People Are in Zong Tomb, Unloading Ridge and Robbing the Leader

There are piles of old silver coins in the tomb robbing notes. If you want to write the tomb robbing notes in Ghost Blowing Lantern, you must at least know the layout and be able to break the game. No, at least it can be used in the background. The protagonist said that the leader of Xieling felt like an orphan whose parents both died. There are various ways of being followed and exploited by others. They don't care about anything and just follow other people's leads. No background is used at all. Obviously the protagonist knows the plot of "Ghost Blowing the Lamp: Tomb Robbery Notes" by heart, but no one can remember it as well as you. As a result, I found that I seemed to only remember what happened in the tomb. A bunch of people are taking advantage of the protagonist, and the protagonist only knows what forces there are in Tomb Raider Notes. I didn't even think about checking who was doing it. The more I talk about how powerful and powerful I am, the more ridiculous I feel. I feel like I am just an orphan and have no use for anything. At least check these people out and teach them a lesson. They dare to take advantage of you again and again, bewitch the people around you, and even use treatment to kill you. Then the nine sects of the Wang family used various black methods to greet the protagonist. The protagonist just watched and could probably guess who it was but did not dare to take action. Then some wild tomb robbers dare to provoke you, but they won't move. You have memorized the two series of books by heart. Don't you know where the people in charge of the nine families of the Wang family are hiding? If you kill a respectful monkey, it will be over. It's really frustrating. Writing the tomb robbing expansion is also inexplicable. There is a lot of writing about fighting spiders in Longling Mysterious Cave, which is too watery.

The first few chapters are too toxic. When he met Hu Bayi, the protagonist gave him money and helped Hu Bayi arrange jobs for his friends. The most outrageous thing was that he also wanted to rob tombs with Hu Bayi. Someone you've known for two or three days invites you to go rob a tomb together? Hu Bayi also agreed, showing courtesy for nothing was either adultery or theft. Hu Bayi has no doubts and is grateful to the protagonist. It has been long since Hu Bayi was so pure in the original novel.

Read170Chapter and let me share my opinion. The writing is okay and there are no logical flaws. The shortcoming is that the writing is too weak. For example, the process of going to the tomb is sketched out when it should be described in detail. There is no sense of tension and excitement, and the usual dialogue is too long. Especially after returning from the ancient city of Jingjue, I couldn't read it anymore... (It's okay to continue reading in one sitting, but I have no desire to open it after putting it on the bookshelf for a day)

The author's idea is quite good. Unlike other tomb-robbery novels that marginalize the trio of tomb-robbers simply to highlight the protagonist, the trio has simply become an atmosphere trio, specifically to set off the protagonist and create atmosphere. Those novels treat the protagonists as if they are all-rounders, but the main purpose of tomb-robbers is unity. If the protagonist is all-powerful, why team up with others to rob? It's enough for one person to go to the tomb. You can write about Big Jinya doing logistics, Fatty asking for information, Yang Shirley cracking the mechanism, Hu Bayi looking for dragons and exploring caves, and the protagonist specializing in dealing with supernatural creatures such as the evil spirit of rice dumplings in the tomb. Isn't this great? Why do you want to steal all the limelight from the original protagonist? Just to make the protagonist a person

Starting from the ancient city of Jingjue, it feels like it was written by another person. When the fat man saw the black blind man, he took a blunderbuss. I couldn't understand it. You didn't take so many firearms when you were in the Kwantung Army fortress. It's not like the protagonist didn't have space with him. The protagonist is also a time traveler. He knows how dangerous it is to go to the tomb, but he doesn't even take a gun. He can fight rice dumplings and monsters with his bare hands, right?

This book is on my bookshelf halfway, and I have been reading it. I will briefly talk about my own opinions. The author will read it carefully, and use it if it is useful. If it is not useful, just pretend that I have not said anything. It is just my personal opinion. I will comment lightly. The Chen family, the leader of the Xiling Mountains, the leaders of the Green Forest in the Three Hunan and Four Rivers, and even the warlords were supported by the Chen family. I think your background is really not written well. What you wrote is pig's feet. His father is Chen Yulou's younger brother. Even if it is not passed down tomb robbing, Technology, but in terms of human resources, I think he is at least a local emperor. It may have been a little weaker after the founding of the People's Republic of China, but it is impossible to lose so many properties. What you wrote is no different from the Qidian Orphanage. This is a bit of a failure. Also, at the beginning, I read what you wrote to be honest, it was really good, but the more I read it, the more I felt that something was not quite right. I don't know if you didn't write the outline well or if you didn't think about it well. I think the Tomb of General Jin Guo is very good, especially the plot you added. I really like it. I have nothing to say. It's quite good, but The plot of "Jingjue Ancient City" is a bit lame, and a little bit unfocused. I watched it, and I didn't know what I was watching. It felt like a bit of a waste of time. Maybe it's because I read too many books and am a bit cunning, but I really didn't understand the plot of "Jingjue". Personal opinion, that's it.

Looking at the title of the book, I thought the protagonist would be the leader of Xiling, leading the brothers to the tomb, but I didn't expect that Xiling was selected by the selection system. If you are a Xiling inheritor and have a selection system, that's fine. As a result, the first time I chose, I chose the most common Xiling. Anyway, I have no desire to continue reading. Writing a book is not easy. I hope the author will get better and better as he writes more.

Don't know what the author is writing about? Everything is mentally retarded, and things are procrastinated and not straightforward at all. Are you writing a detective novel?

In fact, in terms of writing, the author's writing style is relatively complete. The problem now is that the plot is not detailed when it should be detailed, not concise when it should be brief, and the plot has no ending. What is tailless? The first part has not been finished yet. The results after going to the tomb are basically presented in narration. The important information and highlights are very dense, and the imagination is indeed possible, but the process is basically absent, which is a bit too much. The protagonists are reunited to appraise treasures, and they are talking, and then the next chapter directly leads to Chen Yulou, and several chapters continue to write about Chen Yulou. This is very confusing. I have been waiting for several days to read this for book lovers? What's the point of chatting with a rotten old man about useless things? The old man praises his nephew and chats about household matters. No, although the protagonist's grandfather's "old and strong" imagination is okay, it is completely useless for Chen Yulou to appear now. Why is it said that it is useless for Chen Yulou to appear now, and why is it said that there is no ending. Now to lure Chen Yulou out, we must either take him directly back to the capital, or rob someone of the original tomb first, and then return to the capital. Whether it is a move or a return to the capital, it will involve the Bayi Kaixuan Yingzi, as well as the spirit weasel and the animal team. However, I just discovered a treasure in the last two chapters, and I have not even sorted out the basics in Kyoto before I rush to change the scene. When the time comes, I guess I will have to use narration and flashbacks to supplement it, but it is useless to divide the plot like this. The treasure appraisal is good, and the climax ends, so why not finish it along the way. The most important thing is that there are actually a lot of things that can be written, and many of the characters are not fully developed at all. Before the characters were established, Chen Yulou was forced into the story. Before the scene transitioned, the foursome met with Golden Tooth. In the next chapter, the chat suddenly stopped and turned to narration to advance the plot, which was particularly blunt. But the author has always used stories to promote the plot, but when he switches to Chen Yulou, there is obviously a lot missing. If it were written the way it was before, it would have been the return of the protagonist group, the big golden tooth with a clear eye in the palm of his hand, setting the rules, and having a meal together to chat. Why is it said that the characters are not full and the characters are not established? For example, Fatty Wang knew that he had made a lot of money on this trip. Since he had made a lot of money, based on the fat man's character, he would definitely have to shout to add a few hard dishes, and then carelessly push the cups and change the cups. For another example, Hu Bayi was thrown into the grave, met the protagonist who treated him sincerely, made the first pot of gold in his life, and became rich suddenly. In terms of Hu Bayi's style, he was filled with emotions, and he admired and appreciated the protagonist from the bottom of his heart. There is also Yingzi. Although she came out with the protagonist, judging from the character of the protagonist, she will definitely not be treated badly. In addition, the Bayi Triumph is related to their village, so it will definitely help, just like the original Bayi Triumph delivers supplies. If you want to help, road construction may be a bit exaggerated, but power supply should not be arranged? There are also some general supplies, such as clothes and food. Then write about the black and white small color TV, and the sense of age will come out. If you do this and Yingzi is kind-hearted, will your heart feel warm? The people in the village saw that the protagonist was capable and kind, so they deliberately brought him and Yingzi together. If they just made a few jokes, would Yingzi blush? Is it possible to establish a line between Mingqi's sales and the contact with customers to facilitate future sales? Will patrons appreciate the protagonist? Will he be able to recognize people with his keen eye and take the initiative to raise prices to form a good relationship? Where are the ferrets and the animal team kept? Suburban? How to feed it? How to train to improve combat effectiveness? There are also family members of the protagonist. The writing seemed to have foreshadowing before, but when they returned to Beijing, they didn't explain anything and were directly blamed on Chen Yulou. The plot is relaxing. If the climax and ending are over, can we change the taste and write about daily life? Or do you want to adjust your state, recuperate and prepare to go to a tomb? Where can I get reliable equipment? Are there any familiar routes? Above. It's okay to skip making the puppet armor. After all, the process cannot be written, but why should we skip these finishing touches? These are all intensive and exciting points! As for the last few chapters, there are still some problems. Information skips levels, the plot is fragmented, and there is no sense of substitution. Already read, keep up the good work

I can't stand it any longer. First, it's too watery. Maybe the author wants to bury the story, but you have to tell the story well first. Second, the update is too slow. It took me almost a month to write it, but I can't catch up anymore. See you again when we are destined.

I don't understand. The protagonist knows the plot, so why can't he behead Honghou while he's still alive? Even if you want to do a mission, wouldn't it be safer to chop off the arms and legs first?

The author's ideas and plot are good, but the protagonist's background is not well designed. It can be said that there are almost none, such as the protagonist's parents, family background, social relations, university background, and since it is written that it is the family of Chen Yulou in Xiling, don't make the protagonist look like a bachelor, there are still three thousand nails in the rotten ship, Chen Yulou's family of tomb robbers is the overlord in Xiangyin. The protagonist went to Beijing to open a shop, and the shop he opened was an antique shop. For so much money, the family didn't even arrange a few assistants to help, which is a bit unreasonable. The protagonist is born into a family, and he is not a diaosi starting a business.

It's very well written, please support it. The writing style is sophisticated, but with this word count, two details are not quite right. The first is that the team's doctor is dead, and the second is the ability of the system to produce the product. The transformed puppet is too much like a real person, which is a bit unscientific, but it is also a big problem. The only foreseeable important issue at the moment is that When Onibuki combines the notes, the situation will be much more confusing, so how mysterious is the plot? It determines the reader's perception. A certain degree of confusion can enhance the desire to read, and can also add a lot of information. But being too mysterious will make people feel like they are stuck in the throat, and they will not swallow it quickly. It is like the protagonist's character, actions, and abilities are all wrapped up. The main supporting characters complement each other, and the general environment is unknown (if you are a fan, you know part of it, because it depends on the author). Through exploration In the process, various ingenious plots and exciting points are shown to impress the readers. If 80% of a book is full of mysteries, then the protagonist's light will be basically useless, and every reader will be like a blind man touching an elephant. I don't like this kind of reading experience (it's also strange that the writer is trying to fool you to the end, but the readers actually like it) On the other hand, the title of this book is the leader, but the three One hundred thousand words have been written, but there are still not enough talents available. There are no original characters available. You can create a few tool people with personalities that are missing in the team, add some lovable elements, or use some author's methods to make up for the protagonist's shortcomings and assist.

The protagonist is a virgin who forcibly descends into wisdom without thinking.

1: Plot linkage, such as an adventure plot suitable for interspersion (please indicate the source) 2: Weird and ancient beasts, similar to Dap ghost bugs, overlord salamanders, and Huang Xiangu, have some special abilities, but there are not many heaven-defying creatures. 3: Antiquities and rare treasures, valuable ancient cultural relics, and antiquities that can be expanded into treasures

In the recent photos, it is obvious that Lao Jin's matter was plotted by someone, but it was not handled well. Also, Xie Lin had been living in western Hunan, and I dare say he didn't know a few powerful Miao villages. Ordinary people may not be able to solve it, but the protagonist can't.

Is it really too watery? When you see a chapter that doesn't even say a single chapter, doesn't the author think about it?

Well, let me tell you my personal feelings. This is a book that I could read in one go, but after a few days of reading, I never bothered to open it. What a headache

1. The pig's trotter is hooked, but it's no different from being unopened. If you meet someone from a special department, you will be scared. The old Buddha of the Nine Sects will still be scared. It's understandable that those thousand-year-old monsters will continue to be scared. But when you meet some experienced babies, they still have to be scared. Why should you open this hook? There is no need to write down bloodline skills or anything else. 2. It seems to have its own main plot, but in fact it is meaningless to sew the two worlds together, add magic, and then follow the plot. 3. This pig's foot character has no logic, and it is a bit disgusting to be cowardly and pretending. 4. It's so good that a cutscene can drag on for several chapters, so I can't stand it, but it's all just anecdotes. All day long, Pigfoot clearly knew the plot, but when he saw it, he expressed that he was shocked and had nothing to do, and then turned into the Riddler to watch other people's output. It seems that I want to write a group portrait article, but I want to write four different images. I really feel like I have to pay for it and still be fed💩.

Since the beginning of Jingjue, I have been writing randomly. I don't know what I want to express. I have failed every time. It's all about the word water. It's a pity that such a good prelude is

I've been dying by wiping my support book, and I'm actually a eunuch.

🤔Ah, another book!