The World of Chinese Comics

I don't know what to say, if it wasn't labeled as a Chinese comic. I can't read more than 30 chapters at all. The male protagonist is a bit disgusting and can be selfish and bad, but he must have a distinct character. It's uncomfortable to be in a trance. The fanfic itself should complete or reshape the characters in an abstract world view, making the main line more prominent and digging deeper into relevant connections. Since you choose a world, it makes the story more vigorous. Just like the popular Ace Evolution, each world has its own theme. Whether it's the plot world in Infinite Horror or Dr. Chen's violent experiments, even if it's just a simple rewrite, it should be beautiful. Because this is the theme of this world. The confusion and desperate protection of youth require a powerful force to break or promote it. Breaking through the shackles of reincarnation in despair or perfect redemption in hope, or something else. About "Big Fish and Begonia" Spring and autumn are destined not to be together. Whether it is physical and psychological, or philosophical and mythological. Physiologically speaking, humans and animals will not be in estrus if they are exposed to the opposite sex for a long time before the age of six. Psychologically, Qiu's relationship with Chun is more of a brother-sister relationship than pure sexual love. Qiu also has his own attachment in the human world, and the walnut is the token (plane coordinate) of the human world. His cry was for himself, for Kun, for Chunhe and the world. So you should explain how you got the walnuts when you didn't go on a cruise. . . . Ah, I can't make it up anymore.

After watching the beginning of Qin Shi Mingyue, can you tell me whether every world in the future will be suppressed by rules and the protagonist will have to start over again? ? ?

In fact, the subject matter of Chinese comics is very strong. The cultural inheritance of Chinese people is very important in the ineffable sense and is relatively restrained. As a result, Chinese comics are greatly influenced by foreign cultures. Many of them seem quite inconsistent. If you can capture the charm of them, this type of subject matter is still very good: The Legend of Rainbow Cat and Blue Rabbit, Century of Elves, I'm Crazy for Singing, Great Hero Di Qing, San Mao's Wandering Story... ... Slightly older ones: The Sloppy King, Shuke Beta, Tianshu Qitan, etc. There are still many infinite worlds. Although the style of Chinese comics in the past was "simple", some had profound connotations and some had good cultural heritage. I couldn't understand it when I was a child, but when I grew up, I found it quite interesting. Having said all this, I think Chinese comics are not inferior to foreign cultures.

Let me tell you my feelings. I like the world of Big Fish and Begonia. It is beautifully written. I have never seen some of the later worlds, such as Zhenhun Street, etc. Some of the worlds are not interesting and I have not read them. I like comics with beautiful paintings. There is only Big Fish and Begonia in Chinese comics. I have to admit that Chinese comics are indeed inferior to Japanese comics in every aspect. Look, it's close. This type of subject matter is already niche, and the author is limited to relatively poor Chinese comics, so this book limits itself, such as Spirited Away, etc. I was thinking that if the author wrote it, it must be very good, but it is a pity that it is a Japanese comic. Of course, in Japan, I only like Hayao Miyazaki's anime very much. The painting style is beautiful and the plot is interesting. Therefore, I suggest that the author change the title of this book and not limit himself, or I hope that the author can write the next book. In addition, I didn't read the worlds I didn't like, I skipped them directly, and didn't read the pirated versions, just because I really liked what Big Fish and Begonia wrote, and I didn't want to insult her by piracy. Come on, the author, I suggest that the painting style of the worlds written should not be too different, otherwise it will be very strange, although it seems to be a lot different...

I wrote Journey to the West, The Patriarch of Demonic Ways, Super Beast Arms, Assassin 567, Inhumanity, and my senior brother has a flaw in his brain.

I've only read the first few chapters of Big Fish and Begonia and I can't stand it anymore The following is an excerpt from a film review The reason why Chun stubbornly saved Kun is that, to put it more seriously, she killed Kun. Out of repayment and atonement, perhaps mixed with a little love, Chun has the persistence of "I owe him a life." And then, what everyone criticized was that he would not hesitate to put the family into trouble for a fish. No one can predict the future, and Chun also takes it one step at a time. Didn't she also sacrifice her life to save everyone in the end? Therefore, in the editor's opinion, I appreciate that the director is telling a story rather than preaching. This kind of statement is bound to lead to debate, everyone has different opinions, and isn't that the whole point of watching movies? From an emotional point of view, the editor feels that this is not a bloody romance film. Chun never took advantage of Qiu from beginning to end, and in the end he said he treated him like an older brother. Is there something wrong with this relationship? I thank you for being nice to me, but why do I have to be with you? Aren't there many things about falling flowers intentionally and flowing water ruthlessly? Who didn't fall in love with someone foolishly and foolishly when they were young? If you like someone, sometimes you feel happier when you give than when you get. That sentence, no matter how you say it, I like you and it has nothing to do with you. In "Big Fish and Begonia", the editor saw everyone giving for what they love and want in their hearts without expecting anything in return. Although, in this part, harsh people may be labeled as having "three wrong views", but isn't blind love in youth commonplace? Will framing an emotion too rationally overshadow the emotion to some extent? Xiao Jian quite admires Chun's even somewhat decisive love. As the movie says: Twelve years for a dream is not easy. Life is a journey, you might as well be bold, love someone, climb a mountain, and chase a dream. Well, we care about gains and losses, we calculate rationally, and the adult world has been so consumed by reality that we no longer know the all-or-nothing kind of love. Of course, Xiaojian also feels that the director can polish this emotion to be more mature and complete. If the director could enrich everything that should be enriched, this would be a more satisfying story. I don't know how many people have seen Qiu's true identity. Please pay attention to one detail: Even Sanshou saluted Qiu, and when summoning Sanshou, Chun used a walnut bell, but Qiu just yelled twice and the boatman came. Those of you who have seen it must understand how magical the walnut bell is. Combined with the subsequent conversation, Qiu once asked Chun if he believed in the gods. This was a hint. After Qiu got drunk, he yelled, "Whose love do you think you are accepting? You are accepting the love of the gods!", And then the seawater poured in. Pay attention to what the tribesmen said at this moment. The gods were angry, so it is very likely that Qiu is the legendary god! So the whole tragedy is that Qiu... Is jealous? In the last Easter egg, Qiu becomes Lingpo's successor. I cried when I saw this. What does it mean to be a successor? The next time he saw Chun, it was after Chun died and turned into a small fish and swam back to Rushenglou, caring about each other but not forgetting each other, life after life...

The protagonist comes from the clouds and disappears from the fog, and the character's personality is so well-shaped that unless you are in a book shortage, you will not be able to watch it. The negative points outweigh the advantages.

Why do you want me to read the opening chapter "Big Fish"? I haven't read it yet 😰

Let me tell you a joke. Jing Ke died after assassinating Qin decades ago. His son is now in his teens.

Don't read the book reviews when reading the plot of Big Fish and Begonia, you will be pissed off, really, believe me

This book is the kind of book where the evil sect kills the protagonist to steal his luck, and it's also the kind of book that would disgust the original protagonist, so if you see an anime you like, well, you can just skip it.

When I watched Big Fish and Begonia, I felt like vomiting, rubbing someone else's breasts for no apparent reason? The protagonist himself said that he didn't like Chun and he was so pretentious. Have you watched too many Qiong Yao dramas? It would be nice to have some logic if it is really poisonous.

It is said that the protagonist is not the kind of person who is interested in sex, but when he meets a beautiful woman, he turns black and has a dual personality? If the author keeps readers for this pornographic plot, forget it. This is about cultivating immortals, not Japanese comics. Cultivating immortals, cultivating the truth, cultivating one's character, not cultivating a harem.

I just read a few chapters. The author should portray the protagonist as a normal person. He really wants to go home, so he should work hard to become stronger. There are so many great gods. I have never seen the protagonist ask other people. Also, the protagonist thinks that the girl has a good personality and is beautiful. He just met her and likes her. It feels disgusting.

When I first read Big Fish, I realized that the character of the protagonist is really bad, so scumbag. It made me want to beat him up. How did you create this kind of character? How much resentment do you have for Big Fish, the author.

Author, where have you been? Why don't you come back and update? I'm still waiting for you to write about Stealing the StarNine Moon Days!

I looked at the previous one and couldn't stand it. The plot details of Big Fish and Begonia are okay, but the emotional portrayal of the protagonist is too disgusting. He kept talking about returning to the original world, honoring his parents, and only caring about his own life. Although there is no problem, the biggest problem is that there is no problem. There are too many flaws. The title of the book is the world of Chinese comics. It might be better to think of yourself as a traveler, sightseer and experiencer of the world. I know this is a reason to travel back and forth, but every time I see a good plot point, my sense of substitution will be replaced by this, I want to go back, I don't want to die, and I will be forced into nothingness, and the experience is extremely poor. It's very uncomfortable when I can't go up or down. In fact, if I change it, it might be better to be a member of the Qidian Orphanage. It would be better to be a world traveler and a truth seeker on the road to knowledge. The operation of forcing it back is really uncomfortable, and it also interacts with the animation world in various ways, which is simply a poisonous weed. The plot is great, but there are scenes that make people abandon the book. When mixed together, it's really uncomfortable. This is just my humble opinion. I hope there are different opinions and I hope the author can see it.

No matter who you are, as long as you go to see The Origin of the White Snake, we will be friends 😭😭😭

The eunuch is also a eunuch

Why does the protagonist want to kill the male protagonist? Chun didn't fall in love with the male protagonist from the beginning. It seems that she fell in love with Kun after spending time together! Why not let Qiu take over the role of the male protagonist? This operation that deliberately caused tragedy is so cool!

I like it very much and have added it to my book list. Come on

I'm almost poisoned to death, it's so unbelievable

The so-called poisonous point is just a piece of mouse droppings in the porridge. The author is writing about a pot💩. Where did the poisonous point come from?

It's pretty good, but updates are a bit slow. Generally, if you update, I'll recommend it.