My Editor-In-Chief Girlfriend

Ma Liwei, a 28-year-old low-level migrant worker, works as a company clerk during the day. At night, he writes about the plight of urban migrant workers. Over the past seven years, he has been repeatedly frustrated in his submissions. Feng Yu, the deputy editor-in-chief of "Sand Island" magazine, adhered to her literary ideals and discovered Ma Liwei's "Dust of the City" among the piles of mediocre submissions. This work shows the survival of people on the edge of the city from the perspective of a food delivery boy. She was struck by its "real as sharp as a knife" writing style. From the clumsy rejection and revision of the manuscript when they first met, to the late-night conversations in the coffee shop where the words were polished, the two souls quietly got closer. When Ma Liwei's work triggered rumors about unspoken rules in the workplace, he publicly revised the manuscript seven times with "hard-core evidence" to defend the editor's innocence; when Feng Yu argued with the marketing department about high-quality content, he offered hot milk tea and silently supported it. This pair of literary believers supported each other amidst page competition and traffic impact. They used realism to fight against the impetuous era, and also allowed ambiguous feelings to emerge in the details - from the accidentally knocked over coffee cup to the egg yolk pie shared late at night. The transformation from a jobless job to a soul mate shows how idealists can protect the original intention and pure emotion of literature in the secular wave. Through professional scenes such as magazine topic selection meetings and new talent training mechanisms, the ecology of contemporary literary creation is truly reproduced. It not only has the thrill of workplace confrontation, but also has the writer's profound insight into reality. It also composes a love affair that begins with the resonance of words and ends with the resonance of souls.