Reborn After Reaching the Pinnacle of Immortal Cultivation

I haven't read the novel yet, and judging from the introduction, there is a high probability that this book will have a male protagonist. But I feel very unhappy when I read the comments. What does it mean to be bored and have to have a male protagonist to accompany you to become an immortal? How can you cultivate to immortality like this? What avenue do you seek? The road is inherently lonely, so you might as well go home and farm. Really disgusting and uncomfortable comments😒

The author is great. I feel that this book is not as good as the "Female Supporting Girl" one. Is it because some people are clamoring not to have a male protagonist? I feel that the author has cut out a lot of relevant plots, and it seems that there is only the main line, and the branch lines are not expanded too much. It is in a hurry, and it is done after doing what needs to be done. Actually, I think the author is pretty good at writing emotional dramas, so there is no need not to write a male protagonist. The male protagonist of this article was also well written. It's a pity that such a good framework was torn down. Every time an article about cultivating immortality comes out, there are so many people making trouble, which is quite annoying. Some authors will be affected by these arguments. I personally accept it with or without a male protagonist. Some authors are not good at writing emotional dramas, so they don't need male protagonists. Some authors have no problem writing emotional dramas, so why not want male protagonists? Emotions are also life experiences. So I don't want the author to be affected, but to affect us from reading good articles and seeing the complete story in the author's mind. In addition, I found that the results of novels without male protagonists were not as good as those with male protagonists. There are only a few authors who write articles about cultivating immortals. No matter how bad the results are, it will affect the author's writing even more! Therefore, I feel that whether or not there is a male protagonist should be determined by the author's writing situation and plot, and should not be threatened by readers. If there is a male protagonist, then you will not read it. There are fewer people than normal people who won't watch a movie if there is a male protagonist. After all, men and women eat and drink. . . Don't like to quarrel. If you don't like it, please don't leave a message. .

Ask, is there a cp? (If it's ambiguous, don't dare to read it)

Let's have a male protagonist. It's a long road to immortality. What's the point of practicing alone all day long? Wouldn't it be better to have a teammate who can support you and a lover who can trust each other? Wouldn't it be much more interesting to have a male protagonist, a strong man and a strong woman, to explore and hunt for treasure together, to experience and upgrade? Anyway, in my opinion, the female protagonists in fairy tales have never been alone. They either have friends or spiritual pets around them. These male protagonists can all work part-time, and they can be just tools with no affection! There are so many beautiful articles like Mengshi! ! !

I'll tell you my opinions after reading it in one go, and some personal suggestions haha First of all, the setting of this article is very good, and each character is full and distinct. The world structure is also very large, and the reverse-thinking writing interface is rich in ancient times, which is very attractive to me who is very picky about fairy tales. The protagonist's character is tough and relatively indifferent, which is cool and doesn't involve those mother-in-law and mother-in-law things. But too much emphasis on experience is also very dull. This dullness refers to the control of the atmosphere. People live not only for profit but also for fame. The protagonist is an immortal and can wholeheartedly pursue the Tao, but the reader is not. Where are the flowers and applause that the protagonist deserves after she achieves success again and again? Without the sect competition, the competition between the various forces, and the various competitions and honors to back off the success, it would be like a night walk in brocade. The readers would also lack a lot of resonance, and lack the sense of being happy and angry for the protagonist. Also, the protagonist is either training or on the road to training. It is really tiring to watch. In practice, you must pay attention to the balance between work and rest. Moreover, although the protagonist has experienced life and death again and again and suffered a lot of irreversible injuries, they were all inexplicably resolved by the protagonist's various opportunities. Without Xinlu Licheng who worked hard to repair her injuries, readers would feel less worried about her. Finally, I want to talk about Feng Chuxi. She should be the biggest failure of this article. She is just a clown and too much is given to her. She can jump around in various ways, but her strength is not enough to cause great harm to the protagonist. At most, she only relies on external forces. She can be written as a hidden thread, but her weight in this article is almost equal to that of the protagonist's lifelong enemy. The protagonist is probably the reincarnation of a great god from the past life. This setting is actually very bad. Personally, I think it is more interesting to work hard to welcome the unknown future than to move towards the life of the previous life no matter how hard you work. But since I wrote it like this, I also hope that it will be less involved with the previous life, and wouldn't it be more interesting to be more unknown? The author is really lacking in writing about fighting techniques. You can refer to "Only My Freedom" and "The Best Female Fairy". These two books have the most magnificent and colorful fighting scenes in the female fairy tales I have read 😜😜

Nice! Nice! Good looking! Peas are still suitable for writing articles about cultivating immortals! Not enough

Currently in Chapter 33, I am a little speechless. The heroine is looking for a sword stone to enter the formation that can only be opened by the blood of her junior brother. Doesn't it mean that this thing was left to him by someone's family? Or was it caused by someone in the family running out of blood? Even if it was discovered later that it was not the case, now the heroine doesn't know, she took someone else's things and she still wants to die without saving him? What kind of cause and effect will make you unlucky and ungrateful? And with this setting, if saving people would also bring bad luck to the monks, then we can only let them die without saving them? Then if there is any disaster, should we just sit on the wall and watch mortals die? I really can't understand the rules of cause and effect in this world!

So what kind of article is this? It's fine with or without CP, but I can't accept being ambiguous without CP. Is there anyone who can clear things up?

Looks great, cheers for the peas (｡･ω･｡)ﾉ♡

I originally thought it would be worth a look, but some of the logic is confusing and I can't stand it. The logic of age is a bit confusing. Is it only a few hundred years old to cultivate into a body? There is some confusion between the level of cultivation and the level of combat effectiveness. How about a small amount of Qi training to fight against the combination? My hair was burned off by fire - is it still bald after more than a month? Wait, wait, wait, even though it's fictitious, there still needs to be some common sense and logic.