The Necromancer in American Comics

Ninety percent of Hell's Kitchen novels start with encountering the Black Widow, and then accidentally or deliberately calling out her identity. After being noticed by SHIELD, and then encountering a lot of trouble, being monitored or tested in various ways, and then being languished and being used by Fuck Man without being able to say anything. It seems unpredictable but really stupid. Being noticed by SHIELD means that you are almost standing in front of the whole world, and there are many things that will happen later, such as the Battle of New York and the Hydra Incident. Age of Ultron is involuntary and cliché. In the early stage, you can take the mysterious route. Without being discovered, you can do some side missions, such as Triads and Dragon Bones, Kingpin and Daredevil. Then, for the issue of power, you can support the two buddies who are now on the scene. JC can take the white road. It will also be very convenient to get resources and deal with many back-end problems. The middleman behind who does not make a profit can Take the underworld route to make money and expand your control. You can use it as a violent department in the early stage. Then go to the Battle of New York and take away the gems when you appear. Whichever one you want, you can use the space gem to develop mobile skills and develop towards the stars. You can use the heart to increase your mental power and upgrade it in an instant. At this time, you basically don't have to worry about the surface forces. Don't say you don't dare to take it because you're afraid of Thanos, just say it's like he won't do it to you if you don't take it. If you have a gem in hand and develop it, you can basically lead to the Celestial Clan or the invincible Uncle Tun to enhance the power system. The entire worldview has almost been laid out there. If there is a good explanation, it can also explain the behind-the-scenes of time travel and so on. Another suggestion is that if you write American comics that are too complicated, except for one or two that are struggling, the rest have been rushed out. Don't introduce plots and power systems that are too complicated or conflict with them. Once you find a point and write it in depth, you will be awesome. In the early stage, you can follow the power system of the movie, you can make up your own plot, and in the later stage, you can introduce your own power system. Here's my humble opinion. If you lack ideas, you can refer to it. If you have an outline, don't do this. Just follow your own path. You'll follow up on the wonderful writing.

After reading more than 20 chapters, I still feel pretty good, but it would be better if the fighting style could be changed. The protagonist is still a newbie, not yet invincible to Marvel, and has no ability to die. So when killing the enemy, try not to make a lot of inexplicable words before attacking like in the anime, which will make the thief embarrassed. If you can attack the enemy first to force the enemy to death, don't shout to remind the enemy to be on guard before attacking. The BB water numbers after annihilating all enemies are much stronger than the BB water numbers before taking action. Also remember to touch the corpse after killing monsters. As a modern time traveler, surveillance is everywhere in the city. Even if you don't set a fire after touching the corpse, you should also look for surveillance. Even if it is to lead to the plot later, don't use such a bad method.

Alas, pig's feet are so rubbish. I just want to say that politicians are less trustworthy than the devil. The devil will also consider gains and losses and pursue the long term. Politicians are the most vicious and depraved group in the world. All the darkest things in the world are basically caused by politicians. Why don't you agree to the inner demon? Believe it or not, it is 100% that the American court will frame the pig's trotters. Even if all the senior officials know the truth, including the one-eyed braised egg, he has already planned to use the pig's trotters to make a vaccine. After using it, he will be blamed directly to help cover up the scandal of the American court. The so-called truth has long been out. Everyone knows that except for the pig's trotters, this kind of thing can be guessed. Even if he doesn't check anything, he just guesses that it is either the military or Hydra. There is basically no third party. What else can be investigated? Moreover, the images left behind by the water in his head in the early stage are basically irrefutable, which makes it clear that he was framed. If he has a normal head, he should consider a retreat, instead of acting like a fool and giving him a hand, as if he will change his mind and not let him take the blame, sacrificing an unstable element to save the face of the American court, and all politicians from the president down to the president do not have to choose.

The character design is broken. The protagonist is not invincible to begin with. The early preparations are all for IQ and madness. Think about how the protagonist feels when he is experimenting with viruses and what it is like when he robs Iron Man. He is not invincible in the first place. But in the end, robbery requires no IQ, let alone madness. Ordinary people know that they are well prepared during the robbery, let alone the protagonist. I feel that it is right. The writing should be that if the robbery is successful, the protagonist's IQ and madness must be brought into play. I can't beat you, but I am smarter and crazier than you. Either IQ crushes you, or you directly deploy the zombie virus and prepare for disinfection in advance. It is best to disinfect it and let other villains such as Hydra obtain virus samples to pave the way for the subsequent plot. It would be even more perfect. On the other hand, the story is written based on the failure of the robbery, keeping the protagonist's IQ and madness, and highlighting the ruthlessness of Hydra. It's not that the protagonist is not smart enough or crazy enough, but that Hydra is ruthless enough. It would rather sacrifice a city to achieve some purpose such as getting the virus or getting the protagonist, and then foreshadows Luodan's awareness of the undercurrent of S. H. I. E. L. D. To ensure that the character design and plot are both correct. The author should set up the character first, and then write the plot based on the character. If the character is broken, it is obviously not correct. The character characteristics of the protagonist, and the logic of what to do when encountering this situation. To be simple, take the people in the Three Kingdoms, Cao Cao's treachery, Guan Yu's righteousness and pride, Zhang Fei's thick and thin, Zhuge Liang's caution, the character basically runs through the whole text, from one end to the other. Set up the character, then the plot will happen next, and you can write it on behalf of the character. For example, when encountering the Women's Federation, the protagonist is a villain with an IQ or madness. What will he do, serve the people, and resist the invaders for free? It's definitely not a trick, writing like this will directly destroy the character. The protagonist wants to participate, but there must be a reason. For example, the intruder invades the protagonist's home and accidentally destroys the protagonist's house or laboratory, or the intruder is originally a half-machine, half-biological life form. The protagonist kills one and finds that it has a great effect on the protagonist. For example, the Necromancer is not only a steel and stone demon, but also a half-machine and half-organism. This is not connected. On the other hand, in order to highlight the protagonist's madness, it can be written in the battle. The protagonist summons skeletons on a large scale in the cemetery to violently attack the invaders. The New York citizens meet their ancestors and relatives and transform into skeletons to resist the invaders. Just thinking about it makes you happy! .

The protagonist fights hard against the original gangster villains and kills decisively. When faced with the Iron Man of SHIELD, he shows mercy and refuses to kill anyone. Now the author is writing about being an enemy of the original protagonist but not daring to enmity. It seems very useless.

I'm afraid that 404 would be different from the Necromancer. It's written that the Necromancer absorbed the souls of gangsters and killed so many people. In the end, they couldn't bear to kill SHIELD agents? ? ? ? ? Are you kidding me? You just want to say that you don't want to rape civilians, but you're showing mercy to SHIELD agents? ? ? ? Looking for Tony to exchange resources is also very vicious. The protagonist is a typical person who is both good and independent... In the early stage, he is meticulous and goes to Tony, who is under the nose of S. H. I. E. L. D., And the old and rich American emperor just grabs two. If he really doesn't have the scheming skills to write a plan, he just kills him and drags him to death for ten days and a half. After being strong for ten and a half months, the protagonist is stupid.

A warning for those who come after me. The protagonist speaks harsh words more harshly than anyone else. Then when someone from SHIELD says something, he instantly turns into a licker and does things for SHIELD. Although he still says harsh words and forces explanations, he also kills villains and ordinary people without any psychological barriers. He is particularly smooth. , When it comes to being decent, he shrinks back and would rather be beaten than fight back. When someone blames the protagonist for being blamed by SHIELD, he says a harsh word and immediately starts working for others. When he was blamed at the beginning, the protagonist didn't know that when SHIELD took the blame, he said I said at the beginning that I planned to drop a nuclear bomb on SHIELD headquarters, and then I found out that it was SHIELD that made me take the blame. I took the blame. Isn't it nice for everyone to be harmonious about the nuclear bomb? When the book was first opened, it was okay and then it collapsed after taking resources from threatening Stark. Although later The story has been rewritten but the nature is still the same, threatening people with a zombie virus, but they just hit you on the head, causing the protagonist's plan to fail. The protagonist didn't dare to release a little virus to let SHIELD know about the consequences, and even said that I'm a good person and can't do such a thing, is that all? Just threaten others and get slapped in the face but you don't dare to retaliate. No wonder they keep trying to trick you to death. They either don't threaten you at the beginning or retaliate. The writing style of forcefully abusing the master has to be admired by me.

A bookworm of more than ten years, it was the first time I wanted to curse. A trash protagonist, how dare you compare yourself to Loki? Loki never speaks harshly, but gives in the next second. Loki never shrinks from killing, and he doesn't hesitate to let the army massacre anyone who dares to kill him. Loki never takes revenge overnight, unless he cannot defeat him. What about the protagonist? The protagonist has a purpose, he is level 18, unless there is a large-scale missile attack, facing the invincible strength of most countries, being openly tricked by S. H. I. E. L. D., And almost killing his own brother, he is so angry and angry, but in the end he beats up the little bitch, and runs to become a hero. Don't pollute the necromancer, okay? Wouldn't it be nice to be a paladin from the beginning? The plague was used as a trump card and he called himself a black mage, but the Virgin Dog didn't dare to let it out, so why did he bring it out? Even a powerful person can ride on his head and shit, and the protagonist will force him to say a few cruel words, but nothing will happen. I also practiced some practice. Isn't it nice to be an ordinary person?

It's obvious that the author doesn't understand Diablo's Necromancer setting, so he said the words of pursuing death! Although they are actually life priests, they are called necromancers only when they are misunderstood by people who do not understand them. In addition, their pursuit is the balance of life and death, not death!

If you don't want to follow the dark trend, don't follow the mainstream mainstream. 1. When meeting Iron Man, he was strangely arrogant and overbearing, displaying his strength unnecessarily. 2. Since it is overbearing, SHIELD must choose to oppose and destroy the resources it has. Shouldn't it directly aim to destroy SHIELD? 3. If the protagonist's IQ has recovered and he has calmed down, he should realize the power of longevity potion. Now that he has shown great strength, even if he still doesn't believe some senior leaders of the power, he will instinctively be willing to contact and try. If you take this path, the protagonist can obtain countless resources, a prominent position and supreme power, and can easily create a force that is not inferior to Hydra. What is SHIELD on the surface? From now on, they can only attack the protagonist secretly. The current protagonist is like a headless fly with no plan at all. What's cool is that he just deals with some gangsters and has to take action himself and take various risks.