Start with the Golem

I haven't watched it yet. Is this cut? (¨̮)

The world view in the book is a mysterious and extraordinary world. A simple golem contract has too many extraordinary abilities and items that can be changed. For example, Goethe's golem Monotto, whose divine attachment comes from the order path of the righteous god, may have been a high-sequence justice before being contaminated, and the extraordinary abilities in the low-sequence period have already been changed and reversed. And he is the first demon doll to appear, and he is also the first clear sequence ability to appear in the whole book. Why is he the first to appear? I really hope everyone can understand my hint, but because my hint is not good enough, I can only make it clear: There is a possibility that the positions of both parties in the devil contract will be changed or reversed. As long as there is enough strength, it will happen. But Goethe's golems will not, because Goethe has the soul fragments of the golems and has pollution control. These are multiple insurances that Letitia does not have, and the original text has detailed hints. Also. The golem's golem is not your own golem. A golem cannot harm its owner, but can its own golems do so? Definitely. This is a storyline that is included in the outline and will definitely happen once or many times. I think the process will be very interesting. Finally, there is the issue of Goethe's dog-licking. I can only say that the readers who came to this conclusion must not have looked carefully. Goethe was naturally hostile to the Orthodox Church. Goethe tried his best to hide his divine affiliation, had a strong hostility towards Leticia, and was afraid of being discovered and then strangled in the growth stage. These descriptions appear many times in the article. How to lick in this situation is beyond the author's imagination. Goethe also never had the idea of ​​​​wanting Leticia to live a better life, treat Leticia to eat well, or buy things for Letitia. The above is my point of view. Please stop arguing. The author has been reading books for many years. Small poisonous points need your correction, but particularly big poisonous points should be controllable.

Let me make a suggestion to the author. The book is still decided by the author. Don't pay too much attention to the readers' feelings. Otherwise, there will always be conflicting suggestions from readers. For example, some want a female protagonist and some want no female protagonist. All this should be controlled by the author. My suggestion is that the author should grasp what kind of story he wants to write and what needs the author himself has. Whether he wants more monthly tickets or simply writes a good story. If you want to tell this story well in terms of story subject matter. The author wants to describe what is undoubtedly a strange world. Then the protagonist is set to be the enemy of the Twelve Gods, so the identity of the protagonist is destined not to be revealed until he has strength, so this book can only have no heroine or at most one heroine, and the plot about female characters needs to be cut down a lot because I feel that the author is not suitable for portraying female characters. After all, he is a new author. I have no interest in the author's current plot. The portrayal of female characters feels like a vase, has no characteristics of its own, and has no meaning in advancing the plot. It's just a leather character. It can be used to cover any character. This is undoubtedly a very serious matter. If the author wants to write this story well then it is necessary to cut back a lot of the plot about these female characters, and the excessive vases are just decorations. There is also the issue of Ophelia. The protagonist described by the author believes in Ophelia so much that he even wants to introduce her to the Future. First of all, the protagonist does not know Ophelia's exact identity, and the second protagonist cannot determine how sensitive Ophelia is to the protagonist's identity. If the protagonist wants to keep his secret, then he can only use Ophelia. Because the protagonist doesn't know what's behind Ophelia? Could he be the descendant of a powerful figure? Of course, this is a suggestion for the author who wants to write a story, but a good story does not necessarily have to be popular, and there is a chance of it in Puzhai. Another suggestion is to allow the author to temporarily increase the monthly ticket, etc. It is a mindless white novel, surrounded by a harem, the more the better. Collecting every one you see will undoubtedly improve the performance of the book. However, this approach undoubtedly overdraws the potential and upper limit of the book, and cannot hone the author's writing ability, which is equivalent to a waste of this subject matter. These two suggestions are my suggestions for the author. The author can weigh them himself, but the author must have an outline. Following too many readers' suggestions will undoubtedly ruin a story.

Please give me your advice on the shortcomings of the new book. The author would like to thank everyone here, bang bang bang!

I don't understand why some people always think that it's better to have no heroine. They always use the danger of the world as a reason. The author can write whatever he wants. If the world is dangerous and people are precarious, they won't find women. Then people in places like Afghanistan will probably be extinct ()

After reading the thoughts posted by the author, let me share some of my opinions Judging from the information sent by the author before, the second volume should have been deleted. Regardless of your previous assumptions, my personal opinion is that the current second volume is a complete failure. This trip to the Western Continent has made Goethe more A bunch of extraordinary items and a girl golem may have been a foreshadowing of the journey to the abyss, but in general Goethe did not have much ability or a leap in understanding of the world. The golem contract on his body was still there, so he still had to go back to Letitia and find a way to make up for his disappearance for half a year. Chapter 81 The essence of the golem contract is the best in this book in my opinion. It reveals part of the setting through Leticia's past and throws out a very potential plot idea. Goethe can completely use Leticia's conjecture (of course, this must be known to Goethe first) and then make it into a purpose that is partially in contact with the restrictions of the golem contract (referring to the list) Tissia subjectively restrains Goethe less) The entire first half of Holy Moon is well written, and the atmosphere is well set off. She and the Zhengshen Church mutually confirm information to promote the plot. Of course, the contact method is too rough and exposes too much information. The ending is also a bit inexplicable. It feels like it ends suddenly I don't understand why the author Why should we design a plot for the Western Continent? It is clear that Leticia's transfer is to change the map. We can use this opportunity to expand our power and improve our strength. As a result... Also, let's make a point-to-point transmission of items. Going out and taking a boat every time seriously restricts the flexibility of the plot. The highlight of this setting of multiple identities of the male protagonist is that there are many protagonists with different identities. You can operate online or become a master of time management, such as teleporting to the capital to play with Ophelia. You can go out for more than ten days at a time to have fun The three girls in the early stage are very good, and their characters are quite distinctive. You can write more, of course, don't rush it. There is still an audience for many female protagonists at the beginning, but it's hard to say specifically about this book

I hope that these female characters who appear will be partners, not harems

I read the introduction in one go and it was more to my taste. Since I personally don't know the public's taste, I will just give my personal opinion. It doesn't feel like there's much of a problem, the main thing is that it heats up too slowly. It would be good if you are a great author or an author with a fan base, otherwise it would be difficult to achieve satisfactory results in this era of fast-food reading. The shelf is too big, the protagonists are all still at Sequence 9, and the world view has not yet been developed. I pessimistically think that in the future, I will either start to use rockets to upgrade, or it will continue to be slow until I cut the book. Although I don't like to read fast food articles that only have imagination and gimmicks, I feel that the market now values creativity more than story. If you can't retain people in the front, it will be difficult to write. It is the privilege of a master to slowly lay the groundwork (but I didn't expect that mystery could be so popular, Tokiya Fate?) The climax of the plot design is too great Although I just finished reading it, the only climax plots that I can immediately remember are Blood Moon Ceremony, Pirate Island, and the latest beach battle. Apart from the Blood Moon, the other two are just more complicated combat adventures and don't have very high climaxes. As a result, the whole book feels like clearing out the minions and occasionally beating elite monsters. The same goes for the sailing part. Now I have found that the ship, the moon, and the upgrade can all be arranged as small plots. Except for the cursed quagmire part and some foreshadowing, the entire sailing part can actually be simplified and the climax part can be condensed to improve the rhythm. As for the fun point, I think the core lies in using gold fingers to create a contrasting feeling of eating a tiger (so the biggest fun point in this book so far is probably the drawing of cards). But so far, higher combat power (level 5 and above) has not appeared much (the heroine Tai Xianyu has never made a move, and Blood Moon is only a background boss, and there is only one in the latest part). There is neither the pleasure of leapfrogging monsters and showing off in front of others, nor the ability to quickly upgrade by picking up corpses, nor the ability to expand the world view through high-end combat power, and there is not even a chance to show readers the special effects of fighting. The entire plot hints at a bunch of righteous gods and abyss, but in fact it is just farming elite monsters. The author restrained cheats for the sake of rationality, and it was indeed very reasonable for the protagonist to control the risks and develop slowly. There were not even a few incidents of intrusion. However, although it was reasonable, it was not interesting. I just wanted to see the protagonist meet the boss in three days and enter the secret realm in five days, and then bomb the opponent to the scum! (Violent words) As for why they didn't continue to recruit people, the explanation in the book is that there are no resources for upgrading. But the medicine is hard to buy, there is no shortage of money, and there are no maintenance fees. I think it's because it's difficult to write too many characters. I also think that instead of writing too many characters, it's good to do it this way, but it's still unreasonable logically, and it also inhibits Goldfinger and Cool Point. The female characters have nothing to say, please increase your efforts gkd. I don't want to watch the voyage, I want to watch the girl's mouth! Because I read it in one sitting, I actually found it quite good. Let's take a look at the reading experience after reading it.

I felt that the skirts the author was looking for were not gorgeous enough, so I found a bunch (all the products I found were infringed and deleted)

It's so ridiculous, you can see beautiful women when you travel through time! Obviously those women said they made a mistake, but then they left the pig's feet behind with a lot of confusing reasons, so they just wrote the pig's feet as a lion in a witch's body!

I want to have a casual and refreshing meal together, I hope my good friends can support me with some recommendation votes in the early stages😭 But I don't know which type would be better. Science fiction or fairy tale, I don't know the trend of our starting point recently. We have prepared a cyberpunk and a variant infinite flow, as well as a terrifying fairy tale. How should we choose? I don't seem to have any operating funds. I just hope you can give me some friendly advice. We have been together for such a long time and we are all good brothers. 😝

The writing is okay, but it is very uncomfortable when the protagonist is a golem. He is controlled by others no matter what, which is a completely redundant failure. The identity of the golem is not necessary, and being sheltered is not necessary. There are many ways to hide, and you may not be able to find it if you hide. There are also many weaknesses and restrictions. Abandon books

I took a rough look and what you wrote is a Western sequential power system with a little bit of mystery. There are many such works, right? Is the bishop of a high-risk world church area like Big Brother a fool? The article said that demon dolls are often refined, but now there is a demon doll that does not even cover up with any personal consciousness, but no serious attention is paid to it? There is still a powerful bishop who can detect the devil from such a short distance? Are there any other changes to the series upgrade? When dealing with that explorer, will the explorer only use extraordinary items and the personal sequence power system? Is this an out-of-control and powerful supernatural thing discovered by the church? And what is the energy that activates the sequence? Or what is the energy that activates the golem's talent? Also, what is the difference between a monster like the protagonist and an ordinary or advanced one? Just talent? With the name of a god, there is at least a difference in body and spirit. It can only be said that the story is written under the guise of a noble nobleman, with the effect of fighting spirit turning into a horse. However, the author has a good idea and only hopes to write based on the world view. Personally, if there is a problem, just treat it as fart.

Is this a common problem among novice authors? Why do you always like to follow a group of readers? Since you have achieved results, you must have written well. Otherwise, why are so many people reading it? And no matter which novel it is, there must be people criticizing it. People who don't give much reward are just stupid. How many people read a novel they didn't like and then came back to read it a second time? Finally, when there was a problem with this book, your grandma actually said that she would write cool stories in two places without changing her account. She said it directly in the book club circle, even if she said it in her own book club group (●°u°●)​ "Isn't it obvious that you are going to mess up? Isn't this just the behavior of a fool?

Keep writing on your own and don't be too influenced by outside influences! Do you listen to readers for everything or is it your own novel? Take control of the poison yourself! It doesn't matter whether it's a harem, a stallion, or no heroine, but! Please, don't be a bitch! I just saw the third one and it was okay, but it turned out to be a monster with a weird flesh body 😥 I thought it was like a clockwork monster.

As long as it's cute

Come on (ง •̀_•́)ง

The book is very interesting, the setting is interesting and comprehensive, and the author's writing style is also very nice, but it's a pity that he seems to be a eunuch 😭

So you saved for 4 months?

There must be at least a few heroines, right? A drama without emotions is too dry, but the author had better set his own outline and not be influenced by others. Otherwise, the book review section will be a harem one moment, then there will be no heroine, and the next time it will ask for a single heroine. Who should you listen to? 🙂

The first deacon in this book should not be commemorated🤭