Technician's Manual

I have only read "Small World" and this book among Tingri's books. Both books are fully ordered, and the feelings of the two books are very similar. It can be seen that the author has made great progress compared to "Small World" when writing this book, but the direction of the mystery in the middle and later stages completely exceeded the readers' expectations. The beginning of this book is unquestionably excellent. Although the subject of jailbreak has been promoted by many classic literary and artistic works and has formed a quite mature model, this book still shows off some unique skills in the field of online literature. As a time-traveler, the protagonist bears undue responsibilities and is imprisoned with no freedom, which makes the readers sympathize with the protagonist and dislike the Blood Moon Kingdom in a very short period of time; the various prisoners in the prison reinforce the atmosphere of depression and despair while quickly laying out the setting; the protagonist before and after time travel The two worlds may seem very different, but the gap between rich and poor and structural oppression are the same. This ingenious treatment allows readers in the real world to further understand the cruelty of the blood moon; and the setting of the blood moon better integrates the characteristics of European and American dystopian themes and Japanese two-dimensional culture. Different races There is a huge difference in status and prospects. Everyone is almost determined by their own status at birth. The elites have a clear path to promotion and fight among themselves crazily. Races like orcs can only rely on vulgar cultural products and legal drugs to maintain the joy of life. Among these entertainments, the most exciting The adrenaline rush is the Blood Moon Trial, where the votes determine the life and death of the participants. This reality show makes people with bleak lives have the illusion that they are in control of the fate of others, voluntarily or involuntarily forgetting that in the eyes of those elites, they themselves are also controlled machines and experimental materials without labels. The author uses black humor to dilute the pungent taste of social criticism, but raises the question from another level: criminals such as Iguola and Harvey use horrific methods to obtain profits, and the Blood Moon Kingdom uses an aboveboard system to oppress the bottom class. Which of the two should be named more sinful? Or are they all just different parts of a larger machine in this cruel world? Ash comes to this world with the mentality and logic of a bystander. Will he bring some impact to this world? Although the virtual line parallel to the prison line is not as brilliant as the former, it also shows the author's ambition. While Ash's body was still trapped in the prison, his spirit had seen images of the wider world. His first teammate in the virtual world is also the heroine candidate Sonia. She is in another country, the starry kingdom where the entertainment industry is extremely developed. It is a country that seems to be more gentle and orderly. Sonia, who came to the big city from the countryside, was fascinated by the prosperity of the city. As a "village girl", she originally just wanted to dress herself up. After finding a good man and entering the upper class life, Ash treated her like a card in a mobile game and arranged training sessions crazily without restraint. This ingenious arrangement opened up new possibilities for Sonia to show off her charm with exquisite swordsmanship and become a star. Readers know that she will also face a more grand and decisive stage called "battlefield" in the future. Ash and Sonia's exploration of the virtual realm also reveals the interesting aspects of the magician's world: the virtual realm is a dangerous place full of dangers, but it is also a ladder for magicians to climb up. Countless magicians plunder magic spirits in the virtual realm, but the relationship between the virtual realm and the magicians is not a simple enemy, but a vague mutual nourishment. Of course, it is also worth mentioning the other two important female characters. As a enchantress with a very mature body but no understanding of natural love life, Freya interprets the daily life of pure love in another way, which also reflects that the entertainment activities that satisfy people's desires in the Blood Moon Kingdom still cannot replace the sincere and beautiful emotional interaction between people; Shiffrin, who is dedicated to her career, regards Ash as her experimental material, but in the contact with the material, more complex and wonderful emotions that can be expected in the future are naturally born. There are other characters in the Blood Moon chapter who appear less often but have equally outstanding performances. Looking at the character list in this book, in addition to the prison escape trio and the female protagonist group, nearly half of the other identified supporting characters are from the Blood Moon chapter. Hunter Gerald, Ronald and Lang Na from the prison escape team, and the wolf girl Amy. These characters almost only appear in the Blood Moon chapter but they still bring memories. It can be said that when I was chasing the Blood Moon chapter, I was very enthusiastic. Every day I look forward to a new chapter in which the author reveals some more interesting setting, a more complex interaction between the characters, or a few new hellish jokes. The Gospel further demonstrates the author's powerful writing power. During their journey to the gospel country, the prison escape trio witnessed a completely different social ecology from Blood Moon. Advanced AI arranged a seemingly good life for everyone, and people's lives seemed to be far happier than those of the civilians in Blood Moon. However, the trio who escaped from prison were caught by Annan, who had ulterior motives. Annan revealed to them the dark side of the gospel kingdom: everyone is controlled by the gospel from birth to death. They do have a good life, but this life is based on false lies; dreams or ingenuity created by the superiors using drugs The designed loan system has trapped the common people in an endless cycle of generations; just like what Igura and Harvey did in the Blood Moon, the Gospel also has a group of people with ulterior motives who constantly test the loopholes of the Gospel system as a way to make profits, and this further reduces the stability of the Gospel system. The gospel system tries to maintain its own stability, but it cannot fully control human diversity; and if this giant ship will eventually sink, is it worth depriving people of their spiritual freedom to keep the giant ship stable? The oppression of the blood moon is undisguised, and bloodshot remains remain in the gaps between the teeth; but the gospel hides the oppression behind the bright scenery of flowers and green grass. Although the former is heavy, it still gives people the desire to resist; the latter is indeed gentle, but it deprives people of their right to choose. This is also a social issue we often discuss: Is there a positive correlation between social progress and individual freedom? The virtual part of the Gospel is equally wonderful. The new character Lisdia, the War of the Six Kingdoms, the Armored Saint, the Secret Incarnation, new settings are constantly being thrown out and connected. The fantasy scenes of the white bull, the six-color anchor and the colorful tail bring a long and charming sense of mythology. What surprised me the most is that it reflects the soul. In the house, the three-person team who temporarily lost their memory and Denzel who chased them established a wrong relationship through outrageous inferences, but they were able to gain insight into more truth in the quiz game. The wonderful development of these chapters made me amazed. And Denzel happened to be An Nan's ancestor during his lifetime. The two threads of the virtual realm and the kingdom are intertwined with each other like a web, making people look forward to the moment when the knot will be untied. Although the ending of the Gospel is not satisfying enough for many people, I think this does not hinder the overall quality of the Gospel. While the character pool is rapidly expanding, the characteristics and shining points of each main character are also fully demonstrated. Ash, Igurah and Harvey each received high-quality highlight performances. The three completed three key reversals with completely different thinking logic and abilities. The disclosure of the gospel list and the setting of the witch's multiple personalities triggered more dramatic conflicts. The most surprising thing is that these parts have become an integral part of the entire gospel kingdom story. Although there is still a lot of suspense at the end, it does not affect the integrity of the gospel. However, in the Senluo chapter, the situation became worse. Sen Luo's setting is not as sound as Blood Moon and Gospel. I don't know if this is because after long-term updates, the author's original setting content has been consumed faster than the new ones. The setting of Sen Luo is a relatively typical post-apocalyptic background. The once advanced era was destroyed in a huge disaster. People can still obtain the heritage of the past era but cannot fully utilize it. The entire country shows a miserable green scene of decline. However, in terms of content, the Senluo chapter is seriously lacking compared to before. The internal conflicts of this country are not clear enough to maintain a long-term exciting plot. Many of the newly added characters also lacked outstanding performances, especially the character of Lan Sewei, who was really not competitive in the face of the sword princess and witch who were more comprehensively portrayed and had more likable personalities. Theoretically, she can gain her own highlight through the contrast of the plots before and after. However, the decline in the description of Senluo Kingdom makes Yin Deng's grief and determination lose its foundation. If Sen Luo Kingdom cannot make readers immersed in the scene, then Yin Deng's inner struggle will be difficult to believe. The Senluo chapter also introduces a new female character, Tamashi, who is bound to the protagonist, but Tamashi's role as a "lost dog" is not as exciting as Freya, Shiffrin, and Annan. (Actually, I don't quite understand the significance of setting this character as a female.) The virtual realm part of Senluo Chapter is also beginning to show signs of fatigue. The newly added rougelike-like mechanism appears to be looser and lacks a strong external driving force. The exploration of the virtual realm begins to have the look and feel of playing a copy. Although there are still many interesting new settings, it also makes me worry about the future. But the subsequent chapters made me feel that I was indeed too naive. Starting from the Stars chapter, the book went in a direction I didn't expect. As for the travel part of the country, due to its special setting, the Kingdom of Stars began to add female characters at an extremely fast speed, and the previous defeated dog groups also returned one after another. The emotional content began to occupy a large amount of space, and the original main line also entered a very stereotyped routine of beating the final boss and saving the world. The virtual realm part is gradually becoming one with the kingdom part. After all, the weapons to defeat the final boss still have to be found in the virtual realm. Starting from Stars, the style of the first half of the book quickly disappears, giving way to a brand new and strange daily life of a promiscuous male protagonist and a group of harem female protagonists who deeply love each other and torture each other, similar to the middle and later stages of "Small World". The main plot is that Sword Princess scolds Ash for being sentimental, Ash admits that he is a trash can but is unwilling to give up anyone, Sword Princess scolds Ash for bullying him because of her deep love for him, Ash admits that he is bullying Sword Princess but is unwilling to give up anyone, Sword Princess is so wronged that she sheds tears and then hugs Ash... And then there is a common comedy scene in harem dramas where the heroines strictly guard against each other and stop each other. The opponent approaches the male protagonist and then tries to sneak away on their own, a group of people play a live-action comedy version of Battle Royale, and they join forces in various ways to get the championship trophy called the male protagonist... I can understand that many readers do like harem stories, but although there are many harem tendencies in the first half of the book, the overall structure at that time was still a road movie, with the protagonist group traveling around various countries and encountering different problems. Now that the style suddenly changes, readers like me who have been following updates from the early days will feel very embarrassed. Give up, there are so many remaining questions about settings that have not yet been answered; continue to follow, many chapters lose interest in continuing to read when they see the title, and they pass by just glancing at the content. This way of reading is really a waste of points. The different social cultures of different countries are not presented. The key new settings of virtual realms, magicians and four-pillar gods are not only few in number, but are often mixed in the harem plot of several or more than ten consecutive chapters. To be honest, I don't remember much about the main plot from the beginning to the end of Stars Chapter. What kind of angels, demigods, and the final boss, the world-devouring snake, who is very powerful in terms of setting but I really don't realize how much oppression its existence brings to the protagonist group. What impressed me deeply was the humorous performance of the dramatic poet when he appeared and the supplementary settings of the virtual realm, the eight beings and the four pillar gods. And I think that the part starting from Stars is not only filled with harem content that is completely different in style from the previous part, but also the character creation is completely in a disaster situation. The controversy related to Sword Princess is actually one of the manifestations of this problem. Many readers said that they don't like Sword Princess. They feel that Sword Princess has always relied on Ash for her growth, but she and Ash continue to torture each other. But I think this is not a problem with Sword Princess itself, but more because the shaping of the character of Sword Princess has not been completed: in fact, only a small part of her character arc has been completed. Starting from the Senluo chapter, Sword Princess's growth has become very little, and her tool-man attributes have become stronger and stronger. The initial growth of Sword Princess was mainly due to her hard work in swordsmanship, which allowed her to gain a bigger stage to express herself, and she soon became a popular figure in the school. If we follow the development logic after this, Sword Girl will not stop on the starry stage, nor will she become a noble. Instead, she will go to the highest level of the virtual realm with Ash, fight to the death with the most powerful enemy in the world, use the sword to open the way for the future of the world, and mark her bloody battle figure on the monument of time. But obviously, starting from the middle and late stages of the book, Jian Ji's role is basically the deputy captain of the team. Jian Ji is responsible for directing operations every time Ash is away. This also leads to another embarrassing situation. Although the setting is that Sword Princess has experienced many battles along the way, what makes readers feel her desperate and decisive attitude is the battle between her and a group of college students in the early stage of the school. In life, she is the temporary main palace of the harem (the official appointment is still in the announcement period, but there will basically be no surprises). The character's arc is not completed, but he is continuously responsible for starting a large number of harem plots in the later period. Such a character is, if not boring, at least unlikable. I think the author is primarily responsible for the negative reviews that Sword Princess has received. The witch's role is colored with multiple personalities, such as heart-wrenching puffs and other tiger-wolf words; Silver Lantern is all kinds of tricks, she used to be determined to save Senluo, but now she is determined to take Ash first; Vichy is even more outrageous, the setting is a devil who has lived for thousands of years and killed millions of people. After officially joining the team, he remained dangerous for a while, but at a certain point in time, he transformed into a sexy maid with a sexy appearance and a shy heart, and seriously thought about how to give Ash a child. (I don't know if I missed some content, such as Vichy offended some high-level being and was given a vicious curse to make her a 100% love brain. If so, I solemnly apologize to Vichy) So the perception of the main female characters in the later part of the book is negatively related to how much they participate in the harem plot. The Sword Princess not only has to participate in the harem plot, but is also often responsible for directly triggering conflicts and starting the plot, so the perception is not very good; the Witch, Silver Lantern, and Vichy only participate in the plot, so the perception is acceptable; the Lost Dog Group rarely directly participates in the plot, so the perception remains good; and Igura and Harvey were very lucky to leave the team before the plot took a turn, and successfully became the only light that designated the right path in the later period of the book. Having said this, I would like to emphasize again that I have no objection to the author's description of the harem. I can only say that I personally have not read many harem articles, and the harem in this book may not be the style I like. But the style changes so drastically between the early and late stages of the book, which baffles me. It seems that the author had difficulty maintaining the early writing style, and then turned to the two-dimensional beauty harem brawl content that he was familiar with and good at, and began to constantly unlock new gameplay and skills for the protagonist group. I don't know what the data curve of this book is, but the criticism in the comment area was very loud. I still hope that the author can maintain a more stable writing style and plot direction in the next novel. I wish both the author and the readers better and better. Another: We still don't know which game this customized article is from.

Posting this book, I felt like eating an apple. It was very sweet at first. As I ate it, I realized that the apple was broken. I thought that I had bought it with money and could still eat it if it was a little bit bad. Then it became more and more disgusting. I couldn't stand it anymore. I couldn't hold it anymore. I don't recommend it.

This can be regarded as a small book review, and it can be regarded as not being unpleasant. The whole early part of the book is extremely beautiful and is a treasure in the world. Both the Blood Moon chapter and the Gospel chapter are very exciting. The Blood Moon chapter can be said to be quite fascinating and can attract many book lovers. As for the Gospel, I think the character of Ash is established, and a full-fledged idealist slowly unfolds between the lines. So far it's all very good, even the Senluo chapter is pretty good. But after that, the whole thing became weird. Not to mention that Ya Xiu's promiscuous designs are becoming more and more inexplicable and bizarre. It feels like there seems to be no emotional foundation, and then with a touch or a word, the girl can't hold on anymore and immediately falls. And it's too frequent, too frequent, this kind of situation happens too often. I could stand it at first, but later it became more and more unbearable. And I don't know why almost all the girls who have more scenes don't have any other relationship with Ash other than mutual love and unrequited love. Like Killing Crows, a character who was so full of determination and faith at the beginning turned out to be..., I'm not saying it can't be done, but it still feels weird. Moreover, the characters in the author's works are too prone to emotional outbursts. I feel that the foreshadowing is not in place and the emotions are not accumulated. Then they cry and yell, then Ash hugs them and says some words, and then the girl falls for it and the problem is solved. Um, ? And Ash was an idealist at the beginning and turned into a double standard later on. Although the author has been really justifying Ash's double standards, that is, she is also a human being, but, really, sometimes it is really too difficult to hold back. I saw that the Lord of God was guarding Hell in order not to release the snake, and then Ash came back and said, "They did the right thing, but they shouldn't hurt you, so I want to take revenge on them." Brother, I really couldn't hold back at that moment, the Lord of God is so innocent. The God Lord tried to persuade them nicely, and some of the more selfish ones even promised not to interfere with their entry into the Kingdom of Heaven. The better ones even said they would help them. However, the four wives refused to listen and insisted on beating them, resulting in heavy losses. As a result, Yaxiu got help from Death Maniac and came back to settle the score? Me, me, me,? I really couldn't stand the follow-up. I couldn't stand it at first but I thought I could continue watching it. When I saw Ash's words, I really couldn't stand it anymore. And there were huge problems with the follow-up character creation. The exit of the old five-person group was extremely perfunctory, abrupt and rushed. A few people acted like real lunatics in the past, but the follow-up suddenly worked, and I was relieved. Especially the Black Devil, the last paragraph, I really, ah? Ah? Ah? I couldn't say anything other than "ah" for a long time. To be honest, bro, I just need to read the Senluo chapter at most. In the end, as always, everyone has the same problem. I heard that Riji can't control the world view and characters he created. Especially the maid, I really, heh, I can't say it's bad, I can only say it's unsatisfactory. That's probably it. It doesn't mean anything malicious, it's just something I can't hold back.

Let's get straight to the point: I really hate the character of Sword Princess Sonia. This is not to sensationalize, just to express my personal opinion. I really can't hold it in any longer. Let me start by saying that I really like the author's plot, otherwise I wouldn't be able to follow a character when I hate it so much. What I express next are all my subjective opinions and can be discussed, but if you don't agree with them at all, you don't need to reply to me. Let's first analyze the relationship between the protagonists Ashiu and Sonia. Putting aside the ambiguous feelings, what is Sonia to Ashi? The only answer: subordinates. No matter how much Sonia's future Death Mad Sword Princess takes advantage of Ash's friendliness and weakness, Sonia and Ash are in an out-and-out subordinate relationship. I don't appreciate Jian Ji's so-called "self" of the heroine at all. To put it bluntly, everything is given by the viewer. Where does the self come from, where does the pride come from? In the virtual world, I can enjoy the convenience and training brought by Ya Xiu with peace of mind. In reality, I can still talk about myself and be proud of myself. I really can't figure out why. Think about it for a moment, if Sonia is not the heroine, but a man, and her ordinary destiny is changed by the hero, and she enjoys the training of the hero Ash, but she does not think that she is a subordinate, but feels that even if I use your resources and rely on you again, we are equal, and you should help me. I felt an indescribable nausea. After all, how did Sonia's status come about? Simply because she was accompanying Ash during the precarious days when he was imprisoned and planning his escape. Simply because the author arranged for her to be the first. What about others? In terms of her character, she is greedy, self-centered and playful, which I don't appreciate at all. I even think that any other heroine's character is better than hers. She can firmly occupy the position of the heroine. It can be said that it is just the arrangement of the plot and the author's preference. Let's talk about "talent" again. I really didn't see Sonia's own talent. When fighting the Orange Dancer, the "Death Mad Sword Lady" helped to cheat; later in the Meteor Tribulation, the Death Mad Sword Lady helped to cheat; when I challenged the Sanctuary called Dimi, I skipped the battle because I knew that it would be the Death Mad Sword Lady who helped cheat again. Some people say that they are the same person, but I think that the future Death Swordswoman has experienced various setbacks and pains and awakened on her own. Why does she, Sonia? I have never experienced the pain of frustration, and I don't even have the awareness to become a strong person. Upgrading depends on the spectators to cheat, and fighting depends on one's own skill transfer in the future. The living Mary Su Long Aotian also takes her grandfather (male protagonist) with her. Emotionally, relying on the plot to occupy Ya Xiu's heart when he is most lonely and helpless, and then pampering him. Even if he actually relies on Ya Xiu for various reasons, he still has to be coaxed and given in. I am not willing to give a little and take a step forward. It's euphemistically called, "self-respect and self-love." What does true self-esteem and self-love look like? "You changed my destiny and allowed me to pursue my dreams. So what if I gave up my dreams for you?" "You have helped me so much. If I fall in love with you, then you are mine and I am yours; I cannot fall in love with you, but I will still repay the kindness. I can use this body and this sword to drive you." Is Sonia worthy of self-respect and self-love? That's just a little fairy who is purely selfish and spoiled by the author's preference.

I once made an explosive argument: whether a harem novel is good or not depends not on how popular the heroine is, but how popular the male protagonist is. Ash is naive, lazy, muddled along, has poor self-control... He has countless shortcomings. Why is Ash the most popular in the book now? Why is he recognized by many characters in the book, including enemies? Why is he qualified to have a harem? Have you thought about this problem? In addition to the plug-ins given by the Final Five, I summarized three points: First, modern insight. Different from the common psychological micro-expression analysis (Igurah school), Ash's observation focuses on analyzing from a modern perspective and gaining profound insights into the society and human heart of the magician's civilization. He may not be keen on all issues, but under the observation of modern people's thinking, he can discover the underlying operating logic under the surface of the civilization of the magician's country through comparison and thinking in daily life, so as to find the real problems of each country. He is also particularly outstanding in grasping the human heart and human nature. Therefore, Yaxiu is a "great wise but foolish person" in the true sense. He is slow in many aspects, sometimes even lower than ordinary people, but at critical moments, he is wiser than everyone else - he is good at breaking conventions, willing to believe and work hard to create miracles. Second, sincerity and kindness are nirvana. According to the evaluation of Igura, a "fraudster" who is proficient in psychology, Ash's usual performance is "the personality of a kindergarten class in a nursing home, the eloquence of low emotional intelligence, and the expression management of infants and toddlers." However, this kind of behavior that may seem immature or even naive to ordinary people has repeatedly won him favor. For example, in the gospel chapter, Annan's true words, apart from Liz taking advantage of the loophole, only Ashian truly believed that everyone could put aside their past grudges and work together. Even though everyone thought he was naive at the time, everyone was actually moved to some extent in their hearts. Human hearts are fleshy. If you treat others with sincerity, others will treat you with sincerity. This kind of plot is almost everywhere in novels. His sincerity and kindness will unknowingly infect the people around him, and these people will unconsciously center on Ash, forming a bond of relationship - countless people have questioned his ability, but no one will question his kindness and will. In the Senluo chapter, Ash and Weisel have different understandings of Cicada Chrysalis. He is willing to cooperate first with an attitude of trying to understand others and solve problems from the heart. He is very clear about his relationship with women. He can boil a frog in warm water and wait until everyone gradually becomes inseparable from him, then use interests and emotions to reach some kind of tacit understanding. But he didn't do that. He had to make it clear that if he likes someone, he just likes him. He doesn't shy away from saying that he likes another person in front of one person. Frankness will bring pain, but honesty may also bring happiness. Whatever you pay, you will definitely get something. Third, be weak and unyielding. This is what I think is the most important point. "The Tao Te Ching" says: "The void is unyielding, and the more it moves, the more it comes out." It means: "It seems empty inside, but its functions are endless. Once it moves, it will be endless." Throughout the novel, in fact, Ya Xiu is an ordinary person with no ambitions. He just wants to live an honest and stable life. But this is not the case with the friends around him. Almost all of them have ideals and ambitions beyond imagination, and most of them even have "evil ideals." What's even more frightening is that they do have the ability to realize their ideals... Ashi is out of place among them, but he is also the leader of this group of people. How did this weird combination come to be? The answer is "keep the virtual". Intentionally or unintentionally, Yaxiu reached the Taoist state of "empty but unyielding". The careerists cannot be partners with each other. Only the empty and mediocre Ash can accommodate their huge egos and allow them to find peace. At the same time, Ya Xiu also feeds back his own "ordinary" beauty to others, allowing them to gain warmth and touch. "They can see themselves in my eyes because I am also watching them." Ash never really thinks about getting anything from the past. Instead, he respects and even admires the ideals of each of his companions. He is often willing to give up his own interests to help others, and is even considered a "bad guy who pursues impossible perfection." He "loses and damages again and again, to the point of doing nothing." Yes, most of the time, Ash, who has no special skills, seems useless. Even many of his magical realms come from the sharing of operators. Although his talents are high, they are often not used. But real leaders often do nothing but do everything. Think about why Liu Bang, the founder of Han Dynasty, was highly praised and admired by countless historians and emperors in Chinese history. In the finale, when he achieved eight wings, he lost them at the same time. He gave his power to the world and the magicians, and the world and the magicians became his power. Magicians are selfish, but eight-winged magicians are selfless. Selflessness comes from the world for me, and selfishness comes from me serving the world. As one of the few true harem male protagonists that I recognize, Ash deserves my praise and praise for the viewers👍

Listen to Ri's new work, as long as you maintain the absolute title of god in the future. Telling dystopian stories in a relaxed style is like watching a collection of humanistic science fiction movies. It is profound but not heavy. It deconstructs various social science contents into fantasy adventure stories in other worlds. The deconstruction logic of the plot is clear, compact and reasonable, and the character creation is also extremely vivid. I would like to ask, which young person who has just constructed his own social cognition has not fantasized about using compulsory socialization to eliminate class and social injustice? Who has never imagined that there will be an omniscient and omnipotent AI to guide the operation of the entire society? Or do whatever you want in an immersive virtual space at night, and walk like a zombie in real life during the day. For many people, it is simply a dream come true. These social forms and the people living in them are all flesh and blood in this book. I hope this book can bring a smile to other readers and a lasting aftertaste, just like it did to me.

It's hard to imagine that this novel is a custom-written novel. It broke the impression in my mind that custom-written novels are all mediocre. But it is also understandable that because this game has not yet come out, and the sponsor has almost no mandatory requirements, Tingri Ji can solve the problem according to her own creativity. The good thing is that the funder should be able to control the old thieves in Tingri and not let themselves go, so the possibility of the book being unfinished is reduced. In the later period, Gou Tingri was as light as a balloon and needed a thin thread to tie him to the ground, and the gold master was that one... The whole novel is roughly composed of four parts. One is the main storyline from the perspective of the male protagonist Asher Heath, the second is the side plot of the heroines to supplement the plot, the third is exploration and adventure in the virtual world, and the fourth is the development of paper characters in the krypton gold card-drawing mobile game. These four parts complement each other, are cleverly blended together, and fit together perfectly to form the profound world view of the magician's world and the wonderful adventure of Ash for the viewer. The main plot has the flavor of a Japanese mobile game, with one country forming a complete chapter. Through the protagonist's travels, the filth hidden in these seemingly glamorous countries is gradually exposed. The Blood Moon Kingdom in the first volume abandons the family and adopts socialized upbringing. The chip in the brain makes crimes invisible. Elves, humans, orcs, and goblins are free and equal. Entertainment industries such as Nica and Moon Candy are highly developed. The citizens of the gospel country in the second volume work hard to create great material wealth. The gospel has various fair rankings to reward hard-working citizens. This reward is almost equivalent to the almighty wish machine. However, these two seemingly beautiful countries still have room for cults to grow, and the protagonist travels to the leader of the Four Pillar God cult, Asher Hiss, the Doomsday Viewer. He was arrested and imprisoned at the scene of the cult at the beginning. He was "severely beaten" by inmates in the prison and grew up, and then thwarted the plot to kill him twice. He collaborated with fellow inmates to successfully escape from prison, and then sneaked into the university to seek revenge on the mastermind behind the scenes. He then successfully escaped abroad, but was arrested again in the second country and forced to sign a contract with a bad woman to blaspheme the gospel. In Tingri's writing, the heroine (and the female supporting character) who are obviously paper figures are vividly and three-dimensionally portrayed. In addition to being protagonist operators, they also live in flesh and blood in their respective countries. The protagonist is not their master, but respects and exploits them, showing a wonderful balance. The first heroine, Sonia Servi, the mad swordsman, was originally a college student admitted to the countryside of the Kingdom of Stars. She has a low and arrogant personality. She always wears a brown mask because of her longing for a happy life. She does not have a good relationship with her roommates. She was originally a student of the water arts department, and her dream was to enter the upper class society by hooking up with nobles and establishing relationships. But after getting to know the protagonist, he discovered his talent in swordsmanship and transferred to the swordsmanship department. Under the influence of the "Sincerity" magic spirit and Yaxiu, not only did his strength grow rapidly, but his personality also changed. She gradually gained true self-confidence and arrogance, turning from an all-round social person into a social master. Of course, as the initial card, Sonia has more scenes. In the first hundred chapters, Ash and Sonia's perspectives are almost 50/50, and after that, Sonia is offline for nearly a hundred chapters. The drama about Sonia's good sisters in the dormitory, the detailed descriptions of dressing up and make-up, and the tutorials on how girls can fall in love with their male idols are all so delicate that they cannot be written by a male video author. It is impossible for the other heroines to be as fully developed as Sonia, and they need to use more concise words to describe the new operators they have drawn. The setting of the virtual realm has the shadow of the two books "The Lord of Shenxiu" and "Girl, There's Something Not Right About You". This world view and power system are the finishing touch and revitalize the overall situation. If Shenxiu is a flash decryption adventure game, and Girl is an idle brush game where you can defeat monsters without losing equipment, this book's virtual world combines the advantages of both, making it a roguelike with strong gameplay. On this basis, settings such as magic spirits and miracles can be deduced naturally. If you have played Japanese mobile games, you will definitely be able to get the clues. The male and female protagonists who cannot meet in real life are taking risks and upgrading in this virtual world, while interacting and growing their bonds. Both aspects are very fun. Currently, the protagonist has smuggled into the Time Continent and spread out his golden wings. The new operator Lisdia, the black and white witch, has joined the team and started to get along. Sonia is not willing to be compared. As a customized text for mobile games, this book has a very good sense of mobile games, as if there really is such a game, not just a system exclusive to the protagonist. Ten draws in a row is a classic and exciting point, and the actual performance of drawing things and arranging paper figures to strengthen them is also very interesting. But this is not a real mobile game. The thoughts of the viewer and Sword Girl guide the still weak Ash and Sonia, and their conversation faintly reveals unusual information. Now, due to the unequal intelligence between the two sides, Ash still regards Sonia as a paper man, and Sonia thinks Ash is a powerful magician who has lost his memory. When can Ash and Sonia realize that each other is a real person of the same age, and when can Ash go to the Starry Kingdom and meet Sonia in reality? What have the viewers and Sword Girl experienced, and how will the story of Ash and Sonia unfold in this world line? By the way, I would like to introduce (not recommend) a mobile game "The Fantasy Adventure of the Canterbury Princess and Knight Awakening the Champion's Sword", which does a good job in both macro plot and micro plot. It was supposed to be a fun game, but it was represented by Station B. The games of the Goose Factory can be played well as long as you spend money, and the games of the Pig Farm can be played as long as you are willing to play hard, but the games represented by Station B will not work no matter how hard you spend money. It's a pity that this game was based on the basics when it was made. If you really want to play it, I suggest you just play the PVE part without reading the guide.

I personally feel that the Gospel chapter is not as good as the Blood Moon chapter (this should be a common view, right?) The main reason is that the collision between the characters and the plot is not intense enough. If Fei Xuenan hoped for a revolution to overthrow the God Lord in the Blood Moon Trial, then the purple moth's fight to the flames at the establishment ceremony was at most a reform within the framework of the God Lord. There is naturally a big gap in tension between the two. And this gap actually comes from the suppression of the blood moon system by the gospel system. In the original text, the blood moon and the gospel are also compared, and the final conclusion is that apart from the oppression of top magicians, in terms of people's livelihood, "the blood moon master is not worthy of licking the feet of the omniscient weaver." What are the advantages of the gospel system? Under the bug-level patch of the Gospel, the Gospel society has almost perfectly mobilized the productivity of the people below the Sanctuary. Although it belongs to the same class solidification as the Blood Moon, it gives the people at the bottom a lot of living space, such as Nabistin's fully automatic work, the loan life under the control system of Ephraim, and the entertainment to death of the Six-Herald family. These all allow a person at the bottom to live a relatively comfortable life and be used as fuel to push forward the Gospel. Even in Iguola's view, the gospel list will even promote the involution of the group and promote the advancement of productivity. This is why even An Nan, when listening to the cult leader's instigation, would say that the gospel is not sinful enough. This is also the main reason why the conflicts between the characters and the plot are not intense enough - the gospel seems too perfect. But is it really so? I don't think so. Judging from the noisy city of the gospel that I can't name, there is still a problem with the class mobility of the gospel. The blood moon can even allow Fisherman, who was born in the slums, to participate in politics, but what about the gospel? Under the evaluation of the gospel, it is difficult for those who are lagging behind to stand up. The involution that Igula sees is ultimately just the involution among leading groups for profit, while noise can only lie down and wait for the macro-control of the gospel to give it a blood transfusion. Moreover, only productivity has improved, while production relations are still firmly in the hands of the carnivores headed by the Gospel royal family. For example, Qin Na's concern about Tianqing Lane - it will reduce the number of jobs for low-quality tribesmen, inevitably lower the ranking of the Gospel list, and tend to weaken in the competition of leading groups. And the biggest problem with Gospel is the lack of cutting-edge technology and top-level combat capabilities. Not to mention the oppression of the strong men in the Holy Realm and the breakpoints in the training path, but from the perspective of cutting-edge technology, why is the medical technology of the Gospel not as outrageous as the Blood Moon? Why are the Ephraim sisters trapped by the undead faction of their dead ancestors? I think this is a result of the limited ability of the gospel to mobilize subjective agency. The Gospel may not be unable to develop biochemical technologies like the Blood Moon, but the Gospel does not give them such a need; although Harvey disdains the outdated necromantic faction of the Angels, the probability that a descendant of the Ephraim family will give birth to a weirdo like Harvey in the world is still too small. If the gospel does not have such demand, it will be difficult to find corresponding talents, and naturally it will be difficult to have top technology. Then some people will say, so what? Not a big problem. Indeed, it is not necessarily a shortcoming that under the control of the Gospel, the Gospel technology trees are balanced and can make more efficient use of limited resources. But the gospel is not a completely closed system. In the face of large-scale invasions from other countries, the hidden dangers of the gospel system will be completely exposed and conflicts will be intensified. This is also my guess about the author downplaying the contradictions of the gospel (limiting the length of the Noisy City). No matter what purpose it is given to An Nan, the gospel in the current period of Ya Xiu pales in comparison to the blood moon (I guess this is also the author's headache), so I simply leave it out (that is, digging holes but not filling them). It also serves as a buffer chapter (the gospel chapter does have more lively and funny plots than the blood moon). I hope the oasis chapter can be exciting throughout. Of course, this is all my own wishful thinking. I was attracted by the Blood Moon Trial and the Blood Moon from Freya's perspective (including the love story hh, of course). In fact, Blood Moon also has many unfilled holes, so I am still looking forward to the next story of Ash Ash. I hope Hiji will fill in the holes! !

Are you tired of all the female characters having love brains? The originally normal plot and characters look like child's play against the backdrop of love brains. The ambiguity with this one and that ambiguity cannot be ended cleanly. It has to be dragging its feet to make all the women you meet like the male protagonist. As a result, the female characters are extremely stereotyped. All female characters can be divided into two categories: 1. Those who like the male protagonist but are not together 2. Those who like the male protagonist and end up together. Especially the Lost Dog Group, they are no longer in your world. Why are you here to join in the fun and form a team to play script killing? It's not that love is not possible, is love the whole life? At least your love must be carried out without affecting the advancement of the main plot. Let's discuss who is the eldest wife and who is the second wife in ten and twenty chapters. There is no result after discussing for five or six hundred chapters. Isn't it okay to break away from your past self and just say that this is a harem story? You say it is pure love and engage in a harem at the same time. It really belongs to you. Do you want to look at what you are talking about? These heroines are also more pretentious than the last. Sword Girl, you wrote hundreds or even thousands of words about her possessiveness, and in the end, what happened to her pretentiousness? It's not like you just let it go This is the thousandth chapter I've read so far. Can you write a good result for this witch's multiple personalities? , In the end, I couldn't think of letting it go or it was a deus ex machina This Orchid Weisel is even more of a heavyweight. After being resurrected, it seems like a different person, with a completely different personality. How about the eccentric and violent way you were when you were a silver lamp, have you become a good girl? Vichy I guess I won't say anything since I haven't seen his personal reply. I guess in the end he was conquered by Ash's so-called "charisma" and joined the harem forcefully I won't talk about these female supporting characters one by one. Each one has fewer roles than the last, and each one is more trapped than the last. After all, the meaning of their existence after their own roles are over is to highlight Ash's so-called sentimental side, and to consume readers' enthusiasm for past kingdom plots. Deleting them has nothing to do with the main plot. Forcing them to appear in the scenes will only disgust people. Just let them do what they have to do, and stop hanging around the male protagonist. Isn't this a harem story? By the way, you all, my wings are really poisonous, poisonous to the sky I feel much better after complaining, and then read Chapter 50. If I keep talking about a broken relationship line, I will give up. I can't stand this Ash and these female protagonists.

Novels that blindly boast about human beings, folk customs, and myths are very popular. Unconventional novels cannot escape the shackles of individualism and real national conditions. I have always wanted to write a novel that reflects reality and the insignificance of human beings, but the result is not as good as Cthulhu. Until this "Magician's Handbook", the initial "immortal species rule of socialized upbringing and ideological oppression" was just an appetizer, followed closely by the "utopian future of the big data society" that is speculative. The power of illusion has raised the upper limit of human beings, but the reality of ruthless development still makes everything in human beings seem fragile and meaningless. Even a lifetime of stability, happiness, and peaceful development makes the weak feel fearful. This is originally just common sense, but it is always difficult to understand due to various reasons. Even if the ending of this book takes a turn for the worse and turns to an idealized pursuit of the sad freedom of primitive society and conservative feudal regression, it will still be an excellent and sincere soft science fiction that takes into account the development of humanities, society and science. Whether it is a masterpiece or not is a matter of opinion. At least I think there would be no problem in publishing this novel directly even if it doesn't have the Internet popularity to support it. PS: Of course, this book still has deficiencies that are visible to the naked eye in terms of common online writing techniques such as cool arrangement, rhythm arrangement, and harem collection. However, unlike other novels that I would like to revise, after I saw 500 chapters in this book, I gave up my intention to write a novel - I'd better study big data honestly.

When I read Angel's Wish, I suddenly couldn't read any more. I deleted the book and calmed down for a few minutes, reflecting on it for a while. I found that I couldn't find a fulcrum in this book. The protagonist's face was vague, and I couldn't predict what he would do in the future. His feelings were like a balloon held by a string, swaying and unable to settle down. I like the characters in this book very much, including the Sword Girl, the Witch, the Male Veela, and even passers-by who have only met each other a few times. However, I have no idea what the protagonist is doing, and I don't know where the boundaries of his abilities are. Even some plots seem to be floating in the air and cannot be implemented. I can recall the plot, but I can't recall the emotions I felt when I read it. Then there is the plot of Angel's Wish. Rationally, I know that keeping it secret is reasonable, but at the same time, I thought that every new operator will be treated like this. It instantly broke my psychological balance while reading this book. Keep entering new maps, keep cultivating new bonds, and at the same time keep the protagonist's dull look, which makes Sword Girl's feelings very stupid. I'm not opposed to having a harem, but the image of the female character created in this book doesn't look like she can enter a harem. If the protagonist is actually portrayed as a ghostly Lance, I have nothing to say. Generally speaking, it is a good book. The background setting, plot, character creation and writing are all top-notch. However, when reading it, it feels very floating and not exciting enough. At the same time, there is no hope of becoming more enjoyable. When I read it, I felt a depressed and twisted mood. There was no plot point to release this mood, which made me feel very uncomfortable. Good book, but not my compatibility.

(The opinions of this article are a bit shaky, but there is some supporting evidence, so I don't want to vomit.) In fact, at first I just wanted to prove that the Four Pillars God is a good god, because the things the God Lord has done are true (especially the Weaver Lord). It just so happened that three of the four pillars appeared in the novel "Infinite Joy in a Small World" written by Tingri, namely [Lord of Billions of Glory] (tyrant), [Lord of Storm and Snow] (treacherous figure), and [Eternal Searing Heart] (loving father). But when these three gods appeared, they appeared as good gods (at least I think so). They cured many people's diseases. It makes no sense that the characters in the new book have a huge reversal (after all, they are all the same prototype, and the character styles in different books should be similar). Soon, this conjecture was rejected. The reason is that [Eternal Calamity] really destroys human nature and makes sacrifices everywhere. But the Four Pillar Gods cannot be that simple. So my classmate turned to the first chapter and found this thing. Take a closer look: Doesn't the mountain of corpses and sea of ​​blood refer to Sonia? Isn't pink the Veela? The bright green color of a loving father (Diya's eyes are green) is also very suitable for the little girl. Pain, despair, and terror are also consistent with the characteristics of the witch. The remaining one can barely be said to be a viewer, so I think they are all believers of the Four Pillar Gods. This is a metaphor. But my classmates came up with a more interesting conjecture: the Four Pillars of God are the four of them, Ash. This guess really surprised me, but when I think about it carefully, it makes sense. After all, it is impossible to write so much in the first chapter () "Since Heath is a bad guy, then the four pillar gods are naturally evil gods." Heath is not a bad person, so the four pillar gods are not evil gods () Then I started looking for support Support 1: Remember what the audience said when Ash and the others escaped from the Blood Moon Kingdom I said "because the Four Pillar Gods are watching him", but now that I think about it, I'm afraid it's not the viewers and the others who have been looking at Asher. After all, the Extreme Master has always mentioned it, and the Weaver Lord's presence is even more overwhelming. It makes no sense to arrange the Four Pillar Gods everywhere in Yaxiu without any information at all. The more likely situation is that the situation of the Four Pillar Gods has always been there, but we have ignored it. Doesn't this just fit the status of Ash and the four of them? Support 2: The strength shown by [Viewer] is at least the five-winged demigod level. After all, he can control the Sword Queen. The combat power of the God Lord is unknown. My personal guess is that it is above the Five Wings, and can be called a semi-six-wing. After all, the Four Wings Legend is just a background. It would be meaningless if the ultimate goal of the God Lord is so long, and the angel does not respect the Weaver Lord very much. There should not be a complete superior-subordinate relationship between them, and the God Lord may even be just a special angel. It's not surprising that [Viewer] and others can play against the God Lord as the Four Pillar Gods. Support 3: The article only mentions that the Four Pillar Gods and the God Lord are opposites, but how they are opposed and their characteristics are only mentioned a little bit. Ash and others also want to be the God Lord. The Void Realm Q&A also mentions that they will be hostile to the God Lord in the future (after all, isn't it normal to choose all these questions and answers)? It would be too abrupt if there is no connection between the two. In addition, Yaxiu has not actually said anything bad about the Four Pillar Gods. If the Four Pillar Gods are really other evil gods, the main contradiction of those longings (at least [viewers]) should be concentrated on the Four Pillar Gods. However, we can find that the hatred in the previous world line is mainly concentrated on the God Lord. The tragedy of [Sword Girl] should be the death of important relatives (referring to **); the Witch was captured because the Red Death died, and her sister Nicole Luna also died, so she became dark; [Viewer] The tragedy should be due to the identity of the cult leader (there is a circular argument here, but no one really thinks that after reaching Five Wings, one must abide by logic. For details, you can refer to the counter-logic and counter-intuition of the other side in I). Let's think about a question: How should Ash escape after being imprisoned? I think Ash escaped by sacrificing his relatives and friends. This can also explain why there is no 222, Harvey, Igula and others in the previous future line, but Ash can see Freya at that time (being destined to be the sword girl) Support four (hard work, I would like to call it intuition): After watching "Small World, Endless Fun", you will probably feel strange, why is it not the three pillar gods? Anyway, I felt a little confused after reading it. In other words, the prince is quite special, so let's think about what makes Freya special. Freya is dead. This is what makes her special. This is why the Prince of Joy has the most records. Maybe it is widely circulated and has certain benefits, but it also has certain disadvantages, such as being infected and assimilated. Therefore, a person needs to take the blame. Ash only drew the items belonging to the Prince of Joy. In Chapter 2, under the illumination of Gerald's light, only the magic spirit given by the prince turned into gas, which also shows that he is special. I think this may be the work of the God Lord to cover up the truth () There are also some points that I think are somewhat related, so I won't list them one by one here But there are still some counterexamples (classic refutation of thesis, refute yourself), for example, this paragraph mentioned that there are more than four observers There may be more than these operators in the future, but the above information is true and interesting, I still insist that he and they are the Four Pillar Gods

Ash already revealed his scumbag nature when he told Sword Girl that he couldn't let go of the witch, because at that time Ash didn't know that the witch was Liya, so from his point of view, it was because he couldn't let go of a female colleague who suddenly fell in love with him that he couldn't like his girlfriend wholeheartedly. Every interaction between Wei Xi and Ash after that was a humiliation to Sword Queen. It's hard to imagine that Sword Princess can still make progress in the way of swordsmanship after twisting her own mind in such a way, or does Sword Princess stop practicing swordsmanship and only rely on the protagonist's aura to make breakthroughs? In the final analysis, the premise of a harem male protagonist is that he does not establish a relationship with any female protagonist first. Once the relationship is established and he still flirts with her, he must be a cheating scumbag. In the end, unless the author erases all the personality of the heroine, the harem must be like a palace heart lock, shocking every step of the way, and capable of filming a Legend of Zhen Huan. There are also irresponsible male protagonists who will never know what is enough. Each female protagonist can join the harem, which means that no one can be sure that she is the last one. The result is that the harem expands infinitely, and the final answer is proper.

I've basically read it (there are still twenty or thirty chapters to the latest), and the subsequent plot has no appeal to me anymore. This book is written like the Genshin Update, where you go to a country to draw a bunch of characters (it's just a metaphor, it's just my personal feeling) The emotional scenes in this book are well written, but they can't hold everyone's attention. The main female characters basically have emotional scenes with the protagonist. At the beginning, Sword Girl was okay and fresh (it was the first time I watched such a delicate emotional drama), but now I am tired of it (except for the maid, the maid is really astringent) (For me, this is just a personal opinion) The overall plot is indeed good, but it's not There are some particularly attractive places (except for Thurse, just my personal opinion), the combat power system is still too rough (for me), and the design of the virtual realm is actually quite bad. Its main function is to stick up, make people jealous and cheat the protagonist (the design I am talking about only refers to the content of the virtual realm, excluding the designs of golden fish and white elephant) ( Again, this is just my personal opinion) It would be great if the novel could contain Sese's content, but it just touches the edges and doesn't support me to continue reading. Just like GalGame, I don't have to read it, but you can't live without it. This way (it's just my personal opinion) It seems like there are too many A's on top Above

Damn, I almost puked when I saw that I was not allowed to date anyone. When the Shura Field broke out, every girl's self-esteem and pride dropped rapidly, and Yaxiu became the scum of scum. He said like a "warm man": I don't want to pretend that I didn't see you getting hurt; the story is extremely bloody, and every time the emotional lines of multiple people are entangled and fighting, something unexpected happens and forcibly interrupts it. It tells the story of the protagonist who wanted to be a good person but the world does not allow it... ... I thought that after Tingri wrote about a small world and had endless fun, his ability to unify the harem would improve, but I didn't expect that if you don't advance, you will retreat... 😭 Every time you write a single love line, you are good, but once you write multiple people's love lines intersect and explode... The scene is simply unwatchable Attachment: The peak of the gospel, and the plot falls like a waterfall after the gospel.

The first two chapters are gods among gods. Basically, they are top 1 in my mind. They need to be deep and deep, the characters should be well portrayed, and there are some golden quotes from the Japanese. In the mid-term, it's not unacceptable. Rust, lemon, and sweet orange are not impossible. But the quality has dropped a bit here. At least there are flaws in the narrative. I personally feel that it has come full circle, but starting from that part, many readers are dissatisfied. I think there is actually room for improvement. When Vichy appeared, it was really heavyweight. Gwen and Chilaka were written so well. Tingri's writing was really strong. With simple descriptions, the characters stood up. Therefore, Gwen and Chilaka died because of Vichy. This matter cannot be changed from my point of view. In the end, this matter was never mentioned later. Tamashi saw the silver lamp and said that she would be tried, but I accepted it. Why did Vichy pick it off right here. After Igulla and Harvey went offline, the story was out of control. The speed of the car is soaring. From the perspective of harem novels, this can be considered a masterpiece. But the bad thing is that it is too biased towards Jian Ji and Wei Xi, especially Jian Ji. She keeps talking about her naughtiness and possessiveness. I don't know which ones 🐢🐢 like to watch this kind of thing. I just wrote it once or twice, but I was still talking about it for more than ten chapters until the end. It's really enough. Maybe it was because Tingri had surgery at that time, or maybe the series was too long and a bit boring? Fortunately, I am not a follow-up reader, otherwise I might have collapsed. I have written more about Sword Princess than the other characters combined, and even the main plot is mentioned in one stroke. Did Party A's father give me too much... Generally speaking, Tingri is still very strong, and I am looking forward to the new book.

I don't know if it's my imagination, but the protagonist of this book confuses me a little. I can't quite figure out the protagonist's character now (currently I've seen the emotional scene between Fan Xingjuan and Niya). You say he is a good person, but he has a good relationship with Igula and Harvey, but it is too much to say that he is not clear about the silver lamp who wants to destroy the world. He said he was a villain, which he clearly wasn't. If we insist on saying that it is the complexity of human nature, saying that he helps relatives or not, and treats whoever treats him well, it feels like it is not a very good image. If you want to say that he is just an ordinary person, he has his own cowardice, but his behavior style doesn't seem to be the same. All in all, I can't find an accurate positioning for the protagonist, as the logic is quite confusing. I saw someone mentioning Genshin Impact in a book review. In fact, the protagonist of Genshin Impact, the Traveler, is not very well portrayed, but the Traveler's role is more to provide a perspective, a plot perspective, and a perspective that connects different regions. In addition to the mandatory requirements of the main line, it can have various branch lines to enrich other characters. As everyone knows in this game, it makes money by selling other characters. The protagonist is just a gift. How he is portrayed is actually not very important. But the form of novels is different, especially online novels. They cannot leave the protagonist for a long time (except for some novels that feature group portraits), which makes the image of the protagonist very important, which I did not taste in this book. In addition, the emotional scenes in this book are really difficult to describe in one sentence until the later stages of Oasis and Starry Scroll, and the main plot is also a bit delayed. This is not a game after all. As a novel, readability must not be left out. The book was well written in the early stages, but became a bit weak in the later stages (personal feeling). Of course, as a customized document, Party A's requirements are naturally the most important, and this is understandable. All in all, let's get together and part ways.

The Blood Moon Festival is compact, with golden sentences, and the characters are impressive. The analysis of the system is very afraid of being 404 The setting is amazing, socialized upbringing, entertainment first Selfishness is selfless, the Blood Moon Trial forces all races to be equal Fei Nanxue, and the ogre who yells, the elf sinner The werewolf who is looking for love, the vengeful Ronnie, the Blood Saint captain and the cat are all very impressive What I said when I parted with the Veela, it can be a regret but not a disaster, is still fresh in my memory Gospel Volume The systems and characteristics of several cities are mind-blowing Liz's "competition of wits and courage" will give you extra points, Harvey's charisma will be strengthened to the limit, and Igulla's personality and charm will be fully activated Asian master Her mobility decreased and she started to become salty, and Alice made her debut In terms of plot The most profound point that I remember is when Red Situ was about to sacrifice, Ash fell from the sky and held Liz's hand, the highlight of the whole drama Additional point: Liz is not Diya, Ash wants to protect Liz's daughter, and Diya thinks that Lisdia is one and it is understandable that she likes Ash. But Yash and Diya's communication in the virtual realm is lackluster, and they even show affection with Sword Girl! Why I fell in love with Diya in the virtual world later, I can't figure it out (could it be that he is a scumbag who always refuses to come) The atmosphere at the end is very good, and the bookshelf is constantly refreshed and other endings (there is no surprise at the end, but I am still satisfied) Senluo Volume Waste The novelty of the novel is average The character design of Black Crow in the early stage is brilliant, and the protagonist can be replaced by the book The female supporting role is delayed The love brain in the later period is okay (I love watching) The death of Chicora is well created, and the poem and experience are well matched It is very interesting Overall Quite average. I haven't watched the later Fangyuan Chan for a while Killing Angel is supposed to be the climax, and the whole process is expressionless 🙄, kill, and then, that's it Ash Yin Leng's emotional drama is very fascinating Yin Deng likes what Ash said about the past, spiritual sustenance, and cold and ruthless mode Ash, do you accept anyone who comes? You should like whoever likes you Fanxingjuan It's good so far, a two-line narrative. It's a bit painful to wait for the update, so I started to keep books.

Originally I wanted to write this book review after reading yesterday's update, but I forgot to post it after thinking about it. There were three updates in the past two days. Although there may be other reasons, I am more willing to believe that he was a little excited because he wrote a plot that he wanted to write before he started the book. When Tingri writes a book, there will always be some initial motivation to write the book. For this one, I think part of him should be the stage where the story takes place. I have to say that Tingri depicts a very interesting social structure. I don't want to say anything like a metaphor, because in my opinion, as long as there is logic, social structures formed based on social background and resource conditions must have something in common. He doesn't just show a world where capital is overly powerful like cyberpunk. Instead, we discussed a more essential matter. What kind of life do we think is good? What is the most important thing in our lives? In the Blood Moon Kingdom. People no longer have a family system, so everyone only needs to be responsible for themselves. They can work to a certain extent to obtain happiness. They can use this to obtain happiness in many aspects such as sex, games, etc. I believe that those happiness are definitely the ultimate happiness that we cannot enjoy in reality. There are classes in this society, but you have almost nothing to do with them. You can spend your life peacefully without being affected by them because they don't need you. As long as you are ordinary enough. You can have the protection of life, and even some more human rights protections, and you can also see the trial use this to vent its dissatisfaction. Is such a world good? I think it seems good to many people. Because I saw a lot of comments in book reviews saying that they would like to live in that world. Because to a certain extent, in reality, not only are we unable to enjoy that kind of happiness, we also have to bear more responsibilities. Some people think that the cost of going to that world is insignificant, because in reality we may also have to pay in this way, but what we get is what we can't get in reality. But it is actually very boring and empty. Pure physical enjoyment is definitely not the level that people should be satisfied with in life. The essence of human beings is to work, and people should live to give rather than to receive. People who are not exposed to relevant knowledge can easily misinterpret these words, but they actually have very profound connotations. I actually don't know how to describe it, because some people think they are empty words, while others think they are the meaning of existence. Still don't say it. These are two different lifestyles. Now in reality, because of the pressure of life, we are actually more inclined to enjoy, that is, to entertain ourselves to death. In this view, the Blood Moon Kingdom is a perfect world. This question is not necessarily what Tingri wanted to write, but he described such a stage and made me think like this. In my opinion, this kind of book can be called a good book. It can be said that Tingri's writing style is getting better and better. I only read traditional literature at first, and then slowly started to read online literature. I feel that there is no difference between the two, because they both have the meaning of existence. But there are very few people like Tingri who can combine the advantages of both to write novels. To put it bluntly, many authors would not be able to become authors if they went back to the past era, but Tingri should still be able to get good results. That's right, I am announcing it here, and I will just listen to it from now on!

The first half is very exciting. The main line and the emotional line are perfectly balanced without any sloppiness. The second half is completely a harem. The emotional drama obviously takes up space, and the second and third male characters are also offline. It feels like there is not that much fun anymore. Of course, this does not mean that the writing is not good. On the contrary, even if there are multiple female protagonists, the emotional lines are still very delicate. It is one of the few novels with many female protagonists. Like one.

The introduction to this book is the most amazing introduction I have ever read (I will post it at the end of the article). This is a not-so-typical road novel, roughly describing four "perfect worlds" with different appearances: In some countries, the top leaders love their country wholeheartedly; in some countries, there is an omniscient and omnipotent "gospel" that can answer everyone's doubts and make up for everyone's mistakes. Personal regrets; some countries have eliminated the family unit and spread everyone's need for "love" throughout society, making the "individual" the largest unit of society; in some countries, the entire society is positive, with each group working tirelessly for their ideals, and everything is thriving. These four seemingly completely different "perfect worlds" have one core thing in common: they are all trying to build an order that is free from the complexity of reality and approaches "extreme idealization". Whether it is the ultimate feelings of family and country, omniscient spiritual guidance, reconstructed social relations, and the ideal picture of all people working together, they are essentially all explorations of "perfect forms", which are completely different from the trivialities and imperfections of the real world - and because of this, this work simply appeals to my aesthetic. But having said that, the shortcomings of this book are also very prominent, which can be clearly seen based on my own reading experience and the comments of many readers on the Internet. The most intuitive thing is that the proportion of length and description is seriously imbalanced. Only in the first two countries, the author can vaguely reveal the social scene of this world through the daily life of the main characters, allowing readers to experience the details of this "perfect world" from the perspective of the characters; but in the latter two countries, it can be clearly felt I feel that the author's writing power is insufficient. He does not show the world naturally through the daily life of the characters. Instead, it just throws out the rules and social forms of the world like a setting. It is completely impossible to see the impact of these settings on ordinary people living in it, and the sense of immersion in the first two countries is completely lost. In the later stages of the book, the exploration of the virtual realm throughout the entire text is completely occupied by the interaction between the protagonist and the heroine, and it feels like it has become a formulaic depiction-this is exactly the same as its description of the country. The first and second layers of the virtual realm are special and wonderful, and the various settings that follow are more like by-products of the protagonists' love. However, I am not denying his emotional description here. On the contrary, I think Tingri's emotional description is one of the best in the entire male channel (it may also be because I have never been in love, and neither has he). His description satisfies my fantasy of "love" very well (note: the protagonist has a harem, but the place that satisfies me is not a harem). The protagonist's love in the book has a process and a reason, and even the method to end the world crisis is a concentrated expression of the author Tingri's understanding of "love". If this book is regarded as an expression of the author's obsession with love, then it is undoubtedly successful and its logic is self-consistent. In my opinion, both Tingri and Jiangnan are people who lack love. They both long for "love" to come to them, but their attitudes are completely different: Jiangnan never gets love, so the protagonists in his works also don't get love, and can only wander on the road of pursuing true love, never being able to reach it; Tingri also never gets love, But he chose to give his characters the ability to love - every character in "Dragon" once had the ability to "love", but in the end they failed to get love and gradually closed themselves off; and the protagonist Ash in "The Warlock's Manual" is the only person in the world who has the ability to "love", and in the end he also taught the entire world to love. This is why I couldn't wait to write this article after reading this book.

This should actually be a new attempt by the author Different from ordinary love harem novels, all heroines do not have a completely perfect character. It can even be said that they all have personality defects and have a side that is difficult to accept and dislike, from the paranoid vanity of the Sword Princess, the schizophrenia of the witch, the vicious tongue of the maid and the unscrupulous means... And Ash is a "trash can". At first, I just thought it was a favorite description of him. Later, I became more and more aware that he was really a trash can, and accepted these female protagonists who would be said to be very poisonous in other novels. He is not a pure scumbag or sentimental, but he has a gentle heart for the whole world and is willing to respect and consider others. Starting from the boat on the sea of ​​time, he has always brought the warmth of companionship to places that should have fallen and been lonely. This is his "character flaw" in this dark world. This is the most critical point in his ability to attract all the heroines, making him the link between a group of children with character flaws. For every heroine, he does not do it for the purpose of falling in love at the beginning, instead of saying that when he sees a girl, he just looks at her face and what happens next. All feelings come naturally from accompanying each other in life and death adventures. This is what I really like that is different from most harem novels The author also writes the reasons for these character flaws very clearly. On the one hand, it is because of the tragic first half of the heroine's life, and on the other hand, it is the world setting throughout the entire text - every magician is a robber in the world, and every magician has a paranoid inner pursuit. Very interesting and novel. The author is very good at writing stories, especially short stories about experiences. He has shaped each character's personality very well and fully demonstrated the complexity of the character's personality. Sometimes the overly frequent emotional descriptions can seem a bit redundant, and there are also other minor issues. But overall it looks acceptable, really good...

This book feels like it is already at the ceiling level for multiple female protagonists. It has a good plot and a lot of dog food, and the speed is very fast. I hope that the next book can continue the skills of this book. p. S. Did the author have a vest before? Please give me some advice.

Although I've finished reading it, there are a lot of deus ex machina in the middle, forcibly subduing people's minds, and abrupt transitions that make me want to leave the book. I really thought about giving up the book many times. The heroine Sonia's character is also very awkward. I only recommend reading the early Blood Moon chapter.

This book is a harem novel! This book is a harem novel! This book is a harem novel! Say important things three times! There are a lot of emotional dramas in this book, and it is not an exaggeration to call it a love story. The heroines are portrayed in a more realistic way, not as simple love brains. Therefore, the emotions are quite awkward and there are many Shura scenes. Final advice: If you like novels without female protagonists, please go elsewhere; If you like novels with single female protagonists, don't enter this door.

The writing in Blood Moon is very good. The relationship between Gospel and An Nan is a bit confusing. There are too many characters and some have no character characteristics but they are still very attractive. However, in Senluo, new female characters are constantly being introduced and I am a bit speechless╮(╯＿╰)╭. I obviously like Sword Girl but... There is no way to see each other in reality, the main palace has gradually become a loser, and the protagonist is also willing to accept all female characters. I held my nose and endured An Nan's kind, but then added the silver lamp and crow killing, the emotional line became a mess, and the original image of the heroine was also dragged down, which was really uncomfortable. What a good book in the early stages, but in the middle and later stages, it was ruined by this nutritious harem plot.

Chapter 100: You are the only thread on my balloon, I can protect your dream Chapter 200: I understand you, but I will never give in, but you must understand and support me End of humor 😁

When I was reading it, I was too obsessed with the plot descriptions of the male and female protagonists, and I missed a lot of content. In fact, there are many things to ponder. (1) The relationship between the viewer and Ash, the dramatic poet Both Ash and the viewer have traveled through time, and neither knows the reason for the time travel. Sometimes it may be assumed that the initial conditions of the viewer and Ash are the same, but subsequent experiences have changed the viewer and taught him cruelty. My personal guess is that since the original viewers did not have a complete Aurora system and could not complete a bond system similar to Ash's, it was inevitable that only the viewers were left in the world. The viewers also achieved the achievement of the Eight Wings and ushered in the end (the Death Mad Swordswoman said that the viewers had seen the end). At the beginning after the end, the eight wings of the viewers became the "first 8", and the viewers created the first generation The Aurora system was passed on to the second generation viewers of the new era. Although the second generation viewers had the Aurora system, they did not have the bond system, so they became cruel through repeated experiences, and finally killed the enchantress Freya, and formed the Doomsday Five. Snakes were inevitably produced again, but the Doomsday Five were evenly matched and did not degenerate into snakes. They transformed the first-generation Aurora and added the first-generation bond system of the dominance system, hoping to integrate the five people into a group and complete the concept of warlock. Pass the baton to Ash. Ash completely perfected the bond system and completed the broken Warlock concept. The dramatic poet who represented the Warlock concept became Ash. (2) The influence of the enchanted baby on the viewer and Asher In the era of the viewer, Freya died at the hands of the viewer. At the wedding of the viewer and the mirror demon Ghostland, Freya's status to the viewer was equivalent to (Sonia + Bo Jin + Harvey)'s status to Asher. They were all the original followers. Freya gave the "Heart Sword" sword spirit she summoned to the viewer to express her love, and they traveled the continent together. Kidnapped Jian Ji's mother in Fanxing. He walked through the gospel, took on the witch's armor and became a saint, and finally coaxed the witch back into being a sacrifice. In Senluo, the viewer is captured by the Mirror Demon, which corresponds to Ashian, who is the trio who escaped from prison and was captured by Oranweise. Freya looked for help from her former friends, the Sword Lady, the Witch, and others. After failing, she rushed to the execution ground, but she ran into the wedding of the spectators. The viewer must have changed his mind after repeated setbacks. A waste card is a waste card. If it is not strong enough, it should be replaced. So he killed Freya and became the viewer of the end. Freya had a relatively small impact on Ash's version, but she only helped them awaken their memories of Ash in the later stages. From the fact that Freya did not evacuate with Ash when they met, it can be seen that the process of escaping from prison changed Ash, and the difference in the process of escaping was that Aurora's manual pulled out Sword Princess. (3) Fraudster, the relationship between Bo Jin and Ash. Bo Jin, as one of the three members of the jailbreak trio, actually has many strange behaviors. For example, Bo Jin is the first person Asher met in prison. Bojin has dreamed about Ash's future on many occasions when he was asleep but not asleep, but Bojin is a psychic system, not a prophecy system. Bo Jin's code name in the gospel country is "Rusty Crow", which is the same pronunciation of "Xuya". Gospel Nation believes that Bo Jin is the touch of the Four Pillars of God. At first, I thought Bo Jin was a stand-in for the viewer or something like that, but I didn't mention it in the end.

Maybe it's because I'm a bit violent, and I feel like the protagonist's style of doing things is a bit timid. The protagonist's agency is too weak, making it unreadable. In the early stage, except for a bit of trouble right before subscribing, everything else was fine. Until An Nan's plot was bearable, I fell to my knees again when I arrived at Orlanweise. To sum it up in one sentence, I was invincible in my previous life and led the little coward now. It's not that his writing is not good, it's just that I can't appreciate the protagonist's character.

The design framework of the entire book is full of ingenuity, such as the design of the fifth level of the virtual realm, and the male and female protagonists who use the virtual realm to connect different worlds. Blood Moon, Gospel, Senluo, and Stars are four worlds, each with its own characteristics and self-consistent logic. Ashus did not go to Paradise, but the author also threw out the settings. When Tingri built these five worlds, there should be reference sources. It is hard to imagine that they are purely independent ideas. The flying relationship between Ash and Sonia in the first volume is the most romantic scene among all the online articles I have ever read, and it has become an unforgettable love scene that is stamped on my mind. I have read this book once and listened to the audio book once. I hope it can be animated in the future. ps: This book may be the pinnacle of Tingri. It will be very difficult for the new books to surpass this one.