The Attribute Point Philanthropist

The novel is full of viewpoints that go against normal people's views. The so-called argument is often mentioned that the bad guys can't be killed so there's no need to kill them all. No wonder I've written so many books and I'm still lv2.

Why is the protagonist always thinking about adding attributes to others? Shouldn't this precious opportunity, which only comes once or twice a day, be used on himself?

Give people food, add some points to a dying old man and turn him into a forty-year-old, but he is not completely subdued. He takes people out to hunt and talks about revenge. The protagonist still earns a lot of rewards. He might as well raise a few more dogs. There is no news about the power of the Superman class. This is the Virgin Bitch.

As of Chapter 19, it is speculated that the background of the story is that the worlds meet, and one of the worlds is the modern society we are familiar with. The protagonist wants to restore civilization. His way may be to give away attribute points directly to some survivors to provide food and clothing, and then organize them. It may also be that the golden finger is relatively large, and the avatar system directly issues tasks to everyone. If you participate in rebuilding civilization, you can gain attribute points. It may also be through other more scientific methods. After all, the author has two words between the lines: "professional"! The information currently given in this book makes people think of the background view of the later period of "Demon Slayer Industry". Perhaps there will be a linkage between the author's two books in the future.

Boss, when publishing new books, remember to post advertisements in old books! Fortunately, I always remember to take a look from time to time.

Suddenly it changed from a wasteland to a farming competition, and it didn't stop.

At first I thought the writing was quite good, but I didn't understand why the results were as good as this. It wasn't until I read Chapters 58 and 59 that I understood. People were being beaten right at the doorstep, and the protagonist was still chattering there, hesitating about whether he should kill the opponent... He was poisoned. The writing was pretty good when I was writing about the main character being single-player. I don't know why the author couldn't think about it. When encountering survivors, he had to write about conflict. What he wrote was all poisonous.

There is a plot about seventy chapters in which a man-eating gangster provokes the protagonist downstairs and robs the protagonist of his food. The protagonist jumped down from the fourth floor and was alone in seconds. The gang leader still felt that the two of them could not defeat them. He provoked them in various ways and was killed instantly. The remaining gang members were not killed and were all put back. Then in Chapter 90, the gang came back for revenge. A big boss came downstairs to provoke, and the protagonist came down to kill him instantly. The protagonist is more like a virgin. This kind of villain doesn't kill the villain, but lets the other side come back for revenge. This kind of plot is quite cliche, and the plot is not good. The villain doesn't realize the protagonist's strength, and he is beaten in seconds after provoking a wave of provocation. Go back and get another wave of revenge. After provoking again, you will be killed. This kind of plot requires no brain to write, and you can get a few chapters out of any set.

It would be good if it could be written in the wasteland of the early stage, but unfortunately it will be distorted in another world.

So awesome. A million words. The out-of-circle index is three hundred. . . This data. Really rare. No matter how bad it is for others, it's still over a thousand.