Death for Life

The first two volumes were so good that I felt my scalp tingling. They wrote about what I wanted to read most, which is reasonableness, time-travel mentality, and growth. Reasonable What makes me happiest is that all the actions and changes of the protagonist and supporting characters are logical and self-consistent. A young man who travels through time is certainly not as good as those old Yin coins in terms of wits, but he can reasonably break the situation in the best way possible for the protagonist. Every supporting character is reasonable, whether they are stupid, bad, loyal or traitorous. There is a reasonable logic in it, and all actions can withstand scrutiny. Time Travel Mentality The writing about the time traveler's mentality is really good, but many authors cannot deal with the problem of time traveler's mentality. Travelers must be lonely, like rootless pings, and need to re-establish an anchor in a different world. Some authors deal with it in one stroke, and some authors use the family affection of another world to establish anchor points when writing about baby wear, but this book is really well written. Write an emotional counterattack. From the freshness and curiosity at the beginning of the journey, to using the imaginary well of gods and demons to delay collapse, to the emotional counterattack of crying in the middle of the night in the second volume, to using love as a new anchor. Growth The protagonist slowly grows from a newbie to the level of intelligence that can compete with the old Yin coins. From playing the world to the psychological growth of wanting to change the world, it is all well written. Unfinished I couldn't stand the third volume, it felt like jumping from a male channel to a female channel. Originally, the author's portrayal of female characters was very stereotyped, but when he wrote about the college life of the seven empress candidates, it had the immediate feel of a campus anime. Without the logical logic of the first two volumes and the deep exploration of the protagonist's heart, and the sense of reality, this dream is very easy to play out. Summary The first two volumes of Fengshen are among the few masterpieces I have read so far. The third volume was completely unfinished. Maybe as the author said, the results were not good and he wanted to change the writing method. However, this kind of vacillation to cater to the market made this book backstab the readers who liked it in the later period. It is a pity.

One thing to say, the ending of Small World is acceptable. I really don't think it's a bad ending. Even if the plot is a little rushed, the ending speech is more than enough to make up for it. But the end of Le Yu's story is outrageous! Are we afraid that you will get sick? We're afraid you'll run away! The if line was perfunctory for several chapters, and then the promised God of War line was gone? Lan Yan is obviously the hidden thread in this book. It's finally time to reveal it and make a big appearance. You're going to fix this for us? How long have we been waiting for the Lan Yan supercar? In the book review area, in this chapter, how long have you been playing with Lan Yan? How long have you been looking forward to how you will finish with blue flames? We have been looking forward to it since the book was updated, and Lan Yan appeared on the scene. Then you first induced us to say that we would get sick (my understanding is that it should be very exciting, and the God of War chapter was really exciting), and then told us to give up after feeding the loyal minister if (just like a perfunctory shi). I saw Zhongchen if a few days ago and I didn't think it looked very good at the beginning. I kept watching it for a few days. Today the update didn't come and I just started watching it. Then this is what happened? Very popular🙂

Tingri's book was renamed halfway through "You Are Strong But Now You Are Mine" and "Death and Life". The former one shows off its domineering nature, while the latter one still retains its subtle and restrained artistic conception. Both names are good. This book is much better written than "Infinite Fun in a Small World", and it leaves people with unlimited room for imagination at the end. First of all, let me talk about the good points: the characters are full of personality, each character is vivid on the page, and the emotions are rich; the novel is full of tension as a whole, and the plot is constantly progressing in the spiral conflicts. Although there are not many words, there are almost no water chapters. It is compact and coherent, and the logic is smooth. It is a rare good book in online literature; the novel The world described is huge, with reasonable structural systems such as force upgrades, various tactics in the early stage, and various magical weapons in the later stage. There is an equal exchange of effort and reward. There is no eternal invincibility, and everything has a price. It must be said that while the imagination is wide open, the balance and logic of the various systems in the novel are just right. Secondly, let's talk about the shortcomings: due to the setting of the golden finger, after the plot change, the replacement of the X-generation machine caused the sense of substitution to suddenly drop, and the sadism was highlighted; originally, many foreshadowings were slightly out of sync due to the plot progressing too fast, and the rhythm between the scrolls was slightly out of touch, giving people the feeling of running fast; success is also Xiao He, failure is also Xiao He, due to the sudden completion in the later period, the early stage was full The description of the characters is a bit abrupt, more than enough, and some characters have gone from being amazing to failing. At the same time, the protagonist's human exploration is slightly weak due to the shortened timeline in the novel (you can refer to the author's brief description of Le Yu and Lan Yan in the final epilogue, which shows that the author's exploration of human emotions has not yet reached the extreme). Let's talk about the contents of the novel. Here's why it's said to be better than "It's a Small World": This book contains the transformation of "present" and "mysterious" private goods, and the thinking of the system, which gives it a skeleton; through the characters created in the book, the descriptions of various emotions such as passion, kindness, hypocrisy, evil, persistence, love, and perseverance are intertwined, and the complex human nature is integrated. The vivid and vivid description of the conflicts between self and between people gives the world in the novel a breath of life, which is quite filling the bones with flesh and blood; it gives different angles of exploration to the essential goals pursued by human beings, such as longevity, rights, money, etc., Giving the society in the novel a foundation for growth, which is equivalent to giving the book the soul. So although this book is short, it is written vividly, with all flesh and blood and soul, just like watching a baby grow up and mature step by step. It is precisely because the novel stops abruptly, just like a young man who has just entered society and is full of vigor, without seeing the vicissitudes of the overlord after he sheds his armor, and the twilight years of the hero. Have unlimited room for imagination. Finally, I want to say that this book has three positive views and is positive. Tingri takes us to swim in his spiritual world. Thank you to the author for bringing delicious and wonderful spiritual food! Thank you, I hope to create more masterpieces!

Tingri is pretty good, I don't think the ending is bad. My personal pet peeve is having multiple female leads. Tingri is the only writer who can make me read novels with multiple female protagonists [Yours sincerely, Victims from the Small World]

Alas, I didn't expect it to be unfinished. I thought the writing was very good at the beginning of the Loyalist volume, and I enjoyed reading it. I used the time I spent playing games to read novels. I could read 200 chapters every day. But when I got to the middle and later stages of the Loyalist volume, I felt it was boring. I wanted to play the game, but I watched the progress and read it patiently until it was almost over. But when I saw the Holy Grail War in campus life at the end, it was too far-fetched that a group of people suddenly appeared and killed the protagonist group. The sword master had no effect at all, and then a group of big guys fought to death except for the principal. I have no memory of anyone else. Then at the end, the last magic weapon was not mentioned. Lan Yan paved the way for so many invincibles, but it ended hastily. I don't know what the purpose of such a shabby character was. And at the end, when the protagonist is on his way to the emperor, it felt too awkward to write other scabbards to help. I almost felt that the author's brother was writing it. Moreover, the task refresh after the if ending is too rough, it is completely confusing, and it feels like it is just a thought. To sum up, I am very grateful to the author for writing the previous story very well. I understand many of the game and anime plots, and there is a hint of humor in the heavy story. After reading it, I thought it was a novel with a novel theme, and it seemed addictive and interesting. However, because of the ending, I felt that I could not recommend it to my friends.

I haven't read it until Chapter 30. I saw the part where Unit 3 changed its clothes. Combined with "Small World" to analyze some problems and development directions of the next book. (Unit No. 1 Refers to undercover status, and so on) The most attractive thing for me when listening to the books written by Rijiang is the storytelling. Each story is very exquisite and very attractive to me (I admit that stock trading in "Small World" is very interesting to me). However, reading this book is always a bit awkward. I will analyze it from the character image, social background, growth methods and some plots with poor personal experience. 1. The protagonist of this book has many vests and different personalities. This is very similar to Xiao Suozi, the protagonist of "Small World". Xiao Suozi gives the impression of Asasi (I can always listen to Asasi). The decisive killing in the game does not prove the character of the character in reality (in reality, he is the character of the Japanese harem male protagonist). However, the core of "Small World" actually lies in the story. Xiao Suozi is just a tool to experience the story. Therefore, his character and image are irrelevant in telling the story. Moreover, when Tingri wrote the early copy, he also consciously downplayed the image of Xiao Suozi and transformed it into a new independent character. After the book followed Unit 1, a plot appeared that made me very uncomfortable: the protagonist's OOC (words that do not fit the identity). It is known that the past performance is as cold as an iceberg. During the battle of the undercover in the white night, the bad words are endless, giving people a silly and funny temperament. It does not mean that the protagonist cannot be written in this style, but the gap between the front and the back is too big. I preconceived that the protagonist should be a man of few words, but the bad words shattered me. I continued to analyze why the male protagonist should not be a silly man based on the social background. 2. Sense of reality and immersion. At the beginning of "Small World", everyone just thought that the game was a game. No matter how heavy the sacrifice (the copy of the World Snake Mage) was, it was not painful in reality. At most, there was one sigh: "Wow, the story is really good!" This book is a real deformed feudal society. The slave-owner plantation economy and feudalism run parallel. The protagonist will deal with the dark side of reality for a long time. The behavior of contacting the revolutionary army is destined to involve sacrifice and blood. The overly realistic content requires that the protagonist's image should not be too frivolous (on one side). There are many heroes who save the world while talking bad words. It is obvious that Tingri-chan has tried this, but the effect is very poor), and in an environment where cool writing prevails, realistic-style depressive novels need to have good control over the plot and characters, but this is what I will say next. 3. Sense of substitution and growth. The skill of living towards death is very interesting, but it directly welds the ceiling of growth. No matter how I learn the skill, it is better to carefully design my death at the hands of a high-ranking person. If I can't beat it, I will cheat. The sense of substitution is easily broken. Although the story of "Small World" intersects with reality, the sense of immersion is actually not as strong as this book, because you receive the hint: it is just a game. The setting at the beginning of the book is too realistic, and the writing and ink used in the first unit is too thick. Switching to the second unit, the reader (me) has a strict sense of separation (at the same time, the free use of the second unit is too hasty, as if it was cut off due to poor feedback) The simplest way to reflect the growth of a character is sacrifice, or the growth of consciousness. The most touching plot in "Lord of the Mysteries" is often the sacrifice made by the protagonist without hesitation. In every "JoJo's Bizarre Adventure", the warriors with consciousness and sacrifice turn into the golden wind blowing around the living. It is difficult to use this method in this book at present. In my opinion, the protagonist's growth is too weak. A protagonist without a shining point cannot attract readers (Sorry, in my opinion, the protagonist's current shining point is the Japanese male protagonist's Asasi and passion, which is not enough in my opinion). I know that Tingri-chan arranged the No. 2 Unit for free to take into account the authenticity factor (what's wrong with a rookie walking in the world and suffering a little loss?). However, art comes from life and is higher than life. In all excellent works, the meaning of setbacks must bring about growth. The growth seen so far is just changing the No. 3 Unit, which is not enough, too little. 4. My personal suggestion is to be as careful as possible when changing mechas, and arrange enough characters for each generation of mecha before moving forward; don't be afraid to use knives, as long as the knives are meaningful, you can accept them. I heard that Rijia said that she had conceived the idea of ​​​​a knife for my sister to eat hot pot on the train. How can I consume my sister once? I used my brother to control my sister several times, and finally I used the sister's knife to waste. I thought of a reasonable reason to do it, and the comment section exploded. I don't want to read it anyway. I hope that the replacement of mechas will be arranged more meaningfully. Every death should be arranged carefully. The later stage of "Lord of the Mysteries" went crazy He was resurrected from a mad death but fell into the trap ps1: I complained about the plot of "The Invisible Guardian" at the beginning, it was too dramatic ps2: For the sake of the 50-minute call on my phone at one o'clock in the morning, let's put it up so that more people can see it and let's discuss it.

The book is a good book, and the writing style is also good. There are not many books that make me feel sick to my stomach and reluctant to give up the book. The plot is also deep, but I still can't accept the emotional line. Thinking about it makes me feel sick to my stomach. Don't get attached to your feelings if you keep changing your body. I thought Jing Zhengwei was the end. I won't read it for now and will read it after you finish writing 😡😡

The writing is very good, the words and sentences are exquisite and accurate, the characters are vivid and full, and the foreshadowing is naturally amazing. The plot is even more touching. Tingri's writing level is very high, which is beyond my reach, but the traffic is not good enough. This book is really good (but I only saw the words about Jing Zhengwei who killed Lao Deng after he became the head of the family). The last sentence "ruined the Jing family" is very heart-warming, and the repeated "I am going to die" "" and "I know" are also handled very well and exciting. Tingri, you wrote it well. In fact, the magician also wrote it very well. However, I couldn't stand the harem and stopped reading it after reading it halfway (I heard that I was scolded for interacting too much with the harem). But the chapter in the prison was really great. I liked both Yaxiu and Leyu, and this one without a heroine (judging from the progress I've read so far) is even more in line with my appetite. Why is it so unfinished? Oh, Goutingri!

It's really a good book, with endless fun coming from the author's small world. The author's setting is really good, and many of his ideas are very inspiring. By the way, harem is a man's romance. I hope this book will be the same hehe.

The setting of memory is really poisonous. The memory of just one more person is assimilated, and the title of the book determines that it is impossible to stay in one person's body and live comfortably for a long time. Then in the later period when dozens or hundreds of memories are being remembered, people will go crazy?

There are three volumes in total, and each volume is more exciting than the last. The first volume is wonderful, the second volume is acceptable, and the third volume really has the feeling of a child playing house. The ending is too hasty, so that the ending part that should be explosive cannot feel the tension. In terms of characters, I personally think that the most successful character is Ying Ying Ying in the first volume. The rest of the characters, including the protagonist, all gave me the feeling of paper puppets. They just followed the plot and were done, just like puppets on strings. This situation is especially obvious in the third volume, such as Ming Shuiyun and Qian Yuya. The most obvious one is Cha Huan, whose label is a handsome paper man. It's like Tingri is looking at a little person, pointing to the label on it, and repeatedly telling readers that this person is very handsome, very powerful, and very unique. However, with all due respect, this approach is too routine and tool-like. Tingri really failed to capture the charm of this character. Personally, I think the plot of this book is awkward, the characters are pale, patchwork, and not very deep. You can only read the first volume. On the one hand, the writing power is naturally limited; on the other hand, it is clear at a glance whether there is any intention.

It is really rare to see such a book, a rare group of people with flesh and blood. I think the author is very ambitious and wants to depict this absurd world through changing vests one by one. So far, the pacing has been pretty good, and the plot is particularly eye-catching. For those who talk about letting the pig's feet seek death quickly and then seize the boss's body, I think you are really not suitable for this book. You should read old articles like Dou Po and upgrade as early as possible to defeat monsters and become the strongest in the world. What's the point? What attracts me the most is its basic background setting, which is a bit like the super-magic Republic of China, with artifacts hanging in the air, warlords dividing the country, people with lofty ideals emerging one after another, and a group of idealists working tirelessly towards a nihilistic utopia. Some people in the book ridicule, the book There was no shortage of ridicule in the external chapter reviews, and I even felt deeply puzzled. Why could a group of people who might have fallen through the cracks in reality be able to ridicule the idealists in the book who sacrificed everything for a universal justice? A sentence comes to mind: If the sky is dark, then survive in the dark; if it is dangerous to make a sound, then remain silent; if you feel unable to shine, then crouch in the corner. But don't defend the darkness when you are used to it, don't be proud of your own sloppiness, and don't ridicule those who are braver and more passionate than yourself. We can be as humble as dust, but we cannot be twisted like maggots. Finally, I expected this to be a super-large realistic fantasy work covered in fantasy! The suppressed sense of history beneath this humorous surface is simply intoxicating. Just like the Lord of Mysteries imagining the British Empire under the Industrial Revolution, reading the final chapter of the volume, the Great Smog Incident, makes people associate the 1952 London Fog with the whispering hotbed of birth of the evil god in the book. The sparks created by the intertwining of mystery and reality make the words penetrate the page and capture people's hearts. This is also my expectation for this book. In this fucking world, how many fools need to risk their lives to withstand the sarcasm in and out of the book in order to usher in the transition from the kingdom of necessity to the kingdom of freedom? We don't know either, but at least it's like what Chen Fu said: "Brother Qian, you will definitely do the right thing, right?" "Yeah" I believe it too.

To be honest, the ending of the first volume of Assassin is the most satisfying character description I have read this year, and the second volume is also amazing. The last time I had this feeling was when I watched Small World "Upside Down" All in all, this is a good creation I mean, Tingri's writing is pretty good. Just stick to your own ideas and write whatever you want (although Tingri doesn't read comments) Speaking of the results of this book, is it because there is no publicity? If I hadn't seen it on Qidian. Com, I wouldn't have known that Tingri had published a new book.

I'm tired of it. This plot drags on for too long. I know the author wants to enrich the plot or something, but after so many days, I just want Jing Zhengwei to die quickly. My wife is too procrastinating.

Now that I see it, let me express my personal thoughts. I feel that the author's writing is smooth, the typography is correct, and the basic skills are still acceptable. There is a big opening at the beginning, which makes me a little confused. However, after reading the title and introduction, I don't think it is too abrupt. Let's start with a topic. But this latest chapter uses the male protagonist's mouth, and the collapse setting is a bit difficult to understand. The title of the book is "Kill Me", and the whole male protagonist is not bold at all. I don't know if the author feels that the setting he wrote has been misinterpreted by readers and the original intention, or if the outline has been modified? Or do you just think that the male protagonist needs a reason not to die? There is no need to change the setting of the reason why the male protagonist does not want to die... Because of his sister, because of his conscience, because he feels sorry for his master, and if it is well written, it is also for the sake of love and justice. Personally, the biggest selling point of this book is the setting. The protagonist will be transferred when he is killed. I don't know if it is original or not, but it is still novel. I have not read the exact same setting in ten years as a bookworm. Back to the setting issue. The initial setting is that after the death of the male protagonist, in this order: direct killing, indirect killing the mastermind behind the scenes , the first living person will be found, and he will be resurrected in the first person in a form similar to soul transfer. Although the third pick is higher, it can be said that almost most human beings are related (there is a six-dimensional space theory, which says that any two people in the world can find a relationship through six intermediaries.) The readers and the male protagonist are all looking at the same setting. The male protagonist started to complain about the incomplete setting, which hurts the authority of the setting.

In the new chapter, many people say that Unit 5 will be replaced, but I think Unit 4 will not die for the time being. There are several reasons. 1. There is no suitable Unit 5. I personally feel that the suitable Unit 5 is their director. After all, his strength is the pillar of strength and his status is high. I want Unit 4 to die. At present, it seems that the characters are not fleshed out enough, but in the subsequent development, there will definitely be frequent exchanges with Unit 4 due to the advantage in the battle for the throne, and there will be many opportunities to flesh out the characters. And I'm sure that if I win in the end, I'll stab him in the back. After all, I want to be defeated by myself instead of letting my subordinates be defeated by others. 2. In Silver Blood Baqi, aside from the first two things that have been discussed, the third one is Unit 4 itself, but the most important Unit 3 has not been mentioned yet, and the ideas have not been passed on to the students of the Royal Academy. This is definitely not possible. Personally, I feel that if one day we talk about the No. 3 Unit, we will probably have to change to the No. 5 Unit. 3. And I don't know if you have noticed it, my wife. Unit 4 wants to take his wife to Beijing and reveal his ability to die as a substitute. This matter has not been done yet, so where can he be directly killed by Unit 5? And after doing this, if Machine No. 5 Has no strength and status, there is no way to keep his wife. So it's back to the first point. It seems to me that the only suitable person is the director. And my wife will probably be stigmatized for the rest of her life. There's no way around this. 4. Where is the fight for the throne going? I'm not convinced that Unit 4 has to be dismissed after just one real fight. I feel that among the 7 scabbards, Unit 4 is probably the fourth or fifth one to retire, and the sword master will win the throne through his own efforts.

Just cut it off, don't even leave an outline

Satisfies my need for spy dramas. Everyone is like a speck of dust under the wheel of time

Isn't the Small World extra chapter updated?

Gou Tingri suddenly started playing knife-feeding style

Did you hear that Riji ignored the book friends from Tencent next door? Why did I come here to draw pictures?

6 py😁

After chasing it in one day, ghs has a good idea

Tingri said that the book review section is full of criticism, so today I will praise you. I hope that one day Gou Tingri will read the book reviews openly.

This is my monthly pass for this month, take it. JOJO! ! !

Update ps: I used to read a few old authors, but lately I have been in the habit of looking for new books, so I looked through the comment sections and chapters more often, and found that some books have more than one p-word at the bottom. I can really criticize them everywhere, so I just had to stop the author and write it myself. Looking back at Tingri, it was quite refreshing. I occasionally look at the comment section and see all the criticism, which makes me feel very sorry. I heard the Japanese say that they didn't even dare to read the comment section, and I feel like readers who support the author need to speak out. Personally, I still like this new work very much. I feel that there has been a lot of progress from the small world to the current one. The worldview seems relatively vulgar at first, but after two volumes, it feels quite novel. The writing style is more humorous and there are basically no embarrassing jokes in the small world. The character descriptions are more detailed. The weird sister Chen Fu and even the elite monster Kui Zhao make people feel alive, and everything they do is consistent with their characters. Of course, the most surprising thing is the protagonist. Unlike Ren Suo, who is overtly naive and secretly a scumbag, the protagonist is still somewhat intelligent and not lazy. He values ​​love and righteousness. He is not a scumbag yet. Of course, the most exciting thing is that Le Yuzui Pao is currently the ceiling of this book's combat power. . . Every time I watch Le Yu, I laugh out loud when he starts talking nonsense. It fits the name of the protagonist very well. In terms of plot, the first part is completed in one go, with many foreshadowings, few loopholes, and the world view is well developed. After one volume, the world has basically become vivid, and I even suspect that Tingri wrote the outline. . . At the beginning of the second volume, I originally thought that the plot would be uncontrollable if Qian Yuliu dies and then Ying Ying Kai dies again, but now it seems that it may be even better than the first volume. Judging from the latest chapter, the protagonist has lost a little bit of the idea of ​​staying out of the situation as a time traveler, and has accumulated a lot of hostility towards the reactionary forces. I am full of expectations for the second volume. Finally, I support Tingri as an author in implementing his own ideas in the book. After all, the troubled times have passed, and I hope that Tingri will not be discouraged by criticism. The current good monthly ticket score is the greatest recognition of this book.

In the end, Death and Life is the best written

Is there any next book? If so, would it still be a case of literary youth? It just ended because I didn't want to force or torture such a young protagonist. Please listen to me and answer these two questions truthfully. If the answer is: There is a next book, and if you don't offend the literary youth, I will continue to read your next book. If there is a next book, but the literary youth doesn't change it, I'm sorry I won't pursue it. Also, I would like to edit and add something to make it clear what I mean by "literary youth". It is not the style of writing, but the reason why the novel is unfinished. Using the excuse of not wanting to torture the protagonist as a reason for unfinished work is nothing but literary youth. The God of War Scroll is completely gone. From the beginning to the end, I have been emphasizing how important and beautiful the God of War Scroll is. If it is gone like this, why can't I say a few words?

The latest two chapters are only a few hours apart. They are obviously the two updates yesterday. However, the author has not released them yet, so he had to post one chapter first, and then accidentally crossed 12 o'clock. Don't be morally kidnapped.

Although this book is very good, it is a trap! I didn't write about Lan Yan. I think this must be because the author is too lazy to write. I have been looking forward to the passionate collision with Lan Yan for so long, and finally stopped writing? Then you have laid so much groundwork in the early stage? Have you eaten up all the tricks? Why don't you take the usual path?