I Scared Off Guan Yu and Zhang Fei and Captured Liu Bei Alive from the Start

At that time, Zhuge Liang came up with the idea, the man was redeemed by Cao Cao, Sun Quan lent him the money, Dong Zhuo carried the bag of sweet potatoes, Lu Bu drove the car, Yuan Shaodang translated the dialect, Pang Tong read the map, Xiaohan Xiandi was responsible for being cute, Diao Chan brewed wolfberry tea for the farmer, and finally he was released because of Sima Yi's face.

It was at the end of the 20th century that Liu, Guan, and Zhang were stealing melons from a melon shed. Unexpectedly, they were seen by the owner of the melon. They fought against the three of them with overwhelming force. Seeing the enemy in front of them, Guan and Zhang were so brave that they fled in panic. Liu Bei was actually captured here alive. The next day, the Shu army brought ten thousand gold to redeem the owner.

Volume 2 Chapter 49, more than four million yuan, just given away. The protagonist is awesome🐮. It's just no brainer. You see my blood pressure is high, what do you think now? In the 1990s, surgery in China cost hundreds of thousands or even millions? Really enlightening.

Induced by the title of the book. I thought it was just a joke, but it turned out to be the crew filming

Giving away more than 4 million yuan in 1992... This is really unacceptable. But in 1992, the proportion of households with 10,000 yuan was very low, not to mention that more than 4 million yuan could buy dozens of courtyard houses...

If you see Wang Jinsong, let's talk briefly. 1. There are two of Wang Jinsong. The one you wrote is obviously the one who is currently the vice president of Nortel, but you insist that it is the one who plays Tazhai Dongshu. I pointed it out to you, but the author did not change it. I don't know what happened. 2. I can't afford the trouble with typesetting, one sentence per sentence. Although concise typesetting is the current trend, one sentence to a paragraph, or even one or two words to a paragraph, is too annoying. I don't know what others think, but I look too awkward. 3. It feels a bit like a running account, and I often write in a wild and unconstrained way. My thinking is too divergent. 4. The characters in the book are all play names. At first I thought they were history. The author's idea is that these people are not famous, and it is easy for readers to recognize them if you write the title of the play, but it is not necessary. You can add the name of the play when writing the person's name, for example: Tang Guoqiang (Zhuge Liang). Anyway, the free chapters are free. 5. I don't know what the author thinks, but Pig's Feet refused to study in order to join the crew. If you are a family whose grandfather and father are both soldiers, I think this behavior of Pig's Feet should not be allowed, right? Even if you want to take this path, you have to graduate from high school first, right? Zhuji joined the crew at the age of 14. He must have not graduated from junior high school and did not study with the crew. I don't know how to evaluate a pig's trotter who has not graduated from junior high school. The key is that he cannot afford to read. This gives people a feeling of low culture. Even if you are very good, you cannot deny the fact that you did not graduate from junior high school. Say whatever you want. If the author can accept it, then accept it. If not, forget it.

The author doesn't mind if I make some personal suggestions. I have read so many entertainment articles, and here are some personal opinions. First, I seek perfection, and always hope that the best will be given to the protagonist. He is singing, writing books, acting, and directing. He has to occupy everything. There are too many perfect characters, and now he wants to make a debut as a capital, which makes people feel too messy. To be honest, I would rather read urban business war novels when reading about shopping malls, so why bother reading this. It's important to grasp the focus. Some of them just add a halo to the protagonist, so there's no need to spend too much time on them. The second is the relationship between men and women. Stallion stories, harem stories, and single female protagonists are all the author's own choices. There is nothing wrong with them. After all, the situation in the entertainment industry and the readers' thoughts (of course, when it comes to driving), all have their own merits. But at least please don't mess around while you are still wearing that military uniform. On the one hand, your age is here, and on the other hand, when people talk about you, they only talk about how good you are as a soldier, which somewhat loses your image as a soldier. The third is the positioning of the protagonist. Think about Pretty Boy Qing and Boss Xu. There are always choices and positions in life. If you want to excel, you must have your own positioning direction. The fourth is age. If you are too young, you will really make a show. Think about what Han Han and Guo Xiaosi were said when they were directors? In the final analysis, everything is serving the protagonist. Don't be too eager to portray the protagonist as a great director at an early stage. Do you think the audience will believe an 18-year-old Golden Horse Award-winning director or a 20-year-old Oscar-winning director? Novels also need to be logical. At least try to accumulate connections and experience, and enrich the protagonist's development from the side.

Now you can't even write a description without some basis? A grown man calls a Yun girl on the left and a Yun girl on the right, and it appears five or six times in less than half a chapter. It's disgusting.

I can't understand what the writing is.

You, one sentence. It's just a paragraph. Who taught it?