My Cell Prison

After reading this book, I was almost ready to abandon it, so I subscribed specifically to complain about it. To give a brief evaluation of this book, it is almost like a white text with a Cthulhu skin. The setting is quite good; the main plot line is not very creative, but it is okay; the character creation is average, and the character creation is very poor, especially for the female characters; the language logic is poor (not to mention considering the language logic of English, at least the language habits of each character should not be so similar), and there are many common sense problems (such as the analogy of the core of the ghoul to the cell nucleus, the method of falling asleep for World War II pilots learned from the Internet, the big thesis topic, and some settings about the human body that have no common sense). The reason why I deliberately subscribed to the review now is because I feel that this good setting and subject matter have been wasted; secondly, there is a real shortage of books, and it is not easy to find a book that can be read; thirdly, I hope that if the author reads this book review, he can reflect on his own shortcomings. Specifically, the first few chapters are very good, but there are also some details that are not handled well. Immediately after taking over the head, entering the holy city, and taking over the body, the questions gradually increased from this paragraph on, and it was also from here that I could see the author's true writing power. Then some female characters appeared, and every time a female character appeared, there would be ambiguous descriptions. Then the protagonist himself is a very special life form. He was an associate professor in his previous life, and his performance was very immature. He used all kinds of tricks to show off. The article did not see what was outstanding about him, and then the author forced explanations, and then used flashbacks to fill in the loopholes and add settings. The only relatively likable character I have seen so far is Cass, and apart from the strange name given to the protagonist, everything else is fine.

The body of the protagonist in this book draws on some characteristics of the protagonist in the game "Dead Cells". For example, it is a "ball of cytoplasm" that can possess a corpse. Moreover, many landmark locations in the Holy City are related to various levels in "Dead Cells", including the location of Mr. Black and White: the terrifying "Star Observation Tower". But now I know that this is just "Dark Dungeon" wrapped in the coat of "Dead Cells". When I first read the chapter of Blood Brew, I guessed that Ah Fat would not let go of "Dark Dungeon", a classic Cthulhu game, so he brought in the game's "smiling" DLC "Scarlet Palace". Later, in my review of the game in the past few days, I found that the "Knight" character in the Holy City, the Knight, is the nature of the mercenary in "Dark Dungeon": accumulate experience, and then get positive attributes, and kill crazily for your own life. I don't know if the plot of the meteorite crystal will be written in the subsequent plot. The excessive plot in the clock tower is undoubtedly the horror story and Cthulhu background story in American movies, and less Japanese horror and ghost movies. If you have a general understanding, I suggest you watch "The Cabin in the Woods". Although the monsters in it are not very similar to those in the novel, the image of Hellboy in the movie is very consistent with Gus' appearance. If you are interested, you can go and watch it. The plot of "The Mist" is also very good. The author has developed his own imagination on the movie "The Mist", which is simply amazing. There will probably be new plots in it. In the plot of "The Lighthouse", we not only saw the Japanese ghosts walking at night, but also found a hint of "Silent Hill". Hiss, it's a bit refreshing but lacks stamina. This is also an area that needs to be strengthened. After all, Japan is not a small country, so it would be far-fetched to tell so many ghosts into one story. Now the biggest pitfall of this book is undoubtedly the Qiong De Town in "The Clown". It is estimated that this plot was conceived by Ah Fei himself, so it will take a lot of time to see it. The plot of the book about Captain Hell Malone reminded me of Ah Fei's eunuched novel "Chainsaw". It's a pity that it disappeared like that, but I believe that Ah Fei will give us more and better novels in the days to come. I also hope that everyone will be patient and don't be impatient. You can't eat hot tofu in a hurry! Finally, let's guess what movie plot Ah Fei will write next? I also recommend you to watch some horror movies and games here. These are just my personal opinions, because as a senior bookworm, I feel that maybe we can catch some traces of Fatty in the following movies or games. "Black Friday", "Saw" series, "Friday the 13th" series, "Happy Death Day", "Get Out", "The Exorcist", "Dead Silence", "Uninvited", "Van Helsing", "The Thing", "A Nightmare on Elm Street" series, "Doom", "Parasite", "Zerg", "Chilling", "Secret House". Games include Outlast 2, Silent Hill, Panic, Bloodborne The Evil Within, Call of Cthulhu, "The Forest", "Vampire", "The Abbey: The Tortured Father", "Resident Evil 7" "Hunter Showdown" Of course, there are also the main bodies of this book, "Dead Cells" and "Darkest Dungeon". Although these two games are not horror games, but seriously, absolutely! Explosive game! And the level of obsession is beyond your belief. Both of them are games that make you want to smash your computer, and I have been playing it for a long time, three or four years. The action Castlevania style game of "Dead Cells" is very easy to use and very exciting. Every time I want to make you feel like Dempsey, wishing that you have one more finger to operate like crazy, but it doesn't happen when you finish a difficult game. After you have finished it, the subsequent difficulty will make you suffocate. There are five difficulties in total. I hope everyone can do what they can. Computers are not expensive, but their fists are very painful. And the plot of the Cthulhu background of "Dark Dungeon" is even more difficult to stop. I recently started playing again, and ended up playing it for more than ten hours each time for three consecutive nights. Now I am lying in the hospital. So I suggest you not to imitate me.               Study hardｸﾞｯ!(๑•̀ㅂ•́)و✧,          Make progress every day! Teenagers! {"NickName":"A Fatty in Yellow","UserId":330624432}, Fatty would like it if you can. I want more people to see it and not be afraid of "spoilers" from me. Thank you. Come on, don't work too hard.

To commemorate it I have been reading Ah Fei's books for many years. I started with Ghost Eater. At first I thought the name was really unremarkable. When I got to the Joker part, I became completely obsessed with it. It was also the first novel that I was officially exposed to Cthulhu. It was really exciting I have been following the subsequent books, but unfortunately I can't see them all now. I was afraid that this book would be taken off the shelf after I subscribed to it, so I didn't pursue it. Now that I have looked back, it has been completed. Hurry up and order it all!

Em declares in advance that this book review is not malicious and tries to be as objective as possible. I am relatively experienced in reading online novels. I have read at least dozens of thousand-chapter novels. But after reading so many, I have become sensitive to some things in novels, such as popular systems, rebirth, invincibility flow, pretentiousness flow, etc. There are countless. It is not that I can't write, but most of the people who write either have poor writing skills or contradictory plots, or they feel like they have no feeling after reading the whole novel. I have read several of Ah Fei's books, from the first "The Boy Who Eats Ghosts" to "The God of Death" and "Chainsaw..." (Harmonized) to the current "My Cell Prison". Ah Fei's writing has gradually grown from immature to mature, and his style has been constantly fine-tuned. To be honest, I personally feel that "The God of Death" is a better one written by Ah Fei. It has a complete world view, each character has its own personality characteristics, and the plot is relatively coherent and natural. It is much better than ordinary novels. After arriving at "My Cell Prison", I have read more than 500 chapters. Overall, I feel that it is as good as ever. It has inherited the dark characters and world view of previous works, and the integration of "movie" and novel plots has also been improved, and I have added unique elements created by myself. However, it has to be said that the writing style of the novel still needs to be improved. Many places that could be more described are mentioned in one stroke. I feel that the author wants to use concise words to maximize the expression of words, deeds, scenes, etc., So that they can have different effects. If you want to take this route, the words must not only be concise, but also concise and clear, just like a few ink paintings in the hands of a master can be rejuvenated, making people understand it as soon as they are read. Regarding the harmonization of "Chainsaw...", I expressed great regret. The world view, the protagonist image and the plot that were finally constructed were in vain. The reason is probably that there are too many bloody (harmony) descriptions (although some more euphemistic words have been used to describe it). In this regard, Ah Fei is probably a little sensitive, so some bad scenes in the novel have harmonious characters, but the harmonious characters seem abrupt, so how can readers feel the immersive fear? My personal suggestion is to add more descriptions of the environment, as well as the demeanor and psychology of the relevant characters (as real as possible) to enhance the terrifying atmosphere. The author has a rich imagination, and the combination of original elements with movies and other novels often creates different sparks. The ferocious scenes of many monsters revealing their original forms are impressive. However, the foreshadowing and foreshadowing before the monsters reveal their true nature are not enough, either too obvious or not at all. Too many jump scares make readers who are familiar with Ah Fei's writing style a little numb. For example: For the deep-sea soldiers in the copy of "The Mist", you can write "The soles of their shoes seemed to be very wet, leaving a lot of water stains on the ground they walked on." This hint is both vague and makes the readers feel reasonable when they see the truth later. Just write some sensitive words such as "the smell of the sea". When familiar readers see it, they will think, oh, it is from the Cthulhu series again, and the next development of the plot will probably be revealed. As for the inspiration for writing, I think that although Ah Fei has a very rich imagination, he can still improve it in one way. Just spread out a piece of white paper on the table and divide it into four columns: "Cthulhu elements", "movie game elements", "self-created elements" and "daily life elements". Classify and list all the elements that make up the characters, events, objects, etc. In your mind, and then try to combine these elements through connections. You will definitely get a lot of new things. As for the character setting, the author prefers the dark style, which is understandable. The power system of the protagonists in the past has almost always pursued power in madness on the premise of maintaining "humanity", which is also acceptable. However, the author has never clearly stated the fundamental purpose of pursuing power, and the development and change process of each character's values ​​and personality. Not everyone can remain calm when they are truly exposed to a world that subverts almost all their previous concepts. Not everyone who has adventures or has the ability to influence the situation is a rational detective type in Ah Fei's works, with strong observation and thinking skills, or an impermanent type character who tends to be tough, cruel, and sadistic. There must be people who are righteous or innocent and can play a big role (of course Ah Fei's Wen Li is the one). Although Ah Fei has written stories, they are usually either useless and used by the protagonist for a while, as cannon fodder or stepping stone, or the words and deeds of the characters (too little writing) cannot reflect the character's personality. In other words, if the characters in the novel are all biased towards the dark side, it will make readers feel breathless, as if they must plot against others if they want to grow. In terms of setting, the world view is very novel. It continues some of the settings of the previous novels about the power system and makes some innovations. When combined with film and television works and novels, it can often meet the needs of readers and attract their interest. But the author did not understand the settings of those film and television works and novels (after all, they are not his own), such as the G virus. I remember that Dr. William made a tube of this thing and was robbed, but kept another tube for himself. He was resurrected as G1 after death, but the G virus did not cause large-scale infection after it was leaked (otherwise, there would be G1 to G5 everywhere on the street, just for fun.) Why? The G virus most likely needs to be "customized". According to the author, the key to opening the door to bioengineering is the G virus, but it is not a master key. Everyone has their own "lock", just like you find the key but it is not a door lock. (See Baidu Encyclopedia for details) Therefore, it is unreasonable for the author to skip the process of obtaining the G-Virus. To take a step back, if the protagonist customized the G-Virus for himself in the copy, then why can its original solution take effect on the NPCs in the "Mist" copy? And how do you know that the mutation direction of the G virus must be the mutation direction of Dr. William in the game "Resident Evil 2"? It is recommended that the author take time to carefully search for information about items with movie elements that are closely related to the main plot, so as to avoid conflicts between the original settings and the plot of the novel, or to reduce some movie elements and add more original things. You have the right to interpret your own things, and you can explain them yourself even if there are any mistakes. As for the plot, I think Ah Fei may have just made an outline before writing, and some small branches of the plot were not handled well, such as the "Ghost Story Paradise" part. I still don't understand the point of writing about death row prisoners, so I wrote about the death row prisoners who are very powerful towards people and then did a few events to enter the inner layer. Another example is the development direction and relationship of the protagonist. I personally feel that it is a bit complicated. It is a crow, a tentacle, a G virus, and a plague force. It is recommended that they must be integrated in the later stage, preferably no more than two categories. Of course, the all-round protagonist can also be tried if Ah Fei can control it; As for relationships, the protagonist is almost lukewarm to everyone around him. He is of use value to himself. He can win over others, but not others, or alienate them (if they have helped him in the past, he will send them away with some benefits). Another example is Cass, you have a sense of justice, why don't you pay attention to relationships? It only cares about its own development, which means that it is difficult for readers to feel warmth and hope from the novel. Furthermore, generally speaking, the most exciting and exciting part of this horror-thriller style is the development period of the protagonist. He is neither very powerful nor eager to grow. If he is too powerful, the originally scary things will become ineffective. The plot of "My Cell Prison" has been basically finalized, and at most it is the icing on the cake. Therefore, it is recommended that the next novel can first write about the developmental stages of multiple characters, leaving an open ending, and then connect them through a certain event or character in the later stage, so that the structure appears novel yet exciting. At present, I hope Ah Fei can handle the later plot well and have a perfect ending. Finally, about the main theme of the novel. Among the many novels I have read, more than half of them are written by the author who enjoys them and the readers enjoy reading them. In the end, neither the readers nor the author know what they get besides being happy. Although Ah Fei is not that good, but compared to "The God of Death", "My Cell Prison" gives me the feeling that it is heading in this direction. Since Ah Fei's books tend to be dark, I suggest that the theme of the novel can be towards revealing human nature in times of crisis or some spirit that can still persist in the "self" in the end of the world, and the novel does not have to be all about "heroes". Wouldn't it be better for you to write about the warm or funny daily life of the protagonist team in the extra story (no jump scares, no disgusting, just daily life)? Wouldn't it be good to write about the hard lives of lower-class civilians so that readers can cherish their current lives? The purpose of this book review is not to criticize. I also know that it is not easy for people who write books. I really like Ah Fei and his books, and I hope they can be conveyed to the best of my ability, and I hope to reach a higher level. (In addition, I am just a rookie junior high school student. Please forgive me for saying anything wrong or misunderstanding. I have made a fool of myself.) 🙂🙂🙂

The style of this work is very similar to God of Death, so I compared it with the author's previous works. Let's talk about girls first. Compared with Shen Yixuan in God of Death, what kind of thing is Chen Li in this movie? She is a tool among tool people, and some of the ambiguous plots are embarrassing to me. Anyway, she will eventually become a tool sooner or later. Why add such a scene? It's better to just have a lone wolf male protagonist. I don't want to complain about girls. Let's talk about the boys. The male characters of the same level who appeared in the God of Death before, Ning Yanzhi, Shui Bingmiao, Living Buddha... The Ten Heroes, Mask Team, etc. Have gradually appeared later... Although there are gradually less scenes later, at least the B-frame lasted for a long time after they appeared. What kind of coolness do these characters have now? The B-frame of Cass Team could not even finish the first incident (ghoul) (Not counting), the protagonist is MVP throughout the whole process. The only meaning of this team's existence is to call a knight in the name of Feiya. The rest of the time is just soy sauce. The final decision is also cerebral palsy. One of them is trapped and one goes to save people. Only a few people who can ask for help go on to try to save people without looking for reinforcements??? Later, they have to enter the destiny space together. The whole team has no role of their own. They follow the protagonist's arrangements throughout the whole process and then pass the level. The character Abel and Dempsey in the back really fell off the mark after only a few chapters. He didn't feel like he was a competitor with the protagonist at all. When Abel first came out, he thought he had a cool and calm leadership temperament. Later, he gradually discovered that this guy was just here to be cute. His view of the whole incident was to ask the protagonist what he thought, and what the protagonist thought... He would do whatever the protagonist said. , I am not worried about being betrayed at all, and my daily deliberate cuteness has become more and more like the protagonist's pet 🤭. Dempsey has nothing to say. Not long after the beginning, all the secrets were exposed. The problem is that after being exposed, he is still inferior to the protagonist. The urine of this book is that he is inferior to the protagonist for a short time. Next, let's talk about the description of the big shot. He is also the backer of the protagonist, but the backer of this movie is even more nb. There is a big boss at the beginning of the game, who is about the level of a group leader. It took a long time for Yu Jing to get the principal's recognition. The big boss he sent this time is really casual, and his B-level is so low. He doesn't even have a reliable subordinate, and he has to do everything himself. And according to the situation behind the urine, there is a council of sand devils that controls the power. There is also the entire background setting of this work. I feel that it is not as enjoyable as watching God of Death. The protagonist of God of Killing is not a normal person, so he does whatever he wants to do. How could a normal person do this in this game?

The setting of the book is very good, novel and interesting, and it can be said to be first-class. However, there are certain problems in the way of writing. Among them, the one that affects the reading experience the most is that the author always likes to go back to the timeline to make up for the settings. Such a random jump in the timeline will interrupt the reader's immersive experience and give a poor sense of immersion. When I was writing "The Boy Who Eats Ghosts", the author had a bad habit of jumping around the timeline. At that time, I almost went crazy. Many readers are already complaining about this problem, and some have abandoned the book because of it. If the author sees this post, I hope he can pay attention to this issue and polish his writing skills. From "Eating Ghosts" to "God of Death", from "Chainsaw Manual" to now "Cell Prison", as an old reader, I really hope that you can improve your writing skills.

One thing to say, cells are really good-looking, and it's really outrageous that there is no LV4. From the weird infinite flow in the front to the development in the back to the ultimate war in the back plane, every turn is exciting. It felt really good to see players being fierce before, but the ending really fell apart.

I saw Chapter 52. How should I put it? It's just so-so. The main reason is that I can guess what you wrote below. The jokes are all from ancient times. If you throw away some things, it's just a piece of writing.

1 Important officials who determine the fate of the country colluded with the outside world 2 The decision-makers worked together in collusion 3 After the evidence was confirmed, the first reaction was not to bring order to the chaos but to solve the problem of witnesses who had no evidence to prove 4 Just before the execution, Jin Chan, a high-ranking official, escaped from his shell and fled 5 Although the country was almost massacred because of my fault, I've already punished myself with three drinks, so let's get over it The President of the Writers Association danced against the God of Death and returned. The part was really well written, right? Anyway, I had this expression the whole time 🙂. The humans on this planet deserved to be massacred by higher beings. This low-class society just gave up resistance and sent the earth to the alien gods.

Ah Fei's writing style is really recognizable (although I only learned about the author Ah Fei this year hhhh). Calm and rational, using a straightforward tone to outline the horror and thriller story, with appropriate timing and suspense settings, coupled with the protagonist's absolutely rational character, the tone is obviously very objective and smooth, even a bit mechanical and cold, but it makes people completely immersed in the scene. To borrow from a book review I read: "Reading A Fei's book is like seeing a beautiful electronic watch." I have been following up to 200 chapters intermittently now. Actually, I didn't particularly like this type of story at first. What motivated me to continue reading was that the author's writing style is indeed excellent and outstanding, and the content is also very substantial. I see that there is basically no problem with the logic and settings so far. I'll start reading it in the new year. I'm quite surprised that I haven't given up on this kind of subject yet. Ah Fei's new book is about to be released now, which makes me quite emotional when I think about it. The author occasionally drives some naughty cars which is quite interesting. Well, this author is very interesting to me. I am also reading slowly. When the new book comes, I will follow my eyes. I will finish this book first. It has more than 2,000 chapters. As long as Mr. Fat's status doesn't collapse later, that'll be fine. Ah Fei, come on wwwwww

The copy of "The Mist" is stunning! (The following contains serious spoilers) Regarding the plots of movies and novels, the protagonist does not crudely intervene in the original plots. Instead, the original conflicting spaces in the movies and novels are extended, and the main lines are cleverly connected through research and exploration of unreasonable or blank spaces in the plots themselves. The setting of rolling dice to determine story events not only brings a sense of immersion like running a team, but the setting of changing the progression of the story also gives readers a familiar feeling like "Secret Window". The final setting of using a cloth bag to end the story also made people feel unexpected and reasonable. The appearance of Mr. Luo at the end made this emotion transition and deepen in a small way (laughs). In the use of grammatical elements, there is no simple superficial piling of elements such as "indescribable fear", "tentacles", "semen pollution", etc., And the integration with the historical background of the work can make readers feel incompatible. The overall plot of this dungeon is actually a bit slow, but within a comfortable enough limit. Although the logic of the characters' behavior cannot be said to be rigorous in every aspect, it is generally reasonable. The disclosure of the world view is not just plain water. The mysterious and dangerous development is really endearing. The balance between different horror elements, character growth and crisis perception is also handled more skillfully. I wish A Fei will be full of Chinese thoughts and be worthy of jumping off a cliff in the next story creation🙏

It was a pleasure to watch, the author has various twists and turns, and the plot design is awesome, really! To be honest, when I first read the title, I thought it was average, but the more I read, the better it gets. Whether it's the outside world or the story of Infinite Stream, the writing is great! The only drawback is that changing the title to 😃 can really dissuade many readers. This book is really great, highly recommended! ! !

I am very playful and have a lunatic asylum talent. It is completely different from the lunatic asylum's weird space field or the spiritual world field, the spiritual link, and the ability to deter subordinates. I'm sorry for the name. If you can't control the infected, they will also spread the infection crazily. In the world of strange demons, this is asking for death. Ah, the consciousness is transferred and resurrected, what a waste. The parts of the protagonist's body are so precious, especially the main body cells, head, and torso. If they are gone, more than half of the protagonist's system will be scrapped and he will be the enemy of the world like Pennywise. I'm sorry that the name is not compatible with the protagonist's system.

Is it really updated every day? No, no, no, no

I just want to ask a question, who is the heroine most likely to be?

Ah Fei, come on 🤭

（x_x） Studying is troublesome, chasing is troublesome, doing things is troublesome, typing is troublesome, using your brain is troublesome... It's so troublesome, so troublesome... - Confessions from Kit.

Why did you kick me out of the group

My first acquaintance with Ah Fei was on the charts that fall... "My Cell Prison"? It's rare to see prison-themed novels, so there must be something unique about it that makes it to the rankings, so let's take a look. In the opening chapter, the protagonist turns into a worm-like body similar to an amoeba. Before you watch it, you may guess that the protagonist conquered the prisoners in the prison, and uses the knowledge and abilities of these prisoners to launch a large-scale invasion, conquering cities and lands to build his own country. Unexpectedly, the plot is completely different from the starting point. All the prisoners are actually dead. Although the protagonist finally obtains this special prison, (after formatting) there is only one prison left... This is not a prisoner flow at all! Then, the protagonist sneaks into the main human city by virtue of his superb disguise technology. It is not that he becomes a king and his younger brothers follow suit, but starts to struggle as a civilian... Struggling to survive in the fantasy world of strange monsters. Yes, it is really strange that humans are not the masters of this world! The "Gate of Destiny" that opened later made me continue to wonder if unlimited streaming would start? As a result, the setting is completely different, and the author's imagination is really beyond the reach of ordinary people. This article is constantly breaking your worldview. If there are really infinite worlds, is the setting of one of the worlds so strange? I admit that I felt that the plot was a bit weak and I almost wanted to give up when I was halfway through the book. However, the author was very adaptable and immediately adjusted the writing direction and threw out new baits, which made readers who persisted feel really good 😁 Before I knew it, I almost typed it into a short essay, which shows how deeply this novel left a deep impression on me. The various whimsical ideas and strange settings are really interesting. I must recommend this book when recommending books. Good article, is it possible not to read it?

No need to compare, it's really beautiful ❤️

Brothers, what do you think of the Easter Egg Chapter? ! !

The latest chapter is really good, I feel better

I feel like this one doesn't have that. The first part, The Ghost Boy, was interesting. I feel like the most attractive part of the first part is the setting. There are also some horror elements. The ups and downs of the plot seem to be more interesting. I remember that every chapter in the first part would start from the perspective of someone other than the protagonist, which makes people feel very immersive and interesting. I feel that there are too few horror elements in Cell Prison.

The following words may have been forcibly deleted by unexplainable existence. This book is very interesting, but the first time I only read more than 80 chapters, I couldn't bear it. Yes, I couldn't bear it! My eyes hurt so much that I couldn't stop crying. Reading other novels didn't bother me at all! I even felt pain in a blood vessel inside my eye socket, but I couldn't see anything when I looked at my eyes. I was so scared that I left it for a few days. I came back and read it in the past few days. It was okay at first, but later on, I suddenly felt a little nauseous for some reason (physical, not psychological). I seriously suspected that this book might be a high-level source of pollution, and the pollution effect could be achieved just through words that can be copied infinitely. (Manual funny)

The copy of "Ghost Story" has exposed some problems. I will conduct some analysis on these problems and provide some suggestions for modification. First of all, the psychological expectations that the author gave readers in the early stages of the story are inconsistent with the actual progress. In the first few chapters of the story, the author may have given readers the following psychological expectations: 1. Japanese ghost stories - weird, scary, and there may be some dark stories of human nature behind the grotesque formation. 2.      ----， 3.      ---- 4. Multiple prisoners----competitors. As a result, the subsequent development of the story completely deviated from these psychological expectations: 1. The weirdness does not make people feel weird or scary. a)  The Butcher of the Abyss cannot be beaten, the head nurse is instantly killed by Mr. Aha, and the other monsters are not as difficult to deal with as expected. The feeling given to the readers is "every bite is terrifying, and every kick is a supernova——Kizaru's Quotations". Even when dealing with the lamp man, there is nothing outstanding, nothing like in the copy of "The Evil": using physical characteristics to outsmart the BOSS and deceive the BOSS. The man who lit the lamp relied on "recklessness" and almost overturned... b)  In fact, according to the author's early layout, I think the correct way to eliminate the weirdness should be: "solve the puzzle based on the clues of the weirdness -> find the weakness -> kill the weirdness". At the beginning of the copy, it was actually possible to find that the author had such a writing tendency, but this was not the case in subsequent developments. My personal guess here is that the author has not drawn up an "outline", so that he is in a state of "writing wherever he writes". The more important reason is that the schedule of National Day activities is so full (evidence: three updates are cut into two), so there is no more time to figure out the plot and polish the copy. 2.      BOSS，（，）"" 3. Five-star difficulty, I think this difficulty is quite embarrassing. Because after the entire dungeon is completed, I feel that the sense of crisis is not as high as the previous two dungeons... 4. Prisoner, this is a rather embarrassing setting. Based on the author's description, I initially thought that the prisoners would be a relatively powerful force. The result is that he is a cannon fodder, and except for some descriptions at the beginning, he never appears again throughout the whole process. This makes the setting that the prisoners are not weak in combat power a redundant setting and completely unnecessary. It also reduces the overall "compactness" of the story, disperses the story, and weakens the story. I think, according to the author's initial setting, the outline should probably be written like this. Main tone: This is an escape copy, weird and difficult to destroy, even indestructible (immortal and regenerable). Background setting: 1.  In the future world, human science and technology have made very long-term progress, but this seems to have violated certain taboos, and under certain conditions will lead to the emergence of some "weird and bizarre" things. At the beginning, humans are afraid, but with the study of "weirdness". People find weirdness "controllable." This makes human beings feel happy, because studying the unknown can make human science and technology progress and develop. 2.  Under such an idea, human beings have built a "weird paradise" on an artificial island and "produced" weirdness in it by using certain means. In order to better study these weirdnesses, people continue to send death row prisoners to this "weird paradise" - because this is a group of smart guys who are good at finding and exploiting loopholes. 3.                          With the continuous transportation of death row prisoners, human beings have learned more and more about grotesques, and have collected a lot of information about grotesques, as well as body tissues. By studying these grotesque body tissues, people have discovered that some of the grotesque properties can strengthen humans. This brings great joy, for the grotesque is immortal and renewable. Humanity hopes to immortalize itself and gain strength through the study of the grotesque. 4.      ，""，""，， Against this background, people agreed to clone death-row prisoners and conduct experiments on these death-row prisoner clones, optimizing them to gain greater strength, and then use these death-row prisoners to further explore weirdness, obtain weird information, and obtain weird organizations. 5.                                                                                                                                                                                                   Do not have the place to enter the "Weird Paradise". The story begins. Faction: 1.  Weird: the main source of danger, the main occurrence of the story. 2.  Competitor: Prisoner. The plunder of weird points/the plunder of weird organizations/the plunder of weird information. 3.  Store: Acquire "killed" weird organizations for research (prisoners get points through weird organizations), acquire weird related information (prisoners get points through weird information) Story development stage: 1.  Early stage: Find weird weaknesses by buying weird clues, find weird weaknesses through puzzle clues, and then kill them. (The main function of purchased clues is to reduce the difficulty of solving puzzles. In other words, you can also trigger weird events yourself and then solve the puzzle, but the difficulty will increase.) 2.  Mid stage: The difficulty gradually increases, which is mainly reflected in the lethality, difficulty of solving puzzles, and weird intensity. Weirdly finds the weak point and still maintains the higher killing difficulty. 3.      （）：，， Story enhancement: 1.  By setting a tragic background story for the grotesque, it arouses readers' resonance (mainly sympathy), thereby enhancing the readers' reading experience. Reference example: At the end of the second chapter of "Lord of Mysteries", a large number of innocent civilians died, and the tragedy of small people not being able to control their own destiny. 2.                                                                          By setting a hateful background story for the grotesque, arousing readers' resonance (mainly anger), in order to give the readers a sense of "refreshment" after writing the grotesque to death. Reference example: The BOSS in "A Nightmare on Elm Street" is very hateful, and it would be great to make him disappear completely. 3.      ，， (Difficulty: Because this time we bring teammates who have a lot of descriptions, it is not easy to let them die casually, so we can create a sense of urgency of death by depicting the death of the death row prisoner). 4. Ending arrangement: Create a death row prisoner who cooperates with the protagonist team and survives to the end (the "death prisoner" needs to die in the front, so this death row prisoner can be set to be the only one of the group who survives, and his tragic life can be appropriately exaggerated. What about being wrongfully imprisoned, and then his children..., In short, it is miserable.) Finally escaped from the weird paradise, originally happy, but was killed when he was about to gain freedom (scene 1). Then appropriately describe the next clone of him sitting on the train looking out the window and imagining the future, determined to live (scene 2) (this can be echoed from beginning to end, giving the reader a sense of absurdity that "the so-called future imagined by this prisoner is nothing but an endless reincarnation of despair"). The copy of "Ghost Stories" is over. Outline↑ Finally, the "craftsmanship" of this copy of "Ghost Story" is too heavy. What is "craftsmanship"? The so-called "craftsmanship" actually means that the development of the story does not conform to common sense. It is more based on the close combination of multiple coincidences designed by the author that ultimately lead to such a development of the story, and the occurrence of these coincidences are "small probability events." And if one of the coincidences fails, it will cause the entire story to collapse (the story cannot happen).        ""， But coincidence, if used wisely, can "reasonably" promote the story, but if used unwisely, it will degrade the reader's reading experience. Most readers may not be able to explain this experience clearly, but they always feel weird when reading it. The story "Weird" gave me such a feeling. First, let's look back from the results. The protagonist failed in a one-on-one duel with the lamp man, and I didn't see any "related description" that the protagonist had a back-up plan. If Abel hadn't left, or if it hadn't been for the explosion of the small universe at Abel's critical moment, what would the protagonist have done to seek the lighthouse? The protagonist will die without a burial place, which is a very, very high risk. And we can see that when the protagonist confronts the big nurse, based on the protagonist's performance, the protagonist did not expect the big nurse to be difficult. But by coincidence, Mr. Aha's watch was triggered, killing the head nurse instantly. Afterwards, the protagonist returns to the front battlefield and finds that Abel is about to be killed by the lamp man. Here we can learn that the protagonist does not have a good assessment of the lamp man's combat effectiveness. We will conduct an analysis based on this information: 1. The protagonist does not have a good estimate of the strength of the enemy and ourselves, and the plan to overturn the lighthouse is not complete. Many of the risks have not been estimated, and there are no measures to increase safety. 2. This makes us readers feel very strange when reading these chapters, as if the protagonist's personality suddenly changed drastically, his sanity went crazy, and his mind was blinded by greed. 3. To sum it up: the protagonist suddenly has no B numbers and loses his mind. (The author takes the blame!) I personally am quite optimistic about the potential of this book, otherwise I would not have spent this time writing this here. However, compared with the previous copy of "The Evil", the quality of this copy of "Ghost Story" has dropped significantly. It gives me the feeling that the author of "The Evil Within" has carefully figured out the plot development, polished the details, and has an outline. As for the copy of "Strange Tales", I just write whatever comes to my mind and write whatever comes to my mind. This leads to a problem. The advancement of the plot becomes more inclined to the author's arrangement, rather than the natural development of the story logic, which is what I call "craftsmanship". Regarding the issue of "craftsmanship", there is a Korean movie "Parasite" that is very obvious. Although the story of this movie is very clever, it must be said that the "craftsmanship" of this movie is very great. All the plots in the movie are driven by coincidences. If we think about these coincidences in reality, we will find that these coincidences are actually very fragile. This leads to the distortion of this movie, which makes it look fake. I sincerely wish the author can get more subscriptions, and I also hope that the author can bring our readers a better reading experience and more exciting stories.

There is almost nothing good to say about this book in terms of suspense, structure, and writing. The biggest problem is that the material selected for the copy is too niche. There are so many horror movies, 99% of which have never been heard of or seen before. Isn't it good to use Teacher Chu? Isn't Sadako exciting? I'm sure if I had chosen a famous horror movie, I would have had no problem doubling the score of this book....

Han Dong

（）                     ——       ，，，，，， I think about its infinite changes and eternal existence all day long, and then I realize that its opening and closing of the inner breath is like the waves of floating water, which never stops breathing. The mysteries of the stars are like the corpse energy of heaven and earth. The deeper you explore, the wider you will find. Fortunately, I came across the path of floating corpses by chance. Summarizing its wonderful theory, floating corpses rely on flowing water, the luck is drawn out, and the interaction of water and gas is not to consolidate the foundation, but to gather the Qi in the water. However, the corpse is made of water. If it is clear, it will pass through the bottom, and if it is turbid, it will be difficult to sink. If you let the body float in the clear sky, it will be like a fish swimming in the water. The corpse is floating in the sky, crossing the sky and the earth, and you will feel the transformation of endless spiritual forms. Those who have mastered it will be able to see through suspended images and float around.       ，，，，，，，，，， I use it to glimpse the dazzling splendor of heaven and earth, layer by layer, looking for the ups and downs of the secluded and rare. I am one of those who have seen and heard hundreds of thousands of things, but I cannot compare with it. Its vastness, magnificence, and depth are far beyond my reach. Therefore, I feel the withering of my body and the abundance of heaven and earth. I climbed up Jiqiu Mountain, and suddenly I heard the exquisite yao turning around. I looked for the sound and found the beginning. There is a lotus pond here, which is green and natural, as if carved from jade. Its sources and currents clash with each other, and the stones sound. There are also clear lotuses on Pupu, weaving in the pond, and the dew is about to fall. It coincides with the morning light, like bright pearls, playing in the green case. I enjoy the most beautiful illusionary state. I observe my husband's posture slightly and examine its fibers, which are like floating stiff hairs. They open up the meridians and veins, solidify and open the flow, and open up branches and canals. The water and dew are floating as if they have nothing to rely on. They are like the true beginning. The leaves are like floating and stiff bodies. They are soft and hard, transforming the strength and eliminating the strength. They float the muscles and bones to eliminate the bright strength. They shake the outer body to dissolve the dark strength.

First-class setting, third-rate writing, and I have followed three of them, from God of Death to Prison. After digging out the setting, you really need to learn how to write a book. It feels like many places are written one after another. The properties of pig's feet are messy. The narrative in the first part is like a running account. It seems that there is no outline at all, which makes it uncomfortable to read.

It is not easy for Ah Fei to write a book. Everyone is reading the book just to have fun. I hope everyone can read the book harmoniously, be more tolerant and less hostile. If you want to discuss the contents of the book with other book fans, you can search Group 1: 437125775 (full) Group 2: 1020207022 Ban: 1. Personal attacks on the author and other readers 2. Political discussion 3. Vulgar remarks or pictures 4. Comments that provoke controversy 5. Advertisement In the above cases, ban as appropriate. If readers find any illegal remarks in this chapter, they can report it at the bottom of this post. The reporting format is: [Which volume, which chapter, which paragraph, this chapter says the author's name]