My Summons Are Weird

After reading Chapter 185, I would like to express my opinion. The protagonist said that he is a summoner and can summon indescribable things, but in fact, he has summoned two actual ones so far. Then, in order to prevent the protagonist from being too strong, the author made a ridiculous setting that once the summons are summoned, the summoned object will be sealed by the world. What is even more ridiculous is that every time the protagonist is summoned, there are extra costs, such as sleeping for a certain amount of time within 7 days. At other times, when facing others, the protagonist relies on either talking or putting on airs, relying on various coincidences or the opponent's wit, or surprising the opponent by making a good meal. Those with weak magic power will often run out of magic power at critical moments in the battle and rely on others to save them, or their companions will explode after being seriously injured. It's basically like the annoying feeling in Japanese comics where the good-for-nothing male protagonist happens to have some powerful female protagonist fall in love with him for no apparent reason.

After reading chapter 144, I feel that the author is sometimes clumsy and a little confused, and sometimes he is very smart and cute (bushi🤣) This confused feeling started from chapter 84, in which a sixth-level female magician (first-level weak) appeared. , Tenth level strong), this female mage used to be a noble, but later gave up her identity as a noble and joined a corps composed entirely of civilians. In the later plot, this female mage commented that the nobles "like to extract the "truth" from one-sided knowledge". Then the boomerang started. The first time she saw the protagonist's tentacle monster entangled an adventurer in the wild. The female magician rushed directly to attack the tentacle monster, "rescued" the adventurer, and fled back to the city. Later, because her attack could not hurt the tentacle monster, and seeing the tentacle monster entangled the adventurer, she directly posted a sticker on the protagonist. With the labels of [Powerful] and [Not to be trifled with], the entire city mobilized its power. Worried about the protagonists attacking the city, she didn't even think about finding out what happened to the protagonists and the adventurer. In fact, the adventurer was poisoned at that time, and the tentacle monster was treating the adventurer However, this part of the plot can be understood as [people in this country are afraid of the strong]. It is funny to be arrogant and humble The second time was when the misunderstanding between the female magician and the protagonists was resolved, and she knew that the protagonists were not malicious and were even kind-hearted. After learning that the protagonists were going to the capital, she asked her subordinates to write a letter to the king. This may be a bit convoluted, but to put it simply, the female magician hopes that people in the capital who hate her will attack the protagonist. At this time, someone under her staff asked what if the protagonists were angry? The female magician's answer: Although I haven't tested his depth, I think they are at most a little stronger than me, and there are no means to control them in the capital. This plot is abstract. In the first part, because of the fear of the protagonists' strength, the city mobilized the power of the whole city to prevent the protagonists from harming others. Later, it concealed the protagonists' strength and hoped that others would attack the protagonists. You know, one of the responsibilities of the female magician's corps is to maintain the peace of the country, and the female magician is sure that she can solve the protagonists even though there is insufficient information. This [nobles like to extract the "truth" from one-sided knowledge] boomerang still hit the former noble lady. 🤣👉🤡 In fact, it can be seen that the author wanted to design the female magician to be "intelligent", but she just used too much force and turned it into "arrogant" and "cunning". I looked at it at the time, and there were 21 comments. Basically, they didn't like this character. In order to remedy the situation, the author used his amazing wisdom. First of all, after the female magician's letter was delivered to the capital, it was immediately thrown away by those who hated her. The author directly eliminated the possibility of a series of things that happened because of this letter. Later, the protagonist was arrested because someone wanted to catch a good person and take credit. At this time, the female magician took the protagonist out in a very humble manner. The author's treatment directly gave "face" and "living", so you can call it wisdom or not! This is the first time that the author is "a little confused" and "smart" The next chapter is Chapter 144. The plot of this part is that the protagonists found an ultra-long-distance magic circle and a diary left by a senior. The diary records the experience of the senior's travel after passing through the magic circle. After that, the protagonists came to a new place through the magic circle. The biological languages ​​here are different from the languages ​​known to the protagonists. At this time, the protagonists found the familiar words in this area. The words said that someone left some treasures here for future generations. At this time, the author was stupid again. The protagonists did not think that there might be things left by their predecessors who used the magic circle like them. Summary: ★★★☆☆ Interesting, but average; fun, but not much; smart, okay Oh, by the way, I saw someone talking about the protagonist, the Virgin, but the protagonist is not actually the Virgin. The protagonist is more like an ordinary person who can be kind intermittently. The author's portrayal of this part is very clever and the impression is better. For example, if the protagonist does a good deed, the author will describe it in a vivid and colorful way, and then start to use ambiguity when writing about whether it will promote the future better, so the author is very smart! (Except when you are stupid)

I found a treasure. It is a rare good article with a beginning and an end. The ending is just right and it is very healing for daily life. Due to financial strength, a small compensation of 1,500 points is required.

Give the protagonist "Lu Yu" and the summoned object "Piano". I saw the fate of the piano being unable to enter the summoning manual due to "rebellion". Let's look at the plot where the flesh-and-blood summons summoned by the abuser "devour" the summoner to maintain their own existence. I suddenly felt something. When the flesh and blood chariot was first summoned, at the cost of 7 days of experience, when the flesh and blood chariot in the spiritual world fed Lu Yu his flesh and blood, the protagonist could feel that it was "love". The protagonist can even feel "love" from "No. 1". Almost "destroying" the protagonist, the protagonist's attitude towards "No. 1" And "Piano" is so different. However, this is unfair to "Piano". "Piano" is actually the same as "No. 1", They just follow the instinct of the creator who designed them. The mental pollution of "No. 1" And the devouring of "Piano". "Piano" has been swallowing since he was born, and he is encouraged to swallow and become stronger. Even the music played is for "swallowing". The tragedy of the "piano" is that it can only "eat", otherwise it has no value, and even if it stops "eating" the body, it will not be able to continue to "exist". Such a sad fate. "Piano" may not not love the protagonist, but at the beginning of its design, it was taught only to "devour" after birth. All it can express is "devour", but it is considered betrayal by the protagonist. "Piano" never betrays the protagonist's design, does it? The sadness of being designed like this but being rejected. It saved the protagonist's life, that's indisputable. Although it almost "devours" the protagonist because it can only "devour" it. For the protagonist and for the summons, it won respect and glory, reversed the "impossible" battle situation, and saved the lives of the protagonist and his friends. However, he was ultimately abandoned and could not enjoy the respect, honor and the protagonist's love. This ending and design are too sad. Maybe there needs to be a reconciliation between the protagonist and the piano. Is the flesh-and-blood summon that is being abused the piano's unwillingness and pain? Only the creator of the piano can resolve this pain.

Points: Good-looking Disadvantages: Updated once a day, in the underworld

After reading more than a hundred chapters, The Goblin King is really vivid! I guess I will think of this king when I see the Goblin leader in the future.

There is no sense of immersion, and it feels completely incomparable to the previous book! How can I read this book? Why can't I read it? After reading the first fifty chapters, I thought about the previous plot and found that there was nothing in my mind! The protagonist's performance is a bit inconsistent! I always feel that the plot and description are a bit scattered! It's not as good as The Fifth Heavenly King at all. You can't see the delicate writing style in the previous book, and you can't see it in this one either! I can only say that I can't order all the large sizes for you!

Most of the necromancy techniques that appear now are about enslaving spirits and manipulating corpses. Is there any necromancy technique that is specifically designed to save and appease spirits, and then be proficient in one-handed summoning, so that the things summoned by the undead template will be strong, controllable, and perfect?

I have finished reading it. It is a very good novel, especially "Jobless Reincarnation". When I read this novel again, I have a strong sense of resonance. There are many similar world views. Although it does not have the most important thing in Jobless Reincarnation, the growth chain, it is still a very good novel. I just don't know why it is not so popular.

From which chapter do you have your own summoned beast?😰

Welcome to Seal's new book "The Great Immortal I Invited Has Cat Disease"

Summoned object: Aggregation of ▇▇▇▇ After he released the spell, the corpses on the battlefield gradually gathered together, forming a giant humanoid weird creature with four legs on the ground. The flesh and blood between the corpses did not fuse, but were attracted together like magnets. It can be clearly seen that each corpse seemed to be affected by an indescribable force, forcibly adsorbed and squeezed together instead of spliced ​​together. As the polymer moves, some corpses fall off the polymer, and then are absorbed back into the polymer like iron filings meeting a magnet. On the head of the polymer there is only a tissue that looks like a mouthpart, or it should be said to be an outline. The people present seemed to hear some strange sounds when the "mouthparts" opened and closed, mixed with the kind of white noise that occurs when the signal of old-fashioned TV is not good. Some said it was laughter, some said it was screaming, some said it was crying... But everyone said they heard it ▇▇▇▇▇▇▇. The enemy who was supposed to be running stopped and walked towards the aggregate, then turned into running, landing on all fours in a strange way. The enemy's face was full of fear and he kept crying for help, but to no avail he could only watch himself stick to the polymer, become a part of it and then die. As enemies "join" the aggregate becomes larger and larger, until all enemies become part of the aggregate. The aggregate, which had increased in size several times, slowly turned around and faced its own camp ▇▇▇▇▇▇▇▇▇▇▇▇▇▇▇▇. "What happened next?" The interrogator asked. The surviving soldier was trembling and gritting his teeth, shaking his head vigorously and looking at the interrogator with pleading eyes. The interrogators fell silent, and for a while the only sounds left in the interrogation room were the scraping of the surviving soldiers' teeth and the unclear white noise.

Seal raised his arms, and book friends came to this book from the previous book.

At present, I feel that the proportion and influence of the combat system is a bit light after reading more than 300 chapters in this book. Whether it is the ranks, magic, or summons in the book, various unknown martial arts and unknown magic martial arts, it cannot be said that there are few appearances, it can only be said that they are very vague, and there is always a feeling of being brushed off in one stroke. Lulutis is the most powerful "fire mage" currently (of course, although there are many magic factions in the setting, there is no clear distinction between the attributes or factions of the mage in the plot. All factions seem to be only divided into "summoning" and "non-summoning" magicians, and then medicine pharmacist, puppet master, warrior, craftsman, etc.), The only named magic is the "One-eyed Fire Giant", and the magic of the juxtaposed rabbit is only the "Hybrid Furnace", and the principle, effect, consumption, power, advancement, and interaction with other magic and items are unknown. It's like a completely isolated one-time setting, and there is no unique effect belonging to a certain magic/item/martial skill in combat, let alone combination effects and restraint chains. It can be seen that there is not much in-depth work on the power system. In this case, the plot enters the magic tide, and a major event such as "World Version Upgrade" Although the book is called Summons, in fact, there is no detailed setting and reasoning extension of the summoning genre. As the signature golden finger, the "strange summons" can actually be counted on one hand, and they always focus on appearance description rather than detailed description. The more serious question is, "Why can such a strange and powerful summon become the protagonist's exclusive golden finger?" It seems that as long as it has the gram element, it can be very IMBA, but the strange thing is that the author seems to be deliberately avoiding the gram element. There are the gram elements, but it doesn't seem to be there, and he has not really pulled one or two fragments and settings from the gram mythology. Regardless of whether it is the "Flesh Chariot", "Demon Devouring Tree" or "Piano", they cannot fundamentally explain why these summons are powerful but no one has summoned them before. "Flesh Chariot" - It's fine if there is no "Necromancer" in this world (the existence of necromancy is pitifully small). In the presence of necromancy, it is very unbelievable that there is no "magical creation composed of a large number of corpses". The power of the Flesh Chariot comes from "composition of flesh" or "devouring flesh"? No matter which one it is, in this case of deliberately breaking away from the elements of the Greek mythology, it is very unbelievable to set the flesh and blood chariot as a powerful summoning object that is unique in the history of summoning. Not to mention the "Devouring Tree", there are already puppets in the plot that "absorb magic", and "devouring magic" is an all-too-common element. Could it be that as long as it looks weird, it can have powerful skills? It would not be credible without the ancient bloodline blessing of the outer gods. The same goes for "Piano". These three summons all have an unreliable core logic - "As long as the appearance is ugly enough, the skills can be powerful enough." However, in a world where there is an "infection spirit", where a magician can turn himself into a "black mist tentacle monster", and where undead magic exists, there has never been a "ugly enough" summon. It is really unimaginable. Generally speaking, I feel that the whole world is too biased. The political life is very deep, but the power system is too shallow. Although there are genius mages in the setting and ninth-level magic that transcends the times, there is actually no influential magic left. The exploration of the summoning system is also too shallow. The most powerful summoned creature in the original world, the Dragon Slayer, is actually a reward from the world consciousness to the summoner who explores the summoning system. What kind of exploration is this? There is no summoner in the whole world who can imagine the flesh and blood chariot. This level is too pitiful (and the flesh and blood chariot can only kill the same gold-level goblins as it is now. Summoners are so miserable, how can there be people hunting summoners..., Killing a chicken with a sledgehammer). As for the most powerful "Summon No. 1" At present, although the description has always hinted that it is an "outer god", "Old One" and descendants, but without explicitly introducing the "Cthulhu Mythos" system and explaining that the summoned object has received direct influence from the Cthulhu God, no matter how many descriptions are given, it is at most a magical component with "similar appearance and skills", not to mention that the description of the summoning itself is not clearly written in the article. In fact, if you directly introduce the restraint system, and make it clear that the summoning description when summoning the protagonist directly leads to the old god of the restraint system, and this description of the bloodline and mythical power system cannot be deduced from the appearance and ability of the summoned object itself after the summoning is completed, this bug can be fixed, and the bug of "the protagonist's summoned object can also be summoned by others" can also be repaired. This will not lead to exclusive summons such as "imprinted summoned objects" and the overthrow of the summoning system. In fact, this kind of "describe and depict" summoning system has the possibility of digging deeper. For example, one of the biggest problems in existing summons is the unstable summoning-"the goods are not correct" (although there is this setting, the protagonist often avoids it without explanation... .), It can be completely solved by creating "the only anchor of the summoned object", such as "printing card" (yes, it is a card game), which has "description" and "drawing (card surface)" (it is a pity not to create cards), and the summoning system lacks clear "summoning cost" and "summoning". "Strength of summoning objects", all these problems can be solved through "Ink Cards", and even the Ink Card process has been thought out - "Combining the pharmacist and the alchemist, the summoner creates by submitting settings (success rate and cost to be improved) or spiritual communication to summon the temple's summoning object bubble (advanced summoning "The object is designed to be a hidden summon like a hidden profession, which cannot be found directly and requires special sacrifices/environmental conditions/recognition of summons, etc.) To print the card." After the card is printed successfully, you can pay the regular price to stabilize the summons, and you can even add some "unique cards" and the like. On this basis, there is not much room for expansion (summoning "field magic cards", who said summoning can only summon creatures? How about the concept of directly summoning formed magic or field environment or traps, or even directly summoning "attack, causing three points of damage"? Or, through a systematic set of summons to exceed the limitations of a single summon (such as a deck?)), There are too many card games that can be used for reference. And the completeness, depth, and watchability of the entire system have been qualitatively improved (refer to the video of Mizu no Tsukiji) Unfortunately, the article spoils the fact that the next version will remove the "description and depiction" summoning system. If we follow the traditional fantasy flow "summoning-contract" system, it will be too boring, and it is difficult to imagine the protagonist's exciting operations

The author's description of different races has no distinctive features at all. It's like people wearing cosplay costumes, goblins, dragons, and elves. I feel that they are no different from humans regardless of the settings. If you replace them with people from different regions, different camps, and different strengths, there will be no sense of disharmony at all. Instead, it looks a little weird now. 😵

The snow monster Nana Oba said banana felt that the stage girl was rag-washing, and the snow monster also felt that the rags of all races who resisted under the influence of infiltration were washed banana started an endless reincarnation, and the snow monster also started a reincarnation of immersion and reappearance banana killed all, and the snow monster was also very capable of fighting The two have never appeared together Q. E. D

The more I read, the more disappointed I became. I originally thought it was an excellent fantasy road novel. As a result, the further you go, the more you want to write about plots and struggles. The problem is that you didn't write it clearly before. The goblins are very childish, but it can still be read as a fairy tale. And I don't like to do subtraction, but I am not careful or my memory is not good enough, and the character's personality is in conflict. It directly leads to a strong sense of fragmentation when reading. Writing fantasy in Qidian is enough. I hope the author will change it in the future. I can see you become platinum one day.

I just caught up with the latest chapter, and it looks good. However, I have to say but, the author seems not to know how to write fun. The protagonist team wins every time, which is aggrieved. Take the part where the piano destroys the army, it seems very happy, but in fact, the Blue Water Alliance loses miserably and suffers huge losses. Even the body is used as a summoning material; Lulu casts a spell over the top and is forced to sleep; There is also the real Big Daddy No. 1. All the descriptions are talking about how awesome it is, but in the end, it shocked a pseudo-ninth level, or one-sixth avatar, and was banned as soon as he showed up. You know, it ended in an anticlimax. It was really disappointing. The powerful skills that the protagonist cannot use are really better than nothing. The same goes for fighting Kraken. Before the battle, I looked so relaxed, and Snow Monster also followed suit. I originally thought it was a crushing victory, but the actual performance was very embarrassing, ugh.

Let me tell you my opinion. I originally fell in love with interesting summons, but after seeing that the ones summoned in more than 200 chapters were always from the resistance type, I couldn't stand it anymore. The number one summon was still from the resistance type, and when the author described this paragraph, he wrote that the protagonist was looking forward to the arrival of the longed-for god. The first time I watched the summoning of the protagonist, it was like fighting for my life. It was very exciting when I first summoned it, but it was boring afterward. I couldn't feel the sense of accomplishment after being the protagonist, leaving only emptiness. It was completely different from my expectations for the summoning. The author described the supporting characters quite well, and I felt comfortable watching it. The description of the Goblin King was bright in my eyes, but when the summoning suddenly changed, it made me feel uncomfortable. So, I saw this

... Everyday articles slowly turned into frustrated articles. Although this was the trend at the beginning, it was really frustrating. There is not a single paragraph in the summoning text about summoning that exists. The suppression is also very powerful, it all depends on the author and nothing else.

Why! Look what I found, Shirakami Haruka, Steel Leopard, Harem Bastard, Dog

Humanoid Monster·Glutton😏

To be honest, I wanted to eat dog food and the greedy heroine came in to read a book with a strange body. However, the heroine was in an indescribable state for a long time in the early stage, and the hero did not dare to develop further. Later, she did not turn into a tentacle girl and cling to the hero's body😫. My personal xp was not satisfied at all😩, and it was very empty. That's it, I can only say that the author's writing is very good😚, come on, I'll give you the monthly ticket, and I'll see you again.

I found a girl with animal ears and invaded and deleted it.

The pace of this book is very good from the beginning to the end, but I can't stand the ending, because at the end I am not interested in the story of the protagonist's descendants. I still prefer the story of the protagonist. In summary, except for the ending, I think this book is a masterpiece. I love so much. In addition, I hope that the next new book can give the protagonist's abilities more flexibility 🙂

To be honest, I don't understand why I have to write the lily plot about Sera liking Lulu. I could just write that they are friends.

This is an underrated book. Thank you to the author for this journey. I enjoyed it very much. Already rewarded

The smell of the two-spined ape is so strong that it almost drowns me. 😥

It feels like a pretty good book, how could it not be a top-quality book?

Fully ordered. It's a good book. The concept is also very clever and the plot is very attractive. However, the combat power is a bit confusing. Maybe it's because I haven't adapted to the high-level combat power system of Xianxia for a while. I personally don't like group portraits because there are too many routes and I don't have enough brain power. This book handles every timeline and story point very well, and every character is memorable The following is a small reason why it is difficult for me to read the full text. I hope everyone can laugh it off If Charem in the story is willing to change a little for Royer or do something for him, then the ending of Charem and Royer may change. I have always thought that they are actually the most suitable partners for another happy ending after Vanessa and Sayer meet and fall in love. Unfortunately, there is no if. The article does describe the reason why Roye missed it and the emotional journey of regretting it in the end, but the relationship should be the mutual understanding and support of Bass and Lulu, rather than a single understanding and companionship. The author did handle Roye's emotional line in a complete and logical way, but maybe I I'm a bit paranoid, hoping to see a happy story ending for everyone, so after reading Chapter 429, I searched for the keywords of Sharem and Royer and read all the relevant chapters. However, both parties still missed it in the end. After all, Sharem's beauty and innocence do not belong to Royer. I understand. The journey should be over. Although Royer is not the protagonist, he is actually like most people. He used to be passionate, righteous, simple, and easily influenced by others. He always held Charem's hand to accompany her and cherished her during the journey, allowing her to maintain the innocence and beauty of a child. However, when Royer was confused and paranoid, he let go of his hand. I choked up several times and looked around, alone. I realized that I only saw myself in him...