The Eerie Card Engraver

Why does this cover look like a razor?

In fact, I have never understood why the protagonist only makes one card for each idea? Take the first drowned baby card. The protagonist just made a fantasy card. Why didn't he make a summoning drowned baby card? The drowning ability can also be used as an attack card, the drowning baby's waterweed entanglement can also be used to create a control card, and I think the drowning baby's nursery rhyme can also be used as an interference card... It's all about making money, why not maximize profits?

First of all, let me put a 🐶 here. The work has great potential. I feel very good when looking at it, but I think the author can write better The latest chapter at the time of comment is 77 chapters It is suspected of being a spoiler. It is recommended to click in after reading the novel Then, my thoughts on reading, because of the card theme, I am not allowed to pull out the eternal god "Katu" for comparison. First, the protagonist. In terms of character, the protagonist is far less diligent and focused than Chen Mu (the protagonist of Katu). He fishes for fish at work, relies on plug-ins for work (although it is forced by his uncle), eats the soft rice of his brothers and sisters after get off work, and refuses to acknowledge the consequences after eating. The protagonist's current success is largely based on plug-ins. It feels like a skilled assembly line worker using the old factory's process to be the designer of a new factory. Since the introduction of plug-ins, what has the protagonist designed independently? The second is the plot. The main line should be the Book of the Earth and the Secret Realm of Nightmares. The early driving force comes from the uncle, with card making interspersed in the middle.                                                                                                                                 Mother Goose is very dense. Chapter 12 says that you have to go into the secret realm to rescue your uncle. What about your preparations, what about combat training, are you just waiting for the plug-in to unlock the one-click enemy-killing function? Even if your cousin is seriously ill (Chapter 56) and needs a source of money, this will not stop you from using your fishing time to understand (inject water) combat cards. After all, if combat training is of little significance, how can the card master be separated from the card maker? I don't quite understand whether you want to break up the emotional line or bury it. It was broken in Chapter 12, but it is very close later The third is the world view, there are few cards, the scope of application is narrow, and it does not have the feeling of card technology. It is recommended to use more cards to supplement the world view Also, it is not shameful to modify and optimize a card. You don't know how many generations 59 has been changed. In addition, learning from Yu-Gi-Oh and giving old cards, new vests, and new packages can enrich the number of cards, and can also create a brand with linked effects. It also reflects the growth of the protagonist's card-making ability. It's wonderful to achieve multiple things with one stone.

Brother, the flood has receded, so have you?

Come on! This seedling has great potential!

This is the urban life of an ordinary person. It's just like what you imagine. There are beauties chasing after you. I'm handsome. Sometimes I help people when I see them in trouble, but sometimes I don't. Sometimes I wonder if I'm just reading urban literature. This has something to do with the supernatural.

There are eunuchs every year, especially this year

What is the main line of this book? What is the positioning of the card? Is it urban daily life or suspense? A lot of the plots were written and felt like there was no follow-up. If you write about daily life, but also intersperse it with a story about finding the whereabouts of relatives, and then occasionally insert a bit of reality and supernatural beings. If you talk about writing supernatural suspense, shouldn't you go a little deeper when you encounter real-life supernatural beings? What is the origin of the three-person team in the plot of the supernatural bus? The three-person team obviously came prepared! But after the toad ate the resentful spirit of the bus, there was no follow-up to the plot, and it was very confusing! ! ! There are also cards. Water Baby and Toad describe a terrifying atmosphere. The card damage is one ten thousandth of the fear value. Water Baby only has two points of damage, while ordinary people have 100 damage. Fighting the Pen Fairy can be said to be class suppression. As a result, Toad kicked the Pegasus away?

The change of perspective is too blunt, so the author should first find a book and see how other people write transitions. I don't think there are any other big problems. The fifth basic horror dungeon was well written, but why does it feel like the plot is still developing at the beginning, and then it becomes a narrator's perspective? For example, before the fifth game was finished (it was not popular), you went to write Hanba again, and then before Castle in the Sky was finished, you came back to talk about the game... The key points have not been laid out, and it is a bit confusing... The plot is actually okay. It's just too messy. There's nothing like this. You see, Katu just follows the protagonist's perspective. This will disrupt the reader's sense of enjoyment and leave an inexplicable feeling... However, there are also bright spots. This book is not too violent and has a little humor. Although the writing style is average, it is also very comfortable.

I was very excited when I saw what I thought was Ling Ming's murderous intention, but then a fifth personality appeared. Good guy, when I thought of a terrifying scene, rocket chairs and balloons appeared, and why did I feel a little weird? Also because I like Ling Ming Murderous Intent and hate Identity V, I withdrew first.