Peking Storyteller

I have always read Sifang's books as modern biographies and popular science of traditional knowledge, and I read them with great interest.

Well written😭

Well done, I support you 🤭

I'm too lazy to read old-fashioned tragedies now. It hurts my liver and lungs 🙂 Anyway, the writing style of this book is very good, and the story can be said to be good or average! At least I don't dislike it when I look at it. What retains me the most is the description of the scenes of the Republic of China. But I don't like watching this kind of writing based on the tragedy of the supporting character (I skipped those chapters that set up the tragedy). I don't like to watch this kind of cliche. I don't need anyone to educate me. There are many tragedies in the world, and I don't have time to appreciate boring tragedies (I prefer tragedies that are written in one stroke) Anyway, if I spend a long time creating such a tragedy with words, I think it is quite pointless. Talking about it, if I had used this to warn the protagonist at the beginning, I would still be interested in sighing, but now I take it out, but it makes me feel that the protagonist is busy pretending to be cool, while the supporting characters are experiencing all kinds of tragedies, and they also create inexplicable coincidences to make tragedies happen 🥱 Farewell! If you just rely on these to create excitement, I have no interest in it. Bye-Bye. . . .

The first time I read a book by Tang Sifang was Crosstalk Master. Mr. Fang Wenqi insists on the art of cross talk, takes cross talk as his life, and spends his whole life fighting for cross talk. The same goes for the protagonist He Xiangdong. He has followed the old man for many years and truly regards traditional art as everything to him. Call him paranoid or stubborn, but his persistence in traditional art is really touching. As for the second book, Juggling Luo, the foreshadowing and digging are very good, and the sense of immersion is also very strong. Shan Yitang's heroic sacrifice, Mr. Lu's lifelong persistence and hard work, and the various descriptions of tricks all attracted me. Century of Juggling Luo has been a legend from generation to generation. However, there are still some problems at the end, and it always gives people the feeling of being too hasty, as if they are anxious to explain all these things clearly and complete the book as soon as possible. However, Sifang later made it clear in his remarks after finishing the book. This is also a common problem among many authors, and I believe everyone can understand it. However, despite its flaws, this is still a rare book. Although this Peking Storyteller only has 100,000 words, I still feel confused when reading it. The style is very different from the previous two books. The title of the book is Storyteller, but there is not much to introduce it. Instead, it digs a very deep hole from the beginning, and the various processes of development are basically the protagonist trying to be clever. The kind of book that takes advantage of the situation to deceive big people who can't be offended by all walks of life and fools many people is good. Whether it is refreshing or interesting, it can be regarded as a good book. But I want to say that without that kind of traditional art, without those touching points, it is just blind deception and false pretense. This is not what I want to see in Tang Sifang's writing. But it's only 100,000 words, and it's too early to say this, but I hope to see the touch and tears of the former cross talk master Mr. Fang's last performance, and I also hope to see the charm of traditional art in juggling. After all, how can traditional art that has been loved by countless audiences in China for hundreds or even thousands of years become outdated? Finally, to borrow a sentence from cross talk master He Xiangdong, art is never wrong, only people are wrong.

In 100,000 words, I can't see the main points. It's all about popularizing science and being clever.

That's a lot of talk - what a talent!

After reading the book "Jihua Luohe", I suddenly discovered that Gao Jieyi + Jin Dan = Shan Yitang. It is very likely that the original founders of Shan Yi Tang were these two people.

What is the point? Is it just an ordinary pretense? Is there no goal? I can't find anything exciting. It's a rubbish novel.

It's just trying to be clever, and the more you look at it, the less interesting it becomes.

Bullshit done under the skin of a storyteller

Alas, I don't even know how to evaluate this book. I can only say that the protagonist really embarrasses the time-travelers! However, it is understandable that the subject matter of this book may still be too niche. The author wants to show the low-class characters in the early years of the Republic of China, so the protagonist must be limited to this group... However, it is difficult to accept, and the writing is too scattered... According to the kind of thinking I am looking forward to, that is the thinking of literary giants in the Republic of China. The modern storytelling master Shan Tianfangke also appeared For several books, it stands to reason that if the protagonist wants to protect the people he wants to protect, he has to work hard to climb up and seek knowledge and reach the princes. He always worms his way in and out of the gangsters and actors. If there is a way out, it is better to take the literary route and become famous, and then talk about his own books... So, maybe the subject matter is too niche, and the author has too many ideas...

How to say it! The book is well written. The story is quite interesting. It just doesn't stick to the theme. It took me two hundred chapters to write a story about the protagonist, and the rest were about how the protagonist got around in the world. The title of the book is Peking Storytellers Basically Don't Tell Stories. It's better to call them Peking Jianghu people instead.

I think it's pretty good-looking. Not many people start with this level of skills, right? 🤔

Fat Tang is still here. When I found him, it was already very late. His books are no longer updated. After reading his books, I was shocked. I didn't expect that there are so many things to pay attention to in the folk art industry. It's great that there are people who understand it so well and transmit it to us.

As for this protagonist, what does he want to do?

I feel that this book is not at all what I imagined a storyteller's book to be, hey! I thought it would be as exciting as a cross talk master, but now it's all about witty witticisms. It's interesting, but what about the main body? ? Storyteller? Now there's the Eight Hidden Gates, does it feel like it's written as a fantasy about cultivating immortality? ?

Next week's new book is ready~ Eunuch, I will pluck your pigeon feathers again (smiles) This is a knife→🔪🔪🔪🔪🔪🔪 Heh~ Hold your arms. Jpg

I felt really frustrated reading it. The book is really a good book, but I really couldn't stand it anymore.

Tang Sifang, I'm warning you, if you dare to write Dalian to death, I will never end it with you.

Tied! The storyteller who was attracted by Juhua Luo came to watch. Many of the foreshadowings laid in Juhua Luo were echoed in the storyteller. It seems that Xiao Gao and Xiao Jin are the founders of Shan Yi Tang, right? I just don't know if I didn't stay in the end. Shan Yitang in Magic Luo Li gives people the impression that he is a great hero and a good man who is upright and downright righteous. But now it is interesting to see that they were so unscrupulous and unscrupulous before they really became famous. The Hidden Eight Gates only left a suspense in the previous part, which reminds me of the ending of Jing Jing Thieves. I wonder if there will be a detailed explanation in this part? I hope both Xiao Gao and Xiao Jin have a happy ending. The reason why they didn't appear in Shan Yi Tang is because they went to Yin Bamen, but this must not be a tragedy (Shan Yi Tang is already miserable enough)

Same as the point above, what is the core of what the author wants to write about. This foreshadowing is too long... The beginning of "Guo Shi Wushuang" is similar to yours, but the story line is very obvious, and the core content is highlighted when it is tens of thousands of words. You are really writing about the world of the Republic of China or a storyteller. You have to let the protagonist do two paragraphs to give the readers a little refreshment. It's 100,000 words and the protagonist has done nothing but make jokes and be clever...

The cross talk master still seems to be quite capable, why didn't he write this book?

Coming from the previous two works, the author's skills really make me look forward to the new work. As a result, the problem that had gradually arisen since the beginning of Jifuluo has completely exploded here? The last book opened high and went low, but this book ended up being a complete mess? And there seems to be no news at all about the film and television works mentioned before? Bai was happy.

The book about the rules of the world is very good and eye-catching, but the main character lies and tries to make a big deal every time he encounters something, and he also forces himself to lie. It works once or twice, but it gets a bit boring every time. The reason I can keep reading is because of the author's fascinating words.

Coming from a cross talk master, I felt that the first two books were particularly good, so the storyteller kept them at the top of the book from the beginning. I think the writing is quite enjoyable. I don't know what Sifang is doing. I hope I can pick it up. If it doesn't work, I might as well start another one with the same theme. It's hard to pick up the thread when my ideas are broken.

How careless! ! I didn't bring flash, so I accidentally fell into the pit! A storyteller never finishes his book

Keep the copyright well. Movies and TV series are all good subjects.

I don't like the routine. See you later.

Peking Storyteller is so good! I hope the author can continue writing, or restart it, please🙇🏿‍♂️🙇🏿‍♂️😭😭