Transmigrated as the Son-in-Law of a Cannon-Fodder Clan

The novel is quite good, with elements of a son-in-law, a traveling book, and ghosts. And there seems to be more than one protagonist template? Looking forward to the follow-up

I was convinced. The protagonist wanted to leave the Qiu family for a while, but then refused to leave. I can only say that it was really mean, and I was really poisoned to death.

So I read all the villain stories and made the main character a loser. I was so drunk.

This kind of family looks really tiring. It is better to take the wife and the whole family away directly. It is better to hide the secrets and share some minor secrets with the wife. If we talk about the family extermination incident 8 months later, Long Aotian cannot have anything to curse the entire bloodline. If there is, it is something that can be dealt with at this stage. If it cannot be dealt with at this stage, it means that Long Aotian's cultivation has already reached the sky.

I got this from your last book. When are you going to update it?

It's frustrating to watch. . . In the early days, the heroine's family was like this, but she couldn't quit the family cleanly. She was used as a tool by the Qiu family. She was not incompetent, and she had a decent talent for cultivation. She was involved in a lot of trivial matters every day. I don't believe that I would lose to my family if I went out to stand on my own? The heroine still clings to the Qiu family and refuses to leave, specifically giving her face to be trampled on by them. This is really disgusting. Don't say you can't leave, how can you not leave with the male protagonist? The same goes for the male protagonist. I thought it was a counter-routine, but it turned out to be a routine. He always pretends to be cool and gets slapped in the face by passers-by, and then he shows off his qualifications and gets slapped in the face.

Knowing that the main character in the original book will come to exterminate the clan within a few months, he writes and writes, still helping the heroine to fight for family rights. He wants to leave but refuses to leave, and he doesn't have the strength. Even the second generation of the eldest son of the family owner comes to visit with such force that he wants the heroine to take action. He is full of flaws. He is slapped in the face just for the sake of being slapped in the face. I really don't think there is any fun in writing this kind of plot.

First of all, the Luo family is good in Qingzhou, the protagonist is a dandy, and the protagonist cannot cultivate spirituality. If these three points are combined, how can a deacon from the rich Li family recognize him? Furthermore, the city lord doesn't know the son-in-law of a famous lady from one of the three major Tianwen clans? Then his role as city lord is about to come to an end.

I think if you want to write about female protagonists, there won't be too many female protagonists. You can create a misunderstanding first, and then feel guilty and betray.

How should I put it? The author is still used to writing trash material, just in the name of villain