I Painted Faces at the Cemetery for Fifteen Years

After reading the first two chapters, I found a big loophole. Please solve it! The plot is that the protagonist killed the third son of an enemy of a prince and aristocrat. It took him three days and three nights to draw his bones and veins! Excuse me: First, killing the son of the overlord of the identity side, the protagonist did not change positions in these three days and nights, is it so wasteful? Is this the proper behavior after traveling through time and being wiped out by others later? Secondly, the princes and nobles have been coming to the protagonist for five consecutive years. It's impossible that the people around him or the guards don't know about it, right? After being missing for three days and three nights, no one wants to come to the protagonist to confirm the situation? Thirdly, this is an extraordinary world. Not to mention that this young man is so weak, but he doesn't even have a guard around him! Not even something to save your life? So when the protagonist's family was still there, the protagonist went out to travel and was followed by hundreds of guards, which was very impressive! Then creating an enemy with the same or even higher status than the protagonist before, and then delivering food alone... Is this reasonable?

Gradually, readers of Pastries are getting tired of reading. The Demon Emperor is considered the best writer. I forgot about the eunuch and the son-in-law in the middle. I haven't read much of it. Until now, I haven't read much of the cemetery. It's all the same. It means constant reversal, dangers everywhere, the hand of God, expanding the map, the villain surrendering, everyone around him is a lurking boss, and the protagonist's bloodline is a thief. . . .

It's a fantasy, great power comes into one body, why should you consider a thief as your father? It's a plot in the court, everything is better than wisdom, why bother to paint the skin for fifteen years in the cemetery! The grandeur of the Wuxian Dynasty, the passion for hegemony, and the wonder of fantasy. It's very boring to read,

I got it from Daily Detox. What do you think of this book? 😏

I was confused at the beginning and looked confused.

To be honest, it's a bit poisonous. The protagonist extracted the memory of the enemy's son and perfectly disguised himself as the enemy's son. His family treated him well and even called him good. Just continue to pretend that you want to take over the enemy's power, and the good name makes him miserable. I just want to ask, if you step towards the peak of your life in that environment, will you really kill your enemies in the future? Even if you get revenge, will you really feel happy? He is obviously extremely talented, so why don't he use other means to get revenge without any burden in his heart? The author also describes the enemy's family extensively, so that readers do not feel hatred towards him, and even have some fans. How will he take revenge in the future?

I feel bad when I see it now. I want to see the protagonist die and let King Mi be the protagonist. So far, you have done a good job of portraying King Mi. Others don't know who he is and are nothing.

The biggest problem with pastry novels is that the protagonist is always a useless piece of trash.

Why didn't I come to the comment section to read it in advance? The beginning of the book was okay, and I felt that both the villains and the decent ones had brains. But after more than 200 chapters, I kept getting slapped in the face repeatedly, and then I finally found out that the enemies were all my relatives. It was so disgusting. Not happy without vomiting

Among the masters, this kind of writing is really unsatisfactory. The ideas and creativity are good, but there is no matching writing power. Generally speaking, you can take a look and give up if you feel you are no longer poisoned by the writing.