All Heavens Are Shining Again

Why is it that while the Ming Dynasty is gone and the Song Dynasty is still there, the Song Dynasty can't do anything to any of them?

There's something wrong with it... The genre of martial arts has been developed since the end of the Five Directions, and the fun part of it is actually closely integrated with the plot arrangement. Generally speaking, it is to reach the top in the world of low martial arts by relying on golden fingers (or in the world of super martial arts masters or extraordinary talents and foresight). Then enter the world of Zhongwu. At this time, the protagonist is basically either first-rate or middle-class in Zhongwu. Anyway, he will never suffer a defeat, at least not a big one. Then he will have the foresight or a golden finger to exert his strength to reach the top of Zhongwu, and then the cycle repeats. Interspersed in the middle are several worlds with lower military power than the current ones to supplement the foundation downwards (human front load b). The author's first world now... To put it nicely, it is fresh and refined, it belongs to 😆

The Republic of China is indeed quite long. Maybe people like the main world more than the Republic of China. But I quite like it. I always feel that no matter whether you are a high martial artist or a low martial artist, your body and soul are completely different. But experiencing thoughts is indeed the greatest wealth. If he is a person like Li Desheng, he may not be able to step up to the sky and say a few words about romantic figures in the world of Xianxia. It depends on the present day.

Speaking of dragons and snakes, I can't help but think of the recent evolution of a genre of novels Starting from King Spare My Life and Gu Dao Changsheng, the revival of spiritual energy has received more feedback from readers, but if I have to say it, Shengxu and Galaxy Emperor have also mentioned similar concepts. Then after Shenji's point of view came out, I suddenly had an idea in my mind that there might be a genre called Wumo flow. It's not that there is no magic, but it's like there is no aura of heaven and earth. Then we rely solely on existing methods such as qigong, inner alchemy, meditation, and then add science and medicine, especially life science, to drive the evolution of life in the entire human society. I think this kind of work should be a rudimentary form of "Fighting the Mountains and Rivers", and the point is development. It stopped abruptly in Pei Tugou's "The Great Dao Ji". So far, I have not seen any works that can take this idea to the forefront. The Quan Zhenshan River broke through the boundaries between dragons and snakes, and blatantly allowed practitioners to use magical powers without involving spiritual energy. However, one thing is that the story is still in the other world. The work I envisioned for Wumoliu should be to integrate the spiritual energy recovery, and the major changes in the entire society as a highlight, just like the recovery of spiritual energy in Daoist Master Gu's body, and the scenes after facing the masses are very chewy. And this kind of recovery is more like the recovery of spiritual practice in the true sense, rather than the recovery of spiritual energy. Spiritual energy is given by God, and spiritual practice is the path that humans have taken on their own. I have to talk about it again and again. Compared with the imaginative and unconstrained movement of fists to control mountains and rivers, Dian Dao is much more step-by-step, and then dismantles the mysterious practice steps concretely step by step. After holding my breath for the emptiness brought by Hua Li and Hu Qiao's magical powers, I feel a little bit more Although Tao is not outstanding for its plot, it can actually be used as a kind of novel. It contains an encyclopedia of practice settings. You don't have to copy all of it. You can cut out a small section of it, exaggerate it, and make it spiritual. It will be a good fantasy novel and practice system idea. Daoji, as an original work similar to the Tenten Ryu, must have used the settings of other works. There are a group of seekers like Dragon Snake God in it, and the world's harshness for spiritual practice is not exaggerated. In addition, it also points to the exploration of the path forward for spiritual practice. In fact, I personally felt that his realistic modern world part, if written well, should have been able to create a new genre of work. Dragon Snake finally asked a question: "Is there still a road ahead?" Fist Zhen Shanhe answered: "Yes" Pointed and gave proof of the conjecture Xinghe showed the road to the end, the general scene But there is a lack of transition. I hope there can be a kind of work like this. When a group of seekers are confused and exploring the way forward, someone creates a spiritual path like a fist to conquer the mountains and rivers, and then popularizes it with an attitude of reaching the point. Finally, it fully shows the evolution of human beings at that time and the style of all living beings.

There are reasons why your book is not popular. First, the first world setting problem. The mixed martial arts world should be matched with the same kind of world. Even if you want to practice, it should be the dragon and snake system, not the Republic of China system. As a result, your book is weird and gives people the feeling of selling sheep over others. Second, the first world is too long. I understand your idea of writing well, but since you want to make money with this thing, don't violate it too much. According to the laws of the market, you must compromise when you need to compromise. Delete some irrelevant plots and write more compactly. There is nothing wrong with it; thirdly, you chase readers every day. Even if your first world is flawed, people will still read it. But you say in the book every day that it will not be long and you will have to finish the book after living on the subsistence allowance. Then I think nothing of it. If this is your idea, then I advise you to hurry up. If you say this, it means you are chasing readers.

The Republic of China was too long, at least more than two months. Zhu Tianliu should not stay in the same world for so long. Now Hong Kong Man is not Hong Kong Man, Zhu Tian is not Zhu Tian, ​​why are you so attached to the Republic of China?

If the author were to write a Hong Kong comic, what kind of martial arts would he arrange for the protagonist? It seems that the style will not follow the path of magnetic field rotation. The pinnacle of martial arts in Hong Kong comics is the Tathagata Palm of the Hun Tian Bao Jian, which is the martial arts of gods and demons in the setting of Jade Dynasty. Which one are you planning to arrange for the protagonist?

Not to mention watering. . . Writing about the Republic of China is destined not to become popular. . . . Because there were too many thunders in the Republic of China, we couldn't write about this, we couldn't write about that, history couldn't be changed, nothing could be changed. . . Just in time to hit the shelves. . It is destined to exhaust the enthusiasm of the fans at the beginning. I felt that the writing was very good at the beginning, and it was about the Republic of China. . I didn't see this book again until today when I was looking for books. I guess the author's enthusiasm for the subscription in the Republic of China has been exhausted.

There is too much water. People come to see the protagonist learn martial arts and then fight with movie characters, not to read Baidu Encyclopedia. When a character appears, the author can't wait to write all his life stories. There are even two or three chapters that introduce the legendary life of a certain master. You are writing an online article, not a biography?

I was deeply moved by the first world I saw recently. I really got a glimpse of some of the hardships and unity during the Anti-Japanese War. With such a world and such a protagonist, I can feel the author's inner world. I hope the author will continue to work hard and be different from those protagonists who are self-centered and plunder everywhere in the name of seeking truth, and the world is sorry for him. I hope it can become a starting point for going global, rectify the name of the novel, and rectify the name of the novel lovers!

See the latest chapter, make some suggestions, and join in the fun. First of all, the author writes well, the writing is very mature, and some information has been checked in detail, which shows that he has spent a lot of effort. However, after reading this volume on Wulin in the Late Qing Dynasty, I still feel that there are some problems, that is, a sense of fragmentation. The protagonists of the main world and the dungeon world are separated. What is the attraction brought by Zhu Tianwen and the Traveler? It is the change and the spark of collision brought by different elements. But when looking at the late Qing Dynasty volume, the protagonist seems to have completely forgotten the Quanzhen martial arts he learned in the main world, and just fell into Xingyiquan. This eliminates the pleasure of dimensionality reduction. Readers are brought into the protagonist, and the knowledge of the main world is the golden finger of the protagonist. Using advanced martial arts to reduce dimensionality and attack, and at the same time absorbing new knowledge to supplement the martial arts of the main world, this is one of the cool points. What is Shuangdian? It's called Shuangdian when others don't have it but I have it. To travel through the heavens, you must connect the main world and the copy. If you cannot travel, it is just a travel. Just like it's not fun to be great at games, it's more fun to be able to turn this greatness into practical benefits in real life, such as selling equipment for money, or gaining fame.

Seriously, the protagonist has done so much in Mingguo, so his mental temperament has changed, right? After going to the meeting, I don't believe that any of the protagonist's teachers can't see the change in the protagonist's temperament. According to the setting, even if the protagonist spends his whole life in the Republic of China, he will only have a short sleep in the main world. So much changed overnight. If the protagonist is in this situation, put it in the main world. People in the main world will definitely think that the protagonist has been swapped We don't think the protagonist can expose this matter lightly.

Now the protagonist seems to have traveled from modern times to the Republic of China. After returning to the main world, it is like not traveling through time. Is there any significance in writing about the Republic of China? Neither did it promote the development of the Republic of China through martial arts in the overworld, nor did it improve the protagonist's martial arts in the overworld through the martial arts learned in the Republic of China.

Hey, what a great start, it's dragging on like this

Let's wait and see again when we return to the main world. There's really nothing interesting about the Grandmaster 😅

After becoming the Martial God, it would be unsightly to write too finely. The end of Spring and Autumn Period and the Republic of China I think it is more suitable.

The author is great, but the plot is too slow, and the writing is too detailed. The writers and martial arts are well written, but they should be appropriately cut and condensed, and then integrated with the plot. Don't talk about a large theory in separate paragraphs. The story of Dragon and Snake is to integrate the theory into the progress of the plot, otherwise it will be too dry. There are two hundred chapters in another world, and there is no innate talent. When can I go to Dragon Snake, Yang Shen, Sha Tian, ​​Dou Po, Three Body, and Super God?

It's so confusing, I barely finished reading it, it's so confusing. The plot is okay. Although the author's writing power is limited and it looks laborious, it is still very interesting.

After reading so much, the protagonist keeps using the realm principles in other people's novels as a reference. Is it because the Taoist treasures in your main world are not enough for you, or the knowledge in the dungeon world is not enough for you, and you use things in other novels as golden rules?

Is the author also a fellow alchemist?

I won't write anymore, it's a waste of my gold coins.