My Script Casts Me as a Supporting Character

Coding at home not only requires the author's self-discipline, but also the readers' supervision! If you don't want to update it, then you won't update it, so what do you want book friends to do? The development of the habit of coding requires a process from "heteronomy" to "self-discipline", so book friends must supervise Be grateful Author, coding is tiring and hard, but don't forget those book friends who have worked hard to vote for you to code, and don't forget that book friends have put in a lot of effort behind the scenes to make you feel at ease when coding! If you don't love coding, real life will tell you honestly: life without coding will be more miserable! Author, the bitterness of coding now will eventually become the sweetness of life in the future, so don't complain about the bitterness of coding. Don't be hostile to your book friends who are strict with you, but be grateful. Because only responsible book friends will endure all kinds of pressures and risks to discipline you with earnest words or violence. He expects you to become talented and good, so he is so thankless for your efforts. This is also the deep affection for readers. Author Please understand book friends Many authors may be "driven crazy" by book friends during this period. In fact, book friends are the same. They are interrupted every day at home and have to overcome various difficulties before they can give recommendation votes to the group leader. On the road of reading, writers and readers should become the best partners, trusting and cooperating with each other. So, the author please give more understanding and cooperation to the book friends, and be grateful to the book friends who take the trouble to show concern. Only responsible book friends care about authors. I don't expect every author to understand this truth, because they are still just children after all~ But I hope every book friend understands this truth, because you are not children after all! Author, how fortunate it is to meet responsible, fair and serious book friends while growing up! Please go all out, from recommendation votes to subscriptions, book friends will show their talents Here, I would like to say to all book friends: "Everyone, you have worked hard during this period, but please persist, and please go all out for the author's performance." Author As an author, you will meet many readers in your life, and each reader is just one of many readers to you. However, for a book lover, you are a limited author he has encountered in his life. You will be the one who opens up his world. If you write a book, please do your best. To the best reading Mutual understanding, mutual support, three swords in one, a win-win situation! In this world, authors and readers should be the people who can understand each other best. Our only wish is for books. Because of books, we are closely connected Whether we are authors or readers, we know very well that lax code words will only encourage bad habits, and blind tolerance will only grow flowers in the greenhouse. The best readers must be both lenient and strict, with clear rewards and punishments The support and cooperation of readers are the author's hope and the greatest blessing in the author's growth. The cooperation between the author and book friends is the most powerful synergy in reading books. We work together to make books move in the best direction and reach the other side of success. May the books grow healthily under the joint care of the author and book friends (@easy-to-explode proud, delicate, weak and beautiful man)!

Well... I wonder if Murong Qingyue is also the leader? That is to say, the real script is divided into seven cousin bosses (false) and seven insiders (true) - is Murong Qingyue one of the insiders? The route is... Husband-protecting maniac? ? ?

I think many people can't understand this kind of novel. It's obviously a story about a "supporting character" who fights hard and fights back in front of many big guys with golden fingers. As a result, a group of people got upset in the first one or two chapters. Maybe it's because the routine of wanting to advance before suppressing is too common (it's been written badly) and people's lack of patience for unknown novels. But the book is undoubtedly a good book. Maybe the plot is a little flawed, the writing is not so smooth, and there are some structural flaws, but these are minor problems. My expectation for this book comes from its "resistance plot mode"! This is also one of its selling points. The protagonist obtains a new ending by resisting his original fate. For fantasy novels, it is absolutely refreshing (as long as it is well written). The theme of this novel undoubtedly fits this exciting point: laying out the original fate of the protagonist for the protagonist to see. There is a saying that goes well, "The most despairing thing in the world is not death, but knowing when and where you will die." When the protagonist sees his future fate, he needs to make a choice: Should he give up treatment and wait for death in confusion, or should he resist by shouting that it is his fate? The latter is of course the standard protagonist of fantasy novels, but Mo Chen is just an ordinary person without an obvious golden finger. The arrangement of the bad old man in heaven makes him intuitively reduced to a supporting villain. As an ordinary person, he has also given up. Knowing that there is no resistance, he can only work for the bad old man honestly and spend his life performing "plays" with the protagonists for free. But as soon as he had hope, he immediately seized the opportunity, successfully got rid of the control of the bad old man, and successfully took control of his life after a battle of wits and courage. Wouldn't this plot be comforting? Will it make people feel uncomfortable? Will it be hard to watch? It's a pity that many people just watched the protagonist being suppressed a little bit at the beginning and came to complain. Little did they know that if the protagonist was not oppressed in the beginning, the resistance plot later would not be vivid. If the author listens to the words that the protagonist cannot be abused at the beginning, and chooses not to oppress the protagonist, resulting in a powerless explosion later, then he is sacrificing the bottom line and trying to please both ends. If you can't stand it, you can't stand it no matter how you change it. If you can't stand it, your enjoyment will be damaged because of your changes. But can the protagonist who rises after withstanding a wave of oppression be able to activate Long Aotian mode? The answer is no. The theme of this book is the confrontation script. The focus is both the dual script and the confrontation, both of which are indispensable. But it is obvious that only Lin Jin's script for the protagonist group currently has a complete outline, and the others only have a little information. Mo Chen also had no plans for the future and was in a passive state of trying to find ways to deal with the situation. Since Lin Jin faded out of the plot, the plot confrontation has been in a state of fog. Generally speaking, it is a bit deliberately to let Mo Chen avoid conflicts with the protagonist group. And in the current plot of the battle for the throne, Mo Chen's position in it is still unclear. There is a suspicion of flooding. Personally, I don't think there is any need to deliberately avoid some crises in order for Mo Chen not to suffer. There is a common routine in novels called "compensatory frustration". For example: Mo Chen was tortured half to death by Gongzi Wushuang, which will make readers feel unhappy, but in the blink of an eye, you let Mo Chen abuse other people or encounter some unexpected encounters that are a blessing in disguise. The reader's unhappiness with the protagonist will temporarily disappear, leaving only the disgust for Gongzi Wushuang. After he reaches his full strength and defeats Gongzi Wushuang, the satisfaction will increase a lot. As for the script against this situation, the author wrote it very well, but one thing is that the information design of the bad old man and Bo Yang in the world was too backward, so the plot of the two of them seemed to be written in a script. My personal suggestion is to either put their plot in front of a section of the script as a pseudo prophecy, or add more snippets of information that readers don't know, or make a fuss when the plot goes off the rails? Also, the insertion of "The Record of the God in Heaven's Entry into the World" is too blunt. It is recommended to polish it and fill it in the plot.

Consider writing a review that is not too long I personally don't read too many books, but I still read some online articles. As far as this book is concerned, I quite appreciate the tonality of anti-routine and anti-protagonist. The imagination itself attracted me to read more than 150 chapters, and then I found it difficult to continue reading. First of all, the freshness brought by the imagination disappeared, and then the appeal of the story was not that great, that is, there was nothing "new" in the book itself to stimulate my interest in reading. Then I started thinking about some other online articles and how I read them. At the beginning, I thought the key lies in the writing style. The author's writing skills are undoubtedly not outstanding, and the author's rhetoric itself is not gorgeous enough. But I also thought that I don't like novels with gorgeous vocabulary. Didn't I also discard some books written by so-called literary youths as "empty and boring"? So what's the crux? I thought for a while and finally found out that it should be a problem with the character! Almost all the supporting characters in this book do not have the "fulfilled characters" I expected. On the contrary, their character creation is a bit thin. Especially the supporting characters of the so-called "god protagonists" (forgive me for not watching too much, only two have appeared so far). They all seem to be extreme and sensitive, and their images are extremely stereotyped. The thin description leaves no surprise in the behavior of these people. Even the facial description is not done perfectly by the author. There is not enough detailed description, and techniques such as the combination of front and side are almost invisible. Simply stating its shortcomings in a straightforward way to arouse readers' disgust will have the same effect as courtship without foreplay of "I love you". (This metaphor is a bit exaggerated, but the meaning is roughly the same). This is actually a common problem of many Internet article authors: they are unwilling to spend even a little more effort to describe a supporting character, because it feels useless, but it is precisely the supporting characters that determine the look and feel of a book. There are many ways to describe supporting characters, and I certainly can't list them all because I'm not good at Chinese. However, aside from the descriptions of their life background, main plot, etc., Some descriptions of clothing, behavior, hobbies, grammar, etc. (No language is included, because most Internet writers rely on dialogue to advance the plot, and I will vomit after talking about this) can highlight the qualities of supporting characters in all aspects. Some very small details can comprehensively show the image of a character. Here is an example that suddenly comes to mind: When I was a child, I watched Ms. Yang Hongying's "The Naughty Ma Xiaotiao", in which the image of the class teacher Ma Xiaotiao is very vivid. We know that she is serious and responsible, and her love for her students is sincere. How was this image established? It does not rely on a simple comment from the author, but on the teacher's smile after seeing Ma Xiaotiao's growth time and time again. It is these details that make the characters stand out and make the work more successful. All in all, I like the overall tone of this book, but I regret the author's lack of writing techniques. I hope the author can enrich his techniques and learn more in his future writing. Sometimes the inspiration is not to work behind closed doors, but to experience different realities again and again. I want to write an example here on a whim. I also write about a farmer. He can be: A looked at him and saw the wrinkles deeply engraved on his face. A cloud of confusion seemed to hang above his head, because the relaxation caused by aging made the arms that were far from strong appear even weaker and bloodshot. His eyes were not bright, and he didn't seem to feel that there was a person standing here. A waited patiently for a while before the old man asked A in a hoarse voice, "Who are you here for?" (Writing the old farmer like this makes people feel a little pitiful.) It can also be: A looked at him, especially the conspicuous one A set of yellow and even blackened teeth, a thin chin that seemed to be completely hidden in the gums, and a stooped back that made the short old man look even more despicable. His squinted eyes seemed to stare at A carefully for a long time. It seemed that a century had passed. A finally heard a sound that seemed to be a valve that was in disrepair. A voice that sounded like opening and closing came from the mouth that opened and closed: "What are you doing here?" (Writing it this way is a bit annoying) I hope the author can work harder, and I also hope that the author will revise the previous chapters when he grows up😊 Typing on the mobile phone is very hard, please give it a thumbs up🤭

About this book I have to say that it was really hard to read in the early stages. The protagonist always followed the arrangement of the script But by Chapter 48, the protagonist broke free from the shackles of the bad old man. The discomfort in the front also makes it more and more enjoyable to read later. The author's writing style also makes this book look smooth and neat. If you give up this book because of the previous part, I have to say it is a big regret. May the author become a god with this book. 😰

A very strange anti-convention novel, which puts the protagonist and seven "destined protagonists" in the same world to compete. The loser style was looked down upon by all kinds of people in the early stage, so he embarked on the road of killing to prove his enlightenment, killing all those who looked down on him and those who disobeyed him ("The Wind Rises in the Purple Gorge"? A typical example of killing his wife to achieve enlightenment); The harem style can become a "game flower" because of his outstanding talent and perfect conditions. "Cong" people, go smoothly, and can achieve anything ("The School Beauty's Personal Expert"... Long Aotian); The struggle for imperial power, especially the queen, uses all living beings as pawns, swimming among many important men, and using them to gain momentum (actually, the first thing I think of here is "Xiao Li Fei Dao" "Li Xian'er in ", but I thought about it later and it didn't feel right); Invincible flow, I am invincible, you can do whatever you want, but this kind of people either start working behind the scenes because they are too strong, or they actually have their own internal purpose (the ruthless emperor in "Perfect World" just wants to find his brother); Gou Shengliu, what I do is "stable". I won't stick to the cause and effect, I will get the resources when I can, I will shoot the first bird, I won't get ahead until I die, I won't leave home until I overwhelm my opponent in three or four realms ("My Senior Brother is Too Steady", but there is an obvious difference); Farming Summoning Flow , I start with a dog, and my energy depends on emotion, and I expand my alien world infinitely. When I stack up enough alien beasts, see if you can kill me? Hey, where are you going, dog? (Something like "Super Summoner System", it's a bit much). So much for sorting out. Those who can see this also have perseverance. But I want to tell you something interesting: the seven stars we agreed on? When I was writing, I almost thought I didn't find anyone, and I was scared. Wait for a follow-up. So let's sort out who can win over here? We need to determine one thing, that is, the difference between the protagonist and these "protagonists" lies in the attitude towards ordinary people, that is, "ants". What are ordinary people to the gods, tool people, NPCs, NPCs with feedback, just like GTA, you can act at will without any burden (understand). In the eyes of the protagonist, ordinary people are just people. I forgot which chapter it was in. There is a sentence "What's wrong with living an ordinary life?" It should be where Ye Dafu delivers meat. Among these great gods, it is impossible for a killing maniac like Lin Jin, the loser, to be impossible (plus many opportunities to seize the opportunity). Xuanyu Wushuang, the harem leader, suffered from the so-called "pain of seizing love" and "unsmooth thoughts" several times. Although Lu Chaosheng, the Gou Sheng Liu, has a grudge against Lin Jin, he does not rule out the possibility of being awakened by the old man later (after all, it was Mo Chen who did it). Feng Yao of the Struggle for Hegemony stream does not rule out the possibility, but to be honest, it is more likely to be divorced. After all, he is still working with Xuan Yu Wushuang. For the Struggle for Hegemony stream, he can unite as many people as possible. At the very least, he will not become an enemy. Anyway, it is too late to liquidate after ascending the throne. Farming Summoning Style Xiao Ke is not easy to comment on. It depends on how the author writes it. But as a child without activating the original memory, it is more likely that he would turn against the protagonist first, then gradually learn about his inexplicable relationship with the protagonist, and finally join the protagonist's team. Invincible Liu Xiaoye is the hardest to say. 1. If she finds out that the protagonist is not her brother, will she punch the protagonist to death? 2. If she is on the protagonist's side, who can beat her in the invincible state? The ending is worth looking forward to. There is one last god. (I highly doubt it is behind the scenes, but the protagonist is more like a behind-the-scenes flow. He is just a target for himself, and then unintentionally inserts a bunch of forces like Liuliu Chengyin.) His appearance is most likely to be the anti-protagonist. Because, according to the original script, although all seven protagonists will "subdue demons", there will definitely be cracks. Those who pursue perfection when they see someone who is better than him, those who are disgusted by strange looks, will draw a knife, those who avoid karma and see that they are carrying big karma, and those who are extremely disgusted with their loved ones when encountering those who are always looking for their loved ones, these cracks must be lubricated. Pretend to be a pig and eat the tiger? But Gou Sheng already exists. . . I can't think of it, I don't want to think about it anymore. The author thinks about it. Ps: The fan value is low because I came in for free for a limited time. It took a reward of 500 to reach such a fan value. If I haven't subscribed, I will resubscribe after the limited time limit ends. The spectators have no money, so this amount of reward is the limit, sorry <(_ _)>.

I have retrieved the starting number that I have not used for several years for this book. After the seven-day free period, I can finally order it all. I support the author 😄

I have paid to read 20 chapters. Counting the total of 100 chapters before it is released, I think this book is better than most of the books on the ranking list - why are there so few people.

The daily introduction brought me to this book. I was reading "Because That's How the Script Was Written" at that time, and I developed a strong interest in this kind of subject matter, so I kept reading. From thousands of recommendation votes before to 10,000 recommendation votes now, it is indeed quite rare. Keep it up, author! It can be said to be a good but not unpopular series. Of course, I have nothing to say to those who found it annoying after reading the first few chapters. You will understand after reading the later chapters.

The villain kills decisively and unscrupulously, and there is nothing wrong with it. The protagonist has a little contact with people from the magic sect, and he falls into the devil's way. If he kills some people, he will be judged by the so-called righteous way. Author, are you sure you are not contrary to this? The villain only enjoys the protagonist's luck and positive treatment, but does not have to accept the protagonist's negative treatment? Being kidnapped and labeled by moral decency, isn't this how the protagonists were treated in the last era? If you want to change them all together, then it would be interesting to let the villain also enjoy the aggrievedness of the protagonist. Author, if you just change it to positive treatment, isn't this an abuse of the main article?