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"Principles of Internet Literature Creation" is a masterpiece by Wang Xiang, a well-known online writing instructor. The author has more than 30 years of experience in literary creation research and teaching. Senior authors from many websites such as Qidian Chinese, Under the Banyan Tree, and Chinese Online have given high praise for his teaching. The creative principles and methods expressed in the book have provided important inspiration and enlightenment to many novel writers who encountered creative bottlenecks. By reading this book, you will understand: the "pleasure reward mechanism" of online literature, the main writing strategies, the aestheticization and ethical treatment of human desires and other important concepts. "The world bordering reality", "the world of fantasy novels", "Oriental mythology world", "science fiction world" and other classic model protagonists, plots set in several online novel worlds How to create novel characters such as objects of desire and emotional rivals, enemies and competitors, functional characters, etc. What important character archetypes can be used for reference, what functions the story has, and how the details should be polished to create an attractive storyline to stimulate creativity - break through bottlenecks - and finally complete the draft. This book will help you awaken those stories that have been stored in your mind.

Sha Yexin's "Interesting Words about Reading the World" is definitely different from "Words to Warn the World" and "Words to Awaken the World". It is less serious and less serious. There is no official word, no big reason. Some are just interesting people and interesting things, some are just funny words, and there is also a lot of humor and sarcasm, but they are all well-intentioned. Readers do not need to understand it carefully or study more. It is best to keep it by your pillow and read it to accompany you to fall asleep with a smile; you can also read it while going to the toilet to let the fun dissipate the smell. Readers can give it a try!

Mr. Cat has been trapped in the city for a long time, and accidentally decides to break the inertia of life and ride the Sichuan-Tibet Line. In July 2013, she set off from Beijing alone, starting from Chengdu, and rode along the southern Sichuan-Tibet line for 24 days to Lhasa. On the way, he experienced accidents such as high altitude sickness and car crashes, and he accompanied various teams from time to time, dividing and reuniting until he formed his own team. After recounting this real experience, the book reflects: "In fact, we never know who will accompany each other in life, we never know how long we can accompany each other, and we never know who will accompany us at the end, just like riding on the Sichuan-Tibet Line." It truly and vividly describes the beauty and risks of outdoor sports and everyone's growth on the road.

"Representative figure of Beijing-style literature" after Lao She, Manchu Yehenala. Grand-niece of Empress Dowager Cixi and niece of Empress Longyu. Look at the urban life and fireworks described by the "Gege" writer. Life is always like this, and people cannot be satisfied everywhere. But we still have to live passionately. There are many things worthy of love in a person's life. Don't be discouraged just because you are not satisfied with one thing. The author Ye Guangqin is a person who has experienced strong winds and waves. The prosperity, liveliness and joy of the family in childhood, the twists and turns and experiences in the early years of adolescence, experienced special periods, witnessed rapid changes, and experienced the warmth and cold. But she has an unyielding heart, extraordinary knowledge, is free and bold, and is very enthusiastic about life. The content of this collection of essays mainly revolves around the lively and turbulent life of his family: the countless sparks he encountered in his daughter Gu Dayu's growth and education, the stubbornness and loveliness of his ninety-year-old father-in-law and the younger generation of the new era (Gu Dayu), the excitement of living in Japan with her husband, various amusing and funny stories, and the two or three past events that are engraved in the heart when recording the medical experience. It mainly reflects the common but rare smell of human fireworks in daily life.

The author of this book measures the green waters and green mountains of the motherland with steps as a rule. From the plains in the northeast to the water towns in the south of the Yangtze River, from the fortress in the northwest to Yunnan and Guizhou in the southwest... Everywhere he goes, he uses realistic techniques to show readers the local customs and customs. With awe of nature, he explores ways of harmonious coexistence between man and nature. In his writings, there are not only beautiful rivers and mountains, but also the people who protect these beautiful scenery. This book combines scene description, narrative, lyricism, and reasoning. It is a rare ecological literature masterpiece that is both literary and realistic.

Qiuwei's 2019 new work perfectly writes the warmth and sentimentality of urban love. A truly enjoyable novella, a seamless reading experience. The relationship that exists may end, but the emotions that have touched your heart will not. Only love can give rise to the possibility of eternity in certain moments. Is there a person who makes you want to say to him when everything is boring: "Fortunately, you are in this world."

The topic "Photography Talk" originated from a conversation with photography critic Chen Xiaobo and photographer Lin Lu in early 2017. The topic mainly focused on whether the public's "photography view" is correct. I have been photographing for many years and have made many films. As an editor and professional judge of 1X, I can say that I have read and reviewed countless films over the years. We often calm down and think about why we take pictures, and what is the purpose of photography? How can we take photos that are thoughtful and lifelike? Today, as equipment becomes more and more advanced, if we stay at the level of equipment and technology for a long time, I believe photography will always stop at the level of "science and technology". Therefore, this "Collection of Photography Talks" will use the form of talks and strive to use 21 topics to change readers' views on photography. Why is it 21 Talks? 21 Talks comes from 3 weeks and 21 days (medical science believes that if you stick to the behavior for three weeks, the brain will truly begin to understand and consciously regard it as a natural habit).

This book is one of the "Collection of Masterpieces by Famous Chinese Essayists" and is edited by Gao Jun. "Many Years Later" includes literary works such as "Childhood", "Country Stage", "Autumn of Thirteen Years Old", "The Other Side of the Mountain", "Old Clock", "That Winter", "Silent Countryside", "Many Years Later", "Second Series: Where is the Hometown", "Where is the Hometown", "Chili Addiction", and "The Days of a Boy".

What is a classic? Constant recitation is a sutra, and constants are a code. Classics can withstand repetition. Often thought of, never forgotten. According to my understanding of classics, when writing, I always try to choose those immortal people, things, scenes, feelings, and principles. The time span of "Red Classic: Traces of the Moon" is nearly a hundred years, and it praises those who have made sacrifices and contributions to the Chinese revolution and construction. They are immortal; the time span of "Blue Classic: Looking Up at the Stars" is thousands of years, and it describes a large number of people who have made contributions to Chinese and world culture. Cultural celebrities and classic masterpieces, they (they) have retreated into history and become stars in the deep blue starry sky; "Green Classic Famous Mountains and Rivers" spans tens of thousands of years and describes the famous mountains and beautiful waters of the motherland. They have been recited by countless people throughout the ages. It is hoped that these classics salvaged from the past years can arouse readers' interest and thereby enjoy the beauty of literature.

There is a strange rouge body odor in Taipei, like a piece of balm mixed with various flower essences. It accidentally fell into a wrinkled waste pond, slowly relaxed in the rain and sun, came to life, evaporated the demonic mist in the clouds, and learned how to be a captive. People, let them suffer between wildness and conservatism, reincarnate in chaos and clarity, be entangled in obsession and oblivion, breathe between the sacred and the vulgar, wander between abandonment and return, and keep crawling in despair and longing. The book extensively records the trainee career of "I", a middle-aged soul who has not yet been cured of the chronic illness of wandering, in a city called "Taipei". Starting from "Rouge Basin", Jian Yue shifted his focus from the introspection of expressing personal experience in his early years to the observation of the gap between urban and rural areas and the human feelings in the world.

This book reinterprets literary classics from the perspective of the International Baccalaureate (IB) curriculum, covering many classics in ancient Chinese literature, modern Chinese literature, and foreign literature. The author Qian Jianan is both a senior IB Chinese teacher and a writer. In her Chinese literacy class, she uses critical reading as a tool to lead middle school students to read Chinese and foreign classics, read the entire book, and use this as a starting point for academic writing. In IB classes and exams, there are no longer standard answers for reference. As long as you learn to express your opinions clearly, logically, and with evidence, you can get high scores. Undoubtedly, although this kind of reading is difficult, it not only improves students' thinking and argumentation abilities, but also enhances the depth and breadth of their thinking. It is widely respected in the field of international education and has become a development direction of China's college entrance examination reform and has broad applicability. At the same time, this book helps improve readers' literary appreciation ability, and can also provide a valuable model for parents to help their children read the entire book.

This book contains more than 70 classic representative works of Mr. Xu Dishan, such as "Peanuts", "Mask", "Tired Mother" and other famous works. Among them, the classic prose "Peanut" is well-known because it has been included in Chinese textbooks and many extracurricular readings. In the article, Mr. Xu expressed his life pursuits with the "Peanut Spirit" of not envying the beautiful fruit branches, willing to be a peanut in the soil, and trying his best to be a useful person. In addition, Mr. Xu's many unique and philosophical works such as "Spring Forest" and "The Mother of All Things" are also cultural heritage pearls that cannot be ignored among the bright stars of the Republic of China.

What is a classic? Constant recitation is a sutra, and constants are a code. Classics can withstand repetition. Often thought of, never forgotten. According to my understanding of classics, when writing, I always try to choose those immortal people, things, scenes, feelings, and principles. The time span of "Red Classic: Traces of the Moon" is nearly a hundred years, and it praises those who have made sacrifices and contributions to the Chinese revolution and construction. They are immortal; the time span of "Blue Classic: Looking Up at the Stars" is thousands of years, and it describes a large number of people who have made contributions to Chinese and world culture. Cultural celebrities and classic masterpieces, they (they) have retreated into history and become stars in the deep blue starry sky; "Green Classic Famous Mountains and Rivers" spans tens of thousands of years and describes the famous mountains and beautiful waters of the motherland. They have been recited by countless people throughout the ages. It is hoped that these classics salvaged from the past years can arouse readers' interest and thereby enjoy the beauty of literature.

"Nv'er Hong" is a collection of Jian Yu's creations between 1991 and 1996. It is complementary to "Rouge Basin", which was written at the same time, but has different themes and expression methods. This book explores the inner world of women, listens to their voices, and gets a glimpse of their emotions. It uses a genre between prose and novels to travel between various female appearances in the past and present. It insists on self-gender typicality, tracking and searching, and by not flinching or hesitating, it can discover and copy the abundant magnificence and nobility in it.

The Hulunbuir Grassland is a paradise that everyone yearns for. The author uses the grassland town as a sample to make meticulous records and sincere and in-depth exploration of the ordinary joys and sorrows of the Mongolian herdsmen. The story is true and trivial but has supreme beauty, and after several years of reference and observation, it has sincerity and depth that cannot be copied. Encountering a grassland that can carry and tolerate everything, all restless souls can also settle and calm down. The beautiful scenery flows, and outside of time, you can meet your true self! Although he rewrites summer, the author meaningfully describes the white snowfields facing the green grassland in the distance. Because all life on the grassland must survive for five or six months in winters of minus 30 to 40 degrees Celsius. When the ice and snow melt, the grassland is dyed into endless green again in summer, and you can meet flowers, rivers, galloping horses, and all the abundant life again, just like your own rebirth!

Childhood sweethearts, childhood sweethearts. He has a love and marriage that is enviable by the world, but he suffers the pain of losing his wife and children in middle age, and he wanders away from home. Common people have food, food, and coke for life. She had the simplest and most simple life ideal, but she was still expelled by her parents-in-law. She was homeless and died in depression. This is a sad and pathos lyric poem. It begins with joy and ends with sorrow. A heart-wrenching classic and a heart-breaking legend. "Life Is Like a Dream: The Romantic Legend of Shen Fu and Yun Niang" is a crystal clear book written by Shen Fu, a master of Gusu in the Qing Dynasty, in memory of his beloved wife Chen Yun. Fu and Yun were supposed to be the most enviable couple in the world. They lived an ordinary and happy life, and then became unknown. However, because of their love of beauty and freedom, they ended up in a family that was not harmonious. Two hundred years later, scholar Liu Yi traveled through the thick mists of time, collected classics, soaked in painstaking efforts, traced the most real and moving traces of Fu and Yun, and recited the six dream-like floating lives in the deepest part of his soul. Dream bubbles come to life again.

Photographer Yan Ming's latest collection of essays following the best-selling books "I Love This Romance I Can't Cry" and "The Great Country" is the final chapter of the Growth Trilogy. The author uses warm and sincere words to record the experience of returning to his hometown after wandering for many years. Facing separation and loss, he rethinks his life course and career choices. In retrospect, there is hesitation, but also obsession and belief. More than 30 photography works are inserted into the book, using images to present the decisive moments in life, and using words to write the stories behind the photography.

The famous photographer Ruan Yi Zhong, known as the "enlightener and evangelist of world photography in China", has published his first collection of personal essays in thirty years. With a sincere and timeless pen, he reviews all the "imaginings, seeing and hearing" in his photographic art life. This book also contains nearly 50 photographic works of Ruan Yi Zhong and representative works of famous photographers such as Fang Dazeng and Lu Nan. Readers can get a glimpse of the story behind the lens of the "godfather of photography". The black and white images he captured complement each other and can be appreciated with pictures and texts, forming a complete journey of life.

This book is an academic essay by teacher Liu Chengji. The whole book uses time as the axis to run through the author's insights and thoughts on aesthetics, life, and many ordinary events in life. The writing is fresh, the emotions are sincere, the language is humorous, the meaning is profound, the ingenuity and clever writing are repeated, and it is highly readable. From it, we can see the wisdom and knowledge of a middle-aged scholar, and we can also feel the beauty that a person similar to us has in every detail of his life.

"Water Questions" is Jian Yu's first book. It uses the heart of a pure girl to narrate the transformation of life inside and outside the university campus. The writing style is natural and full of creative connotations. This book is divided into six volumes, beginning with "Hua Gao" and ending with "Hua Yin". The preface of each volume sets out the main theme, making the entire book continuous and integrated into the whole. Each chapter has its own meaning and is also the answer to the mystery of the whole book. Jian Yu hopes that through such a design, he can clearly record the historical traces of the past soul. "Shuiwen" is also called by Jian Yu as his "chronological history".

Jian Yue said that in "The Fainting Woods", "some are crawling through ordinary things, refining the taste of life, or nostalgic about old feelings in the hometown, or chatting about travels, what they saw and thought while reading, some are transformed into novelistic fables, or some are returning to oneself to record the experiences and insights of growth, creation, and dreams..." This is a collection of essays that Jian Yu records his ordinary life, nostalgia, travel, and reading experiences, and is exquisitely conceived.

Zou Taofen is an outstanding journalist, publisher and political commentator in modern history. He can be regarded as a model of a generation of Chinese intellectuals. From being a reporter and writing articles to running newspapers, magazines, and bookstores, he used cultural undertakings to arouse the people to resist Japan and save the country. In order to commemorate and inherit Taofen's spirit, this book selects some articles from books that record Zou Taofen's thoughts, spirit, and life, such as "The Complete Works of Taofen". Through Zou Taofen's colloquial, popular, humorous, or passionate words, we can understand his spiritual philosophy of "continuous struggle for cultural undertakings" and "dedicated service to readers." The articles, excerpts of historical materials and precious documents included in this book are not only of great significance to the study of Chinese publishing history and cultural history, but also show readers a publisher's profound thinking on the future of his career and country in the context of the times.

This collection of poems is divided into two chapters. Chapter One can be regarded as the author's own youth record, full of sincere and frank values ​​and unvarnished emotional journey. The author is good at focusing his poetic vision on the ordinary and small secular countryside scenes in life. All things are full of agility, and nature and people are integrated. In the second chapter, the author turns to his tender side and transforms into a Whitman-style modern urban youth who dares to express the joys, sorrows and joys of life. He is full of emotions and speaks freely.

This set contains 5 volumes, namely "The Return of My Own Farm", "I Still Have a Landscape to Complete", "Meet", "I Give You a Child" and "Immortal Insomnia".

In the form of essays, there are more than 20 articles describing the study supplies and Qing Dynasty offerings of ancient (Ming and Qing) literati, such as pen holders, ink cartridges, inkstones, paper weights, notes, Danhuang, examination baskets, book seals, Xinzixiang, silver garlic, bamboo lady, etc. Focusing on describing their use in the actual lives of literati, combined with relevant scenes in classical poems and novels, it not only shows the life interest of ancient literati, but also allows you to appreciate the sweetness of the fate of ancient scholars. The author's words are clear and fluent, the narration is simple and profound, and accompanied by exquisite pictures, it is both informative and interesting.

One book reveals the essence of Feng Tang's 30 years of creation. Regarding money, fame, victory or defeat, feelings, life, impermanence, ultimate, and the wisdom of life behind the golden thread, you can deeply understand it in this book. The book is divided into seven chapters such as how to be yourself, many great things have nothing to do with money, how to deal with emotions, and words defeat time. It includes essays, novels, and poems such as "How to Become a Monster," "You'll Get Old While You're Living," "Tea and Wine," "It's Hard to Be a Rogue All Your Life," "Love," and "Letter to My Daughter." Feng Tang's half-life collection of classics is written for his youth in the past, for his youth at this time, and for you in the spring breeze.

"Coco" says: "Death is not the end of life, forgetfulness is." This statement becomes more and more chewy. After the age of 35, I discovered that only by learning to forget can I live a relaxed life. When I was about to forget all this, I found that these stories could no longer be mentioned easily.

This book is a new collection of essays by Dao Erden. This book tells the author's views on tourism and tourism-related photography, accommodation, food, etc. From an alternative perspective. He sees what no one has seen before and inspires readers. There are a lot of aphorisms in the book, such as: "Every tree has a time when its leaves fall off, but as long as it still exists as a tree, the definition of a tree is still flowing in its veins." "Fear is modifying our curiosity and modifying our degree of satisfaction. This fear does not come from strange things that we may encounter, but from things that we already own, are familiar with, and are in order." And so on.

This is a collection of essays. The author reveals the despair and resistance of human nature in darkness through his family's life in the mining area. The scenes and stories are constantly changing, aiming to inspire readers to find the source of light. The mining area is a prototype, a metaphor, and a symbol of the plight of human existence. Dark, closed, and depressing. To face it bravely and see everything clearly, a writer must have light in his heart. Xia Yu is simple, not gorgeous; it is clear, not implicit; it is digging, not fragmented.

This is a set of words from a Yunnan writer in the border area. It does not suffer from the shortcomings of being complicated, gorgeous and intransitive. It uses extremely clear and pure words to describe the past, just like salvaging the traces of time... Wandering love, deep family affection, and endless nostalgia flow in his writings with perfection and beauty. The beauty and sadness are endless. This clarity and transparency are like the white clouds flowing and rolling on the Yunnan-Guizhou Plateau.

Mobile Internet, information overload, extensive reading, consumerism, entertainment to death... More and more people choose to obtain short-term and overdraft happiness on mobile phones, at the cost of blunted senses, physical and mental imbalance, loss of judgment and double fatigue afterwards, just like being drunk. Each article in this book attempts to reason with drunkards and pull them out of their careless habits to avoid becoming slaves of habits and concepts. The author Ji Zhongxian laughs and curses in this book, using the most popular language at the moment to convey the most anti-popular views. It is a sobering soup and a powerful medicine.

Only those who have experienced the ups and downs of starting a business will know it. This essay tells the story of the two years the author opened a factory in Ganzhou, using simple words to truly show readers the difficulty of starting a business.

From the perspective of the author's travel notes, this book comprehensively and systematically introduces great writers and works that have influenced the world and mankind, allowing readers to understand the stories behind the works. These great writers constitute the navigation map of the author's spirit, and are signposts or beacons. The author's visit to them is also a person's visit to another person, a life's visit to another life. The two people or two lives have the same qualities. They are equally sensitive, introspective and even vulnerable, and equally passionate about beauty and the poetry of the heart and spiritual creation.

Heifeng's inner vision and language penetration are really fascinating. Although his strange and cruel aura is sometimes puzzling and confusing, it is also fascinating. His words are the village or spiritual geography where his soul is rooted, where the sound of the poet's joints due to his growth will bring us unexpected surprises.

"The Distance Is the Voyage of Life: Fei Xiaotong's Essays from Outside the Territory" shows that while Fei Xiaotong traveled to Western countries, he gazed at and observed the Western world with the eyes of a sociologist. It recorded the conflicts between history and modernity, politics and economy, advanced science and technology and traditional culture, and showed people the kaleidoscope-like world on the "backside of the earth". At the same time, he cared about his motherland and had a long-term vision. He systematically compared and analyzed Eastern and Western societies, and put forward many novel viewpoints that were forward-looking and practical. His deep feelings for his family and country were revealed between the lines. This book mainly collects essays written by Fei Xiaotong during his study abroad and academic exchange visits abroad. This is a colorful description of social life outside the country from the perspective of a sociologist. This is a travelogue with both depth and warmth.

"May Someone Treat You Like the Same as Before: A Closer Look at the Dreamer of Red Mansions" interprets the twelve beauties of Jinling from the perspective of modern women. It goes beyond the numerous testimonies and the halo imposed on them to write about their pride, bitterness and tenderness. It can be said that it is both "the Red Mansion notes me" and "I note the Red Mansion". This book does not stick to textual research or restoration, but attempts to connect with them from past and present in the book and write about their real life situations.

"The World Is a Warm Station: Fei Xiaotong's Character Essays" is a collection of character essays by Mr. Fei Xiaotong. It records many characters and foreign historical celebrities around Mr. Fei Xiaotong, showing the style, belief and spirit of a generation. The spirit in them is precious and is what is gradually missing in today's society. It should arouse our vigilance and thinking.

This book is a book that expounds the knowledge and experience of collecting books in the form of prose. The book tells the history of book collecting since ancient times and the author's personal book collecting experience in vivid language. The content covers book collecting knowledge, ancient book collection, new literature collection, book talk, etc. The text is clear and clear, and the content is profound. It is suitable for book lovers to read.

"Two Lives in a Lifetime" is a literary work in the "Recounting the Past" series. Through combing through works, archives, memoirs, oral histories, and documents and newspapers, it re-unveils the past of a group of forgotten literati and their literary contributions. The "Recording the Past" series is a set of historical books that reorganize many historical events and characters, in a specific and microscopic way, focusing on big issues from a small perspective; and delving into the sea of ​​​​history to explore the origin or origin of events. This series not only contains narrations of celebrities, old news, and old objects, but also helps restore historical scenes obscured by those grand narratives.

This is a book about family, love, gardens and travel. The book tells the story of the author's wonderful experience of building a garden for his daughter and taking her on garden trips around the world in order to create a good environment for her daughter to grow up. This is a book about family, love, gardens and travel. The book tells the story of the author's wonderful experience of building a garden for his daughter and taking her on garden trips around the world in order to create a good environment for her daughter to grow up.

From "Footsteps are the Scale of Culture: Fei Xiaotong's Cultural Essays", readers can understand how Fei Xiaotong expresses his understanding and thinking about the rich Chinese culture through "things that everyone can see"; they can also feel the author's deep longing for his relatives, friends and teachers. You can understand the colorful description of social life observed through the eyes of a sociologist. The author has been engaged in sociology and anthropology research for a long time, and can often find shining points in the details of life. The selected articles range from teenagers to old age, with rich content and simple words.

Most of the essays included in the book are about food. As a senior foodie, the author writes about cross-bridge rice noodles, ice noodles, spring rolls, donkey meat barbecue, Korean cold noodles and other local delicacies in a mouth-watering way. Whether it's about describing the good restaurants you often visit or about your personal cooking experience, it's all very exciting. In addition to writing about food, the author also commented on the pros and cons of various food writing articles in articles such as "The Little Gourmet Meets the Old Gourmet". The two articles "Eating Poems" and "Chinese History through the Eyes of a Gourmet" connect the history of minimalist poetry and the history of China from the perspective of food, which is quite innovative. The travel essays collected in the book show a unique travel experience. It is not just a quick tour, but an in-depth understanding of folk customs and becoming friends with ordinary people and field elders.

Everyone has their own city imprint, whether it is the hometown where they were born, the city where they work hard, or the land where they want to spend their entire lives. "Falling in Love with a City: The First Heart Is Still the Same, We Will Always Meet Again" mainly collects the author's essays about famous cities such as Nanjing, Yangzhou, Suzhou, Baoding, and Kaifeng, expressing his nostalgia for the past, lamenting the changes of the times, and looking forward to the future of the city. The clues in the full text are from north to south, recording the footprints of twenty-four cities. Read history in poetry and savor the memory of today's city in history.

"The Idle Man in the Countryside" is the third part of An Ning's "Rural Trilogy". The first two parts are "Our Disappearing Rural Life" (2016.3, Huangshan Publishing House) and "Forgotten Plants in the Countryside" (2016.7, Beijing United Publishing Company). The selected cases in the book represent the composition of most rural areas in China, such as village chiefs, vendors, rural doctors, craftsmen, college students, singles, etc. The joys and sorrows of these individual characters also represent the living conditions of most ordinary people in rural areas. Especially in the current development process of urbanization, farmers have been severely impacted, and their daily lives and life experiences have the value of expression. Rural literature needs to use warm and compassionate writing to show the joys and sorrows of life and the ups and downs of fate of ordinary people in rural areas.

Wen Yajun is good at capturing novel materials from the human geography of the frontier from a unique perspective, and then integrating his own youthful feelings and life experiences. He often writes with charm in the plain, and contains cleverness in the simplicity. As a result, the sacred, mysterious and mythical desert border becomes lovely, touchable and fascinating.

From his early years in the village called Huangshaliang, he began to understand and experience the world, and feel the sleeping and waking up on the land. Now he has built Mulei Academy in Caizigou. He still regards the donkey as his confidant and sees the time from dawn to dusk. In his writing career of nearly thirty years, Liu Liangcheng has been committed to being an idler and creating a language system to communicate with all things in the world. And the words in his writing that are like wings carry the fear, suffering, joy, and heaviness of the land, dragging the dust with them, flying into the sky, and leading us to look up at the leaves and dust. In this book, Liu Liangcheng looks back at the spiritual origins of his literary world, tells his emotions about his hometown and homeland, and shares the wisdom he gained from daily chores and his understanding and thinking about prose writing... These detailed conversations are like the noise that occurs in folk walls and courtyards again and again. When the conversation is hearty, the language begins to break away from trivial matters and takes on an upward trend, as if it can fly. The noise reaches the deserted place and the chat reaches the sky. It is already the end of the language, but it seems to be the beginning of another sentence.

"Literature will never die" is Bai Xianyong's resounding prediction about the future of literature. This book is the crystallization of Bai Xianyong's thoughts and research after reading other literary and artistic texts: the first part starts from Hong Kong and Taiwan literature, exploring the immortal aesthetic value of contemporary literary works; the second part affectionately recalls the creative stories of literary predecessors and peers; finally, the author returns to the world of classical literature, because here is a source of living water that truly guarantees the eternity of literature.

This book is a collection of essays, a publication project funded by the Excellent Academic Monograph Publishing Fund of Weinan Normal University. The author of this book is a teacher at the School of Liberal Arts of Weinan Normal University. The author is constantly writing and has published a collection of essays "A Petal of Fragrance in the Heart". "Yun Juan Yun Shu" is divided into five chapters: Dream Search - Knowledge - Thoughts - Reading - Review. It collects 51 articles written by the author since the publication of "A Petal of Heart Fragrance" in 2011.

Han Shiwei is a water conservancy engineer, but he loves classical poetry. He wrote more than a hundred poems and lyrics in his spare time, which he compiled into a volume called "Autumn Ode". The author has reached an octogenarian age, and the selected works in the collection of poems span several decades. They are wonderful records of the author's life, full of true feelings and deep feelings. The original name of this book is "Weishui Collection". The topic has been applied for and reviewed by the bureau. This time, the author has considered many aspects and decided to change the title. The text content has not been changed. Dozens of pictures of calligraphy works and photos of the author have been added. The content is substantial and readable.

This is a humanistic monograph that contains the true experience of life, a nostalgic work with a unique free and wild spirit. Through the full coverage of life experience, the author traces his roots and thoughts in the land of his hometown with a deep nostalgia. The exquisiteness of his writing style, the unique insights, the revelation of true feelings, and the ancient thoughts are the pinnacle of rural literature that is rare in this era.