioned above, life is a never-ending process, so arrival and completion are death. However, these two ways of dying are slightly different, and they accomplish different things. Life is in different narratives. The grand narrative of "universe and civilization" and the personal narrative of "love and freedom" shape completely different values ​​​​and world views. This brings about different directions in which life goes and the different radiance it pursues. There is no distinction between different narratives, but what almost all different narratives have in common is the need for power and the ability to transform what is into what should be. This is reflected in online articles. There are thousands of types of web patterns, and each online article is a different narrative. However, most of the online articles will insert the extraordinary system - because the extraordinary system represents power and the ability to transform; for this book, classical music is the main narrative, but Chengchengzi still inserts mystery as the extraordinary system. But, no matter what, transcendence is a means, not an end. If the means are raised to a high place as the end, if one is lost between different narratives, then completion and arrival are like being pecked at as a snail; otherwise, they are like moths swooping into the light. It's a pity, it's a pity that the one who really should go up is not Fan Ning, but the director. The narrative of Fan Ning's life is art, the world, and the people he loves. The end point it should reach should not be the gathering point at the highest point of mystery; but for the director, control is above all else, and he has the fire of martyrdom. For him, mystery is not only a means, but also an end. The narrative of his life is mystery, a high point of migration, and becoming the gathering point is the end point he should reach. In this sense, what I hope is that the director can go up and replace Fan Ning - Fan Ning loves the world, he does not belong to the mysterious heights, he belongs to the heights of art in the world, and the mysterious heights belong to the director. It is a pity that Fan Ning and the director have different ideas. As a necessary means to achieve the goal, mystery is what Fan Ning has to hold in his hands. In the end, mystery is still a necessary means and is higher than art. In my opinion, Fan Ning is in charge of the world, and the director is in charge of mystery. This is the true meaning of "art should be art, and mystery should be mystery." It's a pity, it's a pity. Death is arrival and completion. In this sense, the death of a character is equivalent to the completion of the character's story, and the feelings of loss they bring to people are the same. So we can say that the end of this book means the death of the book; in this sense, I hope that Chengchengzi will open another volume and write a dozen or so chapters, and then stop like Ma Shi and "The Art of Fugue" and stop writing. Maybe this is why many great works have no ending or completion, which means the eternal dynamics of life and the progress that will never arrive. To use the words of Saint Lavoisier, our teacher, our Patriarch, our light-giver: "I need to tell you truly, literally, and tell you, the gathered witnesses, that the timid and orange "Musicians of Our Day" is an unfinished work." In the end, we, and Janus, all salute you.

Written in the group, Put it into the book club circleContribute, I hope everyone will not dislike it by Yidianxian When did the great glory become so rich? In that pale golden baton Sacred and solemn repertoire Praise to the greatness of the Trinity Maple, spruce and flowing gold Flying quietly from the star track Pull out such a generous triumph Stirring up the bright rose flame We crawl at your feet Lifting our hearts like thunder We look up at the thousands of stars and sing songs of praise to God La Vasi~ La Vasi~ You are God's servant and the gospel is rolling in your mouth The radiance and the love of the saints shine in your eyes Carry that bright lamp and keep rising Our fiery pain Turn into the thorns that wrap you up When the Lamb is lost, separate the dark and confused sea of fog Get out of the false teachers who worship idols and abandon the unrighteous people The remaining believers also please have a glass of wine La Wa Xi~   La Wa Tin~ The sacred organ is there Splendid mass is played We sing the Mercy Book Abandon the pain that should not exist in the world Only your light and joy remain La Wa Si~  La Wa Tin~ Our sun is there Under the gaze of the great unfallen fire Golden sunshine spreads over the earth Joyful angels fly here Red wine and bread for you That is our Holy Communion And your Holy Body Holy~ Holy~ We are as alert as snakes We are as docile as doves We crawl at your feet and are lifted up like thunder We look up at the thousands of stars and sing songs of praise to God La Voisier~ La Voisier~ You are the servant of God The gospel is churning in your mouth The radiance and the love of the saints are shining in your eyes Carry that bright lamp and keep rising Our burning pain turns into thorns that wrap around you When the Lamb is lost, separate the dark and confused sea of fog Get out of the false teachers who worship idols and abandon the unjust people The remaining believers Please have a glass of wine Walk the last way to welcome you La~Wa~Xi~

I have never understood the setting of Tantric Buddhism, but that doesn't stop me from reading this book. As a classical music lover, especially a Mahler fan, I would like to thank the author for writing this book. His time will eventually come

After reading the ninth volume, I made a summary based on my impressions. There may be some mistakes in my memory. I will leave it aside for now and revise it later. (Also, because I like the nickname of duck cake very much, I may sometimes write f and sometimes write duck cake after it) What should be confirmed at present is that the disenchantment ceremony in the 0th history should be a joint event between three groups of Mithras. The descendant of duck cake who commissioned Fan Dad to paint may be the duck cake. No matter whether there were differences between the three groups before, at least when the disenchantment ceremony was held, everyone had the same purpose. By the way, translate the oracle of the 9.15 Unfallen Fire. The original words are: "Unknown!... Interface!... Source!... Non-source!... Channel!!... One-way!!... Diversion!!... Imitation!!... Disguise!?... Structure!?... Preservation!?... Cut!?... Exchange!?!?... Time!!!!!..." Translate it! : The gathering point is an unknown interface. The source of the world is not the real source, but a one-way channel. It can imitate the structure of "there is an upper bound above the upper world" and divide the world into multiple histories. Use this structure to pretend to be the same person as the upper world, so as to preserve the world and gain survival time by cutting off the gathering point. But people in the 0th history may not be able to interpret the oracle to such a vague level. They only know that their task is to cut the gathering point. As for the state of the gathering point after death, especially the structure of Wu, the Unfallen Fire did not explicitly say that this is what it wants, so different sects will have very different understandings. Bach and duck cake, classical and modern, are just two ends of the line. One wants to rewind, and the other wants to run into a state where the whole world is soaked in color. Let's talk about a more abstract question first: Why does f want the world to be like this? In one sentence, the essence of "Night Road" is a positive version of "join if you can't beat it." First of all, judging from the ninth volume, after boarding the HOS, f can act as a tour guide for Fan Ning, which shows that f has already possessed the status of the Lord of Witness, and has already silently traveled up through the dome door. So what did f see at that time? Even if you are not dead, you are not far away from the fire that does not fall, the corpses that gather together, the worms that breed, and the great terror outside the door of the breather. Using f to create the "Secret of the End" brain circuit, since the oracle of the Unfallen Fire is to kill the gathering point, then could the intention of the Unfallen Fire be to let worms grow all over the world? Similarly, since the wise are pursuing a higher level, then the creatures above the upper world are of course greater and nobler, and the world as small as an insect is of course humble and ugly. For the same reason, f is not interested in designing his own god's name and witness talisman, because the Lord of Witness is nothing more than dust worth mentioning. Mr. F has great ideals! He wants the world to bathe in a higher level of ecstasy with him! Based on this idea, understand Mr. F's actions. In Volumes 1 to 5, the goals of f and Bogo are actually quite the same, which is to collect the remains of the Origin God through various methods, and then hold a ceremony at the x coordinate. Both of them don't care much about the life and death of others, but Bo Ge said "in order to save two-thirds of the people, the remaining one-third should have the consciousness to die with honor", and F said "Don't mention anything about human beings and the world to me, I just think it's ridiculous." In terms of collecting the remains of the Source God, if there were not f behind the scenes to gather and encourage the esoteric believers to perform various rituals, many incidents may not surface so quickly and produce results so quickly. However, the remains of the Origin God are mainly in the hands of Bo Ge, and the Masterless Hammer is technically in the hands of Fan Ning, as is the No. 0 Key, and f does not have priority or initiative. F's biggest reliance is its cooperation with worms (Key No. 1). The next question is, why was f's initial plan not to connect the world to the gathering point and let [Above the Upper Bound] directly invade the world? I guess it's because it's an "old world". As the highest point and source of this old world, the Gathering Point already exists and cannot be replaced. If it dies, it is dead. So f ​​can only settle for the next best thing, let the noon moon replace the unfallen fire, and let worms crawl all over the world. But then Fan Ning rubbed his hands and created a new world. It is known that: 1. The new world has not yet connected to the gathering point; 2. The original gathering point has been killed. So once Fan Ning connects the new world to the gathering point, it is actually the door connecting the new world to the [above the upper world] without any obstruction. From F's perspective, Fan Ning's approach is even more ideal than his ideal. If Fan Ning hadn't chosen to become the gathering point, f would have been successful. Following this line of thought, let's briefly discuss why f managed to survive until the end. From the perspective of strength itself, f is not only the self-created secret key + the right to pass through the dome door, but also has a cooperative relationship with the truth snake/worm, and belongs to the super doubled master of witness. Bogo's being trapped by F after being promoted to the Lord of Witness is obviously related to worms. Fan Ning in the new world has the personality of the Lord of Witness + the worm has been cleaned up. He originally had the ability to kill f, but f was exploited. If Fan Ning wants to kill him, the safest time is indeed when he becomes the gathering point. Because Fan Ning himself is the foundation and source of the world at this time, so of course there is no need to worry that the death of a "surviving artist" will shake the foundation of the world.

Ⅰ. The Giant "His time will come, and some people will be born again after death." Ⅱ. Resurrection "Believe: Your birth is not in vain! Your survival and suffering are not in vain!!" Ⅲ. Summer Noon Dream Love is a question, and those who long for it always answer with violence and pastoral poetry. IV. Kingdom of Heaven Everyone who leaves this world is singing for joy. Ⅴ. New Moon "Mysterious things belong to mysteries, and artistic things belong to art." Ⅵ. Tragedy First this thing makes a sound, and then makes no sound at all. Ⅶ. Song of the Night Sin is the requiem of the night, and night is the antidote to sin. Ⅷ. Thousands of people May the Kingdom of Creation come, May the Eternal Woman lead me to ascend. Ⅸ. Yuan Guang "The world is full of shortcomings, but eventually someone will see the glory."

It's the first time I've read a novel and received peripheral items, so happy! ❤️❤️Thank you for the operation of Ai Power Generation🌹🌹, and I also hope that Orange Orange will cheer up (three updates a day)😡😡

Ciaran Conall Roy McAdam Joan Nehemiah ("Miss Purple Bean Cake")

The writing is really good at the end, and it's really not much different from a squid. It's not as popular as mystery, maybe because the music is too difficult to understand, and the extraordinary system Regarding the heroine, I think it really can't be labeled. I can only say that it is like three heroines (the main palace should be Roy). It is well written. The best form of mysterious heroine. The heroine and the hero redeem each other, they are each other's home, and they warm each other Finally, I want to ask, when did Fan Ning and Chu Nan disappear? I don't understand.