Who's Using the If Telephone Booth?

To be honest, I was very interested when I read the title of the book, and my curiosity was completely aroused after reading the introduction. Then I clicked in and took a look... The scene where the protagonist who grew up in modern society sweetly calls "Mother" not only scared me to the point of quitting the novel, but also created a huge psychological shadow on this novel.

It gave me a sense of déjà vu with Martin. Martin Martin wakes up every morning

The idea is good, but unreasonable. There are a lot of confusions and contradictions.

It's really interesting. If it didn't break down, it would definitely be a masterpiece.

In the later stages of this book, it feels like the writer has changed. The current world is that the god of war comes home and finds his wife living in a mental hospital. He becomes a takeaway rider out of anger.

This idea is really wonderful. If it is well written, it will be a masterpiece, but if it is not well written, it will be a waste... I think this arrangement is very problematic. I think the normal arrangement is to change one major event at a time, rather than forcing changes once a month. The biggest shortcoming of this book is that there is no core gameplay and no core strategy targets. I am currently compiling a book, drawing on this idea, and getting a new identity every month. I compiled it while typing, and then directly set up a big boss for the protagonist. The protagonist at the beginning is a delivery boy, delivering food in a relatively remote place, and then being chased. Then the system appears, extracts the identity of the motorcycle champion and obtains the corresponding riding skills, and then asks you to chase him. Then he will be dragged to a crowded place, and then he will set a target to catch the murderer behind the scenes. During this period, he will participate in various competitions to show off his driving skills and defeat the city's best car god. Then there will be a second round of pursuit. For example, first let the "police" investigate him and impound the vehicle. The plot will further progress, and then he will get an identity, a fighting master or something. Finally, through each plot, the identity was revealed, and the murderer behind the scenes was found. Oh, it turned out that he was drunk and beat up a certain young master. In order to prevent the plot from being boring and demanding twists and turns, we set up a boss, which is more powerful, and finally kill him. When he is about to stand at the highest peak of power and glory, he will then unveil the system. Oh, it turns out that it is his uncle's grandfather's nephew's uncle's neighbor Lao Wang who is looking for an heir. The system is a biochip he ordered to develop, which can input knowledge and ability into people's brains. Everything that happens is to train him to grow. In fact, it's time to end here. I really couldn't bear to have an alien invasion and finally attack the universe. When I was about to unify the multiverse, I woke up from the dream and found that I was still the stinky loser delivering food. A beautiful girl with big waves charmingly shouted to him: "Little brother~, is this my takeaway?" … Yeah, it's easy to write two or three million like this! Even if it is forced to change for a while a month, it should be easy to write. The changes should be regular and the rules should be obvious. The protagonist should not be confused from beginning to end, nor should the jump be too big. The readers should be taken care of. Now there are warriors, now the Ice Age, now alien invasion... I think there is nothing wrong with the first warriors, mainly because of what they have gained. Let's analyze the changes first. There are only two general directions, one that is beneficial to the protagonist, and one that is detrimental to the protagonist. The changes are nothing more than these two! So! Go on, the logic is clear, right? In order to cope with this changing world, the protagonist must obtain equipment and strength from good ones! To cope with bad disasters, the protagonist must have a goal. What do you think of the goal? The most basic thing is to live, live forever? Anyway, there is only one good direction, gain strength? Protect the people you want to protect? Protect your girlfriend, protect your parents, or investigate the system, slap the enemy in the face, start a harem? Enjoy the family happiness of three thousand beauties in the harem? It's a very easy thing to decide. Right, while acquiring these things, you can also create some characters, conflicts, and tribulations... Use these things to express images and enhance the sense of immersion. You can also play some jokes if you are relaxed, martial arts master 🐴 protects the country, fights all over the world with one hand, Qiao Biluo, xxx, high-quality human

It was a good subject matter, but in the last two chapters I lost my character, the female protagonist was driven crazy, and the male protagonist is in such a big company, are the rank of major general and the strength of the grand master just for show? Are you going to work as a delivery boy and go fishing for just one sentence? Author, if you want to write about conspiracies, you must at least write at a certain level, not to mention how good it is. It's really not possible to forcefully reduce intelligence like this. This should be the longest review I have ever written. It's a good subject matter, but it's a pity.

Chapter 60 is too dramatic. As the helmsman of one of the world's largest corporations worth over a trillion dollars, there will definitely be an army dedicated to rescue the protagonist in such a crisis. But this is not the case now. The protagonist has no thought process at all and contributes technology from the future world for free. It is really too poisonous. Contributing technology is fine, but there must be a reason or thoughtfulness, such as rescuing the protagonist, and then the protagonist is moved to hand it over on his own initiative. The loopholes are so big that they are totally inconsistent with the logic of reality. Of course, if it's fun enough, it's okay to be illogical, but the problem is that it's not fun at all at this point, and it's also a bit frustrating. This is unbearable for bookworms.

I announce that the 100th chapter of this book has been completed. Later, the aliens replaced the author, and we could completely re-open a book "The Return of the Dragon King: The God of War": The God of War returned and found that his wife was imprisoned in a mental hospital. After giving an order, he also entered.

The Bug World was good to watch before, but it's ugly after The World. It's like a different author, and the author is stubborn. I seriously doubt that the author's logical thinking is completely different from the public's aesthetics. The further it goes, the more it deviates from the theme. First of all, the assets and identity obtained by the protagonist are completely useless. It looks like the return of the God of War. Since you don't have to work hard to get it, what's the point of writing it? Then you can be framed by others wherever you go, which I don't quite understand. And your cultivation seems to be of no use in modern times. Everyone can deal with you for a while, and then the author pretends that what I wrote is very reasonable. Most readers are stubborn and think that what they wrote is very reasonable, but they don't know that in the eyes of most people, it is very unreasonable.