Hong Kong Films: Starting with a Radar Map

To be honest, I have only read a few chapters. I don't know what the author thinks. Does the protagonist need to criticize someone when he meets a villain in the plot? He is an adult. If he is unhappy with someone, as long as he has no hatred against you, he will not offend him casually. He can criticize people casually. He is in the system. , It doesn't matter if you don't get used to it at the beginning. When you meet someone, you just have to pay attention to him if you know he is not a good person. Is it necessary to show it? In a modern social background, either you have a lot of money, or you have great power, or you are extraordinary and one person can form an army, otherwise no one is the center

The author wrote these heroines like the plot of a third-rate Korean drama. They are sloppy and bloody. The key is that the author still feels very good about himself. The more he writes, the more fascinated he becomes. Then a gatekeeper can run around and mess around with the plot at any time. After returning, he can continue to be a gatekeeper. What is guarding?

It's already 2021, and you're still writing about licking dogs? Or a masochist?

After reading 300 chapters, I have solved so many major cases, and my position is still a small police chief. Are the top brass of the police force blind? Author, I don't know why you keep suppressing the promotion of the protagonist? All I can say is that you will lose a lot of readers by doing this.

I really look down on Gao Jin. God of Gamblers Yi Gao Jin helps the Japanese fight against Chinese Singaporeans. Long Wu is a Vietnamese who came from the Vietnam battlefield. Long Jiu is a die-hard lackey of the British in the Hong Kong Political Office. None of them are Chinese. I really don't understand how anyone can like these people.

The protagonist is so miserable at this point. He is sent to guard the door, and he can't get any credit. It doesn't matter if he is a bad policeman. If he is reborn, there is nothing he can't do. You can just be a detective in your system.

Today's novels basically follow the same routine. In the early stage, they strive to maintain the character of a saint. If a beautiful woman is brought to bed, they will not go to bed, just to maintain the ambiguity. In the middle and late stages, it transforms directly, just like a bull in the countryside smelling a cow in heat. There is that kind of lottery system. No matter how you draw at ordinary times, it is useless. When you encounter difficulties, you will draw whatever you want. In ancient times, if you were from a poor family, there would be a little Y-head who would never leave you, and you would be as beautiful as a fairy when you grow up. When you start a small business, you are bound to meet noble people. They all vomited.

Bad book, cheap protagonist, low IQ

I can tolerate the plot writing and other things, but I see this position and respond to it every time. For a low-ranking person, it seems that everyone can figure out the protagonist. If it is not good if it is too realistic and rises too quickly, then don't arrange so many cases for the protagonist to solve. After so many big and small achievements, the title is just broken. Aren't these senior officials afraid of others saying they are deliberately suppressing it?

I want to know how many people touch their noses in reality. Maybe none of my friends are the protagonist's friends and they don't touch their noses. Those who touch their noses have all traveled through time?