Hong Kong Films: Starting with a Radar Map

To be honest, I only read a few chapters and I don't know what the author was thinking. Does the protagonist really need to confront every minor villain he encounters? As an adult, even if you dislike someone, you won't easily offend them unless you have a grudge. Why go around confronting people?

The author writes these female protagonists like characters from a third-rate Korean drama—sloppy, melodramatic, and cliché. The worst part is, the author seems quite pleased with themselves, getting more and more engrossed in the writing. Then, a gatekeeper can just run off and mix things up in the plot, only to return and continue being a gatekeeper. What exactly does "gatekeeper" mean?

It's 2021 already, and there are still people writing about simps? Or are they masochists?

After reading 300 chapters and solving so many major cases, he's still just a lowly police sergeant. Are the higher-ups in the police force blind? Author, I don't know what your purpose is in suppressing the protagonist's promotion? I can only say that doing so will cost you many readers.

I really despise Ko Chun. In the first God of Gamblers movie, Ko Chun helped the Japanese fight against the Singaporean Chinese. Lung Wu is a Vietnamese who came from the Vietnam War, and Lung Kau is a staunch British lackey of the Hong Kong Political Department. None of them can be considered Chinese. I really don't understand how anyone can like these kinds of people.

The protagonist's life starts off so miserable; assigned to guard the gate, unable to claim credit even for his work. Fine, he can't be a policeman, but since he's reborn, what can't he do? With his system, he could even be a detective!

Most novels these days follow the same formula: the protagonist painstakingly maintains a saintly image in the early stages, refusing to sleep with beautiful women who offer themselves, keeping the relationship ambiguous. Then, in the later stages, they suddenly transform, like a bull in the countryside swooping down on a cow in heat.

Terrible book, despicable protagonist, low IQ

I can tolerate the plot and writing style, but seeing this position every time I see it makes me uncomfortable. It's as if anyone can manipulate the protagonist with such a low rank. If it's too realistic and the promotion is too fast, then don't arrange so many cases for the protagonist to solve. He has made so many contributions, big and small, but he only has such a low rank. Aren't these high-ranking people afraid that people will say that they are deliberately suppressing him?

I wonder how many people actually touch their noses in real life? I probably don't have any friends who are the main characters and don't touch their noses. Anyone who does touch their nose has probably time-traveled.