Tomb Raiding: Knocking on the Coffin

Whether you are a new friend or an old friend, please listen to what I have to say. Thank you for clicking in. It was actually quite a twists and turns for us to meet here. There were many friends I can't name who helped me. Thanks for their recommendation, their support, their collection, their suggestions, and their encouragement. At this time, I also want to thank you for your silent attention. I am very excited about telling stories to people. Of course, sometimes it is a little bit painful, but when I see you carrying a small stool and sitting in front of me, I don't feel the pain anymore. I think I can do this happy thing for a long time, and I hope to have you all in the future.

The writing is good. The author has certain humanistic skills. When writing the history of tomb robbery and unofficial history, the local culture must be good. This is why Ghost Blowing the Lantern is so brilliant. Tomb Raiders Notes relies purely on digging holes, whetting appetites, and establishing characters. I hope the author can persist. It's a good one among tomb robbing novels, please support it. Currently, my personal feeling is that the protagonist group has not yet been established, and the characters are not vivid and three-dimensional enough. The role of the protagonist is also unclear. I feel like the storyline is there, but the characters are still lacking.

Come on, to be honest, I have rarely seen such a potential book with the same theme since Tomb Robbery and Ghost Blowing the Lamp. The potential is huge. I hope to finish filling in the pits or start a new book in the future when I finish Sahua. Hopefully it will become a series. Open up a new knock-on-the-coffin universe.

Newcomers are cute, don't be intimidated by the first person. Anyone who dares to write novels in the first person these days will be sprayed to death without having two brushes. This book is the best tomb-robbery novel I have ever read, except for Ghost Blowing the Lamp (I read two volumes and couldn't read it). It gave me the same feeling as when I read Ghost Blowing the Lamp more than ten years ago. Finally, Cao Cao, if you haven't updated yet, please hurry up. I liked it for three months and finished reading it in more than two hours 🔨🔨🔨

In fact, I am different from most readers. I basically came in, ordered everything, and suddenly finished it. So I can say that I read the entire book in one sitting. To me, the ending was abrupt but not rushed. Maybe it was the separation between life and death that added a touch of depth to the ending, or maybe it was the shadow of "Second Master" that suddenly appeared on Nuo Sang at the end. In fact, I personally have been competing with the author or myself. First of all, I don't really like the protagonist's later performance, even though the author spoke fully about it in his final remarks. But little people can't afford to be the second master. Little people have to grow up quickly in the big era. It wasn't until the protagonist didn't abandon Han Sheng for the last time that I finally let out a sigh of relief. Fortunately, fortunately, the final victory of Jing Guan also depended on Cao Beiwang's backhand, but fortunately I can afford the second master! But now that I have finished the book, I thought about why I was so excited about the protagonist's weakness? Maybe it's because I'm dissatisfied with myself. I'm dissatisfied with being nameless but not having the spirit and strength of a sword that strikes everyone in ten years. Regardless of whether Mu Zhi is a good man or not, he was once the boy's fantasy self. He became famous at a young age and was unparalleled in the world. Even if he was doomed, he still had the ability to defeat the opponent's first move. I have deleted many comments, posted them again, posted them and deleted them again. Maybe this is also a kind of uncompromising with himself. Jing Guan is no longer young, but he is still the young man who fantasizes about being invincible in the world. Nuo sent Hansheng off, returned south and looked north. What's going on with the Fengtian lineage? A conspiracy of the painter's lineage? Tibetan legend? The origin of puppetry? And what kind of iron horse will Longshan Pavilion led by the second master be able to achieve? It's a long way to go, see you in the next book!                                                                                                                                                                      .

The storyline is similar to Notes on Tomb Raiders. A mystery leads the protagonist to rob tombs step by step and find out the truth. The author's writing is good and the plot content is very reasonable. However, I personally don't like this book. The first point is that it is too similar to Notes on Tomb Raiders (Second Master = Third Uncle) (Hansheng = Little Brother). The second point is that the protagonist is too weak as a protagonist. Although the author will gradually strengthen the protagonist's strength as the progress progresses, it looks too disturbing, just like a novice trumpet being clearly arranged by a group of masters with full level. The third is that there are too many or too big pits, including the protagonist's father, the identity of the second master, the identity of Han Sheng, the Cao family, and the 'hair ball'. In short, the mystery hanging over the protagonist's head is too great. Going to the tomb is not just for the gold and silver treasures in the tombs but to uncover the mysteries above. But for me personally, if the gold and silver treasures in each tomb and the stories behind them are told well, it will be more attractive than the identity of the protagonist to continue reading.

It feels a bit like I saw a ghost blowing out a lamp a few years ago.

The protagonist's name is Nuosong? Then does he have a brother named Tianbao? Their father's name is Shunshun?

Why is the author so Buddhist? After just looking at the comments, there is nothing to attract votes.

Warrior, you dare to write a book in the first person in this day and age. Let's take a look first.