Lord of the Mysteries: The Traveler

There is an unsolved problem in this book. The protagonist has read the original book and must know the knowledge of the alien gods. He will establish contact with the alien gods in the mysterious world. If there are no plug-ins, the game will start with a GG.

The two mini-maps, Abyss of Prejudice and Sanctuary of Honor, are very distinctive, showing how different they are from the world depicted by Lord of Mysteries, but the core is unified. These two maps reflect the charm of the apprentice's ability to roam the starry sky, that is, as a saint, you can experience the interstellar travel ability that only angels and even true gods have. What the apprentice sees and feels while roaming the starry sky will also become one of the things he relies on during his time as an angel.

I found this place again after looking for mysterious fans. I gave it up before and looked at it again. After reading it forty times, I found it really strange. Let's talk about two strange points. 1. The plot is very empty. Obviously at the beginning, the father is worshiping the gods, and he is the descendant of Mr. Men. In addition, the gathering is discovered and forced to disband. The rhythm of the plot should give people a relatively tight feeling. However, the author's writing is very plain and empty. The protagonist is forced to do things under this background, but still does things in a leisurely and leisurely way, which is very inconsistent. Shouldn't we be anxious to improve the sequence? The protagonist's feedback is so strange, and the rhythm is actually soothing. For example, in the early stage of a large-scale manhunt, it can be set up so that the protagonist's father dies, but leaves some useful extraordinary props to his son. Then the protagonist has an accident during the early stage of the search, and relies on these to constantly deal with it, or the protagonist is suspected by a transcendent but does not expose such a situation. Then the protagonist carries out various social activities under pressure, and then secretly investigates who is spying on him, reverses the layout, and dispels suspicions (this is just a way of thinking). 2. The protagonist's character is very strange and the character setting is very bland. I think the friendship between the protagonist and the three friends is also very abrupt. The previous description and plot are too bland and short. The friendship between several friends actually does not feel very deep to me. They say a friend in need is a friend indeed. Why not add some fighting plots during the period from socializing with a few friends to leaving, such as picking up a big character, or setting up a friend who has an enemy, and then everyone helps him get revenge, and is beaten by the enemy, and then everyone works together to overcome difficulties and kill the enemy, and then make a lot of money. The plot setting is more compact, and the characters will be more fleshed-out. When I went to the tavern in the early stage and then came out, I felt that there was only the tavern as the main plot, and the other impressions were too shallow. The plot of the tavern was also superficial, which made it uncomfortable to watch. Obviously, in the early stage, I was being looked for by a witch, and the protagonist was hiding, but the protagonist is like that. I was so scared when others were trying to catch me, but the salted fish was so happy, so I decided to salt it again. I didn't feel any sense of crisis in this feeling. Judging from your early plot settings, The plot should be compact. Although Russell quickly rises to the top before he stops talking to Mr. Men, it still feels like he is talking about whether it should be salty or salty. Moreover, more plots can be written in the early low-sequences. If you know the acting method, the low-sequences will improve very quickly. After reading a little bit later, I feel that I have made some progress. I hope the author will work hard (ง •̀_•́)ง. This is how newcomers write, just get over it and it will be fine. Come on! ! 👍

If you don't tell the protagonist what he relies on to protect himself from prying eyes, and it's fine if you talk to him about all the big guys from the beginning, the sense of mystery is gone, and it's nothing more than a fantasy novel covered in mystery.

[For those who haven't read it: the protagonist's apprentice sequence, the Abraham family, Russell's time travel in his later period but not yet crazy] Good luck, This is the most brilliant book among the mysterious fics I have ever read. The logic is organized, and the protagonist's era background is also introduced and described in detail. Each character is not rigid and has a unique personality. The overall style is in line with the mysterious original work, and it is connected with the main line, so it will not make people feel bored. This book is a bit slow overall. The author likes to write in detail, but if you follow the thinking and experience, you will find that the content is very interesting. That's all for now, in short, come on, author! Ah, by the way, will the protagonist really want to go solo in the future? I feel like the three friends are all pretty good people. (But the tone of the mysterious world is loneliness and madness, friendship and so on... The traveler sequence paired with the time traveler is really amazing)]

The ending is really bad. I just can't understand that the protagonist has been in the mysterious world for hundreds of years, but it can't compare to the decades in the previous world. The ending just didn't make sense to me.

After the protagonist becomes a god, why does he only want to prevent Amon from entering the Yuanbao? As the god of the Gou San family, he is still the most powerful one. Kill Amon. Well, don't just kill Amon directly. Amon faces the protagonist now just like Pales faced Amon. If he is caught, he will die.

This is my second time writing a book, and I have all ordered it to the latest chapter. I have talked about the bad points and shortcomings before, such as the novice village, the sudden leakage of new friends in the novice village, etc. I will not go into details. After all, the author is still a student writing a book for the first time, and lack of planning is inevitable. My opinion is that you can still read it if you like mysteries and apprenticeships. If you don't like it, don't scold me (I will never argue with a key fairy). The ability to use the ability in front of a demigod is remarkable, and the description of the plot of rising to a demigod is also good. Yes, the demigod's latecomer Yuanbao is the attraction, but I still feel that I am bound by the original work. For example, building a star road is directly said to be a sealed object, and there is no name ability. Breaking the dimensional wall and outer gods are bold settings made by me and the readers. (Those books are all subscribed to and read, but I like the apprentice, and you are the only one who has written about the apprentice so deeply. The apprentice likes to say that he is a slut, but he can be very competent). Cuiyu does not describe too much other ways to high-sequence except the fortune teller. Write, even the late fortune teller is a bit broken, and the setting is not full, so this gap is a challenge and a place to show off. The apprentice can increase his ability settings appropriately and give diversification when he reaches a high sequence (such as breaking the dimensional wall and directly elementalizing at a low sequence, which is used by Ace's Flame Emperor). The protagonist is a high-dimensional traveler. Maybe I didn't read carefully or something. As for the protagonist's memory, it was said that the memory was sealed after being promoted to a demigod. Why didn't he go crazy before? Is there some golden finger? Now that we have arrived in the star world, we are really flying high. I hope to see the unique aspects of the author and the protagonist. When I come back to intervene in Crooked Meow, there will really be many exciting places. In the end, I will step into the plot and become a god. I can even become an old person, an outer god or an additional pillar. After all, the protagonist is a special person who has read the script. I hope it is not my personal wishful thinking. Finally, I wish the author can write it perfectly. After all, the timeline is still very early (it is still very happy to persecute Tarot Club and Crooked Meow and other people to death)

No, they have all become true gods in the door path. They go directly to Amon, get the bug, and then go directly to the goddess to snatch the Fool, become the Lord of Mysteries, and then go home directly. Why do they have to cross the path? I really think it's outrageous to force someone to cross paths.

After a few days of reading, it is finally finished. This is the first completed mystery fanfic I have read (The Gang Next Door Sequence 5). From the first chapter to the end, the author's writing style and plot conception have all been improved. I look forward to the author's next book (if he writes one).