Exploring the Myriad Worlds, Starting in the Wilderness
从荒野开始的万界遨游
- Status
- Completed
- Length
- 1.5M Words
- Subgenre
- Myriad Worlds
- Updated
- 5y ago
- English
- Request a translation
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In booklists 7
Personal Collection
Infinite worlds, wuxia, proficiency, experience points
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Reader comments 32
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They wrote one movie after another, but never really got to the point. The second world, Operation Mekong, with its caves and drug money, was also completely untouched. The third world, Brotherhood of Blades, where you, as Zhang Dafu's adopted son, didn't know Ding Xiu would kill people and made no preparations whatsoever.
The earlier parts were written so well, but why is there absolutely no sense of immersion in the world of Ming Dynasty?
My personal feeling
Compared to similar novels, it's alright. The beginning wasn't amazing but it was decent. With only two story worlds, it's hard to tell how many there are. Exploring the depth of the plot is a good idea, but Operation Mekong is relatively superficial. Hopefully, future worlds will be explored more deeply.
The first task in quick transmigration novels is to complete missions, and the second is to reap the rewards. I'm speechless watching the protagonist's meager gains in each world. Especially in the Mekong River world, he didn't even get a single feather. The author, to save the plot, chose the worst possible scenario: a pistol with rubber bullets?
A world where everyone gets skills for free—how are they going to be written later? All the skills from the beginning become completely useless in the later stages, and they're all free; not a single character actively learns them. It's like the protagonist is just a game character, which is frustrating to read. I've read dozens of chapters, and the protagonist's image is still unclear; there are no highlights.
Despite being someone with a deep understanding of the plot, his performance was underwhelming, especially in the Mekong River arc, where he failed to demonstrate the value of a protagonist.
Is this a description of a person or a puppet?
When the system orders the protagonist to kill their own family member, should they do it? (Discarding the book.)
Seriously, it was all written perfectly fine up until it got into the Ming Dynasty, and then it all became a mess?
I don't know why, but the writing style felt so dry that I had absolutely no desire to continue reading.
The world of gods should be a high-magic world, while Harry Potter should be a low-magic world! Especially the protagonist using a Chinese name while wandering around a foreign country feels particularly unnatural. Of course, it would be fine in modern times, but in a world of gods... Well, let's just say it's not great.