The Villainess’s Death Flags Stand Firm in an Otome World

There are obviously not many real villains in Otome games. The author is really malicious towards the Otome heroines (and subtly blackmails a wave of male characters and justice partners), and why the protagonist is obsessed with erasing the settings of Otome games. And the worldview is a realistic correction of the worldview in the game, so why should we insist on fighting the plot? There are a few things that are really strange. The first is that at the beginning, when the protagonist found out that he would end up bankrupt, he thought about why he was bankrupt and had no clue, and then immediately decided to change the plot. This can be understood as the protagonist's radical personality. Secondly, regarding the plot revision after Ten Thousand Demons, I discovered here that it was actually revised directly after the heroine took a single line. That is to say, after the story is completed, the plot revision power will be lost and the world will be directly revised. But among the Vampires, they are very straightforward, which is more abnormal than decisive. A plan requires only one person to think about it from arrangement to execution, let alone the fact that the protagonist is an ordinary person. Overall, it's not a big problem, just some complaints at best.

The reincarnated villain had no choice but to remove the flag of destruction + live a modest and down-to-earth life + the hobbies of the daughter of a duke family.

Is this going to be animated this April????????

I would like to make some suggestions. The creativity is very good, but it is too watery. It does not mean that there is no practical information, but that there is too much practical information. There are endless settings throughout the whole story, which can be divided into five or six chapters, or even more than a dozen chapters. Either the story setting or the protagonist's memories, or the protagonist's memories or the protagonist's psychological activities. The storyline is only two chapters. It feels like after bombing a bunch of settings, then holding a nuclear bomb and blowing up all the enemies. It's more stand-alone than a single-player game. Although the supporting characters can also talk, they feel completely like n♂p♂c. I think this theme is about how to villainize the Otome heroine, or change the worldview to deviate from the Otome worldview. It would be interesting to see how the Otome heroine survives, or becomes a villain and wipes out the protagonists, but You don't have any of these. In short, it's just a bunch of settings. The protagonist feels that the world is too powerful and he can't play anymore. Then he wants to overturn the chessboard and make a lot of single-player layouts. Then the decisive battle begins. The protagonist shows off the previous single-player layouts and the other side rushes to the street. To be honest, this routine is really boring after seeing it too much. But there are so many words, and it's probably too late to save it. I'm looking forward to the author's new book. I hope the next book won't play like this.

After reading the author's "Sacrifice of the Alien God" and then reading the inner chapter, I somehow understood the setting of the world...

There are too many settings and too little content. It is commonly said that there is no useful information. Most of the chapters are configuration files. It's too pale. I wonder if anyone would like this aspect if the author posted it to Shukri. If you give it a passing grade, it's because the author at least insists on writing.

A very interesting novel, come on, author.

There is an April drama with a similar name to this

Don't think that having three avatars means you are awesome and can expand. Although I only have one, I can play ten.

The protagonist has never had stable strength of his own, so he is so frustrated. If I encounter such a situation, I would rather die with them than live any longer. And I especially hate the weak protagonist, which may be why this book is not popular. The protagonist is always in a weak position but has no power to change. He can only survive through a series of suspicions and fights for his life. While I hate literary youth, I also have this style of writing, which is very sad.