I’m Really Not a Dragon-Princess

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This book is good. The only ones I know that have such interesting stories about male protagonists and female protagonists are A certain White Snake and A certain Poor Ghost, and this one is at least as good as the first two in terms of writing. It seems that the author also has a literary heart, but it is very good. The right amount of literary youth has a special charm. Love it, love it

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This book really has no main plot to a certain extent... I have to stop every time I read a few chapters. It really lacks plot conflict and is like a group of ants fighting under a stone lion. The relationship between the characters has been smoothed out for a long time, but there has been no change for a long time, which can only make people anxious... The previous book was very harsh, and this one is about warm and daily life, but warm and daily life also requires changes in emotional intensity and rhythm... Yes, Du Qi is the ruthless road of the sun and the moon, but meeting old friends is at least touched, she It's fine if you don't want to be moved and let Haitang be moved... Except for Du Qi, everyone else here looks like a done deal and it's hard to recover. It's not like you can't ask for it... I really hope there are some strong emotions, even if the author sends out a few more blades to bring the story to life...

The writing is very good. When I first read the 100,000 words, I felt really amazing. The protagonist is very cute, and the interactions with other characters are also very warm and interesting. This feeling lasted until about 500,000 words and began to change, because as I read more and more, I have read all the 1.5 Million words now. How should I put it... The soup is clear and watery. I don't know if it is due to the setting, so that the protagonist does not want to be paid attention to. But the credit for everything the protagonist does cannot be found to belong to the protagonist. All people related to the protagonist can perfectly avoid the opportunity to know the protagonist's identity. All descriptions of the protagonist's power are shown in a very sideways way, and all possible cool points are perfectly avoided. All the possible climaxes have been suppressed, and now I feel a little suffocated when I read it. The protagonist has invincible power, but in the end he does nothing, or no one knows what he did. I carefully thought about the plot of the whole book, except for the dude who forced Shiniang at the beginning, although the plot may be There will be differences, but everything can be passed without Du Qi's power. I don't know whether it is foreshadowing or the tone of the whole book is just like this. If it is foreshadowing, the 1.5 Million words of foreshadowing is too long. If the tone of this book is like this... Then I have nothing to say. To be honest, most of the motivation that keeps me reading now is in the writing style. It's not that I can't write about daily life. There are many novels that mainly focus on the daily life of characters. It's not that I can't stand it, but it's like some cute show. Some people like it after 12 episodes. I think it's good, but I've never heard of a cute show doing 120 episodes. The same goes for novels. I've never seen a 1.5 Million-word book that was completely bland and everyday without a climax. All the novels I've read, even daily novels, have climaxes...

In fact, I have always felt that achieving immortality or immortality in a short life is a kind of cursed punishment.

I feel that the protagonist has a status similar to the world consciousness, the way of heaven, and sometimes he should be a Hunyuan saint similar to Tao Ancestor and Taishang. Only in this way can he be qualified to make the Buddha fall and the immortals fall to the earth. Only in this way can the living beings be enlightened. Only by speaking the Dharma can the heavens move according to the heart and let all things act as they please But even so, the protagonist always puts the rules first in his heart. There is no virtue in the sky and no justice. It is better to have no mercy than to be ruthless. Before meeting Shi Niang, the protagonist should be the indifferent world. Although it accommodates all things in the heart, it will not be disturbed by the changes of a certain person or certain affairs. Before meeting Shi Niang, she is just a noble observer. The people and things of the past disappear like passing clouds, and like the clear water flowing into the sea, they are intertwined and mixed without distinguishing each other. In her past memories, there was no one who was engraved in her mind and remembered in her heart, but there were those fragments, scattered, bitter and sweet, mixed in. Occasionally, no matter whether it was good or bad, it was also a thrill. We can't predict what will happen in the future. Ah Qi may be able to, but she may not want to, because for her, now she has that person living in her heart, and therefore, happiness is around her, and there is no need to pursue it.                                                                                                                                                                               .

It's too pretentious, the style of writing is too tiring and I can't find the theme. This is the late stage of literary youth disease, which needs to be cured. . .

Lingshan... My Lingshan, the author of the story of Lu Ling and Liu Fufeng, you haven't given us a complete ending yet.

I feel like this book is probably delayed by the title. People who like this kind of title probably won't like this kind of writing style. People who like this kind of writing style probably won't click on it when they see this kind of title.