
Playing the Villain: The Heroine Hears My Thoughts from the Start
扮演反派:开局被女主偷听心声
- Status
- Completed
- Length
- 542k Words
- Genre
- Urban
- Subgenre
- Urban Superpowers
- Updated
- 4y ago
- Source
- Qidian
Synopsis
262Chapters
0Votes
2.4kRecs
69.1kFans
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In booklists 1
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Reader comments 16
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It's a bit disgusting, a hundred years have suddenly passed. Looking at the catalog, there is no introduction to the female lead. It feels like the author is feeding me
I have to say that what you wrote earlier is very good. If you keep the previous creative ideas, this book will still have success. But your sudden change of scene will probably leave a large number of people away, and your book is probably on the street because of your sudden change of scene. (Only my personal opinion)
Playing the role of a villain, only to find out that the clown is himself. He can hear other people's thoughts. It's quite unnatural, but the person who is heard will be miserable.
Don't always write about the protagonist's description or sexual intercourse with those women's body parts. It looks too obscene and vulgar. Once or twice is enough. Don't compare the body parts of a woman when you see her. It would be too silly to look at her. As if you have never seen the woman before. Use less descriptions like this. Just write more follow-up plots to be overheard by the heroine. Although the protagonist is to play a villain, his inner thoughts are not the villain, understand? The protagonist appears to be a villain who does all evil in the eyes of others, but those who can hear his voice know that he is acting, so it will not be too embarrassing to watch. Otherwise, if you are a villain on the outside but actually a loser on the inside, who the hell can handle this? You have already acted in 100 scripts. The protagonist must at least be more stable, right?
After changing the map, it feels like a different person is writing. . .
Chapter 51 begins to collapse. The good villain eavesdropping harem genre has been transformed into a completely different genre. The heroines you spent so much time portraying in the early stage are all gone. I can see that you still want to write stories about women chasing men, domineering female CEOs and little puppies, and portray a few heroines as some particularly powerful characters. After all, it has been 100 years, right? Then these female protagonists lick and love the male protagonist in various ways, but the male protagonist despises them in various ways. It would be unreasonable for you not to rush to the street. Best wishes!
A few thoughts Author, you are very talented, have a lot of fans, and are also very funny, but can you please stop asking for a hundred years? Later in the catalog, there is a setting of cultivation without time. I just looked at the early stage, and the four girls were gone before one was confiscated. How many chapters did you say you wanted to bring back? Where are the girls? It is indeed not easy for an author to write so well without an outline, but does it mean that it would be too easy to just pull it off for a hundred years? It was originally quite exciting to write off the original owner and stay in the script world, but suddenly it took a hundred years, and it was a classic that opened high and left low. I've never been an author, but I'm still looking forward to a normal plot. If the author has the conditions, he can start a new book and start reimagining it at the transition point, or even the system can directly help the protagonist complete the task without paying anything. Anyway, according to the settings, the protagonist's system has a much higher priority than the normal system. I'm not really looking forward to the new book, but can I write the existing stories well? There's really no comparison between the back and the front. High martial arts is like child's play. As long as you do a good job in urban superpowers, you will definitely get results. Of course, if the author himself doesn't like urban superpowers, then just pretend I didn't say so.
I quite like the protagonist's character, but I can't handle the actual transition. The rhythm was stretched like that of a dachshund. The four main female characters didn't know where they were stretched. The plot fell apart at once. Wow, it's so strange.
Suddenly it's 100 years later, I feel so disconnected
A hundred years later, I really can't stand this move at the speed of light.