Yan Yan Flies Far, Sent Southward

(^･ｪ･^): For this reason, I have to convince myself to keep updating...

Today someone told me to be reserved, saying that boys who are not reserved are not cute. I just came here to ask, am I cute?

After reading the last chapter, I felt a little emotional. The little eunuch Xiao Luzi turned out to be a woman. This is really a miracle twist. I remembered that a book friend wrote that the female protagonist was miserable, and the author replied to her that every woman in the book was miserable. I read it again and found that the article was probably a story representing women, and it was written in a very unique way. Everyone is a victim of political struggle. 1. The City of Sin Slaves: Jiangque Identity: A female slave, a former Northern Yan military prostitute, now a rebel in the Dao Dao Society, a spy under Liang Quan She is the representative of "unclean women" in the eyes of the world. She took the most powerful acacia drug "Beauty Tribulation" in the world, dressed herself up as a married woman and lit two red candles on the night she seduced a prince. She was sentenced to be burned at the stake. In the end, he died of the poison and died in the arms of his beloved. The two were buried in a sea of ​​fire together. Before his death, the man shouted: If you travel on the great road, the world is for the common good. The woman left behind a Juan handkerchief, which read: Due to cowardice and warmth, I dare not open my arms to you. When spring comes, I embrace my death and die in the dust. 2. The Game of Autumn Waters: Lou Lan Identity: The Second Miss of the Prime Minister's Mansion of Nanliang Tower "The misty rain in Beizha makes horses hoof disease, the fragrance of sweet-scented osmanthus, a collection of paper, and the book is full of lovesickness." I like this sentence of the author, and I also like the huge layout of the Game of Autumn Waters. Whenever the piano music "Autumn Water" is played, someone is bound to die. An unexpected encounter led to Lou Lan, the daughter of Lou Xiangfu, and Liang Quan, the second male lead, and they fell in love with each other from then on. But the second male lead gave the heroine an order: let the Prime Minister Lou's house be destroyed within three months. A song of autumn brought Lou Lan into this situation. (This situation is more complicated than I described.) When the first song "Autumn Water" was played, the imperial concubine hanged herself in Shenghua Palace. When the second song "Autumn Water" was played, a concubine from Leng Palace (forgot her name) died. When the third song "Autumn Water" was played, the minister of rites, the Minister of Rites, died. Two different "Langya Poems", two "Autumn Waters" with hidden meanings, three murder cases, three different murderers, four identical "Autumn Waters" piano scores, implicated the shocking secrets of the past, and finally the whole house that invaded the government and the public was overturned. At the end, Lou Lan humbly asked Liang Quan: I wonder if your highness has room in your heart to accommodate Lou Lan. Liang Quan said: I already have a wife. 3. Meeting in the Wind and Cloud: Lan Jiang Identity: Princess Beiyan After Beiyan was defeated by Nanliang, the neighboring countries of the Northern Zhou Dynasty and the Northern Wei army pressed on the border. Beiyan had to marry a daughter again after Lanzha. Let the world's most influential people gather in Beiyan. The prince of the Northern Zhou Dynasty proposed to marry Lan Jiang, the young princess of Northern Yan, who was interested in marrying her. But this Northern Zhou prince liked Yifei, the female general of the Northern Wei Dynasty. Because he had never left the Northern Zhou palace since he was a child, he admired Yifei for being able to fight on the battlefield. "You are the jade tree in the courtyard, and I am the wind that has traveled thousands of miles. The wind has marched thousands of miles to the battlefield, but the jade tree is still in the backyard." They could not be together in the end. The prince of the Northern Zhou Dynasty chose Lan Jiang, a princess who had lived in the imperial city since childhood like him. Two caged birds, because of a political marriage, have been together for a hundred years, which is a bit emotional. 4. Dreams in the Garden: Man Ji Identity: Actress (actor) Because of her amazing appearance, she was selected by Liang Quan to play the role of Lan Zai in the opera "Yan Yan Yu Fei". Because it is said that her appearance is comparable to that of the most noble girl Lan Za, she caused a sensation in Bianjing and became the Bai Yueguang in the mouth of Kyoto children. A year later, she and Lan Za met again. Because she wanted to sneak into the side of the second prince Liang Mo, she returned to the Red Mansion and staged a play "A Dream in the Garden", in which she played Du Liniang and Lan Zai played Liu Mengmei. Finally, he achieved his goal and went to Liang Mo. The two are interested in each other, but they torture each other. For the sake of power, Liang Mo sent her Buzi Tang every day, and in order to complete the task, she made Liang Mo bear the charge of rebellion. She said to him: Man Ji is an actor, and it is my duty to perform every scene well, including every moment with His Highness. This was just a joke, but it turned out to be true love. "To open up Hongmeng, no matter who is interested in love, they are all just for romantic love."

Seeing that so many book friends in this circle have such high standards, I couldn't help but feel inspired to write a poem. I would like to state up front that I will not accept complaints. Yan Yan Yufei Sent far away to the south The past is over Those who come can pursue it Where is the applause? Please let me see your hands. 😌

Don't say any polite words and get straight to the point. Judging from the chapter in the book, book reviews and recent long reviews in book circles, most readers of this book, or in other words, early readers who were attracted by the setting and plot of this book, what kind of novel they want to see should be like. I think Moyu should have an idea, but this I still want to summarize it as best as I can: 1. The plot should not be complicated, but it should have twists and turns It may sound contradictory. To put it bluntly, the plot has more reversals and surprises, and less plots that require specific logical analysis and psychological speculation. Foreshadowing should not be buried for more than three chapters. Bugs can be patched through recall and "past events". Generally speaking, the plot line should have ups and downs. If a complete narrative is composed of beginning, inheritance, transition, and integration, then "transition" is the most important here. Not only is it important, but the "transition" is large, followed by "integration", "initiation" and "continuation". 2. The emotions of the characters should be strong Most readers will not try to figure out the subtle connection between the character's personality and personality. Their understanding of the character is controlled by the emotions shown by the character, so it is love and hate at every turn, cruel to the bones, sweet to the throat. As for whether it is abrupt or blunt, just read it, and will not think about it in detail, and there is no need to think about it in detail. 3. Use color to build the sense of the picture, and use words and sentences to build texture I won't go into detail on this, because many people have mentioned this in their book reviews, so I won't repeat it. I feel that if I summarize these three points, I will offend people... But as an author, I want to pursue more than just these, but I can't avoid the market's choices. Therefore, under the inner struggle, I am not happy when I write, and the readers are not comfortable enough to read, which is a very dilemma. I don't have any suggestions for this. After all, everyone's original intention of starting to code is different, so I can only analyze it from the specific text. I hope it can be helpful. I have only seen the first 71 chapters, and will only make a detailed analysis of the first 70 chapters for the time being (excluding the extra chapter 23). First of all, I divided the first 70 chapters into four parts: Chapters 1-4, the beginning; Chapters 5-11, entering the military camp; 12-22, the city of sin slaves; 24-71, Qiushui Bureau. Chapter 1-4, opening chapter: Plot line: Liang Jun defeated Yan - Princess Yan's daughter Lan Zai married far away, Prince Chu went to Liang at the same time - Lan Zai arrived in Liang, went to the palace for a banquet - marriage, assassination, escape, meeting the prince in Qiushui Courtyard - the male and female protagonists reached a consensus and set the tone of the full text: beauty in military uniform, competing in the world Main character Emotional lines of characters: Hatred of country and family (high) - Forbearance for the country (flat) - Pretend to be calm at the palace banquet (flat/high) - Attack on the wedding night (high) - Temporarily escape from the predicament (flat) - Find the target (high) The opening chapters are handled very well. The ups and downs of the plot and the ups and downs of emotions are basically on the same curve, so the reader will have a better sense of involvement. But the problem also arises here. The highlight of these three chapters is obviously the wedding night, but the emotional tension of the heroine and the second hero here is somewhat lacking. In other words, they are not sad enough or unforgettable enough. The portrayal of the second male lead's complex mood will help him become affectionate in the future, and the heroine's complex mood will provide an emotional basis for her subsequent enlightenment and hard work. I have mentioned my modifications in this chapter, hoping that I will not overstep the mark. After the wedding night, I went to Qiushui Villa to meet the prince. The mood dropped too quickly and the transition was a bit abrupt. Of course, this is the nitpicky of some readers, but overall it was handled more reasonably. To satisfy these picky readers, the emotional dip here needs to be patched. I think the author made an attempt to pave the way for an emotional transition in Chapter 4, that is, the heroine's sudden irritability after meeting the prince. It would be more complete if a few more strokes could be added here, such as adding a little more psychological activities of the heroine. Here, the heroine has just escaped from the wedding room. Although there is help, her future is uncertain, so her mentality towards Chu Zhan should be both hopeful and apprehensive. At the same time, I think there should be doubts as to why a stranger would choose to take such a risk for no reason. To save her (from the previous article, we know that Chu Zhan has never met the heroine before, and I think the same is true for the heroine). Under this psychological premise, the heroine should first feel relieved after seeing Chu Zhan, rest assured that she has not been deceived, rest assured that her weight in Chu Zhan's heart is not despised by him, but she is personally received by him. After Chu Zhan apologized for Mingyue's recklessness, if the heroine was more thoughtful, she would have said a few polite words, and then became impatient; if the heroine was still immersed in the hatred and sadness of the wedding night, then there would be no need to describe her previous inner complaints, and her subsequent polite greetings would have to be more hasty and panicked. In this way, the heroine's psychological activities will be consistent, and the change will not be too sudden. Honghong pointed out that the heroine's choice to join the army is somewhat unreasonable. If you think about it carefully, it is indeed unreasonable. First of all, the choice that determines your life's destiny should not be so hasty. Also, because the character development of the heroine in the early stage is relatively lacking, why does the heroine not choose a princess/princess with a good status and good bargaining chip? Instead of directly operating within the palace of a country, she should start from the periphery of the bottom power. The choice here needs to add some rationality. First of all, from the perspective of the heroine's personality, it basically seems that the heroine is not a scheming movie queen, so letting her hide and act secretly under the nose of the male lead, without external information flow, can only make her a caged bird, and there is no soil for her to grow. Therefore, to make this reason true, it needs to be in the psychological activities of the heroine. Add a little self-analysis to it, that is, "This job is not suitable for me, and I can't do it well, so I don't choose it." Secondly, from the perspective of the heroine's personal wishes, she must still be full of hatred for the second male lead. Whether she is willing to let the second male lead appear in front of her all day long, whether she is willing or even willing to commit herself to him to gain his trust, can be solved with a simple and crude "I am not happy". Thirdly, in terms of the bargaining chip that the heroine has, she is a princess. Although she grew up in the palace, she doesn't know much about intrigues. However, she comes from the Yan Kingdom, which is good at riding and shooting. Therefore, if she joins the army, her starting point will be relatively high and it will be easier to get ahead. The purpose here is to allow the heroine to analyze her own growth environment, and to further improve the background setting of the heroine. The above three points are internal factors. The last point can be seen from the external reasons, that is, from the perspective of Chu Zhan, the prince of another country, which one does he want the heroine to choose? Although it is said here that Chu Zhan gave the female protagonist the right to choose, and he later became the male protagonist, this is the first time he met the female protagonist. There is no friendship, only interests. Therefore, for Chu Zhan, will he guide the female protagonist to make a choice he wants (not only leave the analysis process of the above three points to Chu Zhan), but also bury the emotional foreshadowing of "he does not want the female protagonist to commit to other men and get along day and night". It also adds a little foreshadowing for Chu Zhan's sudden love later. Chapter 5-11, Entering the Military Camp: Plot Line: Studying in another hospital, growing love - traveling in men's clothing, getting the name Chu Wine - watching a play in the Red Mansion - meeting Ji Zi Yi, Liang Quan made a plan to recuperate - Chu Zhan was released - officially entered the military camp - met Lu Hu, Zhong Xiu - Dian Mao military power first appeared - group battle Chu wine became famous - Yun Wei invited a hand to talk, revealed the identity of King Ye - Yun Wei moved Camp - Yun and Jiu are on duty at night, Yun's heart is slightly moved - on the day of the family visit, the male protagonist recognizes his relatives and gives each other a jade pendant - the recruit assessment is coming The plot is relatively gentle, so the emotional line will not be sorted out, because the overall emotion of this part is also gentle. The function of this part seems to be to connect the previous and the following. At the same time, the appearance of the supporting character Yun Wei is introduced to enrich the emotional line of the book. Therefore, the image of the heroine is a bit weak. Her growth and income are not clearly revealed. However, since it is a transition, as long as the key plot is clear, such character details are ignored. The suggestion to improve the level of excitement is to add a simple explosive plot with both emotion and plot to this part, which is a very common slap in the face and comfortable plot, and at the same time add color to the heroine's fame. The suggestion to increase the fun is to add some oolong plots in which women disguise themselves as men, or let the heroine resolve it intelligently (remember to give others intelligence and eyesight), or let others "unintentionally" help, such as Zhong Xiu who later fell off the horse, which will also become part of the foreshadowing. The suggestion for perfect character design is to add some psychological activities of the heroine, such as being in a military camp, undergoing monotonous and hard training every day, and the people she comes into contact with are all straightforward. Such a simple environment will be conducive to reducing stress and will also relieve the heroine's depressed mood. Such emotional changes will be more reasonable and smooth. And this is also an excellent stage for the heroine to show her personality charm. After all, the men in the military camp are straightforward. If you treat them well, they will treat you well. The heroine comes into contact with such people at the beginning of the chapter, instead of contacting people with dark minds or officialdom. This is actually a good foundation for her character and connections (because I didn't read it later, so I also I don't know if any of these people in the recruit camp will become famous later, but if they do, the heroine's bond here will be her help in the later stages, and may be able to turn danger into danger in some subsequent plots. The friendship between the recruits who have endured the harsh instructors and transformed their lives together is very precious, so don't waste it if you can use it). The detailed bug was brought up by Sister Le. Why did Ji Ziyi agree to help King Ye hide it? How to deal with this situation basically depends on whose character the author wants to complete. If you want to complete Ji Ziyi's character, explain something for him. For example, in his eyes as a historian, the differences between various countries in the world are just the comments of future generations in the torrent of history. People in this world are unpredictable, and people like King Ye who are likely to leave a name in history are a good opportunity for him to get close contact with history. Etc., To improve the pattern of Ji Ziyi. If you want to complete the role of the heroine, let the heroine analyze the powerful relationships, which is to deceive people. For example, it is impossible for King Ye to enter the camp alone, there must be helpers, so you cannot make noises to alert others. Another example is that the military camp has strict discipline, and whether King Ye's sneaking in will be related to the situation in the court.，，，， Another rather abrupt plot is that the male protagonist's love comes too suddenly, but since it is impossible to add actor attributes and abuse points to the male protagonist, it is okay to treat it as love at first sight, otherwise it will become a plot trend in which the male protagonist takes advantage of the female protagonist's feelings and ends up getting stuck in the quagmire. Chapter 12-22, City of Sin Slaves: Plot line: Go with the army to the City of Sin Slaves, accompanied by the eldest prince - stationed at the military slave exchange, Zhong Xiu changes his horse - women's clothing Sneaking into the team of female slaves - after being rescued, finding out the location of the Dao Club and the inside story (eavesdropping) - hiding it after returning to the camp - Jiang Que committed himself to the prince, the heroine broke in and threatened - visited Jiang Que in prison, the military concubine hid the steel knife in her cartilage - Jiang Que was tortured, The city gate is on fire - protecting the slaves and killing his comrades, Jiang and Xu died in love - God rains, the name of Chu wine flows into Liang Quan's ears - promoted to elite soldiers, King Ye leaves the camp If we look at the emotional ups and downs of the heroine Speaking of words, there are two emotional peaks here. One is the tragic situation of the slaves that the heroine saw in the Dao Club, and the other is where Jiang Xu and two people were buried in the sea of ​​fire. The former is abrupt and lacks tension, and the latter is emotional but the supporting characters collapse. The heroine entered the city of sin slaves in Chapter 12. No matter whether it was a three-day journey or after arriving in the city, she seemed to see nothing. In Chapter 14, she went to the Dao Club in person and discovered the miserable conditions of the slaves' survival. She was shocked. After being shocked, she will inevitably sympathize, but at the same time, she will also start to question whether this is right and fair, thus breaking the barriers brought by her own class. She has a deep-rooted understanding that people's lives in the world are different, but they are also unfair. To break this injustice, it seems that she needs to do something, and it also seems that it needs people in the world to do something. Such step-by-step understanding, thinking and growth can have a sense of hierarchy, and it also lays the foundation for her subsequent recognition of the purpose of the Dao Dao Society. Otherwise, just listening to someone shouting a few words like slogans will change her own understanding? In this case, the heroine's character is not firm enough and her character is vague. From a literary point of view, character design is very important, not only how rich and complete the setting content is, but also because character determines the words and deeds of the characters, which in turn determines the direction and rationality of the plot. For example, when a person walks into my house, the first thing a person with a background in art will see is the paintings on the wall. The first thing a person who likes classical music will see is a vinyl record player. People who like Lego will go straight to my display cabinet. People who like e-sports will pay attention to my pirate ship. An introvert will stay in place and not move around. An extrovert will stroll around and leisurely. Observe, and a naughty child may have started to do something (or be kicked out by me). Different character backgrounds bring not only different personalities to the characters, but also the diversity and internal rationality of the plot development in the book. An unprovoked guess must come from the mouth of a reckless person, and a person who embraces the belief in the unity of the world must be someone who has had relevant experiences. Of course, paying too much attention to the character will also cause negative effects. For example, because the character's character is different from the reader's cognition and standpoint, the protagonist's emotions and the reader's subjective feelings are separated (the negative teaching material is my book). Another example is that when the character conflict with the plot outline, which one should be sacrificed for preservation? All of them are troublesome problems (the negative teaching material is still my book, of course, I am a setting fanatic and will definitely protect the character design), but not paying attention to the character design will make (especially) the protagonist's character never be established, not clear enough, and even reduced to a tool role in promoting the plot (this is why many supporting characters in books are better than the protagonist). For example, in many heroine novels, the heroine is decisive, calm, and witty as soon as she appears. This is absolutely unreasonable for an ancient background, because a person who has been exposed to the three obediences and four virtues since childhood and has never even gone to school, how could such a character arise out of thin air? That's why the author allows them to be reborn or time travel, so that the unwritten experiences in their previous lives are the basis of their characters. Whatever extraordinary traits and skills the heroine possesses can be explained and patched by using her past lives. It is a very simple and practical way to establish the rationality of the character (and the author and readers will be satisfied).

(Someone mentioned it, so I will explain that the author is incompetent in naming, so he simply and crudely picked the name from poems and songs😭) 1. Female protagonist: Lan Zha (chai) Chrysanthemum is the herb Angelica dahurica Source "There are zhi in the Yuan and there are orchids in the Li. I miss the young master but I dare not say anything." "Nine Songs·Mrs. Xiang" 2. Liang Quan: Quan is also a vanilla, it is "Calamus", Calamus Being able to withstand bitter cold is very similar to the character's personality. It is used as a metaphor for kings in ancient times (which is a metaphor for his ascending to the position of Ninth Five-Year Plan (눈_눈). I accidentally spoiled it) "Li Sao" 3. Bili (bili) is also a plant name. "If someone comes to the mountains, he will be taken by Xili." The poem "Nine Songs: Mountain Ghost" is about a tryst between a mountain ghost and his sweetheart in the mountains. Xili in the article is a romantic image. 4. Chu Zhan: "The swallow is flying, its sound is rising and falling, and the son is returning, far away to the south. Looking beyond my reach is really laboring my heart." That Zhan in "The Book of Songs·Yan Yan". It's about a girl marrying far away to the south and seeing no one there, which is really heartbreaking and sad. Mainly to express his status as the male protagonist. 5. Zhou Yuheng: "Yuheng" is the fifth star in the Big Dipper and is the brightest one. (No spoilers for unappeared characters) 6. Hui Wei (hui wei): "Hui Xi Wei, Nanshan Chao Ji." It probably looks like it is filled with clouds and mist, and the identity of Yun Hui Wei in the article is also a suspense 7. Hui (xuan) Fei (no spoilers for unappeared characters)

This book is a serious book, but the male and female protagonists are not serious! Isn't this a serious drama? Ever since the male and female protagonists got together, I have been so sweet... After the male protagonist secretly kissed the female protagonist, the female protagonist said: "It seems that I have to check the law of Nanliang to see what the punishment will be for attacking the officials of the court. " The heroine's mansion was on fire, and the hero fed the heroine in front of all the people watching, and he even said it was "promoting diplomatic relations between the two countries" I can keep talking about these two jokes for a long time.

（）          ，，，Next, pay attention to the causal relationship and the sense of the times. For example, in this part, when the city is burned by fire, the heroine asks the soldiers to save the slaves. This is incompatible with the general environment and values of the feudal slave society. (The hero has personal experience and can empathize with it, but the heroine is always a bystander. (Or), and what she said to cheer her up was "Just because you are a fungus." Not to mention that it was not a particularly honorable thing for ordinary people to serve as soldiers in the ancient context (after all, there is a saying that good men should not be soldiers). This fungus's sense of honor is unique to modern society, so here it is replaced with "Just because you are also a Liang." "It is more reasonable to inspire the soldiers' feelings of the same clan. Of course, you can also let the heroine suppress it with force, although this is a bit chilling (or let the heroine's recruit camp be silently dedicated, in contrast to the other soldiers, which is also a good episode that reflects the heroine's personal charm and influence). But from the perspective of online writing, compared to the plot and the character, the plot is actually more important. Here, take Jiang Xu and his wife who died in love as an example. The crazy scholar cherishes the ideal of "the world is for the common good", but in the end he is burdened by the affair of his children and chooses to give up his ideal/career/organization/life. No matter how abrupt it seems, it needs to be patched here. First of all, the ending of two people dying for love cannot be changed, so inferring from this, under what circumstances is it reasonable for the crazy scholar to die for love? First of all, we must have a certain death situation (external factors), directly choose to kill all Xu Wu's younger brothers, cut off all retreats, leaving him with no way to retreat, and there is no other possibility except death. If you don't want to be so cruel, you can also arrange a desperate situation where he is trapped alone. In short, as long as he has no second choice. Furthermore, an internal reason for dying for love is needed, which is to vigorously exaggerate the deep love between him and Jiang Que. The first thing that needs to be changed is the end of Chapter 13. When he first meets Lan Zai, his eyes should be clear or disdainful, indicating that he is not moved by women. In Chapter 14, in the dining room scene, the conversation between him and Jiang Que was too frivolous (when I saw this, I once again decided that this man is a scumbag). Where does anyone praise his sweetheart for his good color and seductiveness? It only shows that he treats Jiang Que with tenderness and caring that is different from others, such as asking Han Han. Warmly serve tea and pour water (don't talk, talk less), and there are still chapter 15, where Lan Za overhears the conversation between the two, "When that day comes, I will marry you as my wife." It sounds exactly the same as "When I get rich, I will marry you as my wife" (a real scumbag). I think it should reflect this. There is a conflict between human ideals and the love between children, so the dialogue here can actually refer to the dialogue between Mrs. Kiritsugu and Kiritsugu in Chapter 7, Chapter 10 of the F/Z animation (to make up for the situation), making Jiang Que an important pillar of Xu Wu's firm ideals, so he felt completely despaired after Jiang Que's death. Finally, in order to prevent the two of them from dying for the sake of love, that is, becoming victims of plot killing, I suggest giving Xu Wu a period of stillness before he dies so that he can say a few words (analogous to tan-si-ton g), and his death will become a kind of fire, and one day there will be a prairie fire. This not only enriches the character image, but also serves the growth of the heroine (the man in the fire asking about heaven and ghosts will definitely become an indelible scene). The patch is completed, and the conclusion drawn from this is that the character can be born after the plot. We need an ideal person who dies for love, and a plot for martyrdom. From this, we can deduce the character of this person who dies for love, and reversely improve the character's personality setting and plot logic. This will not be abrupt, and it is also a worry-free and labor-saving project for the author.

My merits are immeasurable, I can overcome all opinions and turn the tide. I am the most holy, supreme, gorgeous, brave and moral example. I am a hero. I hold two axes. My eyes are like lightning. When one ax goes down, chaos begins to bloom. When I go down with two axes, Nuwa creates human beings. When I go down with three axes, all living beings fall! People give me the nickname of the omnipotent jade-faced little flying dragon. Through my deep eyes, you can see my majestic and majestic appearance. I have excellent writing skills, quick thinking, and a photographic memory. In ten years of hard work, I have talked loudly, strategized, and been concise and concise. Since ancient times, heroes have emerged from youth. At a young age, I have the talent to know the world and the world, and the wisdom to stabilize the country! Okay, I want to be a reserved boy! This is so cute! Insemination is recommended! Here are the explosive photos

I have a beautiful wish, When I grow up, I can sow the sun. Sow one, One is enough. Will produce many, many suns! When the time comes, la la la, I'll beat you to death! When the time comes, la la la, I'll beat you to death~~! !