Monster Tea Party

Seriously, about the bell sisters, did they offend the author (눈_눈) In this way, both of them were eaten by monsters and were wronged by the whole village ( •̥́ ˍ •̀ू ) I originally thought that the female classmate was already very miserable when her mother treated her like that, but I didn't expect that there would be even worse things. To be honest, I was really worried about that section. Two good little girls were written to death by the author like this. T_T It would be great if this part could be changed. Although I know it is impossible, the following is my yy part (๑>؂<๑) After the villagers and police searched the mountain for the person, they did not find my sister, and everyone suspected her. Other children in the village went to play in the mountains, and my sister tried to stop them. The children didn't listen and were eaten after entering the mountains. Everyone suspected my sister, but they couldn't find any clues, so they left it alone. My sister was locked up in the village by the villagers and was not allowed to go out. They also warned the children not to go to the mountains to play, but no one listened. The children continued to play in the mountains and continued to be eaten, but the sister was in the village and had an alibi. At this time, some villagers (who could be the parents of the dead children) went up the mountain to look for her, but one person was suddenly eaten, and another person who was traveling with her was frightened. Some villagers began to believe in their sister again. Because it was the village, there was still a certain superstition about monsters such as cows, ghosts and snakes, and rumors about mountain ghosts began to appear. At this time, Su Xun appeared in the village and saw Uncle Jin at the farmhouse. The uncle was very happy. Because of the legend of mountain ghosts, the number of guests at the farmhouse began to decrease. Su Xun met a younger sister who was not favored by her parents, but was in a better situation than the original text. She noticed something was wrong in her younger sister's chat and Uncle Jin's few words. She noticed traces of monsters and called the protagonist to tell the protagonist that there was a man-eating monster. The monster was angered by the humans who frequently went up the mountain, and decided to do one thing and run away. The monster attacked the village. At the same time, some of the villagers sought help from a master, but the Demon Master Alliance noticed something was wrong. Because of the location, they sent the Demon Master named Zhou to take action. When the demon master arrived, he encountered a monster that had killed a bunch of villagers. The two fought, but the demon master was defeated. At the critical moment, the protagonist arrives and sends out the Gu Eagle to kill the monster. The demon master is frightened by the protagonist's strength. Or it could be that the protagonist feels angry when he sees a bunch of humans killed by the monster, and the demon master is frightened by the protagonist's aura. In the end, my sister's parents and younger brother were killed, and my sister was taken away by Su Xun, who successfully found someone to take her in. Of course, it is impossible for the author to write such a plot. After all, the violence is too strong. The biggest difference between this book and most other online books is that there is not so much violence. There will not be so many deaths, killing at the slightest disagreement, etc. However, with Master Zhou, maybe my idea is a little wrong. There is nothing to say that is different from this concept. Just confront him directly. Let him know the power of the protagonist consciously or unconsciously, and let him not dare to do the right thing with the protagonist. Then everything will be fine. And every year, countless people die in the world due to wars, but he kills terrorists and saves many more people. He also says that monsters kill more people, mosquitoes carry viruses, and bite people and transmit diseases, so more people die 🤫 There is no need to explain this to him. In fact, many things by the author can be written more simply. The protagonist does not know how to deal with evildoers. In fact, it is better to let them be punished by other factors. I think Yang Feng and his little wolf would be very good. Yang Feng was eaten directly. The Gu Diao was also okay. The man could be directly arrested because the police found clues. The Gu Diao tried to save him but was stopped by the protagonist. Wouldn't that be great? The child who snatched the old lady's little thing may have been bitten by the little one. Uncle Li could be saved by a turtle after he drowned, thus aggravating his condition and dying directly. He could argue with the protagonist and try to retaliate, but please ask him to die neatly and not to kill the disgusting reader. As for whether to help Uncle Li kill monsters and save her, I think what the protagonist has to struggle with is not whether the turtle's meat can be saved, but whether the turtle is bad, and why, without any relatives, why should he kill another intelligent creature to save a selfish and messy person? Can he be killed just because the turtle can cure diseases and extend his life? Also, if he really wants to extend his life, why not leave it to those close to him, and why shouldn't there be a bird that can absorb disease energy to cure diseases? Originally my long review was not for this, but I deleted it again and again, and finally wrote this my yy. After all, I really like this subject matter, and the author's writing is really great. I just saw some big flaws in a good book and couldn't help but complain. I ask the author for your forgiveness.

When I first looked at it, I felt that the comment section was a bit exaggerated. I don't know whether to force the progress or the author's limited writing power, XX started to muddle along without distinguishing priorities from the beginning of half-stepping into the extraordinary world: the first impression of ordinary people stepping into the extraordinary world with one foot is to quickly determine where they are in the extraordinary ecological chain, so as not to commit taboos. Since there are demons, is there Tao or even demons? Does the national government control extraordinary forces and control all extraordinary affairs within its borders? If so, what is his attitude toward demons? Is it true that the wrongdoer will not be spared? If he softens his mind or turns a blind eye in the future, will he be treated as a rapist? If not, is the area under the jurisdiction of any big monster? Is it easy to be discovered and captured if you are too active? When the black and gray forces find out, will they kidnap your parents and threaten you in order to manipulate you? What's especially terrible is that the source of the extraordinary is not well studied: in the early stage of XX, except for rapid healing, all abilities are maintained in the notebook, without any active abilities. What should I do if someone accidentally steals it? What should I do if my notebook suddenly runs out of energy? Does each monster page have a cool-down period? How long is the cool-down period? What side effects will I have every time I use it? Where does this book come from? Can it be mass produced and intensified? I only saw that a gentleman who claimed to be as gentle as jade just borrowed a catalog of monsters from the library, regardless of priority. EXM? What is extraordinary? Chaofan is a person whose negligence can even kill your whole family and your household registration. Don't underestimate its allure. How can a real man leave his wealth and life to others and rely on mercy to support himself?

The creativity is very good, but it is too watery, and the main line is not clear, and there is no sense of following. Also, I always feel that the protagonist is too biased. As long as the monster is good or bad, it either eats or catches it. It is too good for humans. No matter what it does, it will always give a "profound" lesson and then let it go. It will not call the police and it will be treated as if it never happened. After all, the real protagonists of this book are all kinds of monsters. As the author, you should write more about monsters, instead of starting and ending with the main line of human monsters. Since it is about monsters, what I want to read more is the story of the monsters themselves, with humans as supporting characters.

. . After reading hundreds of chapters, I would like to summarize my opinion (personal opinion). The layout is small. I have only read this chapter so far, and it is limited to one place over and over again. It feels like I can't escape a circle. There are too many chapters about water. There is one chapter for talking to people in the dormitory, another chapter for talking to the next day, and several chapters for talking to monsters. If an incident occurs, 90% of it is related to children. I have read hundreds of chapters and only got a little interested in the chapter about a hook snake. The rest is not interesting, especially the description of children crying. Chapters about pity and so on, once or twice were okay, but the key point was this plot many times, the children cried pitifully, writing these things in large ink, the meaning is to make us pity them, or to trick us into crying. It was okay at first. Later, I can honestly say that I skipped these chapters directly because I felt a little sick to my stomach. Later, after two hundred chapters, the protagonist started to keep pets. As long as they were cute and harmless, he brought them to his home. All the cute and gentle ones liked him. There were many monsters in the house. Maybe the protagonist wanted to create a warm atmosphere, but you are full of monsters. What is this? It means 😅, one on the head, one on the shoulder, one in the arms, and one on the wrist. When I saw this, I almost exploded. Yes, there are at least ten chapters describing the dialogue and quarrels between the two monsters, 😅, and my psychological shadow was about to be fought. There are five hundred chapters. The protagonist's life is: raising monsters, teasing monsters, taking monsters home, talking to roommates, talking to relevant people, etc., Yes, that's right, there is also a character who comforts children not to cry. The protagonist is particularly good at comforting children. I don't hate this book, it's just too watery, too watery. Sometimes after reading dozens of chapters, I look back and think about it, hey, what was it about what I just read? Oh, by the way, I have adopted a monster as a pet again. I haven't seen the main plot of this novel, it's four to five hundred chapters long,,,. One good thing is that it's not easy to fall asleep. I basically open this book when I can't fall asleep and fall asleep after reading two chapters. It should be a good bedtime reading 👍 Come on 👍

This is my favorite heart-warming novel I have ever read. The protagonist Xiao Xiao is just like Natsume from my favorite anime Natsume's Book of Friends. In the past, when I was in a bad mood, I would watch anime, but now I have another choice. I am very grateful to the author Yun Miaoxian. I hope the author will continue to write!

After all, this is the author's first novel. It's normal to have flaws. I hope it will make more and more progress.

The way of speaking is strange, which is acceptable, but there are too many descriptions of passers-by who only appear once, and they are not important roles. There is no need to describe actions or expressions. This is too watery. In the latest chapters, since it is just to keep the story going, the appearance of the old lady is not very necessary. Just appear when she appears. Why do two of them appear at once? Since it is just a passer-by in the memories, one is enough. There is no need to have another grandfather appear to reflect the warmth of the old couple. Moreover, the grandfather and grandmother who appear in the article have almost the same personality and similar descriptions. It is as if they are both the two of them, and most of them are passers-by. There is really no need to waste space on them bickering or something to show their affection. It is too watery. Grandpa and grandma are just examples. There are too many such examples in the article. Although it is better to ignore them, I still can't help but want to make people complain. Although it is a daily article, the places that should be simplified should still be simplified. Don't be too watery (It's just my personal opinion, it can be considered a complaint, don't complain)

Overall, it's actually quite remarkable. The story is that the protagonist can see monsters, some people can see them, some people can't, and the resulting series of stories can be regarded as heartwarming and daily. The description is very detailed and has some resonance. Let's talk about the shortcomings. Basically, it is a series of stories caused by the difference between the invisible and the visible. It can be regarded as a cliché at the beginning. In fact, it doesn't matter whether it is cliche or not. As long as the content is expanded later and there are new ideas, it will be fine. But after the expansion, it also starts to be repeated. There is no main story progression, like Natsume's Book of Friends, there is also a main story about Reiko's reasons for the Book of Friends. Secondly, in the middle period, there are a lot of descriptions. In fact, the plot of the early articles can be unfolded smoothly and comfortably. Unnecessary descriptions and other dialogues begin in the middle. Sometimes the plot does not advance after 1-2 chapters, and a story is not finished for more than ten or twenty chapters. In the early stage, the story unfolded reasonably, progressed at a moderate pace, was smooth and comfortable, and aroused resonance. The writing was still very good; later on, it started to drag on, and the plot was repetitive, and the content was not detailed. When it reached the climax, it dragged on and lost its feeling. It is normal for daily progress towards the main story to be slow, but I have written 3,000 chapters and have not finished four years of college. Sometimes a few months pass, and sometimes I write more than a dozen chapters a day. There are also repetitions of names. Although there are many realities, the repetition of names in novels affects the perception. Overall, it is good, warm and daily-oriented, you can read it when you have nothing to do, it is a fattening type, but the plot unfolds too slowly, the climax is not enough, and it is easy to die.

Others knew about the monster, but when they asked about it, he kept talking about him and said that he had a good answer. Obviously it has been perfunctory, no matter who asked, it was perfunctory. If you are afraid that others won't believe you or are in danger at the beginning, but later everyone knows it, you still look enigmatic, thinking that you are great, so you don't pay attention to other people's requests. Do you have to ask people to kneel down and beg him? Can't you make it clear? After seeing Chapter 821, you can't help it anymore. Do you feel the same way?

I really like this setting and story, but I really can't praise the writing. It's too embarrassing. I endured reading dozens of chapters. I always hope that the author's writing can be better in the later period. I want to continue reading this story. Then I woke up, read the book reviews, flipped through the table of contents, but I didn't make up my mind to click in. Sorry, everyone, I will withdraw. I have read novels for more than ten years. It may be my own reason. Anyway, it is really uncomfortable to read. The sentences are fancy, various scenes are repeated, there are only a few words, and the thinking is not logical. After reading dozens of chapters, I feel that the monsters have dozens of percentage points higher IQ than the male protagonist. In fact, this is nothing. Even if it is a novice novel with a low IQ, it can be read and some of it is quite interesting. But the author is so big, I just feel that it is uncomfortable to read. As a reader, I can't say anything about the author. I just hope that the author can improve in the future. Read more book reviews Don't write your own. Some of the questions have been mentioned in the previous chapters, and the author didn't change them later. It feels like all kinds of fancy writing methods and words. I want to improve the writing style and give people a different feeling. There is something a little bit different, right? Really, it's better to be simpler. It looks uncomfortable. I won't talk about it. I will follow up on the next book after it is set. I will say goodbye now. Ouch, it's so annoying. I have kept this book on the bookshelf for a long time. I have never been willing to look at it. Now, oh, I can't bear to say goodbye.

The characters are poorly drawn and the plot of events is not well described.

The first time I saw The Classic of Mountains and Seas was when I read my brother's Yilin Classic of Mountains and Seas. I was in primary school, and I fell in love with it all of a sudden. I accidentally bought the original text of The Classic of Mountains and Seas in classical Chinese, and then read Sou Shen Ji Liaozhai Weicaotang Natural History. I have always liked this type of writing. It is clear and light, and the style of the starting point is There are very few books on the grid in general, and what the author writes really appeals to my taste. It can't be compared with other mindless and cool articles that don't even know what the Classic of Mountains and Seas is and just use their popularity. I was super excited when I saw the description of monsters! It's a typical good book that is not popular. If a physical book is released, I will definitely buy it!!!

It looked a little awkward at first, but when I thought about the 17-year-old book, the plot was really good at the time. At least I could use my brain to think about it. It was much better than Tudou's which was so scary 😂😂 Later on, the writing was also quite good. For example, at the beginning of Chapter 459, there was a style similar to "Winter in Jinan", which looked very comfortable. It's just that the writing style of the Japanese version doesn't match the Chinese regional names. As for the names of the roommates in the article, isn't it the same in urban literature in 2017 when it comes to college? To be real, with six people in a male dormitory, you can have 5 sons who want to be your father at the same time 😂😂, and six people in a female dormitory can create 7 WeChat groups (of course, the latter is just a joke). How can I write this, "My five sons and I?" The so-called art comes from life but transcends life, and the world of novels cannot be too serious.

Most of the book reviews in this section are from last year.

I like things like Natsume's Book of Friends and Pharmacist. Later I can go to other areas and foreign places such as Japan, and pick up a few Japanese ones.

1. Regarding the choice of words and sentences, the author seems to like to use rhetorical questions. This is not a problem originally, but "XXXXXX, isn't it" appears too many times, which gives me a sense of redundancy. The sentence is already complete, fits the context, and fits the character, so I have to add "Isn't it?" Personally, I think the reading experience would be much better if some were deleted. 2. Regarding the characters, let's not talk about whether the protagonist is double-standard or not. When it conforms to the setting in the text, the protagonist and some supporting characters do not explain things that can be explained clearly, and do some behaviors that are not in line with the identity setting (such as the character's intelligence, the way of dealing with others) (commonly known as reducing intelligence); some dialogues are procrastinating, and can be explained but not explained in the setting of the text, and the dialogue has almost no information. 3. Some chapters in this book are relatively homogeneous (you will understand if you read more), and some characters change too quickly and lack foreshadowing.

It would be great if the physical book comes out sometime. I really want to buy one and collect it! ! ! 😆😆😆

It feels like a Chinese version of Natsume's Book of Friends, (๑ˇεˇ๑)•*¨*•.¸¸♪ I want to watch the anime of this book (๑╹ڡ╹)╭～♡Love you

The most distinctive thing about Xiao Xiao as portrayed by Yun Miao is that he has correct views and adheres to principles. In order to promote the plot, he will not force the protagonist to "agree to let others watch and participate in the incident because he can't stand the eyes of women/children/willing to ask", which will lead to a lot of nonsense and trouble later. This is a truly non-gender-discriminatory move (whether it is Yun Miao or Xiao Xiao), because the compromise is based on viewing women as a vulnerable group (disgusting condescending straight male cancer). And every role is reasonable, the character creation is not conflicting, and it is as powerful as the clouds!

I see the two biggest poisonous points now 1. The Gu Eagle. Its symbiotic people have killed more than twenty people in order to raise it. The protagonist just kills the Gu Eagle and pretends nothing happened 2. The dandy young master. People are knocking on the door. The protagonist keeps seeing the tricks and never thinks of fighting back. The whole thing highlights a kind of arrogance, as if he has been distinguished from humans After all, the protagonist is completely different from humans and monsters. Two attitudes, no matter how annoying the human being is, the protagonist will just smile and act like nothing happened, but monsters are different. Like a dog, because of its ability to easily cause fires, the protagonist kills it when it comes to the door. It is obvious that it has been there for so long and has never harmed anyone. It is obvious that it can be driven to other places, but it is killed directly The law enforcer in the protagonist tag 🏷 is really the most ridiculous one I have ever seen. He is obviously an epic double standard.

Originally thought it was a novel similar to Trafford Buyers Club. . But it looked like I was really disappointed. Almost every story must have a child, and as soon as there is a child, the child will cry and cry for milk. . . I can tolerate it as a little girl, but, exm? ? ? The boy who fantasizes about having a monster friend is already in sixth grade! ! In the sixth grade, your voice has changed, you still cry easily, and you are still embarrassed to sound milky when your brother hugs you? ? My younger brother who is in sixth grade has a thicker voice than me and a stronger body than me. You have to have a number even if you are the same There are also a lot of plots. Is the author a big fan of Naruto? One episode of plot and three episodes of memories? ? Three episodes of psychological description after finishing the matter? ? But after all, Naruto is the main character and has memories. Here, just a random passerby can recall a chapter. What's the point? And what are the ellipses that fill the whole article? The protagonist is also a holy mother. She is also a law enforcer. Why not call her a human guardian? Not a single demon who commits a crime is spared. We are not even sure if they have committed a crime or not. We will kill them. After the incident, no one who commits a crime will be punished. And there must be a happy ending? ? I really couldn't help it when I saw the beauty spider. The beauty spider killed the man's mother. After that, the man made an agreement with it to help the tyrant and killed countless people. Finally, the people around the protagonist came. After the protagonist killed the demon, a group of people even discussed rescuing the unconscious man? ? In the end, he really went through all the trouble to save and then let him go? ? And that Wang Tong, her friend was almost killed by that man, and she still went to the hospital to take care of her little brother? ? Are all the people in this novel really adults? ? Is the world of adults so harmonious and beautiful? ? There are so many logical flaws, and there is a main line that I don't know what to say. . . I really couldn't help it, and I came back to vomit the book I read a long time ago.

After reading a thousand chapters, I feel quite uncomfortable. The protagonist is too biased towards humans. As long as monsters and humans do evil together, the monsters will definitely die in the end and humans will be fine. At most, they can be scared. If the monsters in this book are traditional monsters that only know how to do evil and eat people, it would be acceptable. But the author insists on portraying so many kind-hearted monsters. Then why do monsters who make mistakes have to die while humans can just scare and warn them? After reading more than 900 chapters, the story of Xiaolang and Yang Feng, the protagonist also wants to let Yang Feng go. It is unreasonable to even want to save Yang Feng when Xiaolang kills him. I think it is understandable that the protagonist helps strangers for free. Many people say it is the Virgin, but I think the world needs heroes, but why do you want to let go of those human beings who have committed heinous crimes. Many people say that this book's poor performance is because it is too watery and too bland, but I think this book's poor performance is because the protagonist has problems with how to deal with human beings who have made mistakes.

I haven't seen much yet, but there is something so strong that I want to say something after thinking about it. ——417 The other three people made fun of the male protagonist because there were too many plots about the male-female relationship. I like reading this book, so I skipped or endured it when encountering such plots. However, when I recommended it to my friends, they also thought this book was good at first, but later almost all of them said they disliked the emotional teasing about the protagonist and others urging the protagonist to seize the opportunity to fall in love. Moreover, this kind of plot is very dense. So far, only one person is still reading it with me. Maybe it's because everyone likes one person or something now. As for me and the girls around me, we are very disgusted by people who make fun of our relationships with friends of the opposite sex or urge love or marriage. We will also get angry about it when reading novels. The author doesn't know whether the majority of readers of this book are boys or girls, and I don't know if they feel this way. I just recommended it to 26 girls, and in the end only one of them could endure it like me. Is it possible that this is also the reason for the results? For example, is there too much description of the relationship between men and women? But this is just the conjecture of the 27 of us, and it is only our one-sided view. I hope this book will get better and better results. It's really strange to see such a plain and warm book at Qidian ヾ(❀╹◡╹)ﾉ~

Completely different from Natsume, the protagonist never puts too much thought into monster incidents and simply kills them. On the surface, he seems to be getting along with monsters, but in fact, he has murderous intentions for a little benefit. For example, if you want to eat pearl fish. There is also protection for humans. Compared to monsters who act according to their nature, people who do bad things are more terrifying. He has a so-called honor that he believes is superior to monsters, but he just doesn't say it. The traditional seal setting is better.

I have been following updates and I really like the author's narrative style~

I have discovered this book for a long time, but I just started reading it yesterday. I have read more than 600 chapters in two days. Let me tell you my opinion. I won't say anything about using the Gu carving to kill people. After all, I don't want to expose myself. Personally, I am more in favor of killing the person directly, but this is not very good. After all, we or the protagonist does not have the right to judge others or deprive others of their lives. But after reading about Chapter 640, about the Beauty Spider, I have to complain. It has been two years since Su Xun's mother died and she met the protagonist. It's impossible that the Beauty Spider didn't kill anyone. It would be understandable if Su Xun was controlled by a monster, but if you just use If his life is threatened or his mother is threatened, then although this person is worthy of sympathy, he is definitely not innocent. No matter what reason you have, it is wrong for you to hurt innocent lives. You can't say that I am innocent because I rob and kill in order to support my family. The protagonist here already knows his identity as a law enforcer. The so-called law enforcers don't just kill monsters and protect humans, right? They should maintain the balance between the two worlds. If they just kill monsters, that would be too unfair to the monsters. Shouldn't humans just ignore them when they make mistakes? So at this time, the protagonist has a position and the right to execute Su Xun. Even if he doesn't handle it and leaves it to Director Meng, he already knows what he should know. If I'm wrong about Su Xun, please point it out. After all, I saw that when I killed the Beauty Spider, I didn't deal with Su Xun or call the police. Instead, I rescued him and enlightened him. The chapter was called "A New Beginning" and I didn't really want to read it here. So please point out any omissions in what I said above.

It's a very nice book. I support the author greatly. Come on! Love you(๑˙❥˙๑)yo~~

After following so many chapters, I still feel that it is a pity that the theme of Monster x City is not supported by the author's writing style. From the beginning, I slowly saw a memory and started to scroll quickly. I can also know roughly what happened. I feel that it is already a bit of a running account. The depiction of monsters is too vague. I just copied the descriptions from ancient texts in the encyclopedia. I have read so many short stories, and I don't have a complete image of monsters in my mind. I only know the general appearance, but no details. I have no artistic processing at all. So many short stories are the same, and psychological activities take up a lot of words. There is a bit of a bug in the setting that children are more likely to see monsters. Isn't this a godsend? Why do we see so many monsters at a young age? Is this random? Moreover, the protagonists in so many stories are mostly children. How can we empathize with this? There are too many dialogues to guide children, and there are not many dialogues between the protagonist and monsters. The stories are all fairy tales without any reality. There are even a few stories that are scrawled (the one with the golden monster). I really feel that the protagonist in the story loaned him money is too holy. Let's put the age range of the protagonist into young and middle-aged adults. The protagonist has been calm for millions of words. I also admire him. I have never seen anger and sorrow. He is more Buddha than Buddha. I don't know how many times a strange woman pulls the protagonist to start a story. The protagonist clearly refuses and wants to leave. No one can stop him. However, he keeps being pulled and rejected many times. This is very annoying. Once entangled, he will not leave, and he calmly waits for the story to happen. The most annoying thing is that the protagonist enlightens the children (happened too many times), it is too fairy tale, good children and bad children all have good results, I don't want to read an educational novel. It's okay to write heart-warming stories, but can I write about the protagonist and the monster? Each story is independent, and there are basically no two interspersed, let alone several interspersed. Moreover, the story is too streamlined, there is only one monster and one protagonist, and it can't be two or three. What I'm looking forward to is seeing a variety of monsters, vividly drawn, and the main character being a bit more angry, as he's a bit too bad at being a good guy. There are a lot of characters who talk harshly to the protagonist, get entangled, etc., But the protagonist is still calm, and at most he glares, or the four monsters glare at him. It's really unbearable to be immersed in a novel. Also, this Demon Master Alliance appears and is over, without even developing. There are too few urban monster stories. Pity

I haven't read much, but I couldn't bear to read more than 30 chapters. The creativity is very good, but there are too many flaws: The protagonist's behavioral logic and thinking logic are in great conflict, and the character image is extremely fragmented. Switching back and forth between fool, fool, and Long Aotian. This is the most uncomfortable thing for me to see. The writing is scattered and incoherent. Some places look strange. The rambling and out-of-place events are basically a point after one or two chapters. The protagonist's personality is like a willful child. No matter how capable you are or whether you can bear the consequences, you will be done with it. There is no growth. See if the following talk is complete? Where to start to feel the best?

Law enforcers of all ages were besieged and died by monsters. I watched half of it and couldn't stand it. If all law enforcers of all ages were like this, I can only say, you deserve it. I am a monster, and I will kill you too. This is partial. I originally thought why not change the setting and just use human guardians. But then I thought, oh my God, this still depends on the power of monsters, so it is simply like setting up archways, beautiful spiders, vultures, and torturing cats. It makes me upset to watch it.