Tokyo City Pop

Many Japanese entertainment movies treat Kondo Masahiko as a villain, look down upon him, and call him a scumbag. In fact, the protagonists in the book are all sea kings, and they keep talking about love. ! ! !

Author Sang🥺🥺🥺The heroine Sister Quanshui! ! ! !

Are there any benefits to being low-key? Are there any benefits to hiding yourself? Personally, the problem is that the author is self-righteous and thinks that his mentality is different. You want to be the manipulator behind the story, but it is obviously not like this. Your protagonist is very aggrieved, and the readers are also very aggrieved. Abandoned the book

I hope the heroine is Akina Nakamori

A few questions about this book indicate that Lin Le had a high degree of musical accomplishment in his previous life. I was at least 30 years old before I traveled through time. Competed to death with a high school student, 167-year-old Masahiko Kondo. In a small competition, he competed with four future-proven popular songs. You still looked at the original music produced by Japanese high school students at that time with a high profile, without realizing that you were plagiarizing? This is completely inconsistent with the Zhuge Liang-style character established by the author before. Wouldn't it be more in line with the protagonist's character to use a song to prove the difference between you and then abandon the game? The attitude that the things you care about are worthless in my eyes is more in line with the protagonist's character? Actually, it is normal for the author to hate Kondo Masahiko and I hate him too, but Lin Le's actions may not be as good as Kondo's in the future based on the current unclear principles of life with two idols. And when writing songs for singers, there will be a share of the album, and the title song will have the highest share, so I also ask Lin Le in the music industry not to end it after sending out the song. You have to fight for the share, and you have to fight for the title song position. You can fight for the copyright of the songs. These can last a lifetime.

I can't stand this book. The main character is too arrogant and has no power. He is just a copycat and he is so dissolute.

Japanese entertainment suggested that the protagonist should use a Japanese name, as using a Chinese name looks quite awkward. This is like a prehistoric novel, the protagonist is named Tom. It looks very dramatic.

It is recommended that you post a new book release chapter in the previous book, otherwise you won't even know about opening a new book.

Writing in such a dead manner without even saying a word, who does the author think he is? I really thought I was some top author.

If Japanese entertainment wants to achieve success, it needs more female leads and a wider harem. Supervising the daily routine as the name suggests, entertaining the novelist daily.

This novel is suitable for people with no IQ.

If it is a harem, I don't want Nakamori Akina and Sakai Izumi

The protagonist's wife is Sora Aoi

The only thing that seems awkward now is that the dialogue is Chinese-style and the thinking is Chinese-style. The characters written in this way have a sense of indifference between public and private affairs, a somewhat frivolous feeling, and are incompatible with society and the times. They are clearly written by Japanese, but they are completely Chinese in the 21st century. (Two of the most obvious examples in the book) 1. At the press conference, Kitano Takeshi said that the protagonist was a virgin, and the protagonist angrily kicked Kitano Takeshi off the stage? This is not something an artist can do at a press conference. If you ask 10,000 people, 9,999 people will say it is very rude, and being rude = uneducated. The author wanted to be funny, but unfortunately he used it in the wrong place. The press conference is not a stage for comedians, and the protagonist is not a comedian. A good personal relationship does not mean that he can make jokes in serious situations. 2. Gogumi apologized to the protagonist at the party. The protagonist and Gogumi were talking privately, and Seiko suddenly appeared and interrupted the two of them. This was extremely disrespectful. Japanese people have had the concept since childhood not to interrupt when others are talking. Without interrupting, he pulled the protagonist's ear all the way into the box? ? In public, apart from leaving the impression of "Holy Son of a Wild Girl, the Protagonist Has No Manliness" to other people at the party, there is no feeling that there is anything worthy of jealousy. Normal men will just stay away from this kind of work-minded woman who has no dignity between men and women! It's only 1981, and Sassy Girl won't be filmed for another twenty years. Neon has a strict sense of boundaries when it comes to work, family, and private relationships with colleagues and friends. This is the most obvious difference from our Chinese thinking. It stands to reason that the author must have done a lot of homework. When writing, he must first take the role of himself. Is this right and whether that is appropriate? Obviously the author did not care too much about this in order to make writing easier. My complaint is relatively direct. There are many problems with such small details in the book that have not been dealt with well. Only when the small details are dealt with well will the readers suddenly realize: something like that is in place, it has two brushes, and it is a good book!

You either write about the harem, or you write about a single heroine, and you write about two heroines who go back and forth without understanding the relationship. Do you think you are writing about Chen Hansheng? People write about Chen Hansheng's penmanship and how exquisitely he portrays each character, but you are so far behind.

Hey, the author may not have the motivation to write a very good grade but it doesn't work.

Your voice was given by God. If you don't have a pig-footed voice, don't even think about singing. Japanese songs from the 1980s have no sung appeal to modern people. According to the Chinese and Korean entertainment's pre-stage writing style, it's not fun at all. You might as well learn about the good songs of that era.

It sounds like Kondo Masahiko is great.

The heroine hopes to be Akina, and her age difference is only three years, which is just right

I think the author's writing style is okay, but the "borrowed" works in it are really not to my taste. I don't think the protagonist needs to "borrow" songs that fit the era. One is the possibility of avoiding a crash. After all, not all songs can be released as soon as they are written. Two steps ahead is a lunatic, five steps ahead is a genius. Many of the founders of the local music superstar genre were outliers back then. Will works of 20 years be sure not to be popular in 1980? Even if it has been buried for many years, it will become a diamond when it is dug up💎. Three, it doesn't have to be the original singer. Many old songs can be re-arranged and composed with lyrics to show their talents. Refer to many current variety shows to sing new songs. Four. It doesn't have to be in Japanese. English songs should also be sold in Japan, and even Chinese songs. You can rewrite Japanese lyrics and readers can figure out the specific words. In short, I like the process of finding out that the author recommends niche songs that I am not familiar with in this kind of book, but then I go and listen to them and then silently add them to my playlist. As for whether he has a harem or not, I really don't care. He never chases stars and doesn't work in the entertainment industry. I only see whether I like his works or not. A little immature opinion. I hope the author's writing will get better and better. By the way, I will build a page. Everyone is welcome to recommend your favorite works. I will also update the Japanese songs in my playlist here according to age and recommend them to everyone.

The protagonist is sometimes steady and sometimes frivolous, sometimes mature and sometimes very willful. Love and interact like a virgin, think and feel like a scumbag, speak and treat others like a straight man. I can't see through him 🤔

This author is talented and very attentive, but his ability to create conflict is too weak. In several books, a villain with a short-sightedness was knocked unconscious by a slap in the face of the protagonist, and no one dared to challenge the protagonist again. The author recommends learning from the endless variety of opponents in Chicago.

Yun's wife is already married, and the author hasn't come back yet

7 Months, put on the incense stick, where are the new books?

On the 29th, the author escaped from the synopsis, and on the 30th, Kondo, the first "villain" in the novel, announced his withdrawal from J Club~

If you keep it, it will disappear. I hope that future books can be written better. If it is still Japanese entertainment, I will summarize what kind of genre most readers in this niche circle like.

The surname Lin is very common in Japan, but there is no need to force a Chinese-looking name in every book. It sounds really funny.

Multiple heroines? Is there a storyline where the heroines are cheating on each other, poisoning each other, or the male protagonist's third wife's fourth wife's second wife's second husband wants to marry a fifth wife? If there is no such thing, I will withdraw it.

Kondo Masahiko will participate in the radio program "Matsui Sayuri's "new normal" Kobeya" on September 7. After this event, he will officially make his comeback. During the show, Kondo Masahiko will talk about his feelings for Johnny & Associates, apologize to fans and related people, express his thoughts about the late Johnny Kitagawa and Mari Yasuko Fujishima, and reveal his thoughts and arrangements for future activities.

Aren't you going to come back and write about idols? I'll definitely order all the next books