Let That Witch Go

Read to chapter 426 and give up. Opinion: 1. Aura of intelligence reduction. Except for the protagonist and the rest of the leadership, all the rest of the leadership are idiots, and forcibly reducing their intelligence is too serious (I mentioned earlier that the second prince is very smart, but I saw that in the 400 chapters of Society, he is just a stupid person whose anger drives his brain. There are also various other aristocratic characters, all of whom are mentally reduced, which greatly affects the perception). 2. "Big" and "fortress" cities. It's quite interesting. After occupying the Longsong Fortress, except for Pelor as the leader, a knight who raises chickens, and a knight who works as a teacher, there is no one else available. 3. Inexplicably inappropriate clips. This is what I think affects the viewing experience the most. Around the 400th or 300th chapter, the protagonist gave the witches bras as gifts. Damn it, I jumped right into it as soon as I read the beginning. The first one is that this paragraph is completely unnecessary. By how many orders of magnitude can civilization be improved by giving women a bra? The second is that the protagonist is completely inappropriate. It could be written as a female aristocrat or merchant refugee from other places. This thing was developed and promoted. 4. Suppress the development speed. Although the protagonist in Chapter 400 has only lived for more than a year, and there is a high-precision humanoid machine tool beside him, the development is still too slow as it should be. This aspect can be explained by the breadth of the author's knowledge. Insert something else. To put it bluntly, after reading more than 400 chapters, except for the things proposed by the protagonist, none of them were developed and researched by the indigenous people based on the lighting of the technology tree. There is also a high-precision humanoid machine tool. Apart from making bullets and steam engines, there is no idea of ​​unblocking this humanoid machine tool. Now that we have this humanoid machine tool, she should not be responsible for making the first automatic machine tool to increase productivity. As a result, she is still left to burn steel ingots. Really except for the protagonist and the people close to him, everyone else is f*w. Back to the topic 5. Already in the evil moon, I discovered the devil again, the battle of divine will is approaching, and I also know that the Theocracy is unifying the continent. Under such urgent conditions, I did not feel that the protagonist was "urgent". Still flirting and making bras. There are also too low descriptions of other characters, such as Mysterious Moon. She has only been officially written about in these 400 chapters. Her abilities are already known in the early stages. Needless to say, how powerful magnetism is. Before Chapter 400, this was the case every time this character was mentioned. Mystery Moon: Ah, sister xx's ability awakening is so powerful. What's the use of my useless ability? Another person came next to him and said: The prince said that everyone's abilities are useful, you have to read books carefully. I'm afraid it won't last more than 400 chapters. The author felt that he could move from steam to electricity before taking out this character. I thought about it, there is already a way for witches to jump up the technology tree, why are you still doing it step by step? You are unlocking the technology tree, and you are not exploring the technology tree in the dark. The actual steam to electricity is due to unexplored exploration. You can jump here and still follow the real progress. When I see this, I don't look further down. It ends here. I am more disappointed than expected.

After reading it, write down your feelings! The writing style of this book can be given 8 points. Generally speaking, it is relatively mature, except for some poisonous points (for example, Roland always likes to cough twice when he is embarrassed, which makes readers embarrassed, and there is indeed a phenomenon of human-to-human transmission) Although the pace of the first and middle stages of the plot is slow, it is very interesting to watch, and you will not feel bored in the second playthrough. The Battle of Fertile Plains can be said to be the pinnacle of the whole book and the most enjoyable part to watch. After the pace accelerated in the middle and later stages, it became somewhat deformed and became obviously rough. As for the ending, it was even more abrupt and the reading experience was not very good. In terms of character creation, since there are too many witches and too many supporting characters, it is understandable that the characters are flat and facial-shaped, but I feel that the author is a little too fond of using the perspective of small characters. You can save some pen and ink to create a three-dimensional image of the key figures. The novel is a genre that expresses characters by narrating storylines, rather than using specific characters to promote and display the plot. Be sure not to put the cart before the horse. ==================== The following content contains spoilers, please choose whether to read it or not. ==================== The Reconquest of Taquila is the peak of the book in my opinion. After that, the reading experience began to go downhill, and the plot became seriously rough, as if it was written hastily in a hurry to finish. The revelation of the devil's camp's top brass shows the devil's overly human side, which is in serious contrast to the previous image of the devil. It may be to lay the foundation for future cooperation with the devil, but I think you can completely rely on your own strength to defeat the devil and surrender. Key information can be obtained through torture or trophies. After all, it is a bit outrageous for two races that have already formed a blood feud to just talk about peace. As for the image of the devil king, it can also be shaped into a respectable opponent through methods such as unyieldingness in battle and a love for knowledge that would kill him if he heard the truth in the morning. The Silent Lord has a good relationship with Nightmare, so I can understand why he surrendered to the enemy (I still can't understand the relationship between them, whether they are best friends, mentors, or Lily. Readers who understand are welcome to help me explain 😠). I can't understand why Tianqiong surrendered to the enemy, just because he believes in Nightmare? A great king surrendered to the enemy so hastily? If it were me, even if I wanted to end the War of Divine Will, I would have to have the belief to end it by relying on my own tribe, rather than relying on others. The character image of Tianqiong is quite vague and not vivid. What he does is entirely for the advancement of the plot, and he is equivalent to a tool man. In the end, the protagonist's path to becoming a god made me feel even more strange. When this book is written about the Battle of Taquila, it can be said that it has basically been finalized. It is a civilizational competition of development + strategy. What readers expect is that mankind will continue to develop, rely on the power of technology and magic to defeat other opponents and dominate the world. In fact, the final sublimation and explanation are not necessary. In the end, the protagonist becomes a god, which is equivalent to completely betraying the previous style and forcibly transforming into another novel type. It seems to completely explain the world view, but in fact it does not conform to the common sense of reading. The setting does form a logical closed loop and has its own depth of thought, but it is a distortion of the genre. It's even more stupid to me to kill the Tianhai Realm instantly with the Queen of the Mouth Dungeon. It's like a 5v5 moba competitive game. What everyone expects is that you will defeat the opponent in three ways through tactical decisions and superb operations. However, you suddenly say that you have hacked into the server and directly caused the opponent's crystal to explode. I won, but it was boring. It's a bit like elementary school student YY. What's the point of just letting yourself increase your dimension and then kill your opponent instantly? Either the plot design is not reasonable enough, or the rush to end the book results in too rough plot progression in the middle and later stages. What I look forward to is defeating the devil first, and then engaging in a tough battle with the Tianhai Realm, using all means to achieve victory. The war that goes back and forth is wonderful to read. For this reason, nuclear bombs can be made earlier, and there is no need for the consciousness world to appear. Knowledge charging can be directly used as the trophy of victory in the soul battlefield. As for the characters, I still feel that the perspective of a small character is a bit abused. In fact, the perspective of the small characters in the middle and later stages of the book neither vividly displays the unique characters, nor achieves a good immersive plot effect. It can be said that the wife and soldiers are lost. For example, when Ashes reunites with Tilly in the end, the plot is described from the perspective of a taxi driver. If you read this description carefully, you will find that it neither creates a clear image of ordinary citizens of Neverwinter, nor does it allow readers to experience the immersive participation in the upcoming reunion. It is like a layer of film. If this paragraph is changed to Ash's perspective, the image of Ash's character can be made more three-dimensional, and the description of psychological activities can also be used to allow readers to experience the expectation and joy before the reunion. The reading experience can definitely be upgraded to a higher level. There are also a lot of small character perspectives in the front. In fact, these little characters appear repeatedly, and there is no update in the character image. The repeated appearance of the same facial makeup is meaningless, and there is no need to focus so much on describing the current social situation. If the novel is a painting, then the social atmosphere is the background tone, and the viewer focuses on the subject and object in the painting, not the background. Deliberately expressing the social atmosphere through the perspective of a small person is a bit of a waste of time. So I say, you can save the pen and ink of the little people to perfect the image of the big people. There is no need for all witches to be three-dimensional, just polish the important characters. Even Roland himself needs to be polished. To be honest, as the protagonist of the novel, his image was not very successfully created. I have to say that this is an area that the author must consider improving in his next book. In general, this book is not a bad book. I am still willing to recommend him to my friends😄

There's no point in writing a lengthy review, so let's just talk about the shortcomings I personally feel. Even with these parts, I think it can be considered a 70+ work. 1 The plot becomes more and more boring in the later period, mainly because it has an obvious feeling of being written according to the process, that is, human beings develop technology and new policies to crush the devil. This sentence can refer to a long description in the second half. The plot has few twists and turns, and is told in a straightforward manner, without any new ideas at the beginning. The later reading is basically to capture the pleasure brought by technological crushing and the curiosity to solve the mysteries of the world. Otherwise, it would be difficult to stick to the end. 2 The description of the characters is still too lacking. The reason why I prefer Nightingale to Anna is because Nightingale is given the attribute of a defeated dog (although the ending is not a defeat, the process is not much different from an ordinary defeated dog), which actually makes her more vivid. This is probably the most vivid character written in the whole book. Other characters are like a simple character, filling in the scroll on a character table: intellectual. Wendy: Gentle. Iron Ax: Loyalty. Wait, one word may not describe them accurately, but it's just a few more words, and it doesn't even describe their characters from more angles. To give a simple example, when encountering a certain plot in a novel, there is no need to write it down. Readers can just pick it up based on the characters and simply imagine everyone's reactions and conversations. Why? Because they are too simple and not at all "complex" like real people. Moreover, after writing a lot of witches, even the first batch of people can't remember a few. Except for some in the inner circle, the people behind them almost don't even have basic characters. The simple setting of the butler who hates nobles has become a rare and detailed description. Even Roland himself was described as not having much of a human touch. After time travel, he was completely free of panic, anxiety, and excitement. He accepted his own settings instantly as a matter of course, developed a relationship with Anna as a matter of course, without any twists and turns, and accepted the banner of saving humanity as a matter of course. He did not complain or give up, and was absolutely normal. He is even too normal and does not look like a normal person. He is a little selfish but always puts the overall situation first and is fair. He has some ideas but does not open a harem. He upholds his kind nature in everything he encounters but is not a virgin. He has basic eagerness but does not panic when encountering setbacks. Roland is a robot, right? 3 There are too many descriptions of production and technology! From time to time, there is a whole chapter, but the plot does not advance much. All the writing is used to write about how Roland restores modern products and technology in a different world. I was taught a lot of science-related knowledge, but is this really meaningful to the novel itself? The plot and character description are the key points. I don't care how the cement is proportioned or how the power machine operates. Just mention a few key words and one paragraph will be enough. A whole chapter can be used to explain everything from the composition of gunpowder to its proportions, usage, advantages and disadvantages, and history. Why bother? For example, one day, coffee was put on the market in Neverwinter. In fact, I only needed to understand that coffee could appear through Roland's knowledge or the ability of leaves. There was no need to even explain how it appeared. But unfortunately, I want to spend a whole chapter writing about how Roland proposed, how to plant leaves, the maturity of coffee beans, the emergence of corresponding industries, how to process and sell it, and the difference from earth coffee. Who cares? Actually, I am most satisfied with the beginning and end of the novel. The beginning is innovative, the ending is ambitious, and it is gradual. The pitfalls are basically filled in (for example, the self-awakening individual in Tianhai Realm has no effect on the plot). It is novel and not far-fetched, leaving a lot of room for imagination.

Finished spreading flowers! ! ! ********* This book was a book I randomly found in the fantasy genre that I rarely read. I remember it was around August 2018. I was already a big fan of the fantasy genre at that time, even the cover was there, so I clicked on it out of curiosity. Then it got out of hand. Ermu's writing skills, whether it is the description of characters and scenes, or the arrangement of dialogues and plots, are just right and smooth. Coupled with the consolidation of a large amount of knowledge base, from the beginning of the work, people had the impression that "this is a hard-core farming style". The viewing experience was quite good, and I read hundreds of chapters without realizing it. Needless to mention the character creation, every main character is so lifelike that it cannot be summed up simply by using a few adjectives, and there are many derivative jokes. It is really only by reading this chapter while reading the text that you can feel the special and intimate fun. Therefore, I feel sorry for those book friends who are used to reading pirated copies. However, what surprised me the most was the amount of effort Ermu spent on the little characters. Minor characters are not equal to supporting characters. In my opinion, characters that have a direct impact on the plot like Tilly, Agatha, Edith, Iron Blood, and even Nightmare and Hykezord are called supporting characters, while characters like the violent artilleryman Vanner, the elite warrior Danny, the gloriously evolved Victor, the Sky Knight Goode, and the revolutionary martyr Elf are out-and-out minor characters. Because Ermu pays more attention to the impact of the times on them, rather than their impact on the times, coupled with the easy-to-assume sense of identity, sometimes their stories are more real, full, and touching, and in terms of lyricism, they even overshadow the brilliance of the protagonists. Probably because everyone can be a minor character, not the protagonist. In terms of plot and structure, the early stage focused on shaping the worldview. It is hard to imagine that the first book written by Ermu has such mature writing style. It is difficult to find too many faults in this aspect. The images of Roland, Anna, Nightingale and the witches are successful, and these characters have maintained their prototypes with the expansion of the plot. It can be seen that Ermu has carefully considered the integration of characters and plot. In the middle period, the battle of divine will and the fight against the devil are slowly added to make the story more interesting. While advancing the main line, it is also filled with various daily life that will not make people feel boring. But in the later stages... Emmmm, I don't know if Ermu suddenly changed his mind or if he really planned to write it like this at the beginning. The plot started to move at a speed that is visible to the naked eye (isn't this nonsense). Although it can't be said to be self-reliant, it really feels that the pace suddenly became much faster. The most intuitive point is that when I saw that there were more than 200 chapters left, the First Army had not even fought against Hykezord's army, and was still writing about the daily life of the coachman named White. As a result, after more than 100 chapters, the nuclear bomb was even made, and it was easy to defeat the old devil forces with the help of various 25 boys. Actually, if you have to say it, there is nothing wrong with writing it this way. But considering the progress of the plot in the more than 500 chapters in the middle period of the Second Eye and the progress of the more than 400 chapters in the later period... It is really inevitable that people will have the idea of ​​rushing the plot. In the final analysis, 1400 chapters seems like a lot, but when it comes to these charming characters, it is still not enough. Besides this, there is another point: the two-purpose war scene. I don't know why, but I always feel that the sense of substitution is not enough. Maybe it's because each battle scene is uniquely reflected from the perspective of different characters, or maybe war is really such a fast thing, or maybe Ermu is really not good at writing this type of thing... In short, every war gives people the feeling of "Oh, oh, finally started! I can finally feel good after paving the way for a long time." "Haha, cannonballs wash their faces, the devil is in trouble, let's see how they deal with it." "Well, a tactical retreat... Huh? Is this the end?" Probably like this. Maybe I haven't read enough books, but subjectively as a reader, this part should be the most enjoyable, but I didn't feel that way when I watched it. I think that in some details of the fight, maybe the second eye still needs to be improved. If it can be written in more detail (water), it will undoubtedly be the icing on the cake. Finally, let me talk about my personal views on the ending. My perception of the ending can only be expressed in two words: bland. Yes, it's too bland. Different from the lofty purpose of the battle of divine will that has been set off in the middle of the story, the final battle with the boss at the end actually solved the problem of millions of years at zero cost. Although the logic and setting do not say it is impossible, but after so many layers of preparation, the explosion is just like this, which always makes people feel like "the thunder is loud and the rain is small." Besides, it's hard to say whether Er Yanzhu is good at writing about emotions or not. Anna's story has a beginning and an end, and she occupied a lot of scenes in the early days. Even though her presence became weaker and weaker later on, and she never had a fighting scene (so Ermu really didn't like writing about fighting) despite her strength, and she even had to go to the mountains and countryside to build railways, but she finally got married and lived a life without shame or impatience with Roland. Looking at Nightingale on the other hand... It's really too miserable, it can be called a crazy abuse of Nightingale. Ever since the agreement with Anna, Nightingale's emotional drama has been completely at a standstill. Although she stays with Roland every day, apart from eating dried fish and playing with treasures every day, she seems to have no further thoughts. What puzzles me the most is that even if we can't be together legitimately for the time being, it's okay to have some emotional friction occasionally. After all, the three of us have solved the knot, and Nightingale's occasional kiss with Roland doesn't count as cheating (actually, I just want to see the benefits). As a result, these two people are surprisingly reserved. He insisted that he would not go any further until the promised date, so the second heroine, who had more scenes in the whole story than Anna, who was the first, and who was the main body of dried fish, kept paddling until the end of the film. Finally, he got to the end and was finally about to usher in his own happy days. Then... There is no more. Ermu didn't explain anything about the meeting between the two, and five years later, compared to Anna's good beginning and good ending, there was not even a complete transition, and Nightingale's relationship came to an end. If the ending of the War of Divine Will is dull, then the ending of the relationship can definitely be described as "bad ending". After all, I really can't understand why Nightingale doesn't even have a chance to confess her true feelings. Does Ermu hate this character? All in all, the book "Let That Witch Go" is definitely a masterpiece as a whole. It is also the first book that I have read and ordered without skipping a chapter. Compared with the stereotyped routines and Xiaobai's Internet articles that explore the refreshing points of changing the soup without changing the medicine, although Ermu Shu cannot be said to be fundamentally different, he uses a solid writing style to write one story after another full of heart. This sincerity is absolutely commendable. And in terms of character design, many characters are very charming, so when I read the book, I felt that the daily life was more interesting than the main story. Watching Maisie and Lightning acting cute, the complaining master's frustration, the bickering between Ashes and Andrea, and Edith's strategy are all impressive. So when it finally ends, I think I will feel a lot of regret and reluctance when I think that I will never see the interaction of these characters again. I hope Ermu can gain experience from the success of this book and write better works. Come on, look forward to the next work, and will definitely support it when the time comes! 😁

To be honest, the first half is a sacred book in my mind, but it's a pity that the end (especially the end) is not complete. Mainly because the ending was too abrupt. First of all, the narrative rhythm suddenly changes. The first half of the novel has always been at a slow pace, and it constructs a huge but vivid world through details one by one. Through continuous exploration, we gradually understand the truth of the world, giving people a strong sense of immersion and the feeling of an epic chapter. However, the ending is extremely hasty, and the BOSS's almost cramming monologue crams a lot of settings into the readers' minds, completely losing the advantage of the previous text. It makes people feel like they are reading a running account. Of course, only at the end. In fact, according to the narrative rhythm and main line of the novel mentioned above, it is easy to write more than two thousand chapters, and it is not too bloated to write more than three thousand chapters. It can only be said that it is a pity. Secondly, the main line mutates. From the very beginning of this novel to the setting that the male protagonist has no powers, it is obvious to readers that this is a novel that emphasizes the power of groups and civilization. The male protagonist who has read hundreds or thousands of chapters and is still able to accept that his combat power is approaching zero is basically here for the development of civilization. The first half describes industrial development well, and the kingdom war and alien war make people look forward to the conflict and development between civilizations. As for myself, I look forward to the male protagonist leading the human race to defeat the other races or facing powerful enemies and all races joining forces to fight and develop together. I also believe that there are many people who think the same thing as me. But there is a personal heroism at the end? Why this is, I don't know. A novel that is based on the development of civilization and emphasizes collective strength in the early and middle stages. It ends with a solo battle between the bad guy and the final enemy? Can all races just watch from the outside? The sense of violation is too strong. And it logically leads to the third point. That's bizarre. In the end, BOSS is the crystallization of various super civilizations, and it is an artificial intelligence based on logic. In addition, its database is so huge that it is unimaginable. It stands to reason that its wisdom is a level that ordinary humans can only dream of. As a result, the male protagonist caught the logical loophole and solved it? To be honest, the first two points only reduce the pleasure of reading. This is really a plot hole. At that moment I thought I was watching a fairy tale. The author said that he had thought about the ending first. I can only say that there may be some flaws in the connection between the text and the text. I hope the author will continue to make progress. I did it for free before, and I will make up for it later. I just feel a little regretful when I see that my favorite book is unfinished, and I feel unhappy about it.

What kind of author with such brains can write half of a fantasy farming novel without any foreshadowing, and then open an abnormal time-travel world that is closely related to the main world? Then, in order to resurrect the wife of the heroine, the male protagonist takes the initiative to cross into the new world and cannot cross back. In the end, the enemy who exaggerated most of the book suddenly stopped fighting, and he was reconciled. It doesn't matter if he killed tens of millions of human beings. He has his own reasons, so let's make a dump! !

I read this book on mp4 when I was in boarding school, and there were also mysteries and a bunch of other books in the mp4. I thought the reviews of these two books were about the same, but you guys couldn't even stick to the first 5 chapters. I suggest you download A Rotten Persimmon🤣🤣🤣This book is so good. In addition to the setting of the ancient male protagonist who nourishes his stomach in the early stage, he really develops a particularly good world view in the later stage.

Compared with the bad ending that everyone said, I think it was pretty good. It can be said that the suspense was left to the last moment. And from the proposal of the War of Divine Will to the inheritance fragments, and then to the final explanation that gravity is no longer the most awe-worthy force in the universe. The final complete explanation completely fills in the content of the main line. It can be seen that the author has decided on the core content very early. It is estimated that there will still be some content about some characters, but in fact it can only be imagined. In short, there will be no changes. In fact, excluding most of the character descriptions that enhance the atmosphere, if this main line is simply described in the entire book, it can support a pure science fiction novel of hundreds of thousands of words. So this idea is really good. Compared with the fantasy of exploring multiverses before the technology has developed beyond the galaxy, this is to treat the universe as a cage. After technology has developed to the point where it can utilize galaxy-level material energy, it still requires a desperate effort to break it. Anyway, it's great. However, there are always regrets when a book ends. Many people feel that it is unfinished or too rushed. In fact, it is not that the book is not complete enough, but that they are reluctant to leave the characters. My heart aches when I think that I will never see these lovely witches again.

I was listening to the book and found out that this is the starting point of the article, so I will talk about the possible poisonous points that I can't accept Contains spoilers Contains spoilers Contains spoilers Contains spoilers Contains spoilers The witches four hundred years ago chose to sacrifice all the witches to fight against the devil in order to "save all mankind and the future of witches". Do you mean to sacrifice all the witches for the possible continuation of mankind? How many families are broken, how many children die, how many innocent people are oppressed, and you don't care? You are right, this is not the protagonist's idea, but the author thinks it is great. I think the hypocrisy is just like that of Nicole, the goddess of victory. Humans have betrayed the goddess, so Dorothy wants to resist. This game player thinks that Dorothy should not resist because others do not resist? Looking at it from the perspective of that time, what would happen even if the demon was killed? Witches are forced to be beaten by everyone. The top management will not whitewash the witches if they are greedy. Because the top management is so powerful, the people at the bottom will not be able to get up in this life. What you are saying is that we have saved the world. We have sacrificed countless innocent people in exchange for a small number of people being permanently rich. We are too great, right? I know this article was written very early, but the poisonous point is the poisonous point. There are a lot of early online articles about selling wives. You can't stop others from talking about the poisonous points of this book, right? I feel that this is the biggest poisonous point of this article. I felt a little physically uncomfortable when I listened to this paragraph.

1. A common problem in male videos - the relationship line is sparse, and you don't have to write a lot, a lot of ambiguity, and don't accept it. It's like a castrated eunuch. He marries two women to pay back the mother-in-law. He is afraid that he will get angry when he takes care of the other, and he will get angry when he takes care of the other. There is almost no progress in this regard, just like a dead house. 2. The male protagonist is a bit too idealistic. Farming novels are all about hard-core reality. In terms of production, the aspect of climbing the technological tree can be a little vague, but your description is too ideal. It is child's play to just rely on a piece of paper to restrain an enemy who has just surrendered. Do you do this before you are invincible? Is it because you are afraid that the opponent will not bring in more powerful reinforcements? 3. The dream space is pure water and pure garbage. If you were to write about Alchemy Workshop, every bit of technological advancement would be better than this. A good farming article would have to include so many personal items.

The protagonist Roland is a member of the feudal ruling class, doing bourgeois things, dreaming of socialism, and fighting against the crisis of magic (￣▽￣)

This ending is so weird, the style is different from the previous one. This gate plan is like a deus ex machina. The protagonist's knowledge and methods are completely incomparable in front of the essence of civilization in the entire universe. The only way to compete with it is to throw away the settings in the last few chapters. Before the last divine messenger appeared, did the protagonist have any understanding of the so-called God and the world of consciousness? A bunch of oversized settings that have nothing to do with the previous article were hurriedly thrown away, and the super-intelligent AI was solved with a method that did not reflect the necessity of the protagonist. Ultimately, this ending makes everything the protagonist has done before become meaningless. It doesn't matter whether you can liberate the witch or not, and it doesn't matter whether you defeat the devil or not. As long as there is such a person who can see the gods and it's over, then why did you write the content of the previous thousands of chapters? I think this ending is quite a failure and a waste of good writing.

After reading it, strictly speaking, the following is not a farming article. The following is a stage-by-stage scoring discussion (out of 10 points) 1. The beginning ~ The church's decisive battle victory, 10 points, compact structure, unified style, group portrait + interaction, highlighting the environment and the growth footprints of the characters on the side. 2. First encounter with the dream world ~ the reality part, 4 points, very poor perception. It's all a running story with Zero. Is there any need for Zero's existence after the critical point? 3. Back to reality ~ Unify Graycastle, unite with Dawn, and defend Taquila. 8 Points. The numerical settings are slightly broken, and the sense of farming is beginning to be lacking, but the war descriptions are great, and there are many descriptions of small characters, so they are still full of vitality. 4. The red moon comes and the Devil King is destroyed, 7 points. The first half was very good, and Edith Blitz was even more praised. In the back, the coward Sky Lord and Love Brain's Silent Calamity jump back. Inventor Mask's hundreds of years of hard work, the devil's ace (floating city) was snatched away in seconds. The former's jump is understandable considering the conceptual factors, while the latter's pure wisdom. Coupled with the serious collapse of the numerical value, the productivity is obviously not up to par. It gives a feeling of forced victory. 5. After the devil's decisive battle, the door plan is revealed. 3 Points. The more I watch this, the more I feel sad. It's almost over. I don't know where Tianhai Realm is, let alone a bunch of inexplicable settings and unfilled holes. 6. The door plan is revealed ~ completed. 9 Points, I can only say that it is awesome. In less than 10 chapters, it fills in all the pitfalls. Even the "Gate Project" improves the previous perception, and the ending is satisfactory.

This kind of ending where people become souls, have no body, and can only live with each other in dreams is really shocking. Originally, what readers want to see is: Roland unifies the continent, defeats the devil, sits in peace, lives a down-to-earth life with Anna Nightingale, has the smoke and mirrors of a mortal, and can live a normal life together. As a result, he became a god and gave up his body. To put it bluntly, he became a lonely widow in disguise. Seeing that everyone was present, he was actually almost separated from heaven and humans forever, lacking the most real sense of completion. Furthermore, it was originally a farming industry stream. It did not write a good secular happy ending. It had to forcefully remove higher dimensions, conscious bodies, and guardians of the universe. In an instant, the taste completely changed. The more I watched, the more frustrated I became.

It's been at least half of the story since the idea of ​​planting an atomic bomb. When the atomic bomb appeared, the plot was much less attractive. I just wanted to see the atomic bomb. Could you please fill in this hole?

I first saw this book on QReader. Since QReader had a lot of non-fiction articles and I saw that this book was on the list, I jumped over it without looking carefully at the specific content. This jump is two years. Then I read in a book that witches had revived Western fantasy, so I planned to find time to read it. But when I found out that the original site was the starting point, I clicked in without hesitation. It took me two weeks to read it, and now I will briefly share my personal views. First of all, from the overall skeleton, The Witch meets the basic requirements of a complete novel. The important thing is that the logic is clear, the plot is coherent, and there are pitfalls that must be filled in (at least I didn't find the remaining pitfalls). Based on these alone, it has left many books behind. The second is the world view, and this is also my favorite part. If there was no "rule invasion" setting, I would have given up long ago. I am always disgusted with combining magic and technology for no reason, such as the mind weapons in "Super Seminary" and the soul-driven vehicles in "Douluo Dalu". In The Witch, magic is more like a specific energy than a single fighting effect. In addition, the world view allows the witch to be somewhat speculative and think about the fate of human civilization on a cosmic scale. Such a setting will satisfy readers more than simply telling a story, giving them a sense of superiority as they glimpse a corner of human destiny. The complete skeleton ensures that it will not fall apart, and the fresh flesh and blood makes the witch full of life. Witch makes the first productive force is an innovative saying, just like the official evaluation, it revitalizes the Western farming literature. The protagonist's view of witches is eye-catching. Goldfinger does not have much characteristics, but it is the key to advancing the plot, just like "The Sky". Although the sudden change in painting style later makes people overwhelmed, it is still within the acceptable range. The biggest joy is that modern weapons are put into the battlefield one by one, showing their majesty in front of the ancients, which proves the saying "Caliber is truth." To sum up, "Release the Witch" can be regarded as a masterpiece, bringing readers hearty scenes, and the author deserves to be recognized as a god.

I really want to complain about this author's aesthetics. The ring that Chief Knight Carter proposed to propose turned out to be a "yellow-orange-orange ring"... Does a diamond ring need platinum and diamonds to be beautiful? Gold and diamonds are old and tacky... There are also problems with the witch uniform designed previously. The maid outfit and cape witch hat cannot be saved no matter how much color matching is used. It is very inconsistent_(:з∠) _ I won't talk about Carter's appearance description. Narrow eyes... Would narrow eyes be handsome? Aren't narrow eyes a common appearance description for villains? Ni Ni has narrow eyes like that. Isn't she beautiful?

More than a thousand chapters are still digging holes, and you still act like the Riddler with a barren emotional line. It's really disgusting. . .

I haven't read online articles for many years. During this time, I came across the animated version and was immediately attracted. I searched for it and found out that it was a novel from Qidian. I stayed up late and read it for several days and finished it in one go. The last time I stayed up late to read an online article was in high school. Like it very much. The amount of information is too large and I can't remember many details. A few things I particularly like (possibly spoilers?): 1. The story's attitude towards the love line. It does not create a general harem and truly respects the feelings and characters. The love line is only used as an embellishment and does not affect the core plot. 2. Charming character creation: there is no doubt that the core heroine Anna is strong, brave, smart, determined, steadfast, and steadfast; the infinitely energetic Lightning, the plump and cute Maisie, the loyal (to Tilly) and reliable Ashes, etc., Each character is so lifelike that you can close your eyes as if they are right in front of you. 3. Mild and casual plot setting. There are no disgusting abusive masters, bloody coincidences, or the author's bad taste in the whole book. Instead, it vigorously emphasizes warmth, love, pride, etc. It is very enjoyable for readers. As I get older, I really can't stand it if there are plots about abusive masters. 4. The so-called "raging waves unfold". The dream world added in the middle and later stages of the novel is simply a stroke of genius. It solves the problem of "it is difficult to develop technology in a reasonable and in-depth manner based on memory" in one fell swoop. It also brings back popular exiting characters. After seeing this, I was a little bored at first, but suddenly I feel refreshed and I am even more looking forward to the follow-up. ps. I swear, it is definitely not a small account that receives good reviews. I can no longer find the account from ten years ago. I specially registered an account for this novel and made up for the full subscription. ps2. I hope that the negative comments in the comment area can be eliminated. If other fantasy fans cannot read this book because of the negative comments in the comment area, I am really sorry for you.

It's a really rare and good book. It's a pity that it's not finished, but it's still highly recommended.

Although the novel has been completed, and as an early novel, the subject matter is not bad, but it does not prevent me from complaining. First of all, it is a bit outrageous for a witch with real supernatural powers to be so miserable. Secondly, the protagonist's farming development is the most unbearable. He really uses the witch as a black slave. Starting from asking a single witch to draw ID cards for the whole town, it gradually becomes outrageous. This is barely reasonable, hundreds of them a day, but seeing how painting is used to make water pipes, and mugs are produced, no man, do you know how many water pipes are used in a town? Moreover, you are just a witch like this. What will you do if there is a country in the future? I am really exhausted.

The animation is good, and the novel is also good, but the setting is a bit messy, and the push to add the dream world and the divine war later is too hasty. When I saw the last chapter, it said that it is still a process of drawing a target first and then shooting an arrow. I personally feel that the setting that is beyond my ability really falls apart as soon as I write it, especially the part about gods. I feel disgusted when I see it. If you think the main chapter in the later period is the war of divine will, but you will spend a lot of time writing about the demon shadow, or you should not be so hasty to set up the setting and unfold it slowly. In fact, writing about the tactics, the process of lighting up the technology tree, reforming the business model, writing about the people's historical outlook, and changing the times are better than imposing a war of divine will.

I have seen a lot of discussions about the plot of Anna's Dungeon. To be honest, I feel more and more that what many people are discussing is not the work, but what they have made up in their own minds. When Anna made her first official appearance, what kind of situation was described in the original text? She is a malnourished refugee She was imprisoned in a prison, her cheeks were covered with dust and scars, she was malnourished and emaciated, waiting to die. The focus of the author's description is the persecution she suffered and the tragic situation when her extraordinary power was not used correctly. Of course, there will always be people who focus all their attention on the so-called "body", and even think that the author is deliberately sexualizing the character. That's the problem. The presence of nudity in literary works does not mean sexual description, nor does it mean sexualized characters. To judge the purpose of a plot, you should not just focus on whether the characters are wearing clothes, but should look at the atmosphere and emotions of the entire situation. In Anna's plot, I hope readers will feel the separation between the prisoner's identity and the power of the extraordinary witch, and the indifference in any sense brought about by her calm death. And compare it with other people's descriptions of why Roland saved her and why the witches later trusted him. This is a narrative of suffering, a divine narrative of strength, not an erotic narrative. If the image of an underage refugee covered in bruises, covered in dust, skinny bones, and long-term malnutrition, in the eyes of some people, the first thing they think of is not suffering, but desire, it at least shows that the dazzling repression has deviated from the text itself. In the opinion of some people, Anna is the heroine → The heroine should not be described in this way → There is something wrong with the author. The biggest loophole here is that "what kind of heroine I like" does not equal "what the heroine should be like". "Heroine" is not a moral attribute, nor is it the property of others. It is a narrative identity. Some people believe that Anna, as the heroine, was seen naked by others in the dungeon, so this is the so-called "cuckold plot". There is actually a big problem with this logic: She is not actively showing off, nor is she enjoying this state, nor is she establishing any intimate relationship with someone. She lost her normal living conditions while being persecuted and imprisoned. This plot expresses oppression and suffering, rather than the so-called "being taken away by others". In the situation described in the article, would the people present have desire for the refugees when they are scared to death? "Anna is the female protagonist, so her body belongs to the male protagonist; when other people see her body, the male protagonist is violated, which is the so-called cuckold plot. "But this premise itself has problems. There is nothing wrong with liking pure love and hoping for a pure relationship between the male and female protagonists. But pure love should not be based on treating the female protagonist as the male protagonist's private property. The outstanding character in the article is first of all a complete character, not an accessory to a certain character. If according to some people's logic, as long as the female protagonist encounters physical harm or humiliation in the plot, it is equivalent to the male protagonist being "hatred", then the experiences of the female protagonist in a large number of literature, film and television works will be simply classified into the same plot. This proves that you do not regard her as the same character as the male protagonist. , But a vassal and possession of the male protagonist. But normal narrative judgment would not be like this. What's more, Anna's experience in the dungeon just strengthened her identity as a victim, and also explained why she later developed trust and dependence on Roland. If the suffering of a victim is considered, Simply understood as "the male protagonist was cuckolded", it actually ignores the character's own situation and re-converts the victim's experience into the possessive perspective of the bystander. It is understandable to like pure love and hate certain plots, but "the heroine's body is seen by others, so it is a cuckold story" is not an analysis of the text. , But a general way of interpretation. But if you don't even read the work carefully, you only intercept a fragment, draw conclusions out of context, and even label people who seriously discuss the work, then the object of discussion is no longer "Let That Witch Go", but only "Let That Witch Go" in your own imagination. "Witch". As for the idea that online writing is about making people feel good, there is nothing wrong with the "good writing attribute" in itself, but it cannot be a reason to deny all plot designs. The purpose of this content is not to let readers see others admiring her body, but to establish a world view and shape character relationships. It allows readers to understand what happened to the witch in that era, and also allows Roland's actions to save her to be reasonable and contrastive. Discussing the work is of course not a perfect work. It starts in the middle period and the rhythm in the later period is chaotic and the ending is hasty. The boundaries are confusion and the breakdown of the rhythm of the article. There is even some meaning of being unfinished. It is normal to output these shortcomings, but the premise should at least be based on the text itself, rather than on out-of-context and preconceived impressions.

The setting of the dream world started to suck as soon as it was turned on. If you don't have to work hard, it's okay. As exciting as farming and fighting the church is at the beginning, it's so bad at the end. The author can't hold it back when the pit is too big. At the end, the protagonist directly becomes a god and saves the world, which made me happy😅😅. The front is obviously about farming in the Middle Ages and making hot weapons to fight the natives, but the "cultivation of immortality" is cheating later, right?

In the first five chapters of the novel, the male protagonist is really clever and makes him look like a reckless man. For example, what words he said to persuade the minister made me laugh. He has traveled to a real magical world, and he is still using the historical view of his previous world, talking about royal power and divine power. Since there is magic here, maybe divine power is higher than royal power? No matter what, we must thoroughly understand the current situation. There are also witches. Everyone is afraid of them, but he directly concludes that they are ignorant? ? ? You have traveled through time, and anything can happen, right? Why don't you study it carefully for a few days? The next day, you will personally dismantle the witch's control ring. If it weren't for the protagonist's halo, the witch's ability can kill everyone present instantly! ! ! But the animation has been changed very well. Many of the mentally retarded thoughts of the male protagonist have been deleted, making him look much more normal. Coupled with the dubbing by the voice actor, the voice expression seems very rational, so... If you can't stand the novel at the beginning, just watch the animation...

Since the characters of the fourth prince are poorly drawn, the protagonist is not fixed from my perspective. Anna's portrayal is worse than that of the protagonist, and she is completely unable to take on such an anthropomorphic role. Yes, I think the characterization of Nightingale is the most vivid, but the fourth prince constantly disgusted her and teased her, which really ruined the impression. Show me that you vomited. In one sentence, you will become a bz memorial arch.

Before the emergence of the dream world, I think it was pretty good-looking, although there were a lot of things that were not consistent with common sense. For example, automatic rifles are not designed to be weapons with no technical difficulty. It can be said that bullets are consumed a lot, but save a little and use two magazines per person. Normally, single points are fired, and the pressure is high. I wonder how much better it is than your lever rifle? There are also the abilities of witches. In the early stage, when there are only a dozen or so witches, all abilities are useful. Later, when there are dozens or hundreds of witches, they have no sense of existence. Besides, except for the dozen or so witches you recruited in the early stage, and the one or two hundred witches on Sleeping Island, it's like there are no witches elsewhere. There are nearly tens of millions of people in the four kingdoms, and there are only two to three hundred witches in total. And I feel that it is a bit deliberately suppressing development. The industrial system is driven by Anna and other witches, the medical system is driven by Nanava, and the agriculture is driven by leaves. But in your chemical system, don't you arrange a single witch? There is also the internal combustion engine. I personally think that this thing can be built with the power of a witch. You have oil and Anna, but you have been putting off building it. Anyway, there are all kinds of unreasonable things. I can only say that you have been suppressing development. Then after the dream world came out, the taste of the whole book changed. The dream world itself has practical value, but your writing method completely changed the taste of the book. Just write your farming article well, and don't bring in any miscellaneous things.

Isn't it a farming novel? Why is he falling in love with a machine tool and then falling in love with a killer?

In the field of Western fantasy online novels, "Let That Witch Go" is unique. It breaks out of the old routine of traditional heroes slaying dragons and fighting for hegemony and conquest. It focuses on farming development and technological innovation, and cleverly integrates magic with modern industrial civilization to build a different world with full logic and grand layout. The story begins with the exiled prince Roland, who unexpectedly accepted a witch who was hostile to the entire continent on the wild frontier. In an era when theocracy was supreme and ignorance was rampant, witches were regarded as evil and were hunted and persecuted. However, Roland used modern thinking to see through the worldly prejudices. He did not treat witches as tools, but faced up to their innate abilities, regarded magic as a special "talent", and led this group of girls in darkness to stand firm. The most touching thing in the novel is never just upgrading monsters and expanding power, but humanity and redemption. The author depicts dozens of witches with different personalities: some are ignorant and simple, some are tough and courageous, and some bear blood feud. They are no longer flimsy vases or fighting props. Each of them has a past, struggle and growth. Roland and the witches trust and support each other, creating a warm world in a cold and troubled world. The two-way bond is particularly touching. At the same time, the work completely unfolds an industrial revolution in a different world. From basic farming and weapon improvement to the gradual implementation of electricity, chemicals, and machinery, the scientific and technological line is rigorous and step-by-step. Combined with the special abilities of witches, the "magic + science" setting is natural. The territory develops from a barren wasteland to a powerful country, and it fights against the corrupt church, divided nobles, and powerful enemies from abroad. The plot progresses layer by layer and the rhythm is relaxed. It writes about wars and intrigues, but always sticks to the bottom line; it writes about the changes of the times, and never forgets the fate of individuals. The old theocratic order is crumbling, ignorant ideas are being shattered bit by bit, and the fire of civilization is starting a prairie fire on this continent. The flaws are not concealed. Some branches in the later stages are slightly delayed, but this does not affect its classic status in the slightest. This is not only an adventure novel from another world, but also a hymn about equality, courage, innovation and protection. When prejudice is broken, when talent is no longer slandered, every soul can live upright. This is the most touching core of "Release That Witch".

Overall it's pretty good to watch, Happyend is very civilized, and many of the supporting characters are very well portrayed. It's a pity that the ending ended too quickly. Can't we write more about how so many characters are doing now? 😭