The Lord of Middle-earth

You use a tower shield when riding a horse, why don't you use a boiler? As long as you are at the starting point, many Shaobing writers can see it. He is also the first to write about Middle-earth. If he exaggerates, it may lead to physical disability.

The summoned person disobeyed the order? This is too funny

I looked at the names that came in, and the writing style, ugh ๑•́₃•̀๑

Author, this book is all about battles. Just a few years after conquering the Lonely Mountain, it was full of wars. Every year there was a war to destroy the country, and there were small-scale wars every month. Are the orcs all cockroaches? Tens of thousands died, was Sauron a madman? Don't you need development? Based on his attack frequency, how many troops does he have during the period of guarding the ring? In order to suppress the male protagonist and not give him any chance to develop, it is all a war. Aren't you tired? Aren't you afraid of everyone's aesthetic fatigue? It doesn't give you any chance to farm. A balance between war and development will look good. I'm really tired of seeing the frequency of wars.

Well, I can only say that it is unreasonable to pretend to be a story, including the original work. Orcs are so easy to make. They can be easily drawn to tens of thousands or hundreds of thousands. After a few months or a year, tens of thousands more people will be drawn out to fight with you. Just doing this war of attrition will consume the Guardian side to death. On the other hand, humans, dwarves, and elves are like holding in their farts. This one has two thousand and that four thousand. I can't figure out how the Guardian side survived from the Battle of the Five Armies to the Lord of the Rings. Since a population of more than 10,000 can support more than 5,000 troops, does it mean that food is very productive? Since the food production is high, shouldn't Rohan Gondor, which is relatively stable in Middle-earth, have a population explosion? How come two families managed to get tens of thousands of people together during the War of the Ring? According to this fertility setting, half-orcs have long ruled Middle Tula, because in a big war it may take decades for the guardian side to recover, especially the loss of mid-level combat power, while the half-orcs will recover in a year or two.

After reading dozens of limited editions, I think the author's plot is pretty good. But, I really can't stand the protagonist saying "I'm going to rub it, damn it, damn it" all day long... Who would be a serious person who would use foul language all day long? This kind of tone can probably persuade a bunch of people to retreat.

Seeing that there are two current problems, let's talk casually The first is the problem of shaping the protagonist. The key is not the suppression of force or the suppression of power, but the lack of spiritual will. The first point is that a leader with no belief and no sense of responsibility is more terrifying than no force and insufficient wisdom. The second point is that the normal reaction of a living person must be to really listen, see, and feel. I have never felt that this type of time travel would not have a sense of immersion, and I would feel that all the people under my control are NPCs. Human beings are social animals. As long as there are communication activities, they will immediately build a sense of social attributes. The protagonist can have an out-of-character personality, but cannot be insincere in words and deeds; he can be cunning and philistine, but he cannot have no bottom line; he can hesitate and wait and see in the face of other parties' battles, but he cannot comment on the sacrifice of justice. The current protagonist, facing social communication and external stimulation, does not have the reaction that a living person should have, so your protagonist is not "real". The author substitutes the image in your mind, not you wrote it. If you don't believe it, just read it yourself and use what you read to construct an imaginary image. The second is the problem of background embedding. The background of Middle-earth is grand enough for you to embed your story into it. Why do you need to make up a game worldview to put it in? Is dual worldview too outrageous? There can be two clues, one telling the story of Middle-earth and the other telling the restoration of the kingdom, but with more content and elements, given the current capabilities, there must be choices. For example, didn't the author realize that in the Battle of the Five Armies, he wanted to portray the fearless sacrifice of the infantry phalanx? He wasted a lot of pen and ink, and even moved himself to death, but the readers didn't buy it at all (see the comments)? The key is that you can't bring it in at all, because you want to tell the story of two worlds, but your preparation is not enough. Have you told the rise and fall of the kingdom? It has been told, but it is a large part of the background that is not clever enough; has the image of the victim been created? It seems that it has always been the background, and there is an impassioned scene when he is about to die. Where does the sense of character identification come from. As you might expect, many authors can write like this because they directly apply the settings from other IPs, without further explanation. Readers have their own knowledge, but you have made a history of the game world yourself.                                                                                                                                                                                                                                                                                                       <br I have always felt that writing a novel is different from writing a diary. I want to express the world, the story and the people in my mind to the readers on the other side of the book. What I try my best is to make you laugh and cry; what touches me is that I make them come alive in the novel; the last thing I should become is a villain living in a bottle of self-movement and self-comfort.

I stopped watching when I saw my subordinates disobeying orders. As a king, it doesn't matter what the order is, let alone the loyalty summoned by the system. However, I retreated and refused to listen. It's too poisonous.

It still looked good. Except for the main character, who felt like a loser, everything else was fine.

If the full text is free, you can be the author. If not, just shut up.