Cultivation Simulation: I Can Solidify Talents

The biggest problem with this book now is that the reality and the simulation content are reversed. The character in the simulation is the protagonist, and the one in reality is just a complainer. More than 80 chapters, but in reality it has only been going on for two days, which means there is almost no progress. There is no transformation or growth of the characters (and no room for growth). Looking at the content of the simulation in reverse, we kept digging holes, from the Hun Tianzhu at the beginning, to the Gray Sword Fox, to the reality now. There are also many plots that are repeated, and some are dispensable, but none of these holes are filled except why the fox appears. In the final analysis, the content of the simulation is implemented in the Five Elements Sect, and the line of immortality has not left this scope even if you become a powerful soul. There seems to be a lot of content, but in fact, except for the newly discovered truth that still needs to be scrutinized, nothing else has changed. The protagonist has been simulating for decades without solving a single puzzle. The protagonist's application of simulation in the real world is completely used as a great prophecy. He is desperately trying to find a perfect route to pass the level, but no matter which ending is reached, it will take at least 5 years to arrive. With his 6 simulations a day and the configuration of 6 talents, the content of his simulations should change every time. It is completely impossible to achieve the so-called fatal ending. The author's depiction of reality is the protagonist's various complaints, fears, and surprises. This feeling is like a beggar who has nothing, thinking all day long about how to be a powerful person in the shopping mall, making trouble in the political arena, and thinking about whether he will be persecuted every day. The sense of fragmentation is extremely severe. The content of the simulation does not coincide with reality. For example, the eight mandrills on the first night still appeared out of nowhere. This has fully proved that the content of the simulation is not an inevitable result. It can only tell you the locations of things that cannot move. Moreover, the character of the protagonist in the simulator is completely different from reality. Can the protagonist in reality follow the simulator 100%? What is the priority of this last book? Is simulation king? There is no need to describe the protagonist in reality too much, and the content of the simulation should not be limited to the concept of immortality and the Five Elements Sect. After all, the real meaning of simulation is to experience different lives. If reality is the master, the purpose of the simulator is to assist the protagonist in growing up. However, the entire book focuses on simulation content, and these contents are of minimal help to the protagonist. They just add a lot of troubles to the protagonist that cannot be solved at this stage. In reality, the protagonist's role is a narrator, explaining to the reader the meaning of the simulation and his thoughts. At this stage, the relationship between your characters is not complicated, and you can barely make sense by doing this. But how will you deal with it when the relationship between your characters becomes complicated later? In the middle of communicating with the saint, he suddenly got up and went back to the house to simulate? Or do you start complaining about simulated things in the middle of the fight? It's free now and you can still pass the time to check it out. Wouldn't it be a shame to spend money to see something like this once it's on the shelves? It took me 3 chapters to complete a simulation, half of which consisted of meaningless exclamations and known content…

The introduction attracted me, the comments put me off

No, is there no reward for being single, having a harem of three thousand people, experiencing the world of mortals, and becoming a father? Just capture the boy's body? If you are single later, give me a kick. I can't bear to simulate being single for ten thousand times. It's just like a person who is stuck in a blind spot of thinking. He must put a restriction on being single. The original simulation should be to diversify life and see more possibilities. Set up this kind of restriction for yourself and accept it.

It's the first time I've seen such water, a long-winded book, and a ball of footcloth.

The protagonist of Destiny is a bit expensive, and the rhythm is very tight all of a sudden. If you accidentally do it in reality, you have to find a way to deal with it in the simulator several times. And these problems are still accumulating. The current plot alone makes me a little tired. It is expected that the author will set the interval in increments, one hour, two hours, four hours, six hours, or 1248163264. So I plan to create a perfect and invincible start for the protagonist. Or it is relatively fixed to simulate once a month, which can lead to dual-line development. But when you are strong, the simulation can survive for a long time, and it is easy to lose money. Every time I die, I return to reality. I don't know how the author handles it. My personal preference is to accumulate a lot of talents through lower-level talents and then gradually increase the talent level. Of course, the destiny protagonist in this article will not choose it even if it is the highest level. Through the complementary talents and relative ability to predict the future, as well as the time traveler's cool operations, he embarks on a journey of cultivating immortality to seek good fortune and avoid evil. As for whether to be assimilated after cultivating as an immortal or whether to retain some characteristics of Blue Star, the relatively hidden characteristics are as interesting as Easter eggs. What I can imagine is to build some mausoleum caves and leave some opportunities. Make some small models and create some myths and stories and history through fantasy, just like a CD CV. Remember it by yourself, unless you die, no one will know. However, here is the opening of the protagonist who is destined to kill the protagonist. I don't know how the author reversed it, because the introduction shows that everyone wants to kill him, the low-strength ones dig holes for him for no reason, and the high-strength ones directly take action. The introduction seems to not distinguish between good guys and bad guys. At present, it seems that the people from the Five Elements Sect have not killed him. Is this considered a setback? The same goes for the villagers. The introduction said that no matter what level of strength people see, they will take a breath of air-conditioning and must not stay here.

Let me draw the conclusion first. This is a typical new book for a newcomer. It is full of all kinds of whimsical ideas and is not rigid in its formula, but it also has an obvious sense of immaturity. The writing, style, and rhythm all need to be improved. The author wants to describe a world in his heart, but he is unable to do so. First of all, let's clarify an easy misunderstanding, that is, the simulation of the protagonist is not just a simulation. Different from the usual simulations that open a different world, the protagonist's simulation can be said to be playing a simulation game, and it can also be said to be observing one's own future. The protagonist's achievements in the simulation are not illusions, but realistic strategies. Passing the simulation means that you can complete the game step by step until the end. From the perspective of the ancient rebirth flow, the protagonist can actually be reborn every two hours, but he can only remember the revolving door and the outline. Then, let's talk about the author's thinking. The protagonist is currently in a state where the attack is very strong, but the enemy is stronger. Let's talk about the plug-in first. This plug-in is ridiculously powerful. As I analyzed before, the protagonist's hangup is equivalent to one chance of rebirth plus one chance to brush talents every two hours. Talents can be superimposed infinitely. This hangup is actually quite outrageous. The end point of each simulation will become the starting point of the next simulation in the form of talent, which means that the early growth is exponential. Even if he was born into a poor family in an area with poor spiritual energy, it only takes a few days for the protagonist to develop his outrageous talents and embark on the road to immortality, all the way to the finale. As for the enemy, this is a very clever design. The protagonist starts in a mountain full of opportunities, and quickly develops a nb talent. If this trend continues, it seems that it will be completed before it is released. I originally thought this was a typical newcomer's failure, the stall was too big, and I tried to squeeze every benefit into the protagonist in the early stage, but in the end I couldn't hold it back and was forced to end it. Who knows the twists and turns, the author slowly unfolds the world view, most of the opportunities in a mountain are bait, and the entire world of cultivation is a big fish tank. It started against the wind, and the cheats were against the odds. The reading feeling suddenly came up. Speaking of this, the highlights of this book are already very clear, the grand world view, powerful enemies, incredible plug-ins, and opportunities to come back again and again. Okay, after talking about the highlights and flaws, the author is definitely a newbie, too young. First, the rhythm is not well controlled. When one or two people talk about water, they may be here to cause trouble. When a bunch of people talk about water, the author should reflect. Push the Deadwood Sword Fairy, and the progress bar will be like squeezing out toothpaste. It's not that you can't develop a plot or write multiple chapters for one plot, but the progress bar has barely moved after two chapters. How do you want readers to read your book? If it is too diluted, it will become a poisonous point. Readers can't help with the sense of rhythm. The most recommended is that the author reads his own book more often and then refers to the masters of the same genre. The second is the perspective of God. When the author conceived the idea, he probably knew how many pits were buried in the mountain, knew that the protagonist would be a good choice for the devil, but did not show his power for the time being, and knew that the sword must be pulled out, and there would be a threshold that would make it difficult to pass. But the readers don't know, and neither does the protagonist. The world in the author's mind, the world in the eyes of the reader, and the world in the eyes of the character are different! No matter how grand and perfect the world in your mind is, readers will see the few chapters you wrote. You need to consider the readers' reading experience and give the protagonist a reasonable (in his opinion) reason for the choice, so as not to make the protagonist lose his IQ. Finally, I want to complain about the author. You seem to have no sense of existence as an author. You don't post, you don't reply to book reviews, so I thought it was a book written by a studio at first. When I saw a single chapter, I was even shocked. However, in the following chapters, the path becomes more and more wild, and it no longer looks like a mass-produced template work.

It's really interesting to see the protagonist talk about his bottom line and determination in chapters after he chooses the ultimate demon. Anyway, I feel that from that time on, the protagonist has completely become a puppet of the system.

When exchanging book lists, the books I pinned to the top are all of the Peerless Immortals, which are amazing This one is very good, hahahaha I can't say enough

Problems with this book 1. The hang-up was too big and the author couldn't control it. The author thought it was outrageous once every hour, and then changed it to once every two hours, but it was still outrageous. The consequence of opening too much is inexplicable suppression, extremely limited orange talents, inexplicable death, which leads to useless water plots, repeated water words 2. The protagonist is stupid and greedy, obviously there is a simulator, choose some developmental talents and take some safe routes to ensure that you can be very comfortable. If you have to be greedy, I can accept the protagonist of Destiny, but choosing the devil is outrageous. The latest chapter also said that there must be a bottom line in life. Why do you want to choose the devil's path based on the bottom line? Ill?

I love reading this type of simulation novel, a variation of time and space novels, extremely exciting, with a short overview of the overall situation, and rich suspenseful adventures. High praise! It's a pity that there are too few, and there are only seven or eight books of the same type that can be read.