Starting from The Lord of the Rings
从指环王开始
- Status
- Completed
- Length
- 1.2M Words
- Genre
- Gaming
- Subgenre
- Game Otherworld
- Updated
- 2y ago
- Source
- Qidian
Synopsis
More by this author
In booklists 10
Defy Heaven and Earth Without Fear, Defy Karma Without Dread, Fearless Even When Body and Soul Scatter!
Sometimes, a person isn't the protagonist simply because he's the protagonist. He's the protagonist because of what he does. Respecting heaven and earth is right, but refusing to kneel is his stubborn pride. When people do wrong, they must be punished. When gods do wrong, they must be punished too. He must defy the current and change the order of heaven and earth, reshape the way the rivers and lands are governed. That's what makes a protagonist. The moment he became one, his heart was already b
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Reader comments 31
Translated by Google Translate
Bilbo's ability to take the Lord of the Rings is mainly due to his racial characteristics. You can understand it by watching Folado. Racial identity plus awareness. It is not enough for you to have high spirits. How can you be more powerful than the demigod Maia in the first world?
The author wrote a chapter yesterday, and I have written this down.
Starting with The Lord of the Rings (X) Only The Lord of the Rings (✓)
To be honest, I have read a lot of novels about The Lord of the Rings, but none of them can describe the majestic world style, the clash of armies in the Battle of Five Armies, the short, stocky and rigorous army of the dwarves, the neat and flexible counterattacks of the elves, the humans... Well, forget about the humans, the movie In it, I only saw the chaos of human beings and the impeccable aura of the protagonist. The protagonist's IQ, ignorance, and lack of administrative and military qualities made me despair of the humans of that period. Their senses were far inferior to those of Gandalf's Fellowship of the Ring (but not much better!)
For Game of Thrones, the inclusion of Lord of the Rings characters is a dimensionality reduction blow. The giant dragon can be killed by ordinary heavy crossbows, but this dragon is incomparable. The dragons in Lord of the Rings were all killed by magical weapons. The same goes for combat power. Although it has become weaker in the third era, it is still weaker than the mortals who were able to become gods in the first era. Quanyou is just a bunch of kids. Magic is only half as good as it gets. Mortals in Game of Thrones don't have any powerful magic. The Earth World doesn't describe much about mortal magic. The sky-shattering magic in the original novel Stormtop was used by Maia Gandalf, but at least the elves came a few times. The races in the fantasy world and Middle-earth also have everything. Game of Thrones is essentially a European low-level Machiavellian drama under the guise of magic. To say it is low-level is considered high-level. It is not difficult to compare it with our own history. The tactics recorded in European history are much more sophisticated than this. Game of Thrones is popular because of its plot. There is also the Lannister that I hate the most (the little devil is passable). What the hell are the whole family? There are actually people on the Internet who are claiming that Tywin is Cao Cao. What the hell, this is an insult to Boss Cao, even that piece of trash doesn't deserve to carry Cao Cao's shoes.
Has the author considered using the extended setting of Shadow of War so that Lord of the Rings can be written for a long time? After all, Middle-earth is a big world.
Don't like the way to leave
There are wives and children in The Lord of the Rings. Can't we add more settings to conditionally return to the world we have traveled to? It always makes people feel uncomfortable. It can't be so casual.
The plot is not well connected, from medium magic to low magic. Now, go to diamond first and then go back to the bronze round? Unless this is written as a cool novel, the continuity of the plot will be cut in half. If you try to write something epic, the context will be separated.
The author should know the risks of writing about Middle-earth, so go for it!
What's the use of telling me the protagonist? Pure Flying Dance, the plug-ins provided are of no use.