Savior Epic

Opinion and Tucao Post If you have any opinions or complaints, you can leave a message under this post.

The external manifestation of chaos is that there are many plot lines and a large amount of information; each plot is short, and the transitions are frequent and abrupt; the plot is obviously fragmented and the plot context is unclear. Overall, the look and feel is as shown in the picture. I drew them in random order to give a rough idea. There are frequent transitions between various plots, and switching to another line of plot cuts off the narrative of the previous line. The transitions are sometimes very abrupt and difficult to follow. It is difficult to remember the many plot lines, and each plot line only progresses for a short period before transitioning. It cannot give a complete story at one time, and I will have forgotten the same line next time. It is recommended that the same big scene and the same plot should be written longer, and a complete story should be completed in stages before transitioning. The transition should be as smooth as possible. —————————————— Let's try to analyze the root cause. For example, the first fifteen chapters are relatively clear in terms of the whole book. By the end of the first crisis, it stands to reason that there are only two lines in the small town of God's Kingdom. Protagonist in prison, at home, Kingdom of God, supporting role, / (end of day) Making money, magic class, at home, selling books, Kingdom of God,/ At home, supporting role, at home, Kingdom of God, supporting role/ Supporting role, baking bread, collecting leather, drinking medicine, Kingdom of God, supporting role, Kingdom of God, crisis, supporting role, crisis resolution. ———————————————— Looking from the plot of Kingdom of God. Each time, a future deduction is basically given, without repetition. Blessing/punishing one person, the same does not repeat the selection, and is accompanied by one or two central paragraphs of supporting characters and supplementary explanations. As for the interaction between the Kingdom of God line and mortals, many character branches are introduced. Each character branch is independent of each other, has a large amount of information, and the plot is incoherent. Each person needs to lay down the real line and recover it once, and the pace is fast and difficult. The setting of once a day during a specific period makes the Kingdom of God line appear frequently, which can easily interfere with the rhythm of the plot. —————————————— Looking at the plot of the supporting characters. In addition to the bonus paragraphs of Kingdom of God, descriptions of supporting characters also appear very frequently, and there are many supporting characters. The above example only counts longer paragraphs. Contributed a lot of transitions. This is a matter of plot perspective. The author of this book overlooks the overall situation from a God's perspective and advances the plot completely in chronological order. When it's time for a character to act, write the plot for that character and frequently change the central role. From a God's perspective, it's natural to focus on specific characters based on the time of events. But it is difficult to convey God's perspective to readers. To get a bird's eye view of the book, you need to know enough about the book and keep up with the author's frequently changing narrative. Now the author's narrative effect is like a football commentator, but the people listening to the commentary can barely see the numbers clearly, don't know the players, don't know the rules, their eyes can't keep up with the ball, and their brains can't keep up with the commentary. After listening, they only know that the ball is being passed around. Readers usually follow the character's perspective when reading a book, watching or immersing themselves in a person's experience, and using the character's experience as a context to understand the plot and the world. So most novels either take the protagonist's present continuous experience as the main body, and occasionally insert chapters from the perspective of supporting characters to form the central structure of the protagonist. Either multiple protagonists are parallel to each other, with almost no intersecting lines of experience, forming a group portrait structure. —————————————— A daily view from a small town. The small town plot is fragmented, not only because the rhythm is cut off by the first two. Every "daily plot" that appears has a significant purpose. Magic lessons, leather collection lead to crises, and the punishment goals of the Kingdom of God. At home, it's all about interacting with my sister. Selling books and baking bread are all about interacting with my crush, important supporting characters, and the blessing targets of God's Kingdom. As for the plots that are ineffective in advancing the main line, there is almost no description at all, and only the plots that are effective in advancing the main line are extracted with great purpose. Cutting out only these parts also resulted in unusually frequent and sometimes abrupt transitions. In this way, the plot will inevitably be inconsistent - the "useful" plot is only a small part of the overall experience. It's normal to make reasonable choices, but just choosing these fragments is a bit missing. As for these "useful" plot fragments, sometimes the "cost-effectiveness" is low, and there are some daily disposable plots. For example, the magic class was only taken once, and it was useless after the crisis was caused. So after the crisis is resolved, the setting magic class is gone. The plot of Magic Class adds new scenes, new characters and plots, and the amount of information is large, but it is a disposable consumable in advancing the plot - the amount of information used to advance the unit plot is too large. —————————————— In addition, the author often inserts settings and philosophical speculations. In the same way, the large amount of information makes it easy to cut off the narrative. This aspect is a personal characteristic. It is recommended not to try to cut off the strengths and make up for the weaknesses. There are many authors who focus on settings and ideas, but none are as messy as this book. The problem lies in the structure itself. In the later period, after the branch lines such as occultism, ancient sayings, the Sect of Misery, and priests were added, it felt more and more confusing, so I will not go through the analysis again. ———————————————— Currently, the root causes of structural confusion are: There are too many things to write about in the plot, the plot is advanced from God's perspective, and the purpose of choosing the plot is too strong. The author can make up his own mind on the first two points. The suggestion is to appropriately reduce the branch plots and use the normal protagonist's perspective or the group portrait perspective. The third point is difficult to change. I can only suggest a sense of awareness. In addition to promoting the main plot, other "irrelevant" and "superfluous" plots are also necessary. ———————————————— The third point has other negative effects besides structure. Character creation. Every action of the character is written by the author to advance/trigger the subsequent plot. It is commonly known that the characters are treated as plot tools, leaving no room for character development. I watched him do one thing and trigger a plot, just like a game character doing a task, without any individual character traits. If the kingdom of God requires suffering, then suffer. If your interests are violated, fight back. If good people are harmed, help them. If the town is destroyed, just save it. I believe it if you say this is the Kingdom of God's own AI. Currently, it seems that character creation is the flaw of this book second only to the plot structure. Even the protagonist has no character traits, and many characters only have identity traits that advance the plot. The sister has clues about the light spot and is responsible for the interactions at home. Serena provides secret transactions. The unknown creature is the insider and is responsible for the horror, but no obvious character traits of any character can be seen. The author also needs to write about the harem. The harem is one of the categories that most require character creation. There must be at least several female characters with different personalities and different personality charms, not just female characters with different identities. Other impacts include poorer realism of the plot, but this shouldn't be something that can be corrected. ———————————————— Of course, the author has many advantages. The writing, setting, imagination, and anti-routine plot are all very good. The overall level is above the average, but the main reason is that the structure and characters are lacking. I will talk about the problems I feel, and give some suggestions by the way. It depends on the author himself whether to change it or not. I don't want to interfere. After all, it is not bad now. Best wishes for progress.

It has a very good taste and a rare philosophical thought. It is recommended that new readers first understand the system of Abrahamic monotheism. Understanding "the way to salvation lies within" is of great help to reading this work ps: Don't be too cooing, author

It has written a fantasy novel with its own characteristics. The protagonist's divinity and humanity are well combined. Some plots are also full of strong religious atmosphere and epic feeling, but overall they are popular and will not make people too tired. Although there are some minor problems, such as the pacing before and after hell, the story of Moses is almost enough for a small side story. Although this plot is very important, the absence of the protagonist is too much. The lack of description indirectly leads to the transformation of the protagonist after hell. Although it is reasonable, many people cannot keep up with the degree of this turn. But overall, the shortcomings outweigh the good points. I recommend that you read patiently until the burning section before deciding whether to stay or go. Finally, I hope the author can write an impressive story.

Nice! Nice! So pretty! Saved me from book shortage!

I have read more than 30 chapters so far, and I feel that the setting and other aspects are very good. Let me talk about my feelings as a reader: the writing is very good, but it will feel boring after reading for a long time. Later, I thought about it carefully and thought it might be the reason for the protagonist. From the beginning to the present, the protagonist's emotional ups and downs have been very small. A lot of space was added to explain the setting in the middle. In many events, the protagonist is a role similar to a bystander. There is not enough emphasis and there is no sense of tension. The author's power setting and world view are well written, but the protagonist's sense of existence is too weak. It feels like it doesn't matter if you change someone else. As a reader, I always overlook the whole town from a God's perspective when reading, and I can't get closer to empathize with the protagonist. What attracts me to continue reading is always the town, not the protagonist. I read it carefully, and found that there is very little description of the protagonist's demeanor, psychology, etc. A lot of the words in this regard are devoted to supporting characters. The protagonist is a ruthless setting machine. This kind of reading experience like a history book is very terrible. I hope the author can spend more time on the portrayal of the protagonist.

The author's book is a Western fantasy, right? It is a rare book that meets my taste (the protagonists of the books I can read recently seem to be "neutral and rational characters who do not need to grow up,"). It is obvious that the author's pen has become stronger as the number of words increases. Overall, the atmosphere is created very well, and the author seems to be very good at and passionate about epic stories. Maybe you can try a group drama next time? The first part of this book feels disconnected from the main theme.

It's really well written. It's rare to find a good book about gods and faith. It would be better if the characters who advance the plot are not as stereotyped as everyday women and big event men. But it's still a rare good book, and I really recommend it.

If you haven't read the original text, you really can't understand the introduction. I suggest you read the book first, then read the introduction after finishing it, and then wait for the update.

It's a very good book. I just saw it on the shelves (I'm just a poor QAQ for the time being. I'll support it when I have money in a few days). The writing is very good. I personally feel that it can be ranked among the top in the whole starting point. It's very satisfying for me. The story structure in the previous part did have problems, but it got better after the author realized it. I feel that the actions of the protagonist in the free chapters are very passive (if it weren't for the really good writing, I might not have been able to stick to the content after the canonization). In the early stage, he was basically pushed by the environment without having his own layout. For those who want to read pure and refreshing articles, you can just take a detour. This article contains a lot of religious terms, and there are also a small number of religious terms created for the world view of the story. There are no or very few comments, which is a bit unfriendly to readers. In addition, there are a lot of thoughts and discussions on logic and philosophy, which is a bit difficult to understand for people with a high school education (mainly high school science students, because they have some thoughts on logic, but in philosophy they may only be able to say "Wow, that's awesome". Jpg) or a college level student with little extracurricular reading (generally speaking, sophomores, the lowest point in college students' knowledge level. This is the time when they have forgotten high school and are almost ready to fish for new knowledge).

I didn't understand it until I read Chapter 34. The previous writing was a bit obscure and difficult to understand.

It feels a bit uncomfortable to read, maybe because I read too many cool articles? I still don't understand some parts. I have to read this chapter to understand.

The religious atmosphere is so strong that it is a true masterpiece. He does not disguise himself as a god in human skin, but becomes a god from a god's perspective. I just want to say Holy Trinity. In the first few chapters, he is becoming "me". I really don't know how to put it. It is really a masterpiece.

It has been 10 hours since I watched I Am the Savior, Composing an Epic. Now I feel uncomfortable all over, my heart is empty, and I have no interest in doing anything. I feel like there are a lot of ants crawling on my body. I feel uncomfortable all over. I feel itchy and panicked. I have already experienced a withdrawal reaction. Renew! I want to update! Renew! I don't care what you are talking about now, I am not interested at all. I don't want anything now, I just want time to fly by. All I can think about is that I am the savior and write epics. I am the savior and write epics when I walk. I am the savior and write epics when I drink water. I am the savior and write epics when I lie down. I think about it all the time. I can't stand it anymore 😫😫😫

The author is like an angel of God, charting the path of salvation and faith for us.

It has a strong sense of religious atmosphere and a pure taste of the Middle Ages. After reading the book for so long, it was the first time that I experienced the sense of religious salvation and compassion from the book. It can be seen that the author's research and writing are very attentive. Although it was a bit slow in the early stage, starting from "Chapter 31 Faith", the most attractive part of the whole book gradually emerged for me. As an old player of Kingdom Salvation, Elder Scrolls, Continental, etc., It was really the first time I felt that... Sense of faith and religion from online articles!

I really like this book, but it's a pity that it wasn't very popular. I understand that the author also needs to make money and eat, but you are still tormented by the author's indecision. If you are unwilling to read deeply and want to read a mindless and refreshing article, you will be undecided. If you like this book, you will be tormented by your undecided attitude. I hope the author understands what kind of book you are writing. There are so many critical acclaims and hits. The author's writing style is absolutely impeccable. This novel seems to have definitely not collapsed now, and there is absolutely no reason to be eunuched. The road to becoming a great god is not that easy, just like how the third young master of the Tang family can still become a great god now? It's probably unlikely given the current intensity of competition. At present, this book has no similar competitors with the same perspective. The only possibility of being eunuched is that the author's mentality has collapsed. Is it worth it to cut out the almost only book in the same category for the so-called new book that may be better? As a reader, I think that as long as the author persists in his writing style, he will definitely become famous. Compared with some authors who have no bright future, this is undoubtedly just a process of accumulation and accumulation. It is said that it is better to be a chicken head than a phoenix tail. Rather than being popular, it is better to write a short version of the evil Bible.

In a certain sense, it is a masterpiece, and in terms of taste, it is a masterpiece in a certain sense, but it is not a good novel. It may tell a good story, but it is not a good story. The most important thing is that the author does not grasp the progress of the story well. He focuses too much on the description of divinity and humanity, which is a bit cloudy and does not speak human words. The writing is good, but the plot is not good. After reading the free chapters, I can use a few words to describe what is written in these dozens of chapters. A mortal becomes God, but is not God A God has a power similar to omniscience and omnipotence, but has the shortcomings of mortals, and is weak itself Wants to explore the truth of the world, but is afraid of the truth of the world. Just write these few sentences, you can write more later, but it is not necessary. You can understand after reading these three games. This story tells a contradictory story, which is as meaningless as the omnipotent refutation.

I just feel that it is unclear, but unfortunately it does not meet my definition of a novel. I am God. There are not so many messy and incomprehensible renderings. I just create an epic feeling one by one. Reading this book is like a monk chanting sutras. It is too tiring.

，，(，)， This style makes this article stand out when telling local stories, because the environment and atmosphere are well rendered. But there are also shortcomings. From my personal point of view, 1) there are too many characters, too many plot lines, complicated descriptions, branches and vines covering the main line, and the rhythm is a bit slow. 2) The protagonist's personal characteristics are not very prominent, the sense of substitution is insufficient, and the refreshing points are not very prominent. For example, the burning torture is a big plot, and it has been laid out for a long time. The interaction between the protagonist, the prisoner, and the priest makes the readers develop a good impression of them. From the reader's point of view, they definitely do not want them to suffer. The final ending is that the priest becomes a saint and everyone is saved. The protagonist also plays a role in it, which is a good ending. This big plot is interspersed with the protagonist's exploration of the mysterious line and the Bishop Isa (mysterious creature) line. The intersection of the two lines is the suffering cultist line. The author seems to intentionally weave a small town relationship network when constructing the plot, without perfunctory every supporting character. Both Joker and Mannu have a lot of writing, and they both killed off the plot without hesitation. This is very courageous, and I also like to read it, but in the early stage of the article, it is easy to drag out the pace and lose readers. The Joker who paved the way for a lot of writing died, and only contributed a single battle for the protagonist, which felt a bit anticlimactic. Maybe we can sort out the permanent supporting characters in the town and analyze how many words and inks they play. Whether the reader's impression is positive or negative. Needless to say, the sister is very good, but she is just a phantom. Looking at it this way, the resident supporting characters are not very good, which is not good. If you want a group portrait, you need one or two permanent supporting characters who can promote the plot and have obvious characteristics that make readers like it. The reader's pleasure is closely bound to the protagonist. First, he must be substituted, and then he must feel pleasure. In the foreshadowing of the entire plot, the protagonist seems to have no subjective expression and is too cold. He just does the work assigned to him step by step. If there is some sympathy but is powerless out of reason, or the psychological activity of trying to make the prisoner live a better life, it will make me feel that this protagonist is more approachable and has a sense of empathy. The path for the protagonist to become stronger must also be clear. There are now two lines, one is the path of mysticism, and the other is the authority of the Kingdom of God. The most refreshing thing now is the authority of the Kingdom of God, but it requires accumulating energy to use it, and it can only be used for a few days a month. And how to accumulate energy specifically? There are three towers, one is to suffer, one is to do good deeds, and the other is to perform some kind of miracle. The first one is definitely not a refreshing point, who likes to suffer, and doing good deeds is weakened. The protagonist seems not to think much about accumulating energy through this tower, and the next exciting point is basically exploring the third tower. The cool thing about the path to becoming stronger has only been clarified in the last few chapters. This is too slow to develop. In the early stage, I felt that the protagonist was a little undisciplined. In a world that was obviously treacherous and careless about human life, there seemed to be no sense of crisis. The golden finger could only be used around the full moon. The protagonist seemed to have no other skills except knowledge, but his mental activity seemed a bit calm, and he even wanted to fall in love. This made me a little anxious for him. This anxiety reduced the sense of immersion. First of all, let me praise you. This love scene is not embarrassing, which is very rare, but it feels a little out of place. First of all, we know that the protagonist is not resting easy, and Resurrection Town will be ravaged and destroyed in a few years. And we all know that this girl is actually a monster who has lived for an unknown number of years. She is a staunch enemy cultist, and she has a purpose in finding the protagonist to fall in love with. However, this relationship is written as if the two of them are really in love, which does not provide a sense of empathy and satisfaction. In addition, there are some scenes in the article where other characters (Bishop Isa) defend and curse the protagonist. Defense/self-intimidation/self-strengthening are all good, but cursing and conspiracy attacks are not so good. The protagonist is maliciously targeted, and it seems like nothing is wrong. From a God's perspective, I feel anxious and it makes the protagonist look stupid. Bishop Isa can be described as "evil, powerful and terrifying", but not "dirty". I would feel insulted if I were to assume the role of the protagonist. I don't like it myself, I'm constantly being scolded, and I'm also disgusted with girls, but the girl is still in love with the protagonist who knows nothing about it. You can see this faint sense of abuse coming out... Finally, just a personal suggestion, the part of the daily lectures and debates should be more refined. For most readers, the protagonist is a god and interacts with believers. It is just a fun point, rather than a real discussion of faith. If there are too many, it will also affect the rhythm and sense of substitution... The above are just my own feelings as a reader and are provided for the author's reference. I think the author's attitude is very serious, and his writing skills are also in place. Right now, he still has a poor grasp of readers' preferences and the rhythm of online writing. If this aspect is improved, becoming a god will be just around the corner, and it is not impossible to write the next bestie master. Come on.

Because entry is limited, I only have one sentence when I see the update: Awesome. I am also a semi-mythology enthusiast, and I occasionally read Nordic or Greek mythology when I have nothing to do. In my opinion, this book can be said to be infinitely close to "ancient mythology" from style to description to connotation... I can only say that the tickets have been fully booked. I hope the author can persevere and never, never, never be a eunuch 😭😭😭😭 If this book is a eunuch It will become a regret in my life😭😭😭😭

This book, to be honest, will definitely become a milestone in the history of Internet literature.

This book is really, I haven't seen an author with such writing style for a long time. Thank you author. Also, the whole storyline is also very good. It is a book worth reading.

I've read more than a hundred chapters and let's talk about it. I came in from the Daily Guide (I guess, right?). At that time, this book only had more than 400 comments (and it still does now). There are some things that are indeed worthy of a longer write-up and should be talked about. If you want to suppress before you improve, let's talk about the advantages first. The first one is the sense of epicness. If I Am God uses time and portraits to create an epic, I think this book uses words more. The two are still different. The Bible and other series of works have a very epic feel in themselves, because they tell the story of God, and they tell it well. Therefore, the closer the text, tone, writing, and style are to the Bible, the stronger the epic feeling will be. This book does a good job in this regard. The second one is the story. The canonization by the priest and the name given by Moses seem to me to be very telling, and it shocked me a lot. Some sentences really played a finishing touch. It's time to be restrained. Based on its advantages, there are higher requirements for this book. For some brainless and cool articles, there are definitely no shortcomings. After all, he should be outspoken to the strong, and he will make progress through it; he should put his hands together and praise the weak, and he cannot bear the blow. To be honest, I feel a little uncomfortable. The protagonist's early experience has been seen through too much. Of course I understand that those who can see through him have high status, but understanding is one thing, and feeling is another. Karl saw through him. He may have hints of the Suffering Lord, or he may be very strong. In any case, it came out too early, and this kind of seeing through (whether it is a complete seeing through in the true sense or not) is too frequent (more than or equal to three) In this regard, the brother in the comment area said it very well: In Lord of Mysteries, Xiao Ke was actually seen through. Hei Ye, Amon, the Creator and other people (gods) must be able to see through him, but in the book, they did not appear in the early stage. Whether it was for fun reasons or because of the logic of the plot in the book, the fact is that they did not appear. Secondly, in the name given by Moses, too few protagonists appear. In other words, in a non-group portrait book, there are too many chapters where the protagonist is out of the reader's field of vision. I am God and can do this, because that is a group portrait, but this book is not. Of course, this is just a minor flaw. In fact, I don't mind this writing at all, because the story is indeed beautiful. But please note that it is certainly possible to write the main character and the group portrait at the same time, but it is more difficult. Last question, I think the main line is not clear. In the first few chapters, or even more than ten chapters, I didn't know what the protagonist was going to do. I saw his prophecies, deductions, authority, and resurrection town. But what exactly is he going to do? Not so clear. Although the novel setting and excellent writing really attracted me, the problem still exists. Although there are so many problems, this book is still very powerful. It has a strong sense of religion. Yes, rather than saying it has an epic feel, it is more appropriate to say it has a religious feel. You said you were writing Homer's epic, but I think it looks like the Bible (laughing)

Ah, author, when you started writing the emotional line, the protagonist's behavior was very similar to suppressing Meloa's free will and forcing Meloa to choose him. This is probably what makes people feel unnatural.

This book was okay at first, but then it became more and more awkward and I couldn't stand it anymore. After thinking about it for a long time, I realized that it was because this book gave me the impression that it is a story about God and his believers, but there are no people in it. These believers are so dependent on God that it is hard to tell where their ego is. This kind of world is too depressing and too passive. The quality of the world depends entirely on what God is like, which is different from my understanding of salvation. I originally thought that salvation was about liberating the minds of the people inside. The protagonist is positioned as a guide and a leader. Under the guidance of the protagonist, the people inside change from obeying the words of God to having self-ownership, and can sincerely want to get better. Instead, the protagonist, as God, tells the people inside that the God you believe in is bad, but I am good, and you should believe in me. Then those people say, yes, because you are God, so we believe in you. In the end, because the protagonist is a good god, the whole world believes in the protagonist and listens to the protagonist's words, so the world is saved. I don't like this kind of story, it's impersonal.

1. Forgiveness is salvation. I learned one recently and I think it can be used as a reference. Zigong asked: "Is there anyone who can say something that can be carried out throughout his life?" Confucius said, "It's 'forgiveness'! Don't do to others what you don't want others to do to you." 2. As mentioned earlier, the future determines the past. When you see the past, you don't think about it. Corresponding to the subsequent plot, if the Yang or Yin version of the ancient scrolls is broken, there will only be results and no past. I was shocked at that time. I originally thought that the protagonist was an ordinary person who came to travel through time. Then I saw the protagonist talking to Luo Lun at the end, asking the world to do what they want! There is also Saint Venacana who died leaving all his silver blood behind. Through what the protagonist returns to history, he guides Venakana step by step. Because He loves, He does not force Him. When will you know, I am with you. "Just as she loves, and there is never a moment when she doesn't love." "There is never a moment when she is not with you." "Just as she loves, and there is never a moment when she doesn't love." "He loved me first. So I love, and there is never a moment when I don't love." So the Lord God has been the protagonist in three lives and three deaths? I originally thought that the seven generations of the family and the previous history were all the same god. But now it seems to me that it is actually the protagonist from beginning to end. They are all done by the protagonist, but it is just "I am a human first, then a god"_(: D)∠)_ Finally, as a digression, although this book has a strong sense of religion/sacredness/heavyness, it is still different from ordinary religious beliefs. It discusses the relationship between man and God, and I think many places are well explained. Also, killing pagans does not count as murder. The Blessed One finally repented. It can be seen that the author actually has a critical attitude towards this, and his words are very charming~ "Belief or disbelief is human freedom." "After that, we will save." "Salvation is the truth of heaven. Destiny is the truth of the world." "Let the people of the world be willing." "The Lord is not in the light, but the voice of the Lord is among all the people." "God's love will never leave, and will never be separated." ← I hope that my little excerpts can give some understanding and touch to this book. I really like Benedict's deathbed confession in Chapter 211! ! ! He was willing to be the most evil person to open the door and was tortured by his conscience day and night. Although he was sent to hell and tortured in the end, he also gave hope. The optimal solution! It was a pain for Benedict, a man of firm faith. "Evil will not be tortured by evil, only good will." Just listen to her say: "Demons will not be tortured by suffering, only humans will." "Do you want to suffer as a demon, or as a human?" The Lord asked him to regain his human identity. At this moment, he confessed his sins to the Lord as a human being. "It is not the body that will be saved, but your soul." "It is your faith, your righteousness, your unyielding conscience." "Benedict Aikmon, I promise you," His voice was gentle: "When the time comes, I will redeem your soul." There are 48 more chapters of why we believe! "... My dear friend, Bishop Kaloyan, also warned me that in all kinds of difficulties, only martyrdom can be achieved. Only in this way can we reach the kingdom of heaven." "You will also see how I offer the gods' sacred objects with both hands. Those devout believers cursed me... I deserved this situation now. Because I caused the sacred objects to fall into the hands of others. I was confused, maybe not before, but also now. But... I think, why did I believe in the Lord? And why did the Lord make me believe?" Christopher asked gently, not asking Chen Yin, nor himself, but in response to the questions he had heard, and to the questioning in the prayer. "When I was just a monk, I embarked on a pilgrimage with my mentor. 'You know, the Pope said that saving a heretic is not saving a person, and killing a heretic is not killing a person.' He said, 'There is no difference, my child, there is no difference. It is meaningless if only the body is on pilgrimage. ' I asked him what the meaning of pilgrimage is. He told me, The good things that people do are the Lord's kingdom So, salvation is the greatest meaning.

Western fantasy is in the doldrums, and the religious themes of Western fantasy are even more niche among niches. The author's writing style is not suitable for novice readers. The rhythm of "Shuangdian Dian" is different from other popular novels. It is suitable for physical books but not suitable for online novels. The characteristic of most online articles is that if the first few pictures and the following hundred chapters cannot keep raising the reader's excitement/interest, readers will be lost. The long description and reasoning process will dissuade more than 95% of readers. The main problem of the author at present is that the writing style is too good and the narrative rhythm is relatively poor, resulting in many readers not understanding the specific meaning the author wants to express; they can only see the epic feeling of Western Fantasy, but cannot understand the details of the ability system and factions. In addition, Western fantasy religion is destined to be a niche in the country. I am a reader who has written long mystery articles. I can patiently look for clues and deduce the story line, and I like this rhythm. But this does not mean that other readers can also have such patience and sufficient derivation ability. (To me, some parts of this work are on the edge of being intellectually subdued, but it is completely acceptable. It has surpassed most novels. The author does not need to pay too much attention to the details and logic. According to observation of other novels, a little bit of secondary is more attractive) I personally recommend that the author try to use more simple and easy-to-understand text descriptions and story plots in the next book to attract the public readers. Personal opinion

This book obviously has such a bizarre world view and excellent writing, but the most important reason for its unsatisfactory results is that the "Hell Copy" that deviated from the main plot for forty chapters from Chapter 94 to Chapter 134 has dissuaded quite a few people. Overly lengthy dungeon plots force the audience to be screened - this error is also seen in the masterpiece "Player's Justice" that I know of. As a work created at the same time as "Lord of Mystery", the setting and writing style are even slightly more mysterious than the work. It is only "qualified" and not a real masterpiece. One of the reasons is that it deviates from the main line for a long time, which leads to passive dissuasion of readers. This kind of copy plot, in which the "main characters", "general background" and "rendering atmosphere" are all replaced and changed, should not be too long, especially in the early stage of the work. The real super-long copy of "The Player's Justice" that replaced all three factors appeared in the later period when it was almost completed. Even this led to the loss of a large number of readers, which in turn led to the bleak ending of "The Secret" that everyone knows, but that "The Player" rarely hears about. Chapter 40... The protagonist (into the visual) has changed, the environment has changed, and the atmosphere has suddenly changed. This is equivalent to suddenly inserting a new book, inserting an advertisement that takes up 40 chapters in the previous work that has just written more than 90 chapters! Skip it, but it is really well written. I am afraid of missing some exciting plots, so don't skip it... But I want to see the real protagonist show up quickly, but it turns out that it is only forty chapters. It is such a test of mentality. Many people often fail to survive the test of these forty chapters, and most of them are stuck here and can't stand it anymore. Although I opened it every few days and wanted to continue reading, as soon as I opened it, I remembered the reading experience of the protagonist Xue Zang, so I glanced at it and quit 😂 This happened again and again. This is my opinion. In short, there is no doubt that this is a good work because the author has set a forty-chapter threshold for his readers, which led to this situation. It is not because of the plot and writing style. On the contrary, these three points are excellent. Without this flaw, this work should have exploded into the ranks of masterpieces, instead of being forced to open a new book.

I still hope the author can write about the harem. So far, the love line is not embarrassing. There is no need to change the route.